Nina Menkes

Menkes was born in Ann Arbor, Michigan.[2]^:82 In 1977 she took a BA from the University of California at Berkeley,[1]^:202 and in 1987 completed a Master of Fine Arts at the University of California at Los Angeles.[2]^:82 From 1985 to 1989 she taught in the film department of California State University, Northridge, and then, from 1990, at the California Institute of the Arts in Santa Clarita; she became an adjunct professor in film at the University of Southern California in the same year.[2]^:82

Films by Menkes include:

• A Soft Warrior, 1981, an eleven-minute short[3]
• The Great Sadness of Zohara, 1983, which was first shown at the Melnitz Theatre of the University of California, Los Angeles, in 1984, and later in the same year at the Edinburgh International Film Festival and the Mannheim International Film Festival; also in 1984, it was awarded a special jury prize at the San Francisco International Film Festival and a silver medal at the Houston International Film Festival[2]^:82[3]
• Magdalena Viraga, 1986, had its première at Film and Television Archives of the University of California, Los Angeles, and won the Best Independent-Experimental Film Award of the Los Angeles Film Critics Association; it was shown at the Festival du Nouveau Cinéma in Montreal in both 1986 and 1987, and at the Toronto International Film Festival and the Whitney Biennial in 1987.[2]^:83
• Queen of Diamonds, 1990, had its first showing in January 1991 at the Sundance Film Festival in Park City, Utah, and in 1992 was shown at the Munich International Film Festival.[2]^:83 Tinka Menkes plays a croupier in a casino in the desert.[6] It was restored by The Film Foundation and the Academy Film Archive in 2018, and was shown at the AFI Fest in November of that year.[6][5]
• The Bloody Child, 1996, was based on a murder; it was the last film Menkes and her sister Tinka made together, and the last film she made for about ten years.[3]
• Massacre (Massaker), 2005: camera, with co-directors Monika Borgmann, Lokman Slim, Hermann Theissen[7]
• Phantom Love, 2007[8][9]
• Dissolution (Hitparkut), 2010, was filmed in black and white and is set in Israel.[3][4][8]

In 2018 Menkes presented an illustrated talk on "Sex and Power, the Visual Language of Oppression" in several venues, among them the Cannes Film Festival in Cannes and the Sundance Film Festival in Park City, Utah.[10]

Menkes became a fellow of the American Film Institute in 1991. She received a Guggenheim Fellowship in 1992,[2]^:82[11] and in 1993 was an artist-in-residence in Berlin under the DAAD Artists-in-Berlin Program.[2]^:82

She has been nominated for a number of awards, and has won:

• 1986, Los Angeles Film Critics Association, Independent/Experimental Film and Video Award for Magdalena Viraga
• 2005, Berlin International Film Festival, FIPRESCI Prize for Panorama for Massaker
• 2007, World Film Festival of Bangkok, Special Jury Prize for Phantom Love[12]
• 2010, Jerusalem Film Festival, Anat Pirchi Award for Best Drama for Hitparkut.
• 2019, a lifetime achievement award at the Festival Internacional de Cine de Mar del Plata, where a complete retrospective of her work was also shown.[13]

Two of Menkes' films—Magdalena Viraga and Queen of Diamonds—have been preserved by the Academy Film Archive, in 2012 and 2019, respectively.[14]

• "Cinemad: podcast #1: Nina Menkes". Cinemad.iblamesociety.com. 3 October 2008. Retrieved 13 December 2012.
• Bérénice Reynaud (16 March 2008). "Nina Menkes: The Warrior and her Jiang Hu". Senses of Cinema. Retrieved 13 December 2012.
• Thomas, Kevin (7 September 2000). "Going Really Big - Los Angeles Times". Articles.latimes.com. Retrieved 13 December 2012.
• (http://creative-capital.org/projects/view/739)
• David E. James (16 March 2008). "Interview with Nina Menkes". Senses of Cinema. Retrieved 13 December 2012.
• "Transfax Film Productions – The Movie "Dissolution"". Transfax.co.il. 29 August 2012. Retrieved 13 December 2012.