Iggy Pop

The Prime Movers, featuring Pop on drums

Osterberg began his music career as a drummer in various high school bands in Ann Arbor, Michigan, including The Iguanas, who cut several records such as Bo Diddley's "Mona" in 1965.[22] His later stage name, Iggy, is derived from the Iguanas. After exploring local blues-style bands such as the Prime Movers (with brothers Dan and Michael Erlewine), he eventually dropped out of the University of Michigan[23] and moved to Chicago to learn more about blues. While in Chicago, he played drums in blues clubs, helped by Sam Lay (formerly of the Paul Butterfield Blues Band) who shared his connections with Pop.[24] Inspired by Chicago blues as well as bands like The Sonics, MC5 and The Doors, he formed the Psychedelic Stooges and began calling himself Iggy. The band was composed of Pop on vocals, Ron Asheton on guitar, Asheton's brother Scott on drums, and Dave Alexander on bass. Their first show was played at a Halloween party at a house in Detroit, Michigan. Members of the MC5 were also in attendance.

The seeds of Pop's stage persona were sown when he saw the Doors perform in 1967 at the University of Michigan and was amazed by the stage antics and antagonism displayed by singer Jim Morrison.[9] Morrison's extreme behavior, while performing in a popular band, inspired the young Pop to push the boundaries of stage performance. Other influences on Pop's vocals and persona were Mick Jagger and James Brown.

I attended two concerts by the Doors. The first one I attended was early on and they had not gotten their shit together yet. That show was a big, big, big influence on me. They had just had their big hit, "Light My Fire" and the album had taken off. ... So, here's this guy, out of his head on acid, dressed in leather with his hair all oiled and curled. The stage was tiny and it was really low. It got confrontational. I found it really interesting. I loved the performance ... Part of me was like, "Wow, this is great. He's really pissing people off and he's lurching around making these guys angry." People were rushing the stage and Morrison's going "Fuck you. You blank, blank, blank." You can fill in your sexual comments yourself. The other half of it was that I thought, "If they've got a hit record out and they can get away with this, then I have no fucking excuse not to get out on stage with my band." It was sort of the case of, "Hey, I can do that." There really was some of that in there.[25]

In addition to Jim Morrison and The Doors' influence on the band, Pop also attributes the Stooges getting jump started after seeing an all-girls rock band from Princeton, New Jersey, called The Untouchable. In a 1995 interview with Bust, he relates:

And the other thing was we went to New York. We had gone to New York a couple of months before that just to check out the scene, and we had never been to a place like New York ... we went down around Eighth Street there where all the young tourists hang out, and we met these girls from New Jersey, from Princeton, they had a band called The Untouchable, and we're like, "Oh, you've got a band, sure, ha ha ha," and they said "Well, come to our house and see us play." And we didn't have anywhere to crash, and they played for us, and they completely rocked, and we were really ashamed.

In 1968, one year after their live debut and now dubbed the Psychedelic Stooges, the band signed with Elektra Records, again following in the footsteps of The Doors, who were Elektra's biggest act at the time (according to Pop, guitarist Ron Asheton called Moe Howard to see if it was all right to call the band "The Stooges", to which Howard responded by merely saying "I don't care what they call themselves, as long as they're not The Three Stooges!" and hung up the phone). Pop himself told the story in the 2016 Jim Jarmusch documentary film about The Stooges, Gimme Danger. The Stooges' first album The Stooges, (on which Pop was credited as "Iggy Stooge"), was produced by John Cale in New York in 1969. Both it and the follow-up, Fun House produced by Don Gallucci in Los Angeles in 1970, sold poorly. Though the release of Fun House did not receive the recognition it expected, it was later ranked No. 191 in Rolling Stone's '500 Greatest Albums of All Time' in 2003.[26] Shortly after the release of Fun House, the group disbanded because of Pop's worsening heroin addiction.

Iggy Pop performing at Massey Hall, Toronto, 1973

In 1971, without a record deal, the Stooges kept performing in small clubs with a 5-piece line-up that included both Ron Asheton and James Williamson on guitars and Jimmy Recca on bass, Pop having fired Dave Alexander the previous year when he turned up for a gig unable to play because of his chronic alcoholism (he died in 1975). That year Pop and David Bowie met at Max's Kansas City, a nightclub and restaurant in New York City.[27] Pop's career received a boost from his relationship with Bowie when Bowie decided in 1972 to produce an album with him in England. With Williamson signed on as guitarist, the search began for a rhythm section. However, since neither Pop nor Williamson were satisfied with any players in England, they decided to re-unite the Stooges. Ron Asheton grudgingly moved from guitar to bass. The recording sessions produced the rock landmark Raw Power. After its release Scott Thurston was added to the band on keyboards/electric piano and Bowie continued his support, but Pop's drug problem persisted. The Stooges' last show in 1974 ended in a fight between the band and a group of bikers, documented on the album Metallic K.O. Drug abuse stalled his career again for several years.

Iggy Pop on October 25, 1977 at the State Theatre in Minneapolis

After the Stooges' second breakup, Pop made recordings with James Williamson, but these were not released until 1977 (as Kill City, credited jointly to Pop and Williamson).[13] Pop was unable to control his drug use and checked himself into a mental institution, the UCLA Neuropsychiatric Institute, to try to clean up. Bowie was one of his few visitors there, and he continued to support his friend and collaborator. In 1976, Bowie took him along as his companion on the Station to Station tour. This was Pop's first exposure to large-scale professional touring and he was impressed, particularly with Bowie's work ethic. Following a March 21, 1976 show, Bowie and Pop were arrested together for marijuana possession in Rochester, New York, although charges were later dropped.[28]

Bowie and Pop relocated to West Berlin to wean themselves off their respective drug addictions. "Living in a Berlin apartment with Bowie and his friends was interesting…" Pop recalled. "The big event of the week was Thursday night. Anyone who was still alive and able to crawl to the sofa would watch Starsky & Hutch."[29]

In 1977, Pop signed with RCA Records. Bowie helped write and produce The Idiot and Lust for Life, Pop's two most acclaimed albums as a solo artist, the latter featuring one of his best-known songs, "The Passenger". Lust for Life featured another team of brothers, Hunt and Tony Fox Sales, sons of comedian Soupy Sales. Among the songs Bowie and Pop wrote together were "China Girl", "Tonight", and "Sister Midnight", all of which Bowie performed on his own albums later (the last being recorded with different lyrics as "Red Money" on Lodger). Bowie also played keyboards in Pop's live performances, some of which are featured on the album TV Eye Live in 1978. In return, Pop contributed backing vocals on Bowie's Low.[30]

Iggy Pop in Cardiff, 1979

Pop had grown dissatisfied with RCA, later admitting that he had made TV Eye Live as a quick way of fulfilling his three-album RCA contract. He moved to Arista Records, under whose banner he released New Values in 1979. This album was something of a Stooges reunion, with James Williamson producing and latter-day Stooge Scott Thurston playing guitar and keyboards. Not surprisingly, the album's style harkened back to the guitar sound of the Stooges. New Values was not a commercial success in the U.S., but has since been highly regarded by critics.

The album was moderately successful in Australia and New Zealand, however, and this led to Pop's first visit there to promote it. While in Melbourne, he made a memorable appearance on the Australian Broadcasting Corporation's nationwide show Countdown. During his anarchic performance of "I'm Bored", Pop made no attempt to conceal the fact that he was lip-synching (shoving the microphone down his pants at one point), and he even tried to grab the teenage girls in the audience. He was also interviewed by host Molly Meldrum, an exchange which was frequently punctuated by the singer jumping up and down on his chair and making loud exclamations of "G'day mate" in a mock Australian accent. His Countdown appearance is generally considered one of the highlights of the show's history and it cemented his popularity with Australian punk fans; since then he has often toured there. While visiting New Zealand, Pop recorded a music video for "I'm Bored", and attended a record company function where he appeared to slap a woman and throw wine over a photographer.[31] While in Australia, Pop was also the guest on a live late-night commercial TV interview show on the Ten Network. It is not known whether a recording of this interview exists, but the famous Countdown appearance has often been re-screened in Australia.

During the recording of Soldier (1980), Pop and David Bowie argued with Williamson over various aspects of the project. Williamson recalling "I was not at all happy with a number of aspects of that record including the band, the material and the recording facilities. So I was unhappy in general and vice versa".[32] Williamson left the project. Bowie appeared on the song "Play it Safe", performing backing vocals with the group Simple Minds. The album and its follow-up Party (1981) were both commercial failures, and Pop was dropped from Arista. His drug habit varied in intensity during this time, but persisted.

Iggy Pop at the Pinkpop Festival in 1987

In 1980, Pop published his autobiography I Need More, co-written with Anne Wehner, an Ann Arbor arts patron. The book, which includes a selection of black and white photographs, featured a foreword by Andy Warhol. Warhol wrote that he met Pop when he was Jim Osterberg, at the Ann Arbor Film Festival in 1966. "I don't know why he hasn't made it really big," Warhol wrote. "He is so good."[33]

The 1982 album Zombie Birdhouse on Chris Stein's Animal label, with Stein himself producing, was no more commercially successful than his Arista works. In 1983, Pop's fortunes changed when David Bowie recorded a cover of the song "China Girl". The song had originally appeared on The Idiot, and was a major hit on Bowie's blockbuster Let's Dance album. As co-writer of the song, Pop received substantial royalties. On Tonight in 1984, Bowie recorded five more of their co-written songs (2 from Lust for Life, 1 from New Values, and 2 new songs), assuring Pop financial security, at least for the short term. The support from Bowie enabled Pop to take a three-year break, during which he overcame his resurgent heroin addiction and took acting classes.[34]

Additionally, Pop contributed the title song to the 1984 film Repo Man (with Steve Jones, previously of the Sex Pistols, on guitar, and Nigel Harrison and Clem Burke, both of Blondie on bass and drums) as well as an instrumental called "Repo Man Theme" that was played during the opening credits.[35]

In 1985, Pop recorded some demos with Jones. He played these demos for Bowie, who was sufficiently impressed to offer to produce an album for Pop: 1986's new wave-influenced Blah-Blah-Blah, featuring the single "Real Wild Child", a cover of "The Wild One", originally written and recorded by Australian rock 'n' roll musician Johnny O'Keefe in 1958. The single was a Top 10 hit in the UK and was successful around the world, especially in Australia, where it has been used since 1987 as the theme music for the ABC's late-night music video show Rage. Blah-Blah-Blah was Pop's highest-charting album in the U.S. since The Idiot in 1977, peaking at No. 75 on the Billboard Top 200 albums chart.

Also in 1985, Pop and Lou Reed contributed their singing voices to the animated film Rock & Rule. Pop performed the song "Pain & Suffering" in the final sequence of the film.[36]

In 1987, Pop appeared (along with Bootsy Collins) on a mostly instrumental album, Neo Geo, by Japanese composer Ryuichi Sakamoto. The music video for "Risky", written and directed by Meiert Avis, won the first ever MTV Breakthrough Video Award. The groundbreaking video explores transhumanist philosopher FM-2030's ideas of Nostalgia for the Future in the form of an imagined love affair between a robot and one of Man Ray's models in Paris in the late 1930s. Additional inspiration was drawn from Jean Baudrillard, Edvard Munch's 1894 painting Puberty, and Roland Barthes Death of the Author. The surrealist black-and-white video uses stop motion, light painting, and other retro in-camera effects techniques. Meiert Avis recorded Sakamoto while at work on the score for The Last Emperor in London. Sakamoto also appears in the video painting words and messages to an open shutter camera. Pop, who performs the vocals on "Risky", chose not to appear in the video, allowing his performance space to be occupied by the surrealist era robot.

Pop's follow-up to Blah Blah Blah, Instinct (1988), was a turnaround in musical direction. Its stripped-back, guitar-based sound leaned further towards the sound of the Stooges than any of his solo albums to date. His record label dropped him, but the King Biscuit Flower Hour radio show recorded the Instinct tour (featuring guitarist Andy McCoy and Alvin Gibbs on bass) in Boston on July 19, 1988. Working with rock attorney Stann Findelle, Pop scored more movie soundtrack inclusions in 1989: "Living on the Edge of the Night" in the Ridley Scott thriller Black Rain; and "Love Transfusion", a song originally written by Alice Cooper (who does backing vocals) and Desmond Child,[37] in Wes Craven's Shocker. Also, at the same time, Pop, dissatisfied from RCA's decisions, revoked copyrights of his RCA releases, assigned it to his company Thousand Mile, and signed a contract with Virgin Records, which was a unique hybrid of distribution deal for his RCA releases and a recording contract for new albums. Virgin first reissued Lust for Life and The Idiot in 1990, then TV Eye Live 1977 in 1994. Virgin continues to distribute these albums to this day.

In 1990, Pop recorded Brick by Brick, produced by Don Was, with members of Guns N' Roses and The B-52's as guests, as well as backup vocals by many local Hollywood groups, two of whom (Whitey Kirst and Craig Pike) would create his band to tour and perform on his Kiss My Blood video (1991), directed by Tim Pope and filmed at the Olympia in Paris. The video attracted much controversy, as it featured much footage of Pop performing with his penis exposed to the audience. The album featured his first Top 40 U.S. hit, "Candy", a duet with B-52's singer Kate Pierson.

Also in 1990, Pop sang the role of "The Prosecutor" for the POINT Music/Philips Classics recording (released in 1992) of composer John Moran's multimedia opera[38] The Manson Family.[39][40] That year he also contributed to the Red Hot Organization's AIDS benefit album Red Hot + Blue project, singing a version of "Well Did You Evah!" in a duet with Debbie Harry.

In the early to middle 1990s, Pop would make several guest appearances on the Nickelodeon show The Adventures of Pete and Pete. He played James Mecklenberg, Nona Mecklenberg's father.

In 1991, Pop and Kirst contributed the song "Why Was I Born (Freddy's Dead)" to the soundtrack of the film Freddy's Dead: The Final Nightmare. The song also plays over the end credits of the film, with a compilation of clips from the A Nightmare on Elm Street series running alongside the end credits. In the same year, Pop sang a leading role in the John Moran opera The Manson Family.

In 1992, he collaborated with Goran Bregović on the soundtrack for the movie Arizona Dream by Emir Kusturica. Pop sang four of the songs: In the Deathcar, TV Screen, Get the Money, and This is a Film. Also in 1992, he collaborated with the New York City band White Zombie. He recorded spoken word vocals on the intro and outro of the song "Black Sunshine" as well as playing the character of a writer in the video shot for the song. He is singled out for special thanks in the liner notes of the band's album La Sexorcisto: Devil Music Volume One.

In 1993, Pop released American Caesar, including two successful singles, "Wild America" and "Beside You". The following year Pop contributed to Buckethead's album Giant Robot, including the songs "Buckethead's Toy Store" and "Post Office Buddy". He appears also on the Les Rita Mitsouko album Système D where he sings the duet "My Love is Bad" with Catherine Ringer.

In 1996, Pop again found mainstream fame when his 1977 song "Lust for Life" was featured in the film Trainspotting. A new video was recorded for the song, with clips from the film and studio footage of Pop dancing with one of the film's stars, Ewen Bremner. A Pop concert also served as a plot point in the film. The song has also been used in TV commercials for Royal Caribbean and as the theme music to The Jim Rome Show, a nationally syndicated American sports talk show.

In 1996, Pop released Naughty Little Doggie, with Whitey Kirst returning on guitar, and the single "I Wanna Live". In 1997, he remixed Raw Power to give it a rougher, more hard-edged sound; fans had complained for years that Bowie's official "rescue effort" mix was muddy and lacking in bass. Pop testified in the reissue's liner notes that on the new mix, "everything's still in the red". He co-produced his 1999 album Avenue B with Don Was, releasing the single "Corruption".

In 1997, Pop was credited with the soundtrack to the film The Brave.[41][42][43]

On January 1, 1998, Pop made a guest appearance on Paramount Television's science fiction series Star Trek: Deep Space Nine. Pop played a Vorta in an episode based upon the film The Magnificent Seven, titled "The Magnificent Ferengi".[44] Pop also contributed the theme song for "Space Goofs".

Pop supplied vocals for the 1999 Death in Vegas UK Top-10 single Aisha. The same year he appeared on Hashisheen, The End of Law, a collaborative effort by Bill Laswell, reading on the tracks The Western Lands and A Quick Trip to Alamut. He also sang on the tracks "Rolodex Propaganda" and "Enfilade" by At the Drive-In in 2000.

For New Year's Eve 1997, Pop was the headliner for the annual Australian three-day concert the Falls Festival. He gave one of the most memorable performances in the history of the festival. A member of the audience got to do the countdown for the new year with Pop as part of a competition to guess Pop's new year's resolution (it was "To do nothing and make a lot of money!")

Pop's 2003 album Skull Ring featured collaborators Sum 41, Green Day, Peaches, and The Trolls, as well as Ron and Scott Asheton, reuniting the three surviving founding members of the Stooges for the first time since 1974. Pop made a guest appearance on Peaches's song Kick It as well as the video. Also in 2003, his first full-length biography was published. Gimme Danger – The Story of Iggy Pop was written by Joe Ambrose; Pop did not collaborate on the biography or publicly endorse it. Having enjoyed working with the Ashetons on Skull Ring, Pop reformed the Stooges with bassist Mike Watt (formerly of the Minutemen) filling in for the late Dave Alexander, and Fun House saxophonist Steve Mackay rejoining the lineup. They have toured regularly since 2004. That year, Pop opened Madonna's Reinvention World Tour in Dublin.

Pop and the Stooges played the Glastonbury Festival in June 2007. Their set included material from the 2007 album The Weirdness and classics such as "No Fun" and "I Wanna Be Your Dog". Pop also caused controversy in June 2007 when he was interviewed on the BBC's coverage of the Glastonbury Festival. He used the phrase "paki shop", apparently unaware of its racist connotations, prompting three complaints and an apology from the BBC.[45]

On March 10, 2008 Pop appeared at Madonna's induction into the Rock and Roll Hall of Fame at the Waldorf Astoria Hotel in New York. Together with the Stooges he sang raucous versions of two Madonna hits, "Burning Up" and "Ray of Light". Before leaving the stage he looked directly at Madonna, quoting "You make me feel shiny and new, like a virgin, touched for the very first time", from Madonna's hit song "Like a Virgin". According to guitarist Ron Asheton, Madonna asked the Stooges to perform in her place, as a protest to the Rock and Roll Hall of Fame for not inducting the Stooges despite six appearances on the nomination ballot.[46] Pop also sang on the "No Fun" cover by Asian Dub Foundation on their 2008 album Punkara.

On January 6, 2009, original Stooges guitarist and Pop's self-described best friend Ron Asheton was found dead from an apparent heart attack. He was 60 years old.

In 2009 James Williamson rejoined the band after 29 years.[47]

On December 15, 2009 it was announced that the Stooges would be inducted into The Rock and Roll Hall of Fame on March 15, 2010. Pop had "about two hours of a strong emotional reaction" to the news.[48]

Iggy Pop with Marilyn Manson, 2003

Pop produced 2001's Beat 'Em Up, which gave birth to The Trolls, releasing the single "Football" featuring Trolls alumni Whitey Kirst and brother Alex. In 2005, Pop appeared, along with Madonna, Little Richard, Bootsy Collins, and The Roots' Questlove, in an American TV commercial for the Motorola ROKR phone. In early 2006, Pop and the Stooges played in Australia and New Zealand for the Big Day Out. They also began work on a new album, The Weirdness, which was recorded by Steve Albini and released in March 2007. In August 2006, Pop and the Stooges performed at the Lowlands pop festival in the Netherlands, Hodokvas in Slovakia and in the Sziget Festival in Budapest.

Author Paul Trynka completed a biography of Pop (with his blessing) called Open Up and Bleed, published in early 2007. More recently, Pop and the Stooges played at Bam Margera's wedding and Pop appeared on the single "Punkrocker" with the Teddybears in a Cadillac television commercial. Pop was also the voice of Lil' Rummy on the Comedy Central cartoon Lil' Bush and confirmed that he has done voices for American Dad! and Grand Theft Auto IV,[49] which also included the Stooges song "I Wanna Be Your Dog" (though the game's manual credited Iggy Pop as the artist).

Iggy Pop at Beale Street Music Festival, Memphis in May 2007

Pop guested on Profanation, the new album by the Bill Laswell-helmed group Praxis, which was released on January 1, 2008.

Pop collaborated with Danger Mouse and Sparklehorse on the album Dark Night of the Soul, singing the track "Pain".

Pop's fifteenth solo album, Préliminaires, was released on June 2, 2009. Inspired by a novel by French author Michel Houellebecq called La Possibilité d'une île (2005; Trans. as The Possibility of an Island by Gavin Bowd, 2006), Pop was approached to provide the soundtrack for a documentary film on Houellebecq and his attempts to make a film from his novel. He describes this new release as a "quieter album with some jazz overtones", the first single off the album, "King of the Dogs", bearing a sound strongly influenced by New Orleans jazz musicians such as Louis Armstrong and Jelly Roll Morton. Pop said that the song was his response to being "sick of listening to idiot thugs with guitars banging out crappy music". The album is available on legal download sites, CD, and a deluxe box set is available at only 6000 units worldwide. This box set contains the Préliminaires album, a collector "Les Feuilles Mortes" b/w "King of the Dogs" 7 inch, the cover of which is Pop's portrait by Marjane Satrapi, and a 38-page booklet of drawings also by Marjane Satrapi.

In January 2009, Pop was signed up as the face of Swiftcover, the UK-based online insurance company.[50] He fronted a £25 million TV ad campaign for Swiftcover, using the strapline "Get a Life".[51] The advert was then banned by the Advertising Standards Authority on April 28, 2009 for being misleading – it implied that Pop himself had an insurance policy with Swiftcover when at the time the company did not insure musicians.[52]

Pop also sings on "We're All Gonna Die" on Slash's first solo album Slash, which was released in April 2010.[53] He appeared as a character in the video game Lego Rock Band to sing his song "The Passenger" and also lent his voice for the in game tutorial.[54] With reference to the song "The Passenger", Pop has appeared on NZ television advertising phone networks to show how he can get a band to play together by conference call. He was inducted as part of the Stooges into the Rock and Roll Hall of Fame on March 15, 2010.

Iggy Pop at the UK Hop Farm Festival, July 2011

After a March 2010 stage diving accident, Pop claimed he would no longer stage dive. However, he did so on three occasions at a concert in Madrid, Spain on April 30, 2010.[55] And it was much the same in London at the Hammersmith Apollo on May 2, 2010.[56] On July 9, 2010 he again stage dived in Zottegem, Belgium, causing Pop to bleed from the face.[57] In June 2010, Pop appeared at Yonge and Dundas Square in Toronto with the reformed Stooges on the NXNE main stage. In 2011 he teamed up with The Lilies, a collaboration between Sergio Dias of Os Mutantes and French group Tahiti Boy & The Palmtree Family, to record the single "Why?".

Pop lent his image to PETA's campaign against the annual Canada seal hunt.[58]

On April 7, 2011, at age 63, Pop performed "Real Wild Child" on the tenth season of American Idol; the Los Angeles Times music blog "Iggy Pop & Hiss" described Pop as being "still magnetic, still disturbing".[59] He is also featured on Kesha's song "Dirty Love" on her second album Warrior.[60] On August 25, 2013, Iggy and the Stooges co-headlined RiotFest 2013's Day 2, performing in Toronto and Denver along with The Replacements.[61]

In 2012, Pop was voted into the Michigan Rock and Roll Legends Hall of Fame.[62] Stooges drummer Scott Asheton died of a heart attack in March 2014 at the age of 64.

On October 14, 2014, Pop gave the fourth annual BBC Music John Peel Lecture in Salford, on the topic of "Free Music in a Capitalist Society".[63] He used the lecture to discuss his experiences of the music industry, and his reflections on the effect of the internet on the consumption of music and the broader media.[64] Pop hosts a weekly radio show on BBC Radio 6, where he covers an eclectic range of music from punk to jazz, he also champions and pushes new artists such as Shame, Fat White Family, False Heads and Sleaford Mods.

In January 2015, it was announced that Pop contributed the theme song to Alex Cox's film Bill, the Galactic Hero.[65] He also collaborated with New Order on the song "Stray Dog" of their album Music Complete released in September of that year. Pop also collaborated with Tomoyasu Hotei on the songs "How The Cookie Crumbles" and "Walking Through The Night" from the album Strangers, also released that same year.[66]

On June 22, 2016, Stooges guitarist James Williamson made an official statement saying that the Stooges are no more:

The Stooges is over. Basically, everybody's dead except Iggy and I. So it would be sort-of ludicrous to try and tour as Iggy and the Stooges when there's only one Stooge in the band and then you have side guys. That doesn't make any sense to me.[67]

Williamson also added that touring had become boring, and trying to balance the band's career as well as Pop's was a difficult task.[68]

In 2016, Pop recorded an album with Josh Homme titled Post Pop Depression. The album was released on March 18, with a tour of Europe and North America entitled Post Pop Depression Tour to follow, starting from March 28.[69][70] On both sides of the Atlantic, the album set a new peak chart position for Iggy Pop albums, becoming his first ever US Top 20 album[71] and first ever UK Top 5 album.[72]

On October 28, 2016, Pop released the double live album Post Iggy Pop Depression: Live At The Royal Albert Hall on Eagle Rock Entertainment (on DVD+2CD and digital formats).

In 2017, Pop composed and performed vocals on the song "The Pure and the Damned" by Oneohtrix Point Never on the soundtrack for the crime film Good Time.[73]

Iggy Pop performing in 2018

On July 27, 2018, Pop released a joint EP with Underworld, titled Teatime Dub Encounters. Pop and Underworld had both contributed tracks to Danny Boyle's 1996 movie Trainspotting.[74][11]

On June 25, 2019, The New York Times Magazine listed Pop among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[75]

Pop's eighteenth studio album, Free, was released on September 6, 2019.[76][77]

In January 2020, Pop received a Grammy Lifetime Achievement Award.[78]

On April 10, 2020, Pop released an alternate mix of his hit song "China Girl" as part of the forthcoming release on May 29 of The Bowie Years, a new seven-disc deluxe box set due to feature expanded remastered versions of his David Bowie-produced albums The Idiot and Lust for Life, both originally released in 1977. The box set is due to include remastered versions of both 1977 studio projects along with outtakes, alternate mixes and a 40-page book. As well, the two original albums are due to be paired with an additional album of live material to create separate stand-alone two-disc deluxe editions.[79]

In December 2020, Pop featured on a rework of Elvis Costello's song "No Flag" from Costello's 2020 album Hey Clockface. The song is a rerecording with Iggy Pop providing the vocals, translated to French for this version.[80]

A new digital track by Pop was released in December 2020, titled "Dirty Little Virus". Lyrically it is about the COVID-19 pandemic.[81]

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