Shonda Rhimes

After graduation, Rhimes was an unemployed scriptwriter in Hollywood.[9] To make ends meet, Rhimes worked at a variety of day jobs, including as an office administrator, and then a counselor at a job center that taught job skills to people with housing instability and mental illness. During this period, Rhimes worked as research director on the documentary, Hank Aaron: Chasing the Dream (1995), which won the 1995 Peabody Award.[9][14] In 1998 Rhimes made a short film, Blossoms and Veils, starring Jada Pinkett-Smith and Jeffrey Wright, which is her only credit as a film director.[9] New Line Cinema purchased a feature script of hers. Rhimes received an assignment to co-write the HBO movie Introducing Dorothy Dandridge (1999). It earned numerous awards for its star, Halle Berry.[9][14]

In 2001, Rhimes wrote Crossroads, the debut film of pop singer Britney Spears.[21] Despite being panned by critics, the film grossed more than $60 million worldwide.[22][23]

Rhimes next worked on writing Disney's sequel to its popular movie, The Princess Diaries (2001). Although The Princess Diaries 2: Royal Engagement (2004) did not score as well at the box office, Rhimes later said that she treasured the experience, if only for the opportunity to work with its star, Julie Andrews.[9] In 2003, Rhimes wrote her first TV pilot for ABC, about young female war correspondents, but the network turned it down.[14][15]

Rhimes is the creator and currently executive producer and head writer of Grey's Anatomy. The series debuted as a mid-season replacement on March 27, 2005. The series features the surgical staff at the fictional Seattle Grace Hospital (later to be named Grey Sloan Memorial Hospital), in Seattle, Washington. The series features an ensemble cast with Ellen Pompeo serving as titular character Meredith Grey, who provides narration for a majority of the series' episodes. On May 16, 2006, ABC announced plans to relocate Grey's Anatomy from Sunday evenings to Thursdays to anchor the network's Thursday evening programming,[24] by airing Thursdays at 9 p.m. As of 2020, the series continues.

In 2007, Rhimes created and produced the Grey's Anatomy spin-off series Private Practice, which debuted September 26, 2007, on ABC. The show chronicled the life of Dr. Addison Montgomery (Kate Walsh) as she left Seattle Grace Hospital for Los Angeles to join a private practice. The series also featured an ensemble cast, including Tim Daly, Amy Brenneman, Audra McDonald and Taye Diggs among others. The first season was shortened because of a writers' strike; it has nine episodes. In May 2012, ABC picked up Private Practice for the 2012–13 television season with 13 episodes. The series finale was aired January 22, 2013.[25]

In 2010, Rhimes created a new pilot for ABC called Inside the Box, a female-centric ensemble drama set in a Washington, D.C. network news bureau. The lead character was Catherine, an ambitious female news producer who, with her colleagues, pursued "the story" at all costs while juggling their personal animosities and crises of conscience.[26] It was not picked up by the network.[27]

In 2011, Rhimes served as executive producer for the medical drama, Off the Map, which was created by Grey's Anatomy writer, Jenna Bans. It focused on a group of doctors who practice medicine at a remote clinic in the Amazon jungle.[28] The series was officially cancelled by the ABC network on May 13, 2011.[29]

In May 2011, ABC ordered Rhimes' pilot script Scandal to series. Kerry Washington stars as Olivia Pope, a political crisis management expert. The character is partially based on former Bush administration press aide Judy Smith.[30][31] The series debut aired on April 5, 2012.[32]

In 2012, Rhimes developed a pilot for a period drama, Gilded Lilys, but it was not picked up to series.[33][34]

In December 2013, ABC ordered a pilot for a new Rhimes series, How to Get Away with Murder.[35] Actress Viola Davis joined the cast as the lead character in February 2014.[36] It was officially picked up to series on May 8, 2014.[37]

In March 2016, ABC premiered The Catch, a comedy-drama led by Rhimes based on a treatment by British author Kate Atkinson. It starred Mireille Enos and Peter Krause.[38] Later that month, Scandal, How to Get Away with Murder and Grey's Anatomy were respectively picked up for their sixth, third and 13th seasons. The following year, it was announced that Scandal would conclude after its upcoming seventh season, while The Catch was cancelled after its second.[39]

On August 14, 2017, Netflix announced that it had entered into an exclusive multi-year development deal with Rhimes, under which all of her future productions will be Netflix Original series. The service already had purchased U.S. streaming rights to past episodes of Grey's Anatomy and Scandal. Chief content officer Ted Sarandos described Rhimes as being a "true Netflixer at heart", since "she loves TV and films, she cares passionately about her work, and she delivers for her audience".[39]

Of the deal, Rhimes said that

[Sarandos] understood what I was looking for — the opportunity to build a vibrant new storytelling home for writers with the unique creative freedom and instantaneous global reach provided by Netflix's singular sense of innovation. The future of Shondaland at Netflix has limitless possibilities.[39]

The deal was considered to be a coup for Netflix due to Rhimes' prominence at ABC; it was also considered to be a counter toward the effort by Disney, ABC's parent company, to reduce the availability of their content on Netflix in favor of a planned subscription streaming service of their own.[39]

In June 2018, Netflix announced that the first project under the deal will be Inventing Anna, an adaptation of the New York magazine story How Anna Delvey Tricked New York's Party People, originally written by Jessica Pressler based on the real-life story of the controversial society fraud Anna Delvey.[40] As of October 2020 she was working on more than 12 projects for Netflix, including the period drama Bridgerton. [41]

• "Scoop dreams". Work for Hire. The New Yorker. 92 (32): 64. October 10, 2016.[47]