Native Sense - The New Duets

Native Sense - The New Duets is an album by vibraphonist Gary Burton and pianist Chick Corea released in 1997 on the Concord label. The album is the fourth studio recording by the duo following Crystal Silence (1972), Duet (1978) and Lyric Suite for Sextet (1982). The album peaked number 25 in the Billboard Top Jazz Albums chart.[1]

Native Sense - The New Duets
Studio album by
Released1997
GenreJazz
Length64:11
LabelConcord
ProducerChick Corea, Ron Moss
Gary Burton chronology
Departure
(1997)
Native Sense - The New Duets
(1997)
Like Minds
(1998)
Chick Corea chronology
Remembering Bud Powell
(1997)
Native Sense - The New Duets
(1997)
Live at the Blue Note
(1998)

Reception

The AllMusic review by Richard S. Ginell awarded the album 4 stars stating "This is the product of two mature masters in their mid-fifties from the jazz-rock era who know precisely what they want from their instruments and reject stylistic boundaries".[2]

Professional ratings
Review scores
SourceRating
AllMusic[2]

Track listing

All compositions by Chick Corea except where noted.

  1. Native Sense" 6:29
  2. "Love Castle" 7:25
  3. "Duende" 8:03
  4. "No Mystery" 9:05
  5. "Armando's Rhumba" 3:43
  6. "Bagatelle #6" (Béla Bartók) 1:14
  7. "Post Script " 5:44
  8. "Bagatelle #2" (Béla Bartók) 2:46
  9. "Tango '92" 4:58
  10. "Rhumbata" 9:34
  11. "Four in One" (Thelonious Monk) 5:10

Personnel

Other credits
  • Gildas Boclé photography
  • Evelyn Brechtlein production coordination
  • Jordan d'Alessio assistant engineer
  • Bernie Kirsh engineer, Mixing
  • Darren Mora assistant engineer
  • Ron Moss executive producer
  • Robert Read assistant engineer
  • Alan Yoshida mastering

Chart performance

YearChartPosition
1997 Billboard Top Jazz Albums 25[1]

References

  1. "Native Sense: The New Duets - Chick Corea | Awards | AllMusic". allmusic.com. Retrieved 25 April 2014. Top Jazz Albums
  2. Ginell, Richard S. "Native Sense: The New Duets - Chick Corea | Songs, Reviews, Credits, Awards | AllMusic". allmusic.com. Retrieved 25 April 2014. This is the product of two mature masters in their mid-fifties from the jazz-rock era who know precisely what they want from their instruments and reject stylistic boundaries.
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