Womanism

Author and poet Alice Walker first used the term "womanist" in her short story, "Coming Apart", in 1979,[2] and later in In Search of our Mothers' Gardens: Womanist Prose (1983). Walker defined a "womanist" as a "black feminist or feminist of color. From the black folk expression of mothers to female children, 'You acting womanish'", referring to grown-up behavior.[14][15] The womanish girl exhibits willful, courageous, and outrageous behavior that is considered to be beyond the scope of societal norms.[13] She goes on to say that a womanist is also:

A woman who loves other women, sexually and/or nonsexually. Appreciates and prefers women's culture, women's emotional flexibility ... and women's strength. ... Committed to survival and wholeness of entire people, male and female. Not a separatist, except periodically, for health ... Loves music. Loves dance. Loves the moon. Loves the Spirit ... Loves struggle. Loves the folk. Loves herself. Regardless. Womanist is to feminist as purple is to lavender.[16]

According to Walker, while feminism is incorporated into womanism, it is also instinctively pro-humankind; womanism is a broader category that includes feminism as a subtype.[17] The focus of the theology is not on gender inequality, but race and class-based oppression.[18] She sees womanism as a theory/movement for the survival of the black race; a theory that takes into consideration the experiences of black women, black culture, black myths, spiritual life, and orality.[19] Walker's much cited phrase, "womanist is to feminist as purple is to lavender", suggests that feminism is a component beneath the much larger ideological umbrella of womanism.[15]

Walker's definition also holds that womanists are universalists. This philosophy is further invoked by her metaphor of a garden where are all flowers bloom equally. A womanist is committed to the survival of both males and females and desires a world where men and women can coexist, while maintaining their cultural distinctiveness.[15] This inclusion of men provides Black women with an opportunity to address gender oppression without directly attacking men.[20]

A third definition provided by Walker pertains to the sexuality of the women portrayed in her review of "Gifts of Power: The Writings of Rebecca Jackson". Here, she argues that the best term to describe Rebecca Jackson, a black Shaker who leaves her husband and goes on to live with her white Shaker companion, would be a womanist, because it is a word that affirms the connection to the world, regardless of sexuality.[18] The seemingly contrasting interpretations of womanism given by Walker validates the experiences of African-American women, while promoting a visionary perspective for the world based on said experiences.[15]

The short story "Everyday Use" by Alice Walker illustrates the voice of a black rural middle-class woman through the relationship that a black woman shares with her two daughters Dee and Maggie.[21] Dee is spoiled and believes that her education and experiences make her better than her mother and her sister. On the other hand, Maggie envies her sister for her the beauty and arrogance that always gets her what she wants.[21]

Historically, it has been very common for people of color to have their stories told by Caucasians. Walker attempts to break this tradition by having a black rural middle-class woman tell the story of her relationships with her two daughters. An important part of the story occurs when the mother in "Everyday Use" states, "You've no doubt seen those TV shows where the child who has "made it" is confronted, as a surprise, by her own mother and father, tottering in weakly from backstage... Sometimes I dream a dream in which Dee and I are suddenly brought together on a TV program of this sort...".[21]

Here the mother reminisces about a family experience that she has witnessed on television that she wishes she could have for herself. A heart-warming scene similar to the one that the mother witnessed on television does not take place when her daughter Dee comes to visit. Instead when Dee comes to visit the mother a rough, awkward tension-filled encounter slowly unfolds. Walker employs this story and its context to illustrate that a majority of womanism is characterized by black women telling their stories.

Much of Alice Walker's progeny admits that while she is the creator of the term, Walker fails to consistently define the term and often contradicts herself.[22] At some points she portrays womanism as a more inclusive revision of Black feminism as it is not limited to Black women and focuses on the woman as a whole. Later in life she begins to regret this peace seeking and inclusive form of womanism due to the constant and consistent prejudice inflicted upon Black women, specifically, whose voices had yet to be validated by both White women and Black men.[23]

Clenora Hudson-Weems is credited with coining the term Africana womanism. In 1995, the publication of her book, Africana Womanism: Reclaiming Ourselves sent shock waves through the Black nationalism community and established her as an independent thinker.[24] Hudson-Weems rejects feminism as the theology of Africana women, that is to say women of the African diaspora, because it is philosophically rooted in Eurocentric ideals.[18] Hudson-Weems identifies further differences between womanism and feminism being; womanism is "family-oriented" and focuses on race, class, and gender, while feminism is "female-oriented" and strictly focuses on biological sex related issues women and girls face, globally.[25]

She further asserts that it is impossible to incorporate the cultural perspectives of African women into the feminism ideal due to the history of slavery and racism in America. Furthermore, Weems rejects feminism's characterization of the man as the enemy. She claims that this does not connect with Africana women as they do not see Africana men as the enemy. Instead the enemy is the oppressive force that subjugates the Africana man, woman, and child.[11] She claims that feminism's masculine-feminine binary comes from a lack of additional hardship placed on women by their circumstances (i.e. race and socio-economic) as feminism was founded to appeal to upper-class White women.[11]

She also distances the Africana woman from Black feminism by demarcating the latter as distinctly African-American which is in turn distinctly western.[26] She also critiques Black feminism as a subset of feminism needing the validation of White feminists for their voices to be heard. She claims that feminism will never truly accept Black feminists, but instead relegate them to the fringes of the feminist movement.[27]

She ultimately claims that the matriarchs of the Black feminist movement will never be put into the same conversation as the matriarchs of the feminist movement. A large part of her work mirrors separatist Black Nationalist discourse, because of the focus on the collective rather than the individual as the forefront of her ideology. Hudson-Weems refutes Africana womanism as an addendum to feminism, and asserts that her ideology differs from Black feminism, Walker's womanism, and African womanism.[27]

Chikwenye Okonjo Ogunyemi is a Nigerian literary critic. In 1985, she published the article "Womanism: The Dynamics of the Contemporary Black Female Novel in English", and described her interpretation of womanism. She asserts that the womanist vision is to answer the ultimate question of how to equitably share power among the races and between the sexes.[5][28] She arrived at her interpretation of the term independently of Alice Walker's definition, yet there are several overlaps between the two ideologies. In alignment with Walker's definition focusing on blackness and womanhood, Ogunyemi writes, "Black womanism is a philosophy that celebrates black roots, the ideals of black life, while giving a balanced presentation of black womandom," [28]

Rather than citing gender inequality as the source of Black oppression, Ogunyemi takes a separatist stance much like Hudson-Weems, and dismisses the possibility of reconciliation of white feminists and black feminists on the grounds of the intractability of racism.[18] She uses a few examples of how feminists write about Blackness and African Blackness specifically to make salient the need for an African conception of womanism. These critiques include the use of Blackness as a tool to forward feminist ideals without also forwarding ideals related to blackness, the thought that western feminism is a tool which would work in African nations without acknowledging cultural norms and differences, and a co-opting of things that African women have been doing for centuries before the western notion of feminism into western feminism.[29]

It is also important to note that Ogunyemi finds her conception of womanism's relationship with men at the cross roads of Walker's and Hudson Weems' conceptions. Walker's expresses a communal opportunity for men while acknowledging how they can be dangerous to the womanist community.[22] While Hudson-Weems' conception refuses to see the Africana man as an enemy, disregarding the harm that Africana men have imparted on to the community.[30]

The Black feminist movement was formed in response to the needs of women who were racially underrepresented by the Women's Movement and sexually oppressed by the Black Liberation Movement.[33] Black feminist scholars assert that African-American women are doubly disadvantaged in the social, economic, and political sphere, because they face discrimination on the basis of both race and gender.[34] Black women felt that their needs were being ignored by both movements and they struggled to identify with either based on race or gender. African-American women who use the term Black feminism attach a variety of interpretations to it.[35]

One such interpretation is that Black feminism addresses the needs of African-American women that the feminism movement largely ignores. Feminism, as Black feminist theorist Pearl Cleage defines it, is "the belief that women are full human beings capable of participation and leadership in the full range of human activities—intellectual, political, social, sexual, spiritual, and economic".[20] With this definition, the feminist agenda can be said to encompass different issues ranging from political rights to educational opportunities within a global context.[20] The Black feminist agenda seeks to streamline these issues and focuses on those that are the most applicable to African-American women.

Clenora Hudson-Weems's Africana womanism arose from a nationalist Africana studies concept. In Africana Womanism: Reclaiming Ourselves, Hudson-Weems explores the limitations of feminist theory and explains the ideas and activism of different African women who have contributed to womanist theory.[36] At its core, Africana womanism rejects feminism because it is set up in a way as to promote the issues of white women over the issues of Black women. Hudson-Weems argues that feminism will never be okay for black women due to the implications of slavery and prejudice.[18]

Weems professes womanism is separate from other feminism in that it has a different agenda, different priorities, and "focuses on the unique experiences, struggles, needs, and desires of Africana women." [25] She further asserts that the relationship between a Black man and a Black woman is significantly different from the relationship between a White man and a White woman, because the white woman battles the white man for subjugating her, but the black women battles all oppressive forces that subjugate her, her children, and the black man.[18][37]

She further asserts that racism forced African-American men and African-American women to assume unconventional gender roles. In this context, the desire of mainstream feminism to dismantle traditional gender roles becomes inapplicable to the black experience. Unlike womanism,[24] though closely related, Africana womanism is an ideology designed specifically with women of African descent in mind. It is grounded in African culture and focuses on the unique struggles, needs, and desires of African women. Based on this reasoning, Africana womanism posits race- and class-based oppression as far more significant than gender-based oppression.[18]

Womanist literature and activism are two areas that are largely interpolated, with each having a considerable effect on the other. A major tenet of womanist literature and activism is the idea that Black activists and Black authors should separate themselves from the feminist ideology. This stems from assertions by Kalenda Eaton, Chikwenye Okonjo Ogunyemi, and numerous other womanist theologians that the goal of a womanist should be to promote the issues affecting not just Black women, but black men and other groups that have been subjected to discrimination or impotence.[40] In the words of Chikwenye Okonjo Ogunyemi, a white woman writer may be a feminist, but a black woman writer is likely to be a womanist. That is, she recognizes that along with battling for sexual equality, she must also incorporate race, economics, culture, and politics within her philosophy.[41]

In Kalenda Eaton's, Womanism, Literature and the Transformation of the Black Community, black women writers are portrayed as both activists and visionaries for change in the Black Community following the Civil Rights Movement.[7] She interweaves the historical events of African-American history with the development of Afro-Politico womanism in a bid to create a haven for Black female activism within the black community.[41] This Afro-Politico womanism veers from the traditional feminist goal of gender equality within a group and rather seeks to fight for the men and women whose civil rights are infringed upon. While Eaton takes the stance that Black women were largely excluded from the more prominent positions within the Black Movement, she argues that black women activists had the greatest effect in small-scale grassroots protests within their communities.[42]

Using various characters from Toni Morrison's Song of Solomon, Alice Walker's Meridian, Toni Cade Bambara's The Salt Eaters, and Paule Marshall's The Chosen Place, the Timeless People as symbols of the various political agendas and issues that were prevalent within The Black Movement, Eaton draws upon the actions of the protagonists to illustrate solutions to the problems of disgruntlement and disorganization within the movement. Often the main task of these literary activists was to empower the impoverished masses—defined by Eaton as mainly Southern African-Americans, and they used the black middle class as a model for the possibility of social mobility within the African-American community.[41] A common theme within womanist literature is the failure of Black women writers to identify with feminist thought. Womanism becomes the concept that binds these novelists together.

In Audre Lorde's, The Master's Tools Will Never Dismantle the Master's House, she criticizes second-wave feminism, arguing that women were taught to ignore their differences, or alternately to let their differences divide them. Lorde never used the word "womanist" or "womanism" in her writing or in descriptions of herself, but her work has helped to further the concept. As she pointed out, traditional second-wave feminism lacked inclusivity and the concerns of women of color, or queer women were often ignored.[43]

Spirituality concerns the desire for a connection with the sacred, the unseen, the superhuman, or the nonexistent.[18] Patricia Hill Collins offers this definition:

Spirituality is not merely a system of religious beliefs similar to logical systems of ideas. Rather, spirituality comprises articles of faith that provide a conceptual framework for living everyday life[20]

Whereby religion is an institutional mechanism, spirituality is a personal one. Unlike religion, spirituality cannot be abandoned or switched. It is an integral component of one's consciousness.[18] Womanist spirituality has six identifying characteristics—it is eclectic, synthetic, holistic, personal, visionary, and pragmatic. It draws from its resources and uses the summation of said resources to create a whole from multiple parts. Although it is ultimately defined by self, womanist spirituality envisions the larger picture and exists to solve problems and end injustice.[18] Emilie Townes, a womanist theologian, further asserts that womanist spirituality grows out of individual and communal reflection on African American faith and life. She explains that it is not grounded in the notion that spirituality is a force but rather a practice separate from who we are moment by moment.[44]

One of the main characteristics of womanism is its religious aspect, commonly thought of as Christian. This connotation paints the picture of spiritual black womanists being "church going" women that play a vital role in the operation of the church. In William's article "Womanist Spirituality Defined" she discusses how womanist spirituality is directly connected to an individual's experiences with God.[45] For instance, Williams declares, "the use of the term spirituality in this paper speaks of the everyday experiences of life and the way in which we relate to and interpret God at work in those experiences".[45]

This connotation is disputed in Monica Coleman's Roundtable Discussion: "Must I Be a Womanist?" where she focuses on the shortcomings of womanism that result from how individuals have historically described womanism.[46] This holistic discussion of womanism is the result of a roundtable discussion. Coleman, who initiated the discussion, describes her thoughts on why she prefers black feminism as opposed to womanism, and she also discusses the limited scope that womanist religious scholarship embodies.[46] Coleman offers deep insight into the spiritual aspect of womanism when she declares that, "Intentionally or not, womanists have created a Christian hegemonic discourse within the field".[47]

Here Coleman argues that the majority of womanists have painted the spiritual aspect of womanism to be spiritual in terms of Christianity. A specific example of this occurs in Walker's "Everyday Use", in the instance when the mother suddenly gains the courage to take a stand against her spoiled daughter as she declares, "When I looked at her like that something hit me in the top of my head and ran down to the soles of my feet. Just like when I'm in church and the spirit of God touches me and I get happy and shout".[21]

This could be categorized as an example of the spiritual aspect of womanism because of the mention of relation to the Christian God. However, Coleman provides a counter example to this assumption when she states: "How, for example, might a womanist interpret the strength Tina Turner finds in Buddhism and the role her faith played in helping her to leave a violent relationship?"[47] Here Coleman pokes a hole in the pre-conceived notions of womanist scholarship. Coleman believes that the notorious sector of spirituality that womanism is most known for referring to is limited in its scope. Womanist religious scholarship has the ability to spread across a variety of paradigms and represent and support radical womanist spirituality. Considering womanism as a whole, it is also important to understand how it relates to feminism.

Womanist ethics is a religious discipline that examines the ethical theories concerning human agency, action, and relationship. At the same time, it rejects social constructions that have neglected the existence of a group of women that have bared the brunt of injustice and oppression.[40] Its perspective is shaped by the theological experiences of African-American women.[40] With the use of analytic tools, the effect of race, class, gender, and sexuality on the individual and communal perspective is examined. Womanist ethic provides an alternative to Christian and other religious ethics while utilizing the elements of critique, description, and construction to assess the power imbalance and patriarchy that has been used to oppress women of color and their communities.[40]

The publication of Katie Cannon's The Emergence of Black Feminist Consciousness was the first to directly speak about womanist ethics. In this article, Cannon argues that the perspectives of Black women are largely ignored in various religious and academic discourses. Jacquelyn Grant expands on this point by asserting that Black women concurrently experience the three oppressive forces of racism, sexism, and classism.[40] Black feminist theory has been used by womanist ethics to explain the lack of participation of African-American women and men in academic discourse. Patricia Collins, credits this phenomenon to prevalence of white men determining what should or should not be considered valid discourse and urges for an alternative mode of producing knowledge that includes the core themes of Black female consciousness.[40]