89th Academy Awards

Adele Romanski, Dede Gardner, and Jeremy Kleiner, Best Picture winners

Damien Chazelle, Best Director winner

Casey Affleck, Best Actor winner

Emma Stone, Best Actress winner

Mahershala Ali, Best Supporting Actor winner

Viola Davis, Best Supporting Actress winner

Kenneth Lonergan, Best Original Screenplay winner

Barry Jenkins, Best Adapted Screenplay co-winner

Asghar Farhadi, Best Foreign Language Film winner

Ezra Edelman, Best Documentary Feature co-winner

Joanna Natasegara, Best Documentary Short Subject co-winner

Orlando von Einsiedel, Best Documentary Short Subject co-winner

Winners are listed first, highlighted in boldface, and indicated with a double dagger ().[30]

The Academy held its 8th annual Governors Awards ceremony on November 12, 2016, during which the following awards were presented:[32]

Academy Honorary Awards

• Jackie Chan — Hong Kong martial artist, actor, director, producer, and singer[33]
• Anne V. Coates — British film editor[34]
• Lynn Stalmaster — American casting director[35]
• Frederick Wiseman — American filmmaker, documentarian, and theatrical director[36]

At the time of the nominations announcement on January 24, 2017, the combined gross of the nine Best Picture nominees at the North American box offices was $483.8 million, with an average of $53.8 million per film.[48] When the nominations were announced, Arrival was the highest-grossing film among the Best Picture nominees with $95.7 million in domestic box office receipts.[49] La La Land was the second-highest-grossing film with $90.5 million,[50] followed by Hidden Figures ($85 million), Hacksaw Ridge ($65.5 million), Fences ($48.8 million), Manchester by the Sea ($39 million), Hell or High Water ($27 million), Lion ($16.5 million) and Moonlight ($15.8 million).[51] Moonlight became the second lowest-grossing film to win Best Picture award.[52][53]

Thirty-five nominations went to 13 films on the list of the top 50 grossing movies of the year. Of those 13 films, only Zootopia (3rd), Moana (15th), La La Land (45th), and Arrival (48th) were nominated for Best Picture, Best Animated Feature or any of the directing, acting or screenwriting awards.[54] The other top 50 box-office hits that earned nominations were Rogue One: A Star Wars Story (4th), The Jungle Book (5th), Fantastic Beasts and Where to Find Them (8th), Suicide Squad (10th), Doctor Strange (11th), Star Trek Beyond (24th), Trolls (25th), Passengers (30th), and Sully (32nd).[55]

In the previous two years, the awards had come under scrutiny for the lack of racial diversity among the nominees in major categories, which included no actors of color being nominated.[56] After the nominees for the 89th Awards were announced on January 24, many media outlets noted the diversity of the nominations, which included a record-tying seven minority actors and a record-setting six black actors.[57][58][59] For the first time in the Academy's history, each acting category had black actors, with three nominated in the Best Supporting Actress category and three black screenwriters nominated in the Best Adapted Screenplay category in the same year. Also nominated was one black director, the fourth in Oscar history.[60][61][62]

The awards continued to be criticized by actors and media organizations representing non-black minorities. The National Hispanic Media Coalition stated that Latino actors were "not getting the opportunities to work in front of camera, and with few exceptions, in back of the camera as well." Daniel Mayeda, chair of the Asian Pacific American Media Coalition, stated that the omission of Asian actors from the nominations list (with only one actor, Dev Patel, nominated) reflected "the continued lack of real opportunities for Asians in Hollywood".[63] A skit performed during the ceremony, in which a group of tourists enter the theater, led to criticism of host Kimmel over his mocking of an Asian woman's name.[64]

Having previously been nominated for Doubt (2008) and The Help (2011), Viola Davis became the first African-American actress to garner three Academy Award nominations.[65][66] She went on to win the award, making her the first African-American to achieve the Triple Crown of Acting: winning a competitive Emmy, Tony, and Oscar in acting categories. Bradford Young became the first African-American to be nominated for Best Cinematography, while Joi McMillon became the first African-American to be nominated for Best Film Editing since Hugh A. Robertson for Midnight Cowboy, as well as the first black woman to be nominated for that award.[67][68][69] Octavia Spencer became the first African-American actress to be nominated after having already won before.[70] Moonlight became the first film with an all-black cast to win the Best Picture award.[18] Additionally, the ceremony had the most black winners of the Academy Awards ever.[71]

Iranian director Asghar Farhadi, who won the award for Best Foreign Language Film for The Salesman, was revealed to initially be unable to attend the ceremony due to President Donald Trump's immigration ban. He boycotted the event, saying, "I have decided to not attend the Academy Awards ceremony alongside my fellow members of the cinematic community."[72] The Academy president Cheryl Boone Isaacs reacted to the travel ban, saying, "America should always be not a barrier but a beacon and each and every one of us knows that there are some empty chairs in this room which has made academy artists into activists."[73]

Two prominent Iranian Americans – engineer Anousheh Ansari, known as the first female space tourist, and Firouz Naderi, a former director of Solar Systems Exploration at NASA – accepted Asghar Farhadi's Oscar on his behalf at the ceremony.[74] Congratulations which had initially been tweeted to the Iranian people from the US State Department's official Persian-language Twitter account were deleted following the acceptance speech given by Firouz Naderi in which President Trump's travel ban was described as "inhumane".[75]

Warren Beatty and Faye Dunaway came onstage to present the award for Best Picture, in celebration of the 50th anniversary of Bonnie and Clyde.[76] After opening the envelope, Beatty hesitated to announce the winner, eventually showing it to Dunaway, who glanced at it and declared the favorite for the award, La La Land, the winner.[77] However, more than two minutes later, as the producers of La La Land were making their acceptance speeches, Oscar crew members came on stage and took the envelopes from those assembled, explaining to them that there had been a mistake. La La Land producer Fred Berger, having heard the news, concluded his brief speech by saying "we lost, by the way".[78][79]

Beatty was then given the correct opened envelope as La La Land producer Jordan Horowitz stepped to the microphone, announced the error, stated that Moonlight had actually won the award, and took the card bearing the film's title from Beatty's hand and showed it to the camera and the audience as proof. The La La Land team, particularly Horowitz, would later be praised for their professional handling of the situation. Beatty returned to the microphone and explained that the envelope he had initially been given named Emma Stone for her actress performance in La La Land, hence his confused pause, and confirmed that Moonlight was the winner. The producers of Moonlight then came onstage, Horowitz presented the Best Picture award given to them, and they gave their acceptance speeches.[19][80][81]

According to The Hollywood Reporter, PricewaterhouseCoopers (PwC) – the accounting firm responsible for tabulating results, preparing the envelopes, and handing them to presenters – creates two sets of envelopes, which are kept on opposite sides of the stage.[82] It is intended that each award has one primary envelope and one backup envelope that remains with one of the PwC Accountants in the wings. (An emergency third set of envelopes is kept at an undisclosed location until the first two sets of envelopes are confirmed to have arrived at the Oscars ceremony location safely.) Video stills from the broadcast show that Beatty and Dunaway had been given the single remaining still-unopened backup envelope for Actress in a Leading Role as they walked onto the stage.[83]

PwC issued a statement apologizing for this error:

We sincerely apologize to Moonlight, La La Land, Warren Beatty, Faye Dunaway, and Oscar viewers for the error that was made during the award announcement for Best Picture. The presenters had mistakenly been given the wrong category envelope and when discovered, was immediately corrected. We are currently investigating how this could have happened, and deeply regret that this occurred. We appreciate the grace with which the nominees, the Academy, ABC, and Jimmy Kimmel handled the situation.[84]

An article from The New York Times explained:

The design of the envelopes could have been a factor. The envelopes were redesigned this year to feature red paper with gold lettering that specified the award enclosed, rather than gold paper with dark lettering. That could have made the lettering harder to read. The Academy of Motion Picture Arts and Sciences, not PwC, is responsible for the design and procurement of the envelopes.[85]

Brian Cullinan, the PwC accountant who gave the wrong envelope to Beatty, had been instructed not to use social media during the event; however, moments after handing over the envelope, he had tweeted a snapshot of Stone standing backstage.[86] Variety published photographs of Cullinan that were taken at the time which showed him backstage while tweeting the image.[87]

The show received a mixed reception from media publications. Some media outlets were more critical and complained of repetitive jokes; Jeff Jensen of Entertainment Weekly complained that the show "didn't know when to stop and didn't know when to bail on stuff that wasn't working",[88] and The Oregonian Kristi Turnquist agreed and especially noted the repeated segments featuring actors discussing their favorite films at length to be "tedious and ill-advised".[89] Writing for Time television critic Daniel D'Addario bemoaned that, "It was unfortunate that the evening's host didn't seem to share the evening's general embrace of humanity."[90]

Some media outlets reviewed the broadcast more positively with some praise for Kimmel. Variety television critic Sonia Saraiya praised Kimmel's performance writing that he "found a way to balance the telecast between that sensibility – the treacly self-satisfaction of sweeping orchestrals and tap dancing starlets."[91] Chief television critics, Robert Bianco of USA Today and Frazier Moore from Associated Press applauded Kimmel's hosting saying he "was up to the challenge" while Moore added that the ceremony's induction of the montage of moviegoers shows that "Hollywood can surmount its share of walls."[92][93] Brian Lowry of CNN gave an average critique of the ceremony but acclaimed Kimmel's hosting.[94] Many critics praised the playful jabs between Kimmel and Matt Damon, who was introduced as Ben Affleck’s unnamed guest as well as music being played over him.[95]

The American telecast on ABC drew an average of 33 million people over its length, which was a 4% decrease from the previous year.[10] The show also earned lower Nielsen ratings compared to the previous ceremony with 22.4% of households watching over a 36 share.[96] In addition, it received a lower 18–49 demo rating with a 9.1 rating over a 26 share.[97] It also had the lowest U.S. viewership since the 80th ceremony in 2008, which averaged 32 million viewers.[98] Nonetheless, it was the eighth most watched television broadcast in the United States in 2017.[99]

In July 2017, the ceremony presentation received six nominations for the 69th Primetime Creative Arts Emmys.[100] The following month, the ceremony won two of those nominations for Outstanding Creative Achievement In Interactive Media within an Unscripted Program and for Outstanding Directing for a Variety Special (Glenn Weiss).[101]