So You Think You Can Dance (American TV series)

The open auditions, the first stage in determining a season's finalists, take place in 2 to 6 major U.S. cities each season and are typically open to anyone aged 18 to 30 at the time of their audition, although season 13 focused on a younger class of competitors, ages 8 to 14. The cities where auditions are held change from season to season but some, such as Los Angeles and New York, have featured in most seasons. During this stage, dancers perform a brief routine (typically a solo, but duet and group routines are allowed as well) before a panel of dance experts usually headed by series creator and executive producer Nigel Lythgoe. This panel then decides on-the-spot whether the dancer demonstrated enough ability and performance value to proceed further. If the dancer exhibited exceptional ability in their performance, judges award "a ticket to Vegas" (or in more recent seasons "a ticket to the Academy"), moving them instantly one step forward in the competition. Alternatively, if judges are on the fence about the dancer, they may ask the contestant to wait until the end of that day's auditions to participate in a short test of their ability to pick up professional choreography.

The second stage of the selection process is referred to as "the callbacks" (this round was referenced as "Vegas Week" for much of the show's run, as it was held in Las Vegas, but has been called Academy Week since season 13). The callbacks consist of a several-day-long process in which the remaining hopefuls are tested for overall well-rounded dance ability, stamina, creativity and their ability to perform under pressure. The dancers are put through a battery of rounds that test their ability to pick up various dance styles; these are typically some of the more well-represented genres that are later prominent in the competition phase, such as hip-hop, jazz, ballroom, and contemporary. Additionally the dancers may be asked to perform further solos in styles of their choosing and participate in a group choreography round in which small teams of contestants must display their musicality and ability to communicate professionally by choreographing a performance to a randomly selected piece of music — this challenge is notable as being the only time competitors are asked to choreograph themselves, aside from solos.

The callbacks are often collectively portrayed as one of the most exhausting and stressful stages of the competition; each successive round sees cuts in which a significant portion of the remaining dancers are eliminated from competition and are given a limited amount of time to adapt to styles they are sometimes wholly unfamiliar with while being physically taxed by the rapid progression of rounds and a limited amount of rest. At the end of this process, usually less than 40 competitors remain in a pool that final contestants are chosen from. Most seasons have featured 20 "top" finalists for the competition portion of the show, but season 1 was represented by a Top 16, season 7 saw a Top 11, and seasons 13 through 15 have featured a Top 10.

Following the finalist selection process, the show transitions into its regular competition phase, which lasts the rest of the season. The competition stage is typically divided into eight weeks, generally with two contestants eliminated per week. Dancers are paired up into male-female couples that will sometimes stay paired for much of the remaining competition if neither is eliminated (since season 7, competitors have also been occasionally paired with "All Stars", returning dancers from previous seasons who partner with the contestant dancers, but who are not themselves competing). These couples perform 1 or 2 duets per week in different styles which are typically, but not always, randomly selected. These duets, as with all non-solo performances at this stage in the competition, are choreographed by professional choreographers. Prior to most duet performances, a video packet of clips of the couple preparing to perform the routine is shown. These packets are intended not only to demonstrate the couple's efforts to master the routine, but also to give glimpses of the personalities and personal histories of the dancers, as well as insights from the choreographer as to the thematic, narrative, and artistic intentions of the piece. Following each duet performance, the week's panel of judges gives critical feedback, often emphasizing the two key areas of technique and performance value. Duets and their accompanying video packets and critiques typically take up the majority of an episode but are often supplemented by solos, group numbers, and occasionally guest dance or musical performances.

Nigel Lythgoe is co-creator of the So You Think You Can Dance franchise, and has been executive producer and permanent member of the judge's panel of the U.S. and U.K. productions for their entire runs.

In season 1, each week of the competition featured a single episode, with dancers' eliminations pre-recorded the week they occurred and then broadcast at the beginning of the next week's episode. In seasons 2 to 8, the show's weekly format was split between two episodes, a performance episode, as described above, and a results show which revealed the outcome of the at-home-viewer voting following the performance show of the same week. More recent seasons have returned to a one-show-per-week format, but with each week's episode typically reflecting the results of voting for the previous week's performances, with these results revealed at the end of the following week's performances. Depending on the stage of the competition, each week may feature eliminations which are based entirely on an at-home viewer vote, or the vote may simply create a group of bottom dancers from which the show's judges will select the final eliminations. Voting has also varied by season (and often within seasons) with regard to whether the voter selected individuals or couples. Following the announcement of their elimination, dancers are typically given a brief send-off via a video montage. Each competitive episode ends with a quick recap of the night's routines accompanied by voting prompts. Episodes typically last around two hours, commercials included. There has also been variability in how long couples are kept together and how the at-home-viewer votes are balanced against judge decisions, though ultimately at some point in every season, the judges give up their power to save dancers and eliminations are determined exclusively by viewer votes. The total number of hours shown in a given week during the performance phase of the competition has varied from two to four hours.

The finale episode is often the most elaborately produced show of a season and features the last performances of the competitors, encore performances of many of the season's most acclaimed routines, guest dancers (including returning past season competitors and cast members from other international versions of the franchise), musical performances, and multiple video packets chronicling the course of the season's events, all culminating in the announcement of the winner of the competition. Most seasons have featured a single winner, while seasons 9 and 10 featured both a male and female winner. Following the closure of the season, the Top Ten dancers often go on tour for several months, performing hit routines from the season among other performances.

A typical season of So You Think You Can Dance is presided over by a panel of 2–4 permanent judges, supplemented by occasional guest judges, with the panel sometimes ballooning up to twice or more its normal size for callback episodes or season finales. Executive producer and co-creator of the show Nigel Lythgoe is the only judge to have sat as a permanent member of the panel across all seasons, although ballroom specialist Mary Murphy has also sat as a permanent member of the panel for the majority of seasons. Other permanent judges have included film director and choreographer Adam Shankman, contemporary choreographer Mia Michaels, pop music and dance icon Paula Abdul, noted youth dancer Maddie Ziegler, actress and singer Vanessa Hudgens, music and dance artist Jason Derulo, choreographer and TV personality Laurieann Gibson, and successful show alumni Stephen "tWitch" Boss and Dominic "D-Trix" Sandoval.

Many earlier seasons frequently featured guest judges in occasional episodes, though this practice has become increasingly rare. These guest judge positions have typically been filled by choreographers who regularly work on the show (who in rare cases may also be former contestants themselves) and by iconic names from the entertainment industry. Guest judges for the show have included: Debbie Allen, Christina Applegate, Robin Antin, Toni Basil, Cicely Bradley, Kristin Chenoweth, Misty Copeland, Alex Da Silva, Ellen DeGeneres, Tyce Diorio, Joey Dowling, Napoleon and Tabitha D'umo, Carmen Electra, Brian Friedman, Jean-Marc Généreux, Jason Gilkison, Neil Patrick Harris, Hi-Hat, Katie Holmes, Dan Karaty, Lady Gaga, Carly Rae Jepsen, Lil' C, Rob Marshall, Mandy Moore, Megan Mullally, Kenny Ortega, Toni Redpath, Debbie Reynolds, Wade Robson, Doriana Sanchez, Shane Sparks, Sonya Tayeh, Olisa Thompson, Stacey Tookey, Jesse Tyler Ferguson and Travis Wall.

Routines from the classically derived style of contemporary dance are the most common dances seen on the show, being seen in every performance episode of the series (and typically at least twice per episode). While contemporary, lyrical, and modern dance are typically considered three separate (if overlapping) styles of dance, the practice on So You Think You Can Dance has been to refer to all routines in this area as "contemporary", except in the first season where the label "lyrical" was used for the same purpose. Ballet routines occur much more rarely, at a rate of one or two per season since their introduction in the fourth season.

Hip-hop routines are also present in every performance episode. While these routines frequently feature elements from many different subgenres of hip-hop (locking and popping, for example) and various "street" styles (such as breaking), they are typically all labelled under the umbrella term of hip-hop. An exception is the now frequently featured lyrical hip-hop, which is unique amongst all the styles on SYTYCD in that it is the only one that is held to have become a known distinct style at least in-part as a result of the show; the style is widely attributed to regular show choreographers Tabitha and Napoleon D'umo and the term itself to judge Adam Shankman. These two broad categories are occasionally supplemented by routines which are labelled as krump, breakdancing, waacking, and stepping.

Ballroom styles are also seen regularly in every performance episode. These routines may use the movement of traditional International Standard forms or lean toward American competitive styles. Other routines may use street or regional variants or may combine elements of different variations.

Jazz is featured in nearly all performance episodes. While these routines are typically labelled simply "Jazz", the genre is notable as being one of the most fusional featured on the show and various style combinations and sub-categories have been referenced. Descended from Jazz but treated as a separate genre on SYTYCD, "Broadway" is analogous to the label "Musical Theater" outside the U.S.

These dance styles are featured less frequently than their ballroom relatives, but have been seen intermittently since the first season.

In addition to the broad categories above, many more styles that are less common in the U.S. are sometimes featured. Most of these are seen only once, but the Bollywood style has been featured several times per season since the fourth season.