Bootsy Collins

With his elder brother Phelps "Catfish" Collins, Frankie "Kash" Waddy, and Philippé Wynne, Collins formed a funk band, The Pacemakers, in 1968.[3] In March 1970, after most of the members of James Brown's band quit over a pay dispute, The Pacemakers were hired as Brown's backing band and they became known as The J.B.'s.[6] (They are often referred to as the "original" J.B.'s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original J.B.'s played on some of Brown's most intense funk recordings, including "Get Up (I Feel Like Being a) Sex Machine", "Bewildered (1970)", "Super Bad", "Soul Power", "Talkin' Loud and Sayin' Nothing", and two instrumental singles, the much-sampled "The Grunt" and "These Are the J.B.'s". In regards to his tenure working for James Brown, Collins stated:

He treated me like a son. And being out of a fatherless home, I needed that father figure and he really played up to it. I mean, Good Lord. Every night after we played a show, he called us back to give us a lecture about how horrible we sounded. [Affects James Brown voice] “Nah, not on it, son. I didn’t hear the one. You didn’t give me the one.” He would tell me this at every show. One night, we knew we wasn’t sounding really good – we were off – and he calls us back there and said, “Uh huh, now that’s what I’m talkin’ about. Y’all was on it tonight. Y’all hit the one.” My brother and I looked at each other like, “This mother has got to be crazy.” We knew in our heart and soul that we wasn’t all that on that show. So then I started figuring out his game, man. By telling me that I wasn’t on it, he made me practice harder. So I just absorbed what he said and used it in a positive way.[7]

After parting ways with James Brown, Collins returned to Cincinnati and formed House Guests with his brother Phelps Collins, Rufus Allen, Clayton "Chicken" Gunnels, Frankie Waddy, Ronnie Greenaway and Robert McCullough. The House Guests released "What So Never the Dance" and another single on the House Guests label, as well as a third as The Sound of Vision on the House Guests label.

Next Collins moved to Detroit, Michigan, after Philippé Wynne suggested joining The Spinners, for whom Wynne had been singing. However, following the advice of singer and future Parliament member Mallia Franklin, Collins had another choice. Franklin there introduced both Collins brothers to George Clinton, and 1972 saw both of the Collins brothers, along with Waddy, join Funkadelic. Collins played bass on most of Funkadelic and Parliament albums through the early 1980s, garnering several songwriting credits as well.

In 1976 Collins, Catfish, Waddy, Joel Johnson (1953–2018), Gary "Mudbone" Cooper, Robert Johnson and The Horny Horns formed Bootsy's Rubber Band, a separate touring unit of Clinton's P-Funk collective. The group recorded five albums together, the first three of which are often considered to be among the quintessential P-Funk recordings. The group's 1978 album Bootsy? Player of the Year reached the top of the R&B album chart and spawned the #1 R&B single "Bootzilla".

Like Clinton, Collins took on several alter egos, from Casper the Funky Ghost to Bootzilla, "the world's only rhinestone rockstar monster of a doll", all as parts of the evolving character of an alien rock star who grew gradually more bizarre as time went on (see P-Funk mythology). He also adopted his trademark "space bass" around this time.

Collins released two 1980 albums, his first "solo" album Ultra Wave, and Sweat Band, on George Clinton's Uncle Jam label with a group billed as Bootsy's Sweat Band. He also was credited for co-producing the debut of P-Funk spinoff Zapp.

In 1984, he collaborated with Jerry Harrison of Talking Heads to produce "Five Minutes", a dance record sampled and edited from Ronald Reagan's infamous "We begin bombing in five minutes" speech. The record was credited to "Bonzo goes to Washington" (also referenced in the 1985 Ramones song "Bonzo Goes to Bitburg", derived from Reagan's starring role as Professor Peter Boyd in the 1951 comedy film Bedtime for Bonzo).

After a nearly five-year hiatus, he had a comeback in 1988 (with some help from producer Bill Laswell). What's Bootsy Doin'? flaunted a new sound that foreshadowed the 1990s, such as the dance floor smash "Party on Plastic". Laswell introduced Collins to Herbie Hancock, resulting in Perfect Machine (1988). The techno-funk they recorded featured turntables for scratch appeal, and the smoothly-stylized vocals of Leroy "Sugarfoot" Bonner of chart-topping Ohio Players. These were the first of many collaborations between Laswell and Collins on many albums and projects, with the prolific producer using Bootsy mainly as a bassist but sometimes as a rhythm guitarist.[8]

In 1990, Collins collaborated with Deee-Lite on their biggest hit "Groove Is in the Heart", and he contributed additional vocals. Although he also appeared in the music video playing the bass, the bassline in the song is actually a sample of a Herbie Hancock song called "Bring Down the Birds". Bootsy's Rubber Band became the de facto backing musicians for Deee-Lite during a world tour. The Rubber Band also recorded the EP Jungle Bass, their first recording in 11 years.

In 1992, he joined with guitarist Stevie Salas and drummer Buddy Miles to form the funk-metal fusion group Hardware. The trio released one album, Third Eye Open, before disbanding. In the same year, Collins played bass guitar on the first Praxis album (produced by Laswell): Transmutation, alongside fellow Parliament-Funkadelic member Bernie Worrell, Bryan Mantia and Buckethead.

Bootsy's New Rubber Band formed in 1994, releasing Blasters of the Universe and also put forth the following live release "Keepin' dah Funk Alive 4-1995", recorded over two nights in Tokyo.

Collins performing in Cologne, Germany, in 1998

In 1995, Collins played in the remake of Jimi Hendrix's "If 6 Was 9," for Axiom Funk, a Funkadelic-like one-off supergroup produced by Bill Laswell and featuring (Funkadelic members) George Clinton, Bernie Worrell, Collins, (the guitar of the late) Eddie Hazel, Gary Shider and Laswell. The group released only one album (Funkcronomicon), and the song also appeared in the soundtrack of the movie Stealing Beauty.

Collins collaborated with Del McCoury, Doc Watson and Mac Wiseman to form the GrooveGrass Boyz. They produced a fusion of bluegrass and funk.

Collins provided lead vocals for the Fatboy Slim song "Weapon of Choice" from his 2000 album Halfway Between the Gutter and the Stars. Collins vocals quote the book Dune ("Walk without rhythm and you won't attract the worm"). The song won multiple MTV Video Music Awards and a Grammy Award for Best Music Video.

In October 2005, Collins co-wrote a song celebrating the resurgence of his hometown team, the Cincinnati Bengals of the National Football League called "Fear Da Tiger" which features "raps" written and performed by several Bengals players, including defensive end Duane Clemons, offensive tackle Stacy Andrews, and center Ben Wilkerson. An edited version of the song was made into a music video which features cameos by many other Bengals players. Collins appeared with Little Richard, Bernie Worrell, and other notable musicians as the band playing with Hank Williams, Jr. for the Monday Night Football opening during for the 2006 season. Collins was the only all star to return with Williams for the 2007 season.

He also sings "Marshal Law", the theme song of the Cincinnati Marshals indoor football team and debuted the song in 2006[5] at half time of the April 29 Marshals home game against the West Palm Beach Phantoms.

In 2006, ABC Entertainment/ A Charly Films Release released a DVD and CD from Collins and the New Rubber Band's concert at the 1998 North Sea Jazz Festival. Soon after the release, Collins split from long-time friend and guitarist Odhran "The Bodhran" Rameriz, citing creative differences as the reason.

Later that same year, Collins released the holiday album Christmas Is 4 Ever. This represents the first Christmas-themed album made by any member of the P-Funk musical collective. The album features re-workings of Christmas standards as well as original compositions.

In April 2007, Collins announced plans to open Bootsy's, a restaurant/club with Cincinnati area restaurateur Jeff Ruby. The venue operated from 2008 to 2010. It featured live musical acts, a museum dedicated to Collins's musical career and Spanish, Central and South American cuisine.

In June 2007, Collins, along with Phelps Collins, Clyde Stubblefield, John "Jabo" Starks, and Bernie Worrell, participated in the recording of the soundtrack for the movie Superbad. In December of that year they (sans Worrell) went on to perform the first tribute concert remembering James Brown.

In July 2007, Collins also told Billboard magazine that he was working on a project by the name of Science Faxtion and an album called Living on Another Frequency in which he serves as bassist and co-producer along with his lead vocalist Greg Hampton. The band also features guitarist Buckethead and drummer Brain.[9] The album was released in November 2008.[10]

Collins and Fatboy Slim, 2008

Collins promoted Rock the Vote for its 2008 campaign together with Buckethead.[11]

Collins portrayed a radio DJ in the 2013 video game, Grand Theft Auto V, in which several of his own songs were featured.[12]

Collins has also collaborated extensively with Bill Laswell and also frequently collaborated with fellow bassist Victor Wooten.

On December 14, 2018 Collins played a show with Detroit-based funk artist GRiZ, and also collaborated on a new song with GRiZ.

In January 2019, Collins announced on Facebook that he would be retiring from live performances for health reasons:

Time has come for Me to tell all our Funkateers that I will Not be Playing Bass in Concerts anymore. I have decided to become a Coach for up & coming Musicians. I know u r Disappointed just think for a moment how I feel. Doc said to much pressure on my Inner-Ear & Right Hand. Yeah, I had to make up my Mind, so I did. 2019 Sheriff Ping Ping Ping will continue to Funk from the Studio but Not Live playing Bass on Stage. I know u got question & I don't have answers, maybe one day u to will understand. Just remember; That This Year will be the Funkiest Year of them All. Watch for it. Bootsy baby!!!

He wrote that he would be releasing a new album this year, and that he would continue to work in the studio and mentor young musicians.[13]

Collins has owned many basses, several of which are custom made. His original Space Bass and its first replacement were made in Warren, Michigan by Larry Pless of Gus Zoppi's music store. The first Space Bass had a mahogany body and maple neck, white finish, and mirror pick guard. This is the Space Bass on the cover of 1976 album Stretchin' Out in Bootsy's Rubber Band.[14] Collins's original Space Bass guitar was stolen, but it was later recovered at a Cincinnati pawn shop and returned to Collins.[14]

Another Collins signature instrument is a custom-built star-shaped bass guitar he also calls the Space Bass, built for him by Manuel "Manny" Salvador of GuitarCraft in 1998. In 2006 Collins made an agreement with Traben to make a signature Collins model bass, the Bootzilla. During the 2010 NAMM Show, Collins's new signature bass was released by Warwick, a customized Infinity Bass called "Bootsy Collins Black Star Signature Bass" or "Bootsy Collins Orange Star Signature Bass", depending on the color of the stars on it.

In July 2010, Collins, in partnership with former child actor Cory Danziger,[15] launched Funk University ("Funk U"), an online-only bass guitar school in which he also serves as curator and lead professor. Funk University offers an intense curriculum tailored for intermediate to advanced bass players as well as anyone interested in a deeper understanding of funk. The curriculum is based on bass theory, history of funk, and Collins's own musical history given by Collins himself, augmented by lessons and exercises in bass and rhythm from guest bassist professors such as Les Claypool, Meshell Ndegeocello, John B (Williams) and Victor Wooten.

Enrolled students gain access to the virtual campus which, in addition to the multimedia lectures, includes a comprehensive subject library containing audio and multimedia music files, tablatures, and articles. Students participate in interactive questionnaires, polls, competitions (including track submissions), and are subjected to regular reviews by faculty members, who have designated "office hours" during which students can ask questions. Students and faculty can post or reply in the university's online forum (the Cafeteria).[16] Eventually, the curriculum will be expanded to include other instruments.[17]