The Rover (2014 film)

David Michôd wrote the screenplay for the film, based on a story he conceived with Joel Edgerton, about the near-future, in Australia a decade after the collapse of the western economy where people from all over the world come to work in the mines.[24] The setting and plot of the film drew comparisons with Mad Max. Clarifying those comparisons, Michôd said that, "You put cars in the desert in Australia and people are going to think of Mad Max, and with all due respect to that film—and I stress that—I think The Rover is going to be way more chillingly authentic and menacing."[23]

Talking about the characters in the film, Michôd said, "There is a strong sort of Asian flavour in the film, but I wanted it to feel like people have come from everywhere, from all corners of the world. Rey is a southern American who has travelled with his older brother Henry to work in the Australian mines. Robert Pattinson and Scoot McNairy are the only American accented characters in the film, but a lot of other accents join them, including Mandarin, Cambodian, and of course, Australian."[20]

It is the second collaboration between David Michôd and Guy Pearce after Animal Kingdom; Michôd wrote the character of Eric for Pearce.[25] In May 2012, it was announced that Pearce would appear as Eric in the film.[8] Initially Joel Edgerton, who co-wrote the story of the film with Michôd tried for the role of Eric but it did not work out, according to Edgerton "David [Michôd] and I even at one point were like, because I said to David, “Should I be in this movie? I don’t know that I’m right for it.” And he’s like, “I don’t know if you’re right for it either.” Because it wasn’t just some complicated character, Guy [Pearce]’s character. We even decided to go out one day to shoot a scene together just to work it out for ourselves. It was pretty clear after doing it I’m not the right guy for this movie."[26]

Filming took place at Marree.

Pattinson won the role of Reynolds after audition, over other actors.[27] Michôd commented on the casting of Pattinson that, "(he is) really smart, and not the sort of pretty boy I was expecting. As soon as it was time to start testing… he was my first choice, by a long way."[25] Pattinson in an interview described the film that, "It's very existential. It's really interesting. I couldn't really explain to you what it's about but it's sort of about how much pain can the world take and how much disgust and cruelty before love dies. I think that's kind of what it's about."[28] Michôd used amateur actors from the Australian outback in the film. Talking about that he said, "You can't meet these people and not think, Oh, there's got be a way of getting you in this movie.'"[22]

Principal photography commenced on 28 January 2013 in Southern Flinders Ranges, Australia.[29][30] Filming continued over seven weeks in Hammond, Quorn, Copley, and Leigh Creek, ending on 16 March 2013 in Marree, north of Adelaide, Australia.[5][25]

Producers Watts and Linde commended the enthusiasm of the cast; they said of the shoot, "The South Australian desert environment can be a tough one to work in, particularly for those coming from a Northern Hemisphere winter but both the cast and crew have thrown themselves into the shoot. We are shooting in some of the most haunting and stunning landscapes in the world, and are fortunate to have such an exceptional cast and a truly talented crew."[31]

Talking about the score Partos said that "My task was to build the trust and love between the two main characters despite their circumstances. I think there is a subtle yet tangible shift that develops two thirds of the way through the story and the score does change in this regard to become more harmonically based compared to the textures that are present in the first half of the film."[37]

Michôd wanted to use saxophonist Colin Stetson pieces in the film. Originally he also selected "Don't Cha" by The Pussycat Dolls to use in a crucial scene in the film involving Rey (played by Pattinson) but later changed it to "Pretty Girl Rock" by Keri Hilson.[37]

The first images of Pearce and Pattinson in the film were released on 13 March 2013.[38][39] On 10 April 2014, a still of Pattinson from the film was released.[40] On 29 January 2014, the first teaser trailer was released, along with the poster of the film.[41][42] The full teaser, along with a sneak peek from the film, premiered on TV on 30 January 2014 during the 3rd AACTA Awards broadcast on Network Ten.[43]

With the announcement of the film's premiere at the Cannes Film Festival, a full-length official trailer, along with two film posters featuring Pearce and Pattinson, were released on 17 April 2014.[44][45]

The Rover was released in Australia on 12 June 2014.[2] In United States, it had a limited release in Los Angeles and New York City on 13 June 2014, and expanded into wider release on 20 June 2014.[15] It screened at 2014 New Zealand International Film Festival in Thrill section on 20 July 2014.[46] It also served as the opening night film at Fantasy Film Fest, Germany on 27 August 2014.[47] It had a theatrical released in UK on 15 August 2014.[48]

The film released on DVD and Blu-ray in USA on 23 September 2014, by Lionsgate Home Entertainment. Bonus features include deleted scenes and a "making-of" segment title "Something Elemental: Making The Rover".[49][50] It became available for online streaming and digital download through iTunes and amazon on 23 August 2014 in United States.[51] It was released on DVD in UK on 5 January 2015.[52]

The film received a limited release first, similarly like A24's previous releases Spring Breakers and The Bling Ring; it grossed over $69,302 at an average of $13,860 per theatre in its opening weekend, which took place at 5 theatres in Los Angeles and New York City.[53][54] It had a wide release at 608 theatres and earned $481,214 at an average of $791 per theatre in its opening weekend. It surpassed The Railway Man for the lowest opening weekend of a film in 600 or more theaters during 2014.[55]

The film has earned a worldwide total of $3.2 million.[6]

Pattinson at the photocall of The Rover at 2014 Cannes Film Festival

Upon its Cannes premiere, the film received generally positive reviews, and Pearce and Pattinson's performances were highly appreciated. Review aggregator Rotten Tomatoes reports that 66% of 165 film critics have given the film a positive review, and it has a rating average of 6.4 out of 10. The site's summary states: "Fueled by engaging performances from Guy Pearce and Robert Pattinson, the tension-filled The Rover overcomes its narrative faults through sheer watchability."[56] On Metacritic, which assigns a weighted mean rating out of 100 reviews from film critics, the film holds an average score of 64, based on 38 reviews, indicating a 'generally favorable' response.[57]

Kenneth Turan of the Los Angeles Times stated that "The Rover is a most impressive piece of filmmaking, tense and unrelenting, that chills the blood as well as the soul" and about performances said that "Pearce's barely controlled ferocity as Eric is exceptional, but it is not as much of a revelation as Pattinson's unrecognizable work as Rey, a damaged, unfocused individual who is the older man's half-unwilling accomplice".[58] Todd McCarthy, writing for The Hollywood Reporter, wrote that "Pattinson delivers a performance that, despite the character’s own limitations, becomes more interesting as the film moves along, suggesting that the young actor might indeed be capable of offbeat character work. But always commanding attention at the film’s center is Pearce, who, under a taciturn demeanor, gives Eric all the cold-hearted remorselessness of a classic Western or film noir anti-hero who refuses to die before exacting vengeance for an unpardonable crime" and concluded that it is "An intense look into the near future, and it’s not good."[59] Jessica Kiang in her review for The Playlist, grade the film B+ by saying that "Bleak, brutal and unrelentingly nihilist, and with only sporadic flashes of the blackest, most mordant humour to lighten the load, it feels parched, like the story has simply boiled away in the desert heat and all that’s left are its desiccated bones. In a good way."[60]

However, Scott Foundas of Variety said, "Michod’s sophomore feature isn’t exactly something we’ve never seen before, but it has a desolate beauty all its own."[61] Peter Bradshaw of The Guardian wrote, "After a terrific start, the film begins to meander, to lose its way, and its grip."[62] Drew McWeeny of HitFix called the film "glacially paced and intentionally minimalistic."[63]

Filmmaker Quentin Tarantino stated that the film is "A mesmerizing, visionary achievement. The best post-apocalyptic movie since the original Mad Max. With the one-two punch of The Rover & Animal Kingdom, David Michôd proves himself to be the most uncompromising director of his generation."[64]