X (Kylie Minogue album)

While recovering in Melbourne, Minogue began writing lyrics towards the end of her cancer treatment in mid-2006, having not worked on any music for the previous year. Inspired by thinking about the things she wanted to do once her recovery was complete and of her doubts about returning to her career, she wrote lyrics which would later form the basis of "Cosmic" and "No More Rain". A visit to Taprobane also produced a song which Minogue penned, titled "Extraordinary Day".

Due to the recovery time following her cancer, X was the first album Minogue had consciously prepared for the recording of, having previously been engaged for much of her career in an endless cycle of record, release, and tour. She had worried about not having sung in some time and whether or not she could perform so soon after her cancer treatment. Minogue started work on the project in May 2006, only breaking for the resumption of the Showgirl tour at the end of the year. Once the tour was finished, she returned to the studio to complete the album, feeling that completing it was a personal goal she had set.

The title of the album, X, is a reference to the fact that this is Minogue's tenth studio album, with X being the Roman numeral for the number 10. It was later stated in an interview on her official website that the original title of the album was Magnetic Electric, also the title of a bonus track, but because during the production period, fans on the forums had been referring to it as "Album X", X seemed to Minogue the obvious name for the album.[2]

Initial sessions in New York with Jake Shears and Babydaddy of Scissor Sisters would result in "White Diamond" and "Singing in My Sleep" before Minogue settled down with her longstanding co-writers Biffco (Richard Stannard, Julian Peake and Paul Harris) in Brighton to work on a number of tracks. This collaboration proved very productive, with "Stars", "Fall for You", "Ruffle My Feathers" and "I Don't Know What It Is" being written. During the Biffco sessions, Scottish musician Calvin Harris worked with the team on "In My Arms", while Stannard brought in a track he had sourced titled "The One", which he co-produced with Russell Small and James Wiltshire of Freemasons. Stannard also worked with Stuart Crichton on "Tell It Like It Is", Dave Morgan ("Simple Boy"), Rob Davis ("One to One"), Martin Harrington, Ash Howes and Hannah Robinson ("Give Up to Love"). Minogue encountered songwriter Guy Chambers at a function, who offered her a song he had written over the previous four years and built around a sample of Serge Gainsbourg and Brigitte Bardot's "Bonnie and Clyde". Cathy Dennis joined Minogue in furthering the track, which became "Sensitized". She had also written a number of songs for Minogue's album, including one co-written with producer Mark Ronson entitled "Boys Boys Boys"

Once the sessions for the album had got underway, Parlophone's A&R team sent out writing and production briefs to a large number of artists, producers and songwriters, some of them well regarded, some up-and-coming and some unknown, requesting demo submissions for Minogue and her team to hear. Minogue continued to work with a growing number of artists on her new material. Harris returned to the project with "Heart Beat Rock", "Love Attack", "Like Love", and "What's It Gonna Take", sessions with Scottish musician Mylo resulted in "I'm in the Mood for Love" and "Spell of Desire", while underground London group Kish Mauve produced two of their own songs for Minogue, "2 Hearts" and "Lose Control", and co-wrote a further two with her, "Can't Get Enough" and "You Make Me Feel". Minogue's material took a harder electronic approach with some of her newer collaborators. Danish producers Cutfather and Jonas Jeberg forwarded a demo of "Like a Drug" to Parlophone, which was rejected at first but accepted on second try. Minogue recorded the track in London, and later she recorded "All I See" (co-written by EMI songwriter Edwin "Lil' Eddie" Serrano), "Down" and "Rippin' Up the Disco" with them. Sessions in Stockholm with songwriter Karen Poole and Swedish producers Bloodshy & Avant resulted in tracks "Speakerphone", "Cherry Bomb" and "Nu-di-ty". Minogue brought out her lyric book and attempted to work on "No More Rain" with them, but their production-heavy style did not work well with the song.

After spending most of July 2007 filming a guest appearance in the Doctor Who Christmas special, "Voyage of the Damned",[3] Minogue requested setting up a studio in Ibiza in August 2007 with previous writing partner Karen Poole, and newcomer Greg Kurstin, an American multi-instrumentalist musician and producer. Kurstin had worked on a second mix of "Fall For You", written earlier in the year. Once there they wrote "Wow", "King or Queen", "Deepest Blue", "Carried Away", "Do It Again" and "Magnetic Electric". Minogue gave "No More Rain" to Kurstin to complete a new production on the song. A few more tracks completed rounded off the album's sessions. Minogue recorded a cover of Roxy Music's 1975 song "Love Is the Drug" with Harris, and completed "Cosmic" with producer Eg White. Minogue also completed a number of tracks with her longtime writing partner Steve Anderson of Brothers in Rhythm; those tracks included "Hush Hush", "Flower" and "That's Why They Write Love Songs".

Mylo was also recruited to record several of the tracks for the album with Minogue. After recording tracks in the studio, he was told "they were being sent off to be mixed and would be on the final record". He was shocked when the final product was released without any of his tracks included. "To be honest, I think the album is a complete mess, except for the track she blatantly stole [from Kish Mauve], '2 Hearts'", he told BBC Radio 1. "I plan to keep up my public beef with Kylie for as long as possible."[4] It was also reported that the Pet Shop Boys were invited to write a handful of tracks for Minogue. After having submitted them, they were subsequently ignored and the duo would go on to record several of the songs for their own 2009 album Yes: "We never heard anything back", explained Neil Tennant. "I think every songwriter in London wrote songs for Kylie's last album [...] When we were on tour, we had two male backing singers and both had submitted songs for Kylie's album as well. They never heard anything either." Chris Lowe, the other half of the duo, added, "We won't be doing it again."[5] Boy George and Amanda Ghost submitted a track called "I'm Ready", with further submissions coming from Davis, Robinson ("So Safe"), Henrik Korpi ("Never Be Lonely"), Siobhan Fahey,[6] Goldfrapp, Sneaky Sound System, Hot Chip and Alan Braxe.

The first song on the album is "2 Hearts". Musically, "2 Hearts" is a pop rock-oriented song, which features elements of glam rock and rock and roll. The song features instrumentation of electric guitars, guitars, drums, keyboards and piano riffs. The song also features "whooo"'s towards the singles chorus. In the verses, the song follows the chord progression Am-G.[7] In the chorus, it follows the progression F-Dm7-Am-C.[7] "In My Arms" is a synthpop and dance-pop inspired song that relates to themes of love.

The majority of the album was identified as "calculating electro pop music", citing "Like a Drug" and "The One" as examples by AllMusic.[8] Dave Hughes commented on the R&B influence on tracks like "Speakerphone" and "Heart Beat Rock" by writing "'Speakerphone' is particularly egregious, at least partially because its drum sounds subtly announce this record's intention to flirt with hip-hop in a way that is wholly inappropriate for Minogue, and also because it drowns her voice in floods of vocoder. The impulse to follow in the footsteps of white hip-popsters like Stefani and Nelly Furtado—on whose records songs like "Nu-Di-Ty" and "Heart Beat Rock" might make sense—is frankly rather disastrous for her."[9] "Wow" is a strong dance-pop song, which continues to feature nu-disco, Euro disco, house music and also contains a bit of new wave interpretation. According to the sheet at MusicNotes.com, which was published by EMI Music Publishing, the song is written the key of D Major.[10] "All I See" is an R&B song that contains an interpolation from "Outstanding", written by Raymond Calhoun and performed by The Gap Band.[11]

Both "The One" and "Stars" were recognised as disco songs. "Stars" was declared one of her more personal songs, being compared to her work on her 1997 album Impossible Princess. Musically, the album version of "The One" is a Europop, electronica and electropop-influenced song.[12] However, the remixed version of the song is a more uptempo dance-pop song. According to the music sheet at MusicNotes.com, which was published by Sony/ATV Music Publishing, the song is written in the key of D major.[13] The song's beat is set in common time, and moves at a tempo of 123 beats per minute.[13] Minogue's vocals span from the note of F#3 to the note of D5.[13]

Minogue during the Xposed act, performing "2 Hearts" on the KylieX2008 tour

The release of X was announced on 21 September 2007.[14] To promote the release of the album, Minogue performed on an exclusive show on ITV1 called The Kylie Show, featuring six songs from the new album, and four of her previous hits. It aired on 10 November 2007. The show featured the Royal Philharmonic Orchestra as well as the Crazy Horse Girls as her backing dancers. Minogue also joined Jo Whiley on BBC Radio 1 for a special show called Kylie and Whiley, during which they recreated a scene from Australian TV series Neighbours.[15] Minogue also appeared on 14 January 2008 on the Australian morning program Sunrise.[16]

To promote the lead single and the album in the United States, Minogue appeared on several shows. On 31 March, she gave an interview on the Today Show with Matt Lauer. Minogue performed "All I See" and "Can't Get You Out of My Head" live on the results show 1 April 2008 of the American program Dancing with the Stars.[17] She also performed on The Late Late Show with Craig Ferguson, and The Ellen DeGeneres Show,[18] performing "All I See" on 7 April 2008.

"2 Hearts" was released globally as the lead single except in the US. The single was a hit, reaching number one in Australia and number four in the UK. "Wow" was released as the second single in the UK and Australia and the third in the rest of the world. While it was a modest hit in Australia reaching number eleven, it was a big hit in the UK, reaching number five and selling around 180,000 copies. "In My Arms", the second global release and third UK and Australian release, reached the top 10 in the UK, Belgium, France, Germany and Switzerland. "All I See" was released as the lead US single, second Canadian single and fifth Australian single. It reached number 81 on the Canadian Hot 100, but failed to chart on the US Billboard Hot 100. It nevertheless peaked at number three on the Hot Dance Club Play chart. "The One" was released as a single in the UK, Europe and Australia. Although it was only released as a digital single, it reached number 36 on the UK chart.

Professional ratings

Aggregate scores
Source	Rating
Metacritic	65/100[24]
Review scores
Source	Rating
AllMusic	[8]
BBC Music	Favourable[25]
The Guardian	[26]
The New York Times	Mixed[27]
Pitchfork	6.6/10[28]
PopMatters	6/10[29]
Rolling Stone	[30]
Slant Magazine	[9]
Spin	[31]
The Village Voice	Favourable[32]

X received generally positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 65, based on 24 reviews.[24] Chris Long of BBC Music praised it as "an album packed with vitality and, as always with Kylie's releases, oodles of fun", noting that the "current trend for electro is one that was always going to suit Kylie and it's one that she's used right through X."[25] James Hunter of The Village Voice claimed that "it's not the production, as copiously sexy as it is, that makes [the album] great: It's that Kylie has an ear for fantastic pop-rock tunes restyled for 2008, and she approaches them not as merely amusing sonic glitter, but as totally vital music."[32] Mark Sutherland wrote for Billboard that "[t]he hip producers [...] and heavy-hitting songwriters [...] are all present and correct, but they never overshadow Minogue's perky/saucy pop/dance formula", dubbing the album a "truly welcome return".[33] Barry Walters of Spin expressed that "more often than not, X's hooks, tunes, and Minogue's bubblegum-perfect hum achieve candy-coated ecstasy."[31] In a review for The New York Times, Kelefa Sanneh commented that "though X doesn't raise Ms. Minogue's own high standards, it does sometimes meet them", referring to "Speakerphone" as "a meta-dance song, intoxicated with itself".[27]

Sharon O'Connell of Yahoo! Music described the album as a "savvy, shiny, slyly sophisticated set of thoroughly modern dance floor exercises, it's the record we hoped Girls Aloud might make. There are no thrilling creative transgressions and Kylie won't win a Pulitzer for her prose, but as pop productions go, it's a peach."[34] The Guardian's Alexis Petridis complimented "No More Rain" for its "cheery dynamics pinched from Madonna's 'Ray of Light', and lyrics about getting a second chance", but felt that "a lot of the songs don't appear to be about anything much", adding that "X is business as usual for a Kylie Minogue album: a handful of great tracks surrounded by stuff that's so obviously filler you could inject it into cavity walls and save up to 33% on your energy bills."[26] Similarly, The Observer critic Peter Robinson viewed X as "merely a slightly above average collection of tracks. A typical Kylie album, in other words." He continued, "Listening to upbeat but flimsy tracks such as 'Wow' and 'Sensitised', it would be easy to accuse Kylie's X of being lazy but the reverse is more true: this is an album so over-thought and so painstakingly plotted that during its construction any sense of perspective seems to have been lost."[35] Jax Spike of About.com described the album as "a glorious fusion of glam electronica and dance [that] definitely shines as a great example of electropop fusion", while noting that "[e]ven though some of the ballads on X drag the album down at times, the album as a whole marks a great comeback for Kylie and definitely moves forward from what she did with Light Years and Fever."[1]

AllMusic's Chris True stated that while some of the album is "very very good", most of it "lacks—when all presented as a whole—what the last few [Minogue] collections really had: consistency."[8] Dave Hughes of Slant Magazine argued, "One of the most contemporary (and least pleasant) aspects of X is its scattershot production, which gives it the focus-grouped attention deficit disorder more typical of a Gwen Stefani record than one of Minogue's laser-honed disco-princess home runs."[9] Tom Ewing of Pitchfork opined that "X can seem like a revision primer for Minogue fans who've ignored the past few years of chart pop—here's a bit of Gwen Stefani-style clockwork playground pop; here's some nu-Britney Spears cut-ups; here's some Sugababes sultriness. Here's electro-disco, cosmic disco, and just plain disco disco, plus nods to 1980s street dance and 00s r&b [...] As you'd expect, not all of these styles suit her."[28] Evan Sawdey of PopMatters stated that Minogue is "on fire for the first half of X", but dismissed the second half as "a long stream of high-class filler" and "a laundry list of forgettable tunes".[29] Michael Hubbard of musicOMH wrote that "X's 13 tracks do what Kylie songs always do—crank up a beat and get energetic around unchallenging lyrics about dancing, sexing and little else. Together they've made an expensive-sounding album pitched squarely at Kylie's existing audience base", but concluded that the album is "more filler than killer".[36] Robert Christgau gave X a one-star honorable mention () and called it "[a]n especially happy birthday to the Aussie ex-ingenue, who just turned 40 and can still credibly sing, 'Boy, you got it got it, you got me feeling crazy 'bout my body'".[37]

Minogue during the Black Versus White act of her KylieX2008 tour, July 2008

X debuted at number one on the ARIA Albums Chart with first-week sales of 16,000 copies,[38] giving Minogue her third number-one album in her native Australia.[39] The album spent 14 weeks in the top 50,[39] ultimately earning a platinum certification from the Australian Recording Industry Association (ARIA) for shipments in excess of 70,000 copies.[40] Additionally, it was the 49th best-selling album of 2007 in Australia.[41] In New Zealand, however, it became Minogue's lowest-charting studio album to date, spending a sole week at number 38 on the RIANZ Albums Chart.[42]

X debuted number four on the UK Albums Chart, selling 82,370 copies in its first week.[43] The British Phonographic Industry (BPI) certified the album platinum on 30 November 2007,[44] and by July 2010, it had sold 463,056 copies in the United Kingdom.[45] In the United States, the album charted at number 139 on the Billboard 200 and at number four on the Top Electronic Albums chart,[46] selling 6,000 units in its first week[47] and 42,000 units altogether.[48] The album saw considerable charting success across continental Europe, reaching the top 10 in Switzerland; the top 20 in Austria, the Czech Republic, France, Germany, Hungary, and Ireland; the top 30 in Belgium, Netherlands, Spain and Sweden; and the top 40 in Denmark and Italy.[49][50][51][52] As of December 2008, X had sold one million copies worldwide.[53]

Special edition bonus DVD

• Xposed – Interview with Kylie
• Photo gallery
• White Diamond film trailer
• "2 Hearts" music video
• Access to online bonus track "Rippin' Up the Disco"

USB edition bonus content

• "2 Hearts" music video
• White Diamond film trailer
• Album artwork
• Web links
• Access to online bonus track "Rippin' Up the Disco"

Credits adapted from the liner notes of X.[64]