Phaedra (album)

On hearing a set of recordings Edgar Froese and Christopher Franke had made earlier in the year at Skyline Studios in Berlin, Virgin Records' Richard Branson offered the group a five-year contract and was keen for them to record in UK. A modular Moog synthesizer was bought with the advance and the trio arrived at The Manor, in Shipton-on-Cherwell, Oxfordshire in the winter of 1973.[9]

The entire album was recorded in less than six weeks, with the first recording session taking place on 20 November 1973. Some of the music was recorded with the help of Froese's wife, Monique. Interviewed by Mark J. Prendergast, Froese recalled:

Phaedra was the first album in which many things had to be structured. The reason was that we were using the Moog sequencer (all driving bass notes) for the first time. Just tuning the instrument took several hours each day, because at the time there were no pre-sets or memory banks. We worked each day from 11 o'clock in the morning to 2 o'clock at night. By the 11th day we barely had 6 minutes of music on tape. Technically everything that could go wrong did go wrong. The tape machine broke down, there were repeated mixing console failures and the speakers were damaged because of the unusually low frequencies of the bass notes. After 12 days of this we were completely knackered. Fortunately, after a two-day break in the countryside a new start brought a breakthrough. "Mysterious Semblance" was recorded on Dec 4th. Pete and Chris were asleep after a long day's recording session so I invited my wife, Monique, into the studio. I called in the studio engineer and recorded it in one take on a double-keyboarded Mellotron while Monique turned the knobs on a phasing device. This piece is on the record exactly as it was recorded that day. And this practice was to continue for the rest of the session.[9]

The title track was originally based on an improvisation recorded in the studio, and unintentionally exhibits one of the limitations of the analog equipment used at the time. As the equipment warmed up, some of the oscillators began to detune (they were highly temperature-sensitive), which was responsible for some of the changes in the music towards the end of the piece.

Both the title track and "Movements of a Visionary" rely on Franke's use of the Moog analog sequencer as a substitute for bass guitar. "Mysterious Semblance at the Strand of Nightmares" features Froese soloing on a Mellotron which is treated to slowly sweeping filter effects. "Sequent C'" is a short but memorable piece by Peter Baumann on flute, with tape echo.

The sleeve design and cover painting are by Froese.[10]

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Head Heritage	positive[11]
Sputnikmusic	5/5[2]

The All Music Guide to Electronica describes the album as a milestone for the band as "one of the most important, artistic, and exciting works in the history of electronic music".[12] Phaedra is commonly cited as one of Tangerine Dream's best albums[13][14] and is listed in 1001 Albums You Must Hear Before You Die.[15] In the Q and Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album also came in at 38 in its list of "40 Cosmic Rock Albums".[16]

Writing in his 2000 Ambient Century, Mark J. Prendergast describes the title track: "At over 17 minutes it conveyed feelings of the cosmos, of giant suns exploding, of huge ocean movements, of mythological lands, of eddies and drifts. Layer upon layer of futuristic sounds piled one on top of the other until the whole thing climaxes in some interstellar void."[9]

The title track and "Mysterious Semblance at the Strand of Nightmares" are both featured in the 2018 interactive Netflix film Black Mirror: Bandersnatch. The protagonist Stefan receives a list of music recommendations, featuring such artists as Edgar Froese, Tangerine Dream, Bauhaus and The Cure. After thumbing through the records in the record shop, Stefan has to decide between two albums: Tangerine Dream's Phaedra and Isao Tomita's The Bermuda Triangle.[17]

Note: Some CD releases from 1995 and 2005 have slightly different lengths

A New CD version was issued in 2019 re-mastered from the original master tapes. It contained the extra bonus tracks "Phaedra" and "Sequent C'". Both are stereo remixes by Steven Wilson.

A promotional single was released in 1974, in the U.S, on the Virgin label, with excerpts of two tracks.[19][20]

• Berling, Michael (29 September 2016). "Phaedra". Voices in the Net.
• Phaedra at Discogs (list of releases)