Armenians in Italy

Armenians in Italy have had a presence since ancient Roman times. Teacher and rhetorician Prohaeresius was sent by the Emperor to Rome, where he became an object of popular veneration, culminating in the erection of his statue, which bore the inscription Regina rerum Roma, Regi Eloquentiae i.e. "(from) Rome, the queen of cities, to the king of eloquence".[4] Justinian's Armenian general Narses successfully attacked resistance to Roman rule wherever it was located and remained a celebrated governor of Venice.

Later, in the 9th-10th centuries, a great number of Armenians moved to Italy from Thrace and Macedonia. They were the descendants of Paulicians chased from Armenia by emperor Constantin. An Armenian Byzantine princess, Maria Argyra, became Dogaressa of Venice in 1003.

Palazzo Surian Bellotto in Venice

As to Armenian communities, they were formed in Italy in the 12th-13th centuries, when active trade was going on between Cilician Armenia and Italian big city-republics as Genoa, Venice and Pisa. Under Cilician Armenian king Levon II (1187–1219) (also known as King Leo II of Armenia), treaties were signed between the two parties, according to which Italian merchants had the right to open factories and to develop industrial activities in the Armenian Kingdom of Cilicia and Armenian merchants could do the same in Italian towns. These treaties were periodically renewed, as long as the Cilician Armenian Kingdom existed. In the 13th century the number of Armenians in Italy increased because of the new wave of emigrants after the invasion of Tatars and Mongols. Leonardo da Vinci made drawings of Armenians living in Italy.[5]

Surians were a Venetian patrician family of Armenian origin and members of the Great Council of Venice. Antonio Surian was the Patriarch of Venice from 1504 to 1508.[6] Michel Surian was instrumental in assisting Pope Pius V with creating the Holy League, which gathered its fleets to defeat the Turkish armada in the Battle of Lepanto in 1571. Another Antonio Surian, who was widely known as "The Armenian", was the Serene Republic's ambassador to England.[7] The Palazzo Surian Bellotto was built on the Cannaregio Canal by Surians in the 17th century. They were also famous for reorganising Venetian Arsenal.[8]

The Armenian Church of Livorno

The Seriman family from Isfahan had gained importance in Venice during the 17th century and owned the Palazzo Contarini-Sceriman.[9]

Art historians like Josef Strzygowski write about Armenian impact on Italian architecture. For example, he writes: "Brunelleschi may be said to have completed the Gothic cathedral of Florence in the Armenian style. Looking at the East end from without, one might take it for the work of an Armenian architect".[10]

Beginning with the 15th-16th centuries the process of catholicizing Armenians was strengthened in Italy which greatly contributed to their assimilation with Italian people. Nevertheless, some Armenian organizations continued to function with the aim to preserve national identity. According to Italian historical sources, it was more common to hear the Armenian language on the cosmopolitan lanes and canals of the Veneto than to hear English or German.[11] As a result, the first Armenian books were printed in Venice.

Besides, in the beginning of the 18th century the Armenian Congregation of the Mechitarists (Armenian: Մխիթարեան, also spelled Mekhitarists), was founded in Venice, on the St. Lazzaro Island (San Lazzaro degli Armeni). It exists up till now with its monastery, library, manuscripts depository and publishing house, and is considered as a centre of Armenian culture in Italy.[8]

Villa degli Armeni in Treviso

There was also the reputable Moorat-Raphael College in Venice for general education with student body from Armenians from many countries, which was founded in 1836 and functioned until 1997, and the Collegio Armeno (The Pontifical Armenian College) in Rome for preparation of clergy in the Armenian Catholic Church.

In 1895 the whole complex of Villa Contarini degli Armeni in Asolo became the ownership of the Mechitarists of Venice.

Two streets in Venice are bearing Armenian names, Ruga Giuffa (Julfa Street), and Sotoportego dei Armeni. In Livorno, also there are streets with Armenian names.[5]

The Church of St Bartholomew of The Armenians built in 1308 in Genoa, Italy is known for the Holy Face of Genoa kept in the church.

In 1924 a village for Armenian exiles, Nor Arax, was founded in the countryside of Bari.

In 1968 a Department of Armenian Studies was opened at the Polytechnic University of Milan. In June 1976 the Centre for the Study and Conservation of Armenian Culture (CSDCA) was established by Prof. Adriano Alpago Novello in Milan.[12] Since 1986 the Padus-Araxes Cultural Association organizes annual summer intensive courses of Armenian language and culture at Ca' Foscari University of Venice.[13]

San Lazzaro Island

Main article: San Lazzaro degli Armeni

19th century postcard of San Lazzaro degli Armeni

The cloister of the monastery on the island of San Lazzaro (Saint Lazarus) near Venice, Italy, headquarters of the Mechitarists

The Monastic headquarters of the Mekhitarist Order is on the island of St. Lazarus in Venice (San Lazzaro Monastero Armeno in Italian). It is located on San Lazzaro degli Armeni, (Armenian: "Սուրբ Ղազարոս Կղզի", English: Saint Lazarus Island), a small island in the Venetian Lagoon, lying immediately west of the Lido; completely occupied by an Armenian Catholic monastery that is the mother-house of the Mekhitarist Order. It is considered as one of the world's foremost centers of Armenian culture.

The beginnings of the island's Armenian history started when Mekhitar da Pietro and his seventeen monks built a monastery, restored the old church, and enlarged the island to its present 30,000 square metres, about four times its original area.

Its founder's temperament and natural gifts for scholarly pursuits immediately set the Mekhitarist Order in the forefront of Oriental studies: the monastery published Armenian historical, philological and literary works and related material, renowned for their scholarship and accuracy as well as for the beauty of the editions, on its own multilingual presses.

The island also houses a 150,000-volume library, as well as a museum with over 4,000 Armenian manuscripts and many Arab, Indian and Egyptian artifacts collected by the monks or received as gifts.

The Mekhitarist Order also publishes the longest-running Armenian periodical, the academic "Pazmaveb".

Moorat Raphael College in Venice

Moorat Raphael College

Two wealthy Armenians from India, namely Mkertich Murat and Edward Raphael made donations to establish an Armenian college in Venice that was named Murat-Raphael College (Collegio Armeno Moorat Raphael) in honour of the donors.

The property housing the college was the Palazzo Zenobio, built in a Baroque style in 1690, and a subtle example of Venetian art and life in the 17th century, as testified tp by the beautiful Sala degli Specchi and Sala degli Stucchi. The college also maintained a high academic level of education, a reputable teaching staff, both clergy and laity, and the college had beautiful gardens. Moorat Raphael College has been closed recently, and the location serves as a motel, but occasionally art exhibitions, summer schools and workshops are organized to keep the special artistic atmosphere of the college.

According to Kostan Zarian, the Armenians built 34 churches and monasteries in Italy, and eleven Saints of Italy had Armenian origin.[14] Armenian prince Saint Minias (3rd century) is venerated as the first Christian martyr of Florence. The church of San Miniato al Monte is dedicated to him.[15]

Cristoforo Armeno was the author of The Three Princes of Serendip, published in 1557.

Among the most famous Armenian names in Italy in earlier centuries was Gjuro Baglivi (Giorgio Baglivi), whom the Enciclopedia Italiana (known as Treccani) holds to be "one of the most eminent men in the history of medicine". Baglivi was the name of a doctor of Lecce who adopted him as an orphan of a Julfa family.[16] Other famous Italians of Armenian origin are the Venetian engineer Anton Surian, the Venetian abbot and author Zaccaria Seriman,[9] the poet Vittoria Aganoor and the chemist Giacomo Luigi Ciamician. Domenico Serpos was a ballet dancer, librettist and choreographer of the early 19th century.[17]

In spite of their small numbers, the Armenians in Italy have achieved notable successes in the country's cultural life. For example, often mentioned are the book and film critic Glauco Viazzi (Jusik Achrafian, 1921–1981), the art critic Eduardo Arslan (Yetwart, 1899–1968), the poet and writer Gostan Zarian, the musician Angelo Ephrikian (1913–1982), the Arslan family of ear, nose, and throat specialists in Padua and Genoa, and Alessandro Megighian (1928–1981), former president of the European Academy of Gnathology. The first three were commemorated in a praiseworthy initiative from 1982 to 1984 in Venice, under the general title "Armenians in Italian culture."

Italian-Armenian poet and playwright Tovmas Terzian is the author of Arshak II opera libretto. Giorgio Nurigiani was a writer, linguist, and historian. Hrand Nazariantz was a poet and translator whose candidacy was proposed for the Nobel Prize in Literature in 1953. Gregorio Sciltian was a painter. Léon Gurekian was an architect, writer and political activist. His son Ohannés Gurekian was an architect, engineer, and alpinist. A prominent living writer and academic is Antonia Arslan from Padua. Laura Ephrikian is an actress.

Among the well known Italians with Armenian ancestry are the showman Paolo Kessisoglu (1969), whose grandfather, born Keshishian, moved from Anatolia to Genoa at the beginning of 20th century fearing aggressions in Turkey (though having already changed his surname to a more Turkish version); Gevorg Petrosyan, a kickboxer and Muay Thai fighter living in Italy and fighting out of the Satori Gladiatorium in Gorizia; and the Italian fashion designer Giorgio Armani.[18] Writer Arthur Alexanian was awarded by the XI European authors competition's first prize for his Il bambino e i venti d'Armenia book.[19]

In 2000, the issue of Recognition of the Armenian Genocide was floored as a bill in the Italian Parliament that went on to recognize the Armenian Genocide. A memorial dedicated to the victims of the Armenian Genocide was inaugurated in 2006 in the center of Rome.

Besides the San Lazzaro degli Armeni, Italy has a number of very important churches and religious establishments.

• Santa Croce degli Armeni (Holy Cross Armenian Church on Calle Degli Armeni) (1434, Venice)[20]
• San Biagio degli Armeni (Surp Vlas Armenian Catholic Church) (Rome)
• San Nicola de Tolentino Armenian Catholic Church (Rome)
• Armenian Apostolic Church of the Forty Martyrs (Milano)
• San Bartolomeo degli Armeni (Genoa)
• Chiesa degli Armeni o di San Gregorio Illuminatore (Surp Grigor Lusavorich Armenian church, Via della Madonna, Livorno)
• San Gregorio Armeno, Naples

Also operating are the Levonian Monastery and the Armenian Immaculate Conception Order.

• Armenian diaspora
• Armenian-Italian relations

• Mekhitarist Order (in Italian)
• San Lazzaro degli Armeni Monastery (photo essay)
• Armenian Community of Rome (in Italian)
• Akhtamar (Online)
• Telepace Armenia
• Italian Embassy in Yerevan