Pablo Honey

Pablo Honey is the debut album by English rock band Radiohead. It was released on 22 February 1993 in the United Kingdom by Parlophone and in the United States by Capitol Records. It was produced by Sean Slade, Paul Q. Kolderie and Chris Hufford, and recorded at Chipping Norton Recording Studios in Oxfordshire from September to November 1992. As of 1995, Pablo Honey had sold more than one million copies worldwide.[1]

Pablo Honey
Studio album by
Radiohead
Released22 February 1993
RecordedSeptember–November 1992
Studio
Genre
Length42:11
Label
Producer
Radiohead chronology
Drill
(1992)		 Pablo Honey
(1993)		 Itch
(1994)
Radiohead studio album chronology
Pablo Honey
(1993)		 The Bends
(1995)
Singles from Pablo Honey
  1. "Creep"
    Released: 21 September 1992
  2. "Anyone Can Play Guitar"
    Released: 1 February 1993
  3. "Stop Whispering"
    Released: 5 October 1993

Pablo Honey peaked at number 22 on the UK Albums Chart, and received generally favourable reviews, but some criticised its grunge sound as derivative and found certain songs underdeveloped. The album is often held in a negative light in comparison to the band's later work, although some retrospective reviews have been positive. Pablo Honey produced three charting singles – "Anyone Can Play Guitar", "Stop Whispering", and "Creep" – and was certified platinum in the United Kingdom and other countries.

Background

The members of Radiohead met while attending Abingdon School, an independent school for boys in Abingdon, England.[2] In 1985, they formed On a Friday, the name referring to their usual rehearsal day in the school's music room.[3] They signed a six-album recording contract with EMI in late 1991,[4] and changed their name at EMI's request; "Radiohead" was taken from the song "Radio Head" on the Talking Heads album True Stories (1986).[4] Radiohead recorded their debut release, the Drill EP, with their managers Chris Hufford and Bryce Edge at Courtyard Studios. Released in May 1992, its chart performance was poor.[3]

Recording

Radiohead enlisted Paul Kolderie and Sean Slade, who had worked with US indie bands Pixies and Dinosaur Jr., to produce their debut album.[3] The bulk was recorded in autumn 1992. Recording sessions were completed very quickly, as the band had been playing many of these songs for years. However, what ended up on Pablo Honey represents only a fraction of their On a Friday-era recorded material, with very little overlap with earlier demos. The album was later described by guitarist Ed O'Brien as "a collection of our greatest hits as an unsigned band",[5] with smooth sonic textures, anthemic vocals, and walls of guitar noise. However, "Prove Yourself", which had led off Drill, reappears in a different recording, as do "You" and "Thinking About You" in reworked versions.

The album title comes from a prank call skit by the Jerky Boys, in which the caller poses as the victim's mother and says: "Pablo, honey? Please come to Florida." Yorke said: "'Pablo Honey' was appropriate for us, being all mothers' boys." Radiohead sampled the sketch during the guitar solo on "How Do You".[6]

Critical reception
Professional ratings
Contemporary reviews
Review scores
SourceRating
Entertainment WeeklyB[7]
Los Angeles Times[8]
NME7/10[9]
Q[10]
Select3/5[11]

In the heavy alternative musical climate of 1993, Pablo Honey did not receive particular attention. However, several publications were enthusiastic about the band's forthcoming debut release, with NME referring to Radiohead as "one of rock's brightest hopes."[9] Pablo Honey would not garner the widespread acclaim of Radiohead's subsequent releases, but received a generally favourable critical reaction. Remarking that "British teenagerhood has never been grumpier," Q felt that it was a "good" album whose "best bits rival Nirvana, Dinosaur Jr. and even the mighty Sugar."[10] NME's John Harris criticised the presence of certain tracks he deemed "forgettable", noting that "How Do You?" "breaks the momentum... horribly", but nonetheless called Pablo Honey "one of those flawed but satisfying debuts that suggests Radiohead's talents will really blossom later on."[9] The magazine placed the album at number 35 in its year-end list for 1993, describing it as "a throwback to a homegrown tradition of great guitar-band albums."[12]

In the United States, the band's debut single, "Creep", prompted industry observers and fans to draw parallels between Radiohead and Nirvana, with some even touting Radiohead as the "British Nirvana".[13] Several music publications gave Pablo Honey positive reviews. Billboard said of the album: "Certain tracks here may remind listeners of U2 (thanks largely to Thom E. Yorke's vocal mannerisms and overall guitar texturing), but lyrics have enough bite to make it on their own."[14] Marisa Fox of Entertainment Weekly opined that the album "mates Smiths-type self-consciousness with dramatic U2-like vocals and guitar, with Cure-style heavy but crunchy pop."[7] In a mixed review, Mario Mundoz of the Los Angeles Times wrote that the album "doesn't really deliver anything you haven't heard before, steering too close to Smiths-like melodies and trying ever so hard to be depressed in the way the Cure popularized. Occasionally, though, it does offer clever lyrics and good hooks."[8] Robert Christgau of The Village Voice did not recommend the album, but named "Creep" as a "choice cut".[15] Rolling Stone wrote in its year-end review that "what elevates them to fab charm is not only the feedback and strumming fury of their guitarwork and the dynamism of their whisper-to-a-scream song structures, which recall the Who by way of the early Jam, but the way their solid melodies and sing-along choruses resonate pop appeal."[16]

Legacy
Professional ratings
Retrospective reviews
Review scores
SourceRating
AllMusic[17]
The A.V. ClubB−[18]
Blender[19]
Encyclopedia of Popular Music[20]
The Irish Times[21]
Pitchfork5.4/10[22]
Q[23]
Rolling Stone[24]
The Rolling Stone Album Guide[25]
Uncut[26]

Although Pablo Honey was not met with the critical fervour that Radiohead's later albums were, it has received praise in retrospective coverage. In 1998, a Virgin poll saw Pablo Honey voted 100th in the all-time top 1000 albums,[27] while Q magazine readers voted it the 61st greatest album of all time.[28] In 2004, Q included "Lurgee" and "Blow Out" in a list of twenty essential, lesser-known Radiohead songs as part of their "1010 Songs You Must Own" feature.[29] In 2006, Classic Rock and its sister publication Metal Hammer included Pablo Honey in their "200 Greatest Albums of the 90's" list as one of the 20 greatest albums of 1993.[30] In 2008, Blender placed the album 82nd in a feature entitled "100 Albums You Must Own", writing: "Self hate couldn't have found a better British exemplification with this band's debut single, which hit the world as part of an album that constructed walls of crunchy guitar tones amidst the dark lyrical content."[31] In 2009, Amazon editors ranked Pablo Honey 26th in their "The 100 Greatest Debut Albums of All Time" list.[32] It was voted number 301 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[33]

Retrospectively, Stephen Thomas Erlewine of AllMusic called Pablo Honey "a promising collection that blends U2's anthemic rock with long, atmospheric instrumental passages and an enthralling triple-guitar attack that is alternately gentle and bracingly noisy. The group has difficulty writing a set of songs that are as compelling as their sound, but when they do hit the mark... the band achieves a rare power that is both visceral and intelligent."[17] In a 2008 review, Al Spicer of BBC Music described the album as Radiohead's "exploration of suburban, adolescent self-awareness", concluding: "It all resulted in a stunning blend that combined the best aspects of prog rock... with the plaintiveness of bedsit singer song-writing and the sound of expensive equipment thrashed at by experts. Though later albums were better received, this remains one of rock's most impressive debuts."[34] In a review for Amazon.com, critic Louis Pattison said of the album: "Pablo Honey... is much more than filler. 'Anyone Can Play Guitar' is certainly as good as 'Creep'; swathed in walls of feedback, it races blindly into an apocalyptic chorus ... indie-rock seldom got better than this."[35]

In 1996, Colin Greenwood said: "I'd give it a seven out of 10 – not bad for an album recorded in just two and a half weeks."[36] However, the following year, guitarist Ed O'Brien said: "Heaven forbid anyone should judge us on Pablo Honey. We were in hock to Dinosaur Jr. and the Pixies up to our eyeballs."[37] In 2009, PopMatters' Mehan Jahasuriya criticised the album as "a hodgepodge of half-baked grunge, jangle-pop and stadium-ready alternative rock ... nearly indistinguishable from other early '90s college rock throwaways, save for a few hints of greatness".[38]

Reissues

On 31 August 2009, EMI reissued Pablo Honey in a "Collector's Edition" with additional B-sides and live performances. Radiohead had no input into the reissue and the music was not remastered.[39] In February 2013, Parlophone was bought by Warner Music Group (WMG).[40] In April 2016, as a result of an agreement with the trade group Impala, WMG transferred Radiohead's back catalogue to XL Recordings. The "Collector's Editions" of Radiohead albums, issued without Radiohead's approval, were removed from streaming services.[41] In May 2016, XL reissued Radiohead's back catalogue on vinyl, including Pablo Honey.[42]

Track listing

All lyrics are written by Thom E. Yorke; all music is composed by Radiohead (Yorke, Jonny Greenwood, Phil Selway, Ed O'Brien and Colin Greenwood); except where noted.

No.TitleLength
1."You"3:29
2."Creep" (music composed by Radiohead, Mike Hazlewood and Albert Hammond[43])3:56
3."How Do You?"2:12
4."Stop Whispering"5:26
5."Thinking About You"2:41
6."Anyone Can Play Guitar"3:38
7."Ripcord"3:10
8."Vegetable"3:13
9."Prove Yourself"2:25
10."I Can't"4:13
11."Lurgee"3:08
12."Blow Out"4:40
Total length:42:11
"Collector's Edition"/"Special Collector's Edition" Disc 2
No.TitleLength
1."Prove Yourself" (demo)2:33
2."Stupid Car" (demo; music by Yorke and J. Greenwood)2:25
3."You" (demo)3:24
4."Thinking About You" (demo)2:15
5."Inside My Head"3:11
6."Million Dollar Question"3:18
7."Yes I Am"4:25
8."Blow Out" (remix)4:18
9."Inside My Head" (live)3:05
10."Creep" (acoustic version)4:18
11."Vegetable" (live)3:08
12."Killer Cars" (live)2:14
13."Faithless, The Wonder Boy"4:13
14."Coke Babies"2:59
15."Pop Is Dead"2:12
16."Banana Co." (acoustic version)2:26
17."Ripcord" (live)3:15
18."Stop Whispering" (U.S. version)4:11
19."Prove Yourself" (BBC Radio 1 session, 22/06/92)2:28
20."Creep" (BBC Radio 1 session, 22/06/92)4:02
21."I Can't" (BBC Radio 1 session, 22/06/92)3:55
22."Nothing Touches Me" (BBC Radio 1 session, 22/06/92)3:49
Total length:72:04
"Special Collector's Edition" DVD
No.TitleLength
1."Creep" 
2."Anyone Can Play Guitar" 
3."Pop Is Dead" 
4."Stop Whispering" 
5."Creep" (Live on Top of the Pops, 16/09/93) 
6."You" (Live at the Astoria, London, England, 27/05/94) 
7."Ripcord" (Live at the Astoria, London, England, 27/05/94) 
8."Creep" (Live at the Astoria, London, England, 27/05/94) 
9."Prove Yourself" (Live at the Astoria, London, England, 27/05/94) 
10."Vegetable" (Live at the Astoria, London, England, 27/05/94) 
11."Stop Whispering" (Live at the Astoria, London, England, 27/05/94) 
12."Anyone Can Play Guitar" (Live at the Astoria, London, England, 27/05/94) 
13."Pop Is Dead" (Live at the Astoria, London, England, 27/05/94) 
14."Blow Out" (Live at the Astoria, London, England, 27/05/94) 

Personnel

Radiohead

Production

Design

  • Icon – design
  • Lisa Bunny Jones – paintings
  • Tom Sheehan – photography

Charts
Chart (1993–1994) Peak
position
Australian Albums (ARIA)[44] 86
Dutch Albums (Album Top 100)[45] 61
New Zealand Albums (RMNZ)[46] 44
UK Albums (OCC)[47] 25
US Billboard 200[48] 32
Chart (1996–1997) Peak
position
Belgian Albums (Ultratop Flanders)[49] 38
Belgian Albums (Ultratop Wallonia)[50] 28
Swedish Albums (Sverigetopplistan)[51] 56
Chart (2003) Peak
position
French Albums (SNEP)[52] 108
Swiss Albums (Schweizer Hitparade)[53] 91
Chart (2010) Peak
position
Spanish Albums (PROMUSICAE)[54] 91

Certifications
Region CertificationCertified units/sales
Argentina (CAPIF)[55] Gold 30,000^
Australia (ARIA)[56] Gold 35,000^
Belgium (BEA)[57] Platinum 50,000*
Canada (Music Canada)[58] 2× Platinum 200,000^
Netherlands (NVPI)[59] Gold 50,000^
United Kingdom (BPI)[60] 2× Platinum 600,000^
United States (RIAA)[61] Platinum 1,520,000[62]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Notes

    References
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    2. McLean, Craig (14 July 2003). "Don't worry, be happy". The Sydney Morning Herald. Archived from the original on 12 June 2018. Retrieved 25 December 2007.
    3. Mac Randall (1 April 1998). "The Golden Age of Radiohead". Guitar World. Archived from the original on 3 September 2017. Retrieved 17 October 2019.
    4. Ross, Alex (20 August 2001). "The Searchers". The New Yorker. Archived from the original on 14 February 2008. Retrieved 16 March 2011.
    5. Randall, Mac (2012). Exit Music: The Radiohead Story Updated Edition. p. 121. ISBN 9781617130472. Ed O'Brien has described the album, truthfully but rather condescendingly, as 'a collection of our greatest hits as an unsigned band'
    6. Runtagh, Jordan (22 February 2018). "Radiohead's 'Pablo Honey': 10 Things You Didn't Know". Rolling Stone. Archived from the original on 11 August 2019. Retrieved 9 September 2019.
    7. Fox, Marisa (14 May 1993). "Pablo Honey". Entertainment Weekly. New York. p. 56. Archived from the original on 17 October 2012. Retrieved 22 May 2012.
    8. Munoz, Mario (27 June 1993). "Radiohead, 'Pablo Honey,' Capitol". Los Angeles Times. Archived from the original on 26 December 2010. Retrieved 6 July 2020.
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    10. "Radiohead: Pablo Honey". Q. No. 79. London. April 1993. p. 86.
    11. Lamacq, Steve (April 1993). "Radiohead: Pablo Honey". Select. No. 34. London. p. 80.
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