Witness (Katy Perry album)

Following the release of her fourth album Prism in 2013 and the end of the Prismatic World Tour in October 2015, Katy Perry told The New York Times in February 2016 that she was in the "research and development phase" of a new album.[5] She decided to take a hiatus after the tour concluded to "give my mental health a break" before starting to write new songs the following June.[6] Perry felt "refreshed" after the hiatus, and had over 40 tracks "in progress" before the year ended.[7] In August, the singer stated that she aspired to make material "that connects and relates and inspires"[8] and told Ryan Seacrest that she was "not rushing" her fifth album, adding "I'm just having a lot of fun, but experimenting and trying different producers, and different collaborators, and different styles."[9] The album marked a departure from long time producer and co-writer Dr. Luke.[10] In February 2017, Perry stated that the album was "definitely a new era for me" and "an era of purposeful pop" she was proud of.[11] Later that month, she told Capital FM that "I've got something swirling, but I think I want to put out some songs first before I give them the full meal."[12] The following May, Perry revealed to Entertainment Weekly that the album would include 15 of the 40 songs she wrote for it, and described the record as "fun and dance-y and dark and light."[13]

Musically, Witness is an electropop album with a diversity of sounds and musical aspects.[14] It also contains dance music and EDM.[15] As analyzed by Annie Zaleski from The A.V. Club, hooks are in short supply, replaced by grooves and atmosphere that pick and choose elements from 1990s house music, mainstream EDM, electro-tinged hip-hop, and 1980s new wave.[16]

Witness opens with the title track, an electronic song backed by a 1990s house piano.[17] "Hey Hey Hey" asserts that women can be complex people with a multitude of personality traits, as noted by Annie Zaleski from The A.V. Club, "Hey Hey Hey" depicts a narrow version of femininity and success and it perpetuates irksome stereotypes about strong women.[16] "Roulette" is an EDM song described as "explosive" by Christopher R. Weingarten from Rolling Stone.[18] "Swish Swish" runs throughout a house-influenced beat[19][18] and contains a sample from "Star 69" by Fatboy Slim which itself samples "I Get Deep" by Roland Clark.[20] "Déjà Vu" is "an electro-R&B ballad about wanting to free oneself from a dead-end relationship."[21] "Power" is an electro[22] composition, which explores a theme of self empowerment, Jillian Males from Pitchfork noted that the song "approximates feminism by politicizing a personal struggle for control."[23]

Commenting on the concept of the album cover, Perry said,

"Music has allowed me to travel, which has reeducated my mind and changed my perspective on so much, so my education and my consciousness comes from my voice, and that's how I see, and that's how I witness you and that's how you witness me and that's why the eye is in the mouth."[24]

On September 29, 2017, Urban Outfitters released a limited-edition exclusive vinyl of the album with alternate cover art.[25]

Perry performing the album's title-track during Witness: The Tour at Madison Square Garden.

In February 2017, Spotify announced that it would run a campaign to promote the album up to its release in the middle of the year.[26] On May 15, Perry confirmed the album would be titled Witness and would be released through Capitol Records on June 9, 2017. She also announced that the concert tour supporting the album would be titled Witness: The Tour.[27] It began in September 2017 and concluded in August 2018.[28] Tickets purchased would include a copy of the album.[29] The night before Witness came out, she hosted a live countdown for the record on her YouTube channel,[30] which featured the singer performing and discussing tracks on the record as well as responding to fan questions.[31] To accompany the album's release, Perry also broadcast herself on YouTube with a live-stream titled Katy Perry Live: Witness World Wide for four days, concluding with a live concert on June 12.[32]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	5.4/10[39]
Metacritic	53/100[40]
Review scores
Source	Rating
AllMusic	[15]
The A.V. Club	C–[16]
Consequence of Sound	C[41]
The Daily Telegraph	[42]
Entertainment Weekly	B[21]
The Guardian	[43]
NME	[44]
Pitchfork	4.8/10[23]
Rolling Stone	[18]
Slant Magazine	[19]

At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 53, based on 20 reviews, which indicates "mixed or average reviews".[40] Wren Graves from Consequence of Sound gave the album a rating of C. He listed "Swish Swish", "Power", and "Déjà Vu" as essential tracks, but felt that most of the other songs were more of a "filler," and that a lack of cohesiveness with Perry's output made Witness inferior to her previous material.[41] Kevin O'Donnell of Entertainment Weekly gave it a B rating stating, "Perry is reflective, anxious, and fired up on Witness," highlighting "Déjà Vu" and "Swish Swish" as the best tracks.[21] USA Today's Maeve McDermott commended the album for being "sonically coherent" and noted it as a personal record, rather than the politically charged marketing campaign it had received.[45]

Hannah J. Davies of The Guardian gave the album a rating of 4 out of 5 stars, writing that the singer "still has a flair for tunes that quickly seep into the collective consciousness" and praised "Swish Swish" as "a house-fuelled banger with undeniable groove," though felt that "Perry's heartfelt ballads feel tacked on in the face of all this weirdness."[43] Leonie Cooper from NME gave it the same rating and noted that the album did not display any subtlety in the music, complimenting it for "[delivering] important messages about female autonomy to a young audience, it's surely better to shout than whisper."[44] Idolator's Mike Wass also gave Witness a score of 4 out of 5. He did not feel it had "introspection or maturity," though praised "Miss You More" as "the kind of brutally honest anthem that Katy isn't given enough credit for," and dubbed it "the album's emotional core." Wass concluded that "Witness might be overly ambitious and is definitely a couple of songs too long, but dance-pop experiments don't come much more enjoyable than this."[46]

Giving Witness 3 out of 5 stars, Christopher R. Weingarten wrote in Rolling Stone that it was comparable to the music of Halsey and Camila Cabello, and that the songs blended "into the rest of the radio." He also did not like how Perry's voice was "devoured in effects and reverb."[18] Sal Cinquemani gave the same score, praising the empowerment themes within "Hey Hey Hey" and "Power", though ultimately felt that the record "lacks both the big hooks that propelled Perry's past hits up the charts and the conceptual and sonic focus to give her pop real purpose."[19]

AllMusic's Stephen Thomas Erlewine gave the album 2 out of 5 stars, saying it felt "relentless and a shade desperate" and called the record "a conceptual muddle." He added that Witness "erodes whatever adult contemporary progress Perry made with Prism."[15] The Daily Telegraph journalist Neil McCormick gave Witness the same rating, and panned the usage of the term "purposeful pop" for the songs. He found Witness to be musically repetitive, explaining that within the multitude of people working on the record, Perry's "individual talent" was lost making "Witness [sound like] someone trying to cover too many bases."[42] Writing for The Independent, Andy Gill also rated the record 2 out of 5 stars. He criticized the production of the tracks, especially the ones by Max Martin, describing them as "identical to everyone else's."[47] Mikael Wood from the Los Angeles Times shared a similar view in his analysis of the album. Wood was critical of the musical direction on Witness, the supposed "purposeful pop" being lost in the tracks and Perry's singing. He listed "Chained to the Rhythm" and "Swish Swish" as highlights.[48] According to Jordan Sargent from Spin, the record "feels like it's making a bid for a level of artistic seriousness—a recognition of aesthetic vision—that Perry has never really been afforded." He felt that it indicated her "artillery of undeniable pop songs" had been "all but depleted."[49] Variety writer Chris Willman did not feel album was "the kind of obvious smash to which all of America would plainly say: Baby, you're a firework," but asserted it "counts at least as a sparkler — the kind you hold in your hand for 45 seconds in the summer, if not the enduring."[50]

In the United States, Witness debuted at number one on the Billboard 200 with 180,000 album-equivalent units, which included 162,000 pure album sales. It became Perry's third album to the top the country's chart after Teenage Dream (2010) and Prism (2013) both debuted at number one. The record had the highest opening in the US for a female since Lady Gaga's Joanne in 2016 and became the second album by a female artist from 2017, after Halsey's Hopeless Fountain Kingdom, to open atop the chart.[52] Witness dropped to number 13 on the Billboard 200 the following week, earning 28,000 album-equivalent units and selling 18,000 copies.[53] According to Billboard, it was the country's eighth-highest performing album of the 2017 summer season, earning 431,000 album-equivalent units in the nation by September 2017.[54] It has sold 311,000 copies there as of August 2020.[55] Witness also became Perry's third album after Teenage Dream and Prism to open at number one on the Canadian Albums Chart, selling 23,000 units in its first week.[56] The record subsequently descended to number four one week later.[57] That November, it received a Platinum certification from Music Canada (MC).[58] The album additionally entered at number one in Spain,[59] and fell to number 13 in its second week.[60]

In New Zealand, Witness entered the albums chart at number two.[61] In Australia, it also debuted at number two on the ARIA Albums Chart with opening sales of 5,794 copies.[62] Selling another 2,069 the following week, it reached a total of 7,863 copies sold within the nation.[63] The record has since been certified Gold by the Australian Recording Industry Association (ARIA).[64] In Japan, the album opened at number 22 on the Oricon Albums Chart,[65] and moved up to number 19 the next week.[66] In the United Kingdom, Witness debuted at number 6 on the UK Albums Chart, where it became Perry's third top 10 album, following Teenage Dream and Prism.[67] According to the Official Charts Company, it opened with 16,153 album-equivalent units in the nation.[68] As of January 2018, Witness has sold more than 840,000 copies worldwide.[69]

Notes

• ^{^[a]} – main and vocal producer
• ^{^[b]} – main and additional vocal producer
• ^{^[c]} – additional producer
• ^{^[d]} – vocal producer
• ^{^[e]} – additional vocal producer

Sample credits

• "Swish Swish" contains excerpts from "I Get Deep" written by Roland Clark.
• "Power" contains a sample of "Being with You" written and performed by Smokey Robinson.

Adapted from the album liner notes.[77]

• List of Billboard 200 number-one albums of 2017
• List of number-one albums of 2017 (Canada)
• List of number-one albums of 2017 (Spain)