Take Me Home (Cher song)

Ellis-Bextor first ventured into the music business as the frontwoman for indie rock band theaudience. A moderately successful band, they released an album with Mercury Records and eLLeFFe, which spawned various singles, including "I Know Enough (I Don't Get Enough)", which reached number twenty-five on the UK Singles Chart.[26] After finishing up the promotion for their debut album, they recorded a demo tape for a potential second album, however, Mercury dropped them and they split shortly afterwards.[27] Following the disbandment of the group, Ellis-Bextor recorded vocals for DJ Spiller's single "Groovejet (If This Ain't Love)", which ultimately became a commercial success, peaking at number one on the UK Singles Chart in 2000.[28]

Yoad Nevo pictured programmed the bass guitar.

The track was produced by British musician Damian LeGassick, who also mixed and engineered the song. He additionally played the keyboards and the guitar while programming them. The bass guitar was played by Guy Pratt and programmed by Yoad Nevo. Jake Davis served as an engineer for mix; he also helmed the additional programming and sound design. The sound was remixed and additionally produced by Jeremy Wheatley at the Townhouse studios, while Ellis-Bextor's vocals were produced and recorded by Bacon & Quarmby at the Strongroom studios.[29]

Being a cover of Cher's song, the song retains writing credits for Bob Esty and Michele Aller, while Ellis-Bextor included new lyrics written by herself.[29] While both versions address sexual intercourse, the publication noted that in the original version, Cher "sings romantically about 'makin' love'" while Ellis-Bextor sings "more aggressive" lyrics such as "only fair I get my way".[30] Even before Ellis-Bextor had released the cover, Cher's management deemed the rewritten lyrics overly sexual. To NME, Ellis-Bextor stated:

I was told by my publishers that Cher heard my version and she doesn't like my new lyrics. She thinks it's too overtly sexual. But the original writers were happy for me to do that—Cher didn't actually write it so she didn't get approval about what happened to the song. Now apparently she's heard what I've done and she doesn't like it.[30]

"Take Me Home" was released by Polydor Records in the United Kingdom on August 13, 2001 and in the United States as an import. It was released as a legal digital download and an enhanced maxi CD single; both featured the Ellis-Bextor cover, B-side "Sparkle" and a Jewels & Stone remix, while the latter contained the song's music video for the song.[31][32] The single was also pressed as an edition dubbed the "Mixes & Remixes" EP, released only in France.[33] A 12-inch single was also pressed in the United Kingdom, with remixes.[34] Two AllMusic writers reviewed the song. Upon its release as a single, Dean Carlson gave it a negative rating of one and a half star out of five, commenting: "[...] Ellis Bextor is well aware of what's required for beating the likes of Victoria Beckham and Emma Bunton at their own game—simply take Cher's "Take Me Home" and add one disco beat circa ABBA's 'Fernando', being mindful to avoid its cocaine harmonies and the air of free love [...], techno-fy it with random fiddly bits, sing with the breathless detachment of someone getting a massage from a lumberjack, and chuck in some remixes just so everybody knows that you're not utterly out of step."[35] After its parent album's release, Kelvin Hayes denoted it as one of the album's strongest tracks, as did Toby Manning from Q.[36][37] For Yahoo! Music, Gary Crossing wrote that the album "start[ed] well with the song", while describing it as Spiller-esque.[38] Betty Clarke of The Guardian regarded "Take Me Home" as a "pleasant enough song", though she called the production and Ellis-Bextor's vocals "more tired than sexy".[39]

On the UK Singles Chart, the song was a commercial success, debuting and peaking at number 2. While extensively analyzing the song, Justin Myers from the Official Charts Company observed that although the song had reached the runner-up position on the UK Singles Chart, it was largely overshadowed by "Murder on the Dancefloor".[40] In Netherlands and Germany, the song peaked at number 79, respectively on the Dutch Top 40 and Media Control Charts—staying on each chart for respectively 12 and 5 weeks. The song also reached top 20 on the Recorded Music NZ singles chart of New Zealand, where it stayed for 14 weeks before leaving the chart.

To promote the song, Sophie Muller filmed a music video for "Take Me Home" which was released on the song's CD single. The video was also included in her video album Watch My Lips (2002).' It opens with Ellis-Bextor, dressed in a black one-strap dress, in front of a yellow-toned painting of a woman with red lips. Throughout the music video, Ellis-Bextor is seen in a variety of dresses and outfits—she appears standing in front of a green mural with a flowery large tablecloth, while dressing a see-through shirt, which reveals her black bra; other scene shows her with a dark green gown; other shows her with a flower and leaves pattern and holding a in front of a projected image which shows the Eiffel Tower from far. She also appears dressed in a green trench coat in another scene. Usually, costume and location scenes are accompanied by a change of gradient color, which are projected onto Ellis-Bextor. By the middle of the video, she walks across a street, surrounded by formally-dressed men, who dance around her and lift her. After the song's middle 8 plays, the lights of the street turn on and various French event posters are shown. The video concludes as they all enter a disco club. She also performed the track at the Read My Lips Tour (2002–03), serving as its encore. Ellis-Bextor would shortly introduce the song, with green eye makeup and red lipstick, dressed in a cream-colored dress and pink heels. As the backing track started playing, she would start singing and clapping her hands as the public imitated her, and the audience was showered with confetti.[41]