Armageddon (1998 film)

Despite a mixed critical reception, a DVD edition of Armageddon was released by The Criterion Collection, a specialist film distributor of primarily arthouse films that markets what it considers to be "important classic and contemporary films" and "cinema at its finest". In an essay supporting the selection of Armageddon, film scholar Jeanine Basinger, who taught Michael Bay at Wesleyan University, states that the film is "a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion". She sees it as a celebration of working men: "This film makes these ordinary men noble, lifting their efforts up into an epic event." Further, she states that in the first few moments of the film all the main characters are well established, saying, "If that isn't screenwriting, I don't know what is".[9]

The film was also released on VHS and DVD by Touchstone Home Video on November 13, 1998, and would surpass Pretty Woman to become Buena Vista Home Entertainment's best-selling live-action title.[10] The film was released on a standard edition Blu-ray in 2010 with only a few special features.[11]

Following the 2003 Columbia disaster, some screen captures from the opening scene where Atlantis is destroyed were passed off as satellite images of the disaster in a hoax.[12] Additionally, the American cable network FX, which had intended to broadcast Armageddon that evening, removed the film from its schedule and aired Aliens in its place.[13]

Armageddon was released on July 1, 1998 in 3,127 theaters in the United States and Canada. It ranked first at the box office with an opening weekend gross of $36 million. It grossed $201.6 million in the United States and Canada and $352.1 million in other territories for a worldwide total of $553.7 million.[2] It was the highest-grossing film of 1998 worldwide and the second-highest-grossing film of that year in the United States, finishing just behind Saving Private Ryan.

Armageddon received mostly negative reviews from film critics, many of whom took issue with "the furious pace of its editing".[14] On the review aggregator website Rotten Tomatoes, the film has a 38% "Rotten" approval rating based on 121 reviews, with an average rating of 5.2/10. The critical consensus states, "Lovely to look at but about as intelligent as the asteroid that serves as the movie's antagonist, Armageddon slickly sums up the cinematic legacies of producer Jerry Bruckheimer and director Michael Bay."[15] Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.[16]

The film is on the list of Roger Ebert's most hated films.[17] In his original review, Ebert stated, "The movie is an assault on the eyes, the ears, the brain, common sense and the human desire to be entertained". On Siskel and Ebert, Ebert gave it a Thumbs Down. However, his co-host Gene Siskel gave it a Thumbs Up. Ebert went on to name Armageddon as the worst film of 1998 (though he was originally considering Spice World).[18] Todd McCarthy of Variety also gave the film a negative review, noting Michael Bay's rapid cutting style: "Much of the confusion, as well as the lack of dramatic rhythm or character development, results directly from Bay's cutting style, which resembles a machine gun stuck in the firing position for 2​¹⁄₂ hours."[19] In April 2013, in a Miami Herald interview to promote Pain & Gain, Bay was quoted as having said:

...We had to do the whole movie in 16 weeks. It was a massive undertaking. That was not fair to the movie. I would redo the entire third act if I could. But the studio literally took the movie away from us. It was terrible. My visual effects supervisor had a nervous breakdown, so I had to be in charge of that. I called James Cameron and asked "What do you do when you're doing all the effects yourself?" But the movie did fine.[20]

Some time after the article was published, Bay changed his stance, claiming that his apology only related to the editing of the film, not the whole film,[21] and accused the writer of the article for taking his words out of context. The author of the article, Miami Herald writer Rene Rodriguez claimed: "NBC asked me for a response, and I played them the tape. I didn't misquote anyone. All the sites that picked up the story did."[22]

In an interview with Entertainment Weekly, Bay admitted that the film's central premise "that NASA could actually do something in a situation like this" was unrealistic. However, the largest known Potentially Hazardous Asteroid (PHA) is (53319) 1999 JM8 which is only 7 kilometres (4.3 mi) in diameter.[23] Additionally, near the end of the credits, there is a disclaimer stating, "The National Aeronautics and Space Administration's cooperation and assistance does not reflect an endorsement of the contents of the film or the treatment of the characters depicted therein."[24]

The infeasibility of the H-bomb approach was published by four postgraduate physics students in 2011[25] and then reported by The Daily Telegraph in 2012:

A mathematical analysis of the situation found that for Willis's approach to be effective, he would need to be in possession of an H-bomb a billion times stronger than the Soviet Union's "Big Ivan", the biggest ever detonated on Earth. Using estimates of the asteroid's size, density, speed and distance from Earth based on information in the film, the postgraduate students from Leicester University found that to split the asteroid in two, with both pieces clearing Earth, would require 800 trillion terajoules of energy. In contrast, the total energy output of "Big Ivan", which was tested by the Soviet Union in 1961, was only 418,000 terajoules.[26][27]

In the commentary track, Ben Affleck says he "asked Michael why it was easier to train oil drillers to become astronauts than it was to train astronauts to become oil drillers, and he told me to shut the fuck up, so that was the end of that talk."[28]

The film received four Academy Award nominations at the 71st Academy Awards, for Best Sound (Kevin O'Connell, Greg P. Russell and Keith A. Wester), Best Visual Effects, Best Sound Effects Editing, and Best Original Song ("I Don't Want to Miss a Thing" performed by Aerosmith).[29] The film received the Saturn Awards for Best Direction and Best Science Fiction Film (where it tied with Dark City). It was also nominated for seven Razzie Awards[30] including: Worst Actor (Bruce Willis), Worst Picture, Worst Director, Worst Screenplay, Worst Supporting Actress (Liv Tyler), Worst Screen Couple (Tyler and Ben Affleck) and Worst Original Song. Only one Razzie was awarded: Bruce Willis received the Worst Actor award for Armageddon, in addition to his appearances in Mercury Rising and The Siege, both released in the same year as this film.