BET

Logo from 2005 to 2012

The 2005–2012 logo often used a red star

After stepping down as a lobbyist for the cable industry, Freeport, Illinois native Robert L. Johnson decided to launch his own cable television network. Johnson would soon acquire a loan for $15,000 and a $500,000 investment from media executive John Malone to start the network.[6] The network, which was named Black Entertainment Television (BET), launched on January 25, 1980.[7] Cheryl D. Miller designed the logo that would represent the network.[8]

Initially broadcasting for two hours a week as a block of programming on the Madison Square Garden Sports Network (which would change their name to USA Network three months after BET launched),[9] the network's lineup composed of music videos and reruns of popular black sitcoms.[6] It would not be until 1983 that BET became a full-fledged entity, independent of any other channel or programming block.

BET launched a news program, BET News, in 1988, with Ed Gordon as its anchor. Gordon later hosted other programs and specials on BET, such as Black Men Speak Out: The Aftermath, related to the 1992 Los Angeles riots, and a recurring interview show, Conversations with Ed Gordon.[10] In 1996, the talk show BET Tonight debuted with Tavis Smiley as host; in 2001, Ed Gordon replaced Smiley as host of the program.

In 1991, the network became the first black-controlled TV company to be listed on the New York Stock Exchange.[6] Starting the late 1990s, the network expanded with the launch of digital cable networks: what is now the general interest channel BET Her originally launched as BET on Jazz (later known as BET Jazz and BET J), created originally to showcase jazz music-related programming, especially that of black jazz musicians; in 1998, it entered into a joint venture with Starz (then-owned by John Malone's Liberty Media) to launch a multiplex service of the premium channel featuring African American-oriented movies called BET Movies: Starz! 3 (later renamed Black Starz after BET dropped out of the venture following its purchase by Viacom, then-owner of Starz rival Showtime, and now known as Starz InBlack). In 2001, the network lost its status as a black-owned business when it was bought by media conglomerate Viacom for $3 billion. In 2005, Johnson retired from the network, turning over his titles of president and chief executive officer to former BET vice president Debra L. Lee.

By 2007, the network had launched two more music-oriented networks, BET Hip-Hop and BET Gospel. BET also launched a batch of original programming by this time, including reality shows Baldwin Hills and Hell Date, competition show Sunday Best, and town hall-style discussion show Hip Hop vs. America.[11] BET's president of entertainment Reginald Hudlin resigned from the network on September 11, 2008. He was then replaced by Stephen Hill, who is also executive vice president of music programming and talent.[12] BET announced in March 2010 that Ed Gordon would return to the network to host "a variety of news programs and specials".[13]

In March 2017, president of programming Stephen Hill and executive vice president of original programming Zola Mashariki both stepped down. Connie Orlando, senior vice president of Specials, Music Programming, and News was named the interim president of programming.[14]

In July 2017, Viacom signed new film and television development deals with Tyler Perry following the expiration of his existing pact with Discovery Inc. in 2019. As part of this deal, Perry would produce The Oval and Sistas for BET and co-own the network's newly launched streaming service, BET+.[15]

BET's programming began with a wide range of comedy, news and current affairs, public affairs, and music programming, including mainstream rap, hip-hop and R&B music videos (which now air on its branded sister networks) and the network's former flagship program, 106 & Park (which debuted on September 11, 2000 and ended on December 19, 2014). In addition, BET has previously aired same-day or week-delayed late-night runs of syndicated talk shows.

Original programming currently seen on BET include Boomerang, Games People Play and The Oval. Daily programming on the network consists of acquired television series and both theatrically and direct-to-video-released films. The network's morning BET Rejoice block (formally BET Inspiration until 2017) is dedicated to Christian programming and airs in lieu of infomercials in late-night, which the network has not aired since 1997;[16] BET is one of a handful of subscription channels and one of only two Viacom-owned networks to have discontinued airing infomercials (sister network Nickelodeon ran infomercials in some overnight timeslots from 1987 to 1998, with series airing in that daypart since then).

BET also carries and produces several Award telecasts, including the network's own BET Awards, which were established in 2001 to celebrate African Americans and different minorities in music, acting, sports and other parts of entertainment over the past year, and The BET Honors, which were established in 2008 to honor the lives and achievements of African-American luminaries and are presented during Black History Month each February. The BET Awards is the network's flaghip event, with the "BET Experience" festival held in the days leading up to the telecast.

A wide range of people have protested elements of BET's programming and actions, including Public Enemy rapper Chuck D,[22] journalist George Curry,[23] writer Keith Boykin,[24] comic book creator Christopher Priest,[25] filmmaker Spike Lee,[26] Syracuse University professor of finance Dr. Boyce Watkins,[27] former NFL player Burgess Owens,[28] and cartoonist Aaron McGruder (who, in addition to numerous critical references throughout his series, The Boondocks, made two particular episodes, "The Hunger Strike" and "The Uncle Ruckus Reality Show", criticizing the channel). As a result, BET heavily censors suggestive content from the videos that it airs, often with entire verses and scenes removed from certain rap videos.[29][30]

Many scholars within the African American community maintain that BET perpetuates and justifies racism by affecting the stereotypes held about African Americans, and also by affecting the psyche of its young viewers through its bombardment of negative images of African Americans.[31]

Following the death of civil rights leader Coretta Scott King in 2006, BET broadcast its regularly scheduled music video programming, rather than covering King's funeral live, as was done by TV One and Black Family Channel, and by cable news channels such as CNN, Fox News Channel, and MSNBC. The network's website streamed the funeral live, while it periodically broadcast taped, 60-second reports from the funeral by senior news correspondent Andre Showell. Michael Lewellen, BET's senior vice president for corporate communications, defended the decision: "We weighed a number of different options. In the end, we chose to offer a different kind of experience for BET viewers." Lewellen also said that BET received around "two dozen" phone calls and "a handful" of emails criticizing BET for not showing the King funeral live.[32] On the evening of the funeral, February 7, 2006, BET broadcast the tribute special Coretta Scott King: Married to the Mission, and repeated it the following Sunday, February 12.[33] Showell hosted the program featuring highlights of the funeral, Coretta Scott King: Celebrating Her Spirit, that broadcast that same day.[34] In its 2007 convention, the National Association of Black Journalists gave BET its "Thumbs Down Award" for not broadcasting King's funeral live.[35]

The New York Times reported that the Reverend Delman L. Coates and his organization Enough is Enough led protests every weekend outside the residences of BET executives against what they claim are negative stereotypes of black people perpetuated by BET music videos.[29] Enough is Enough backed an April 2008 report titled The Rap on Rap by the Parents Television Council that criticized BET's rap programming, suggesting that the gratuitous sexual, violent and profane content was targeting children and teens.[36]

In a 2010 interview, BET co-founder Sheila Johnson said that she herself is "ashamed" of what the network has become. "I don't watch it. I suggest to my kids that they don't watch it," she said. "When we started BET, it was going to be the Ebony magazine on television. We had public affairs programming. We had news... I had a show called Teen Summit, we had a large variety of programming, but the problem is that then the video revolution started up... And then something started happening, and I didn't like it at all. And I remember during those days we would sit up and watch these videos and decide which ones were going on and which ones were not. We got a lot of backlash from recording artists...and we had to start showing them. I didn't like the way women were being portrayed in these videos."[37]

BET's development and sale are featured in Bayer Mack's 2019 documentary, No Lye: An American Beauty Story, that chronicles the rise and decline of the black-owned ethnic beauty industry.[38]

• Scott Mills
• BET Hip Hop Awards
• Blackbuster movies
• List of programs broadcast by Black Entertainment Television
• New Urban Entertainment
• Rip the Runway

• Muhammad, Tariq K. (June 1997), "The Branding of BET", Black Enterprise, 27 (11), pp. 156–171

• Official website
  • BET (betnetworks.com) at the Wayback Machine (archive index)
• "Black Entertainment Television" Interview with Robert Johnson, founder and president of BET, from KUT's In Black America series on the American Archive of Public Broadcasting, April 29, 1986