Culture of Serbia

The Serbian culture is a term that encompasses the artistic, culinary, literary, musical, political and social elements that are representative of Serbs and Serbia.

The White Angel (1235) fresco from Mileševa monastery; sent as a message in the first satellite broadcast signal from Europe to America, as a symbol of peace and civilisation[1]
Part of a series on the
Culture of Serbia
History
People
Languages
Traditions
Mythology and folklore
Cuisine
Festivals
Religion
Art
Literature
Music and performing arts
Media
Sport
Monuments
Symbols
Organisations
  •  Serbia portal

The Byzantine Empire had a great influence on the culture as Serbs were initially governing the Byzantine and Frankish frontiers in the name of the emperors. Serbs soon formed an independent country and were baptized by Eastern Orthodox missionaries and adopted the Cyrillic script, with both Latin and Catholic influences in the southern regions. The Republic of Venice also influenced the maritime regions of the Serbian state in the Middle Ages. The Serbian Orthodox Church gained autocephaly from Constantinople in 1219, whereas Stefan the First Crowned was declared king by the pope, starting a prosperous medieval period of the Serbian culture. The Ottoman Empire conquered the Serbian Despotate in 1459 ending a cultural and political renaissance. Ottomans ruled the territory and influenced the Serbian culture, especially in the southern regions. Meanwhile, in the northern regions Habsburg Monarchy expanded into modern-day Serbian territory starting from the end of the 17th century, culturally bounding this part of the nation to Central Europe, rather than the Balkans. Following Serbia's autonomy after the Serbian Revolution and eventual independence, the culture of Serbia was restrengthened within its people.

Life

Religion
Main article: Religion in Serbia
See also: Serbian Orthodox Church
Church of Saint Sava is one of the largest Orthodox churches in the world and a major symbol of Belgrade
Notable medieval fresco Bathing of the Christ, a part of UNESCO world heritage site Our Lady of Ljeviš, burned down in 2004 unrest in Kosovo

Conversion of the South Slavs from Slavic paganism to Christianity began in the early 7th century, long before the Great Schism, the split between the Greek Orthodox East and the Roman Catholic West.[2] The Serbs were first Christianized during the reign of Heraclius (610–641) but were fully Christianized by Eastern Orthodox Missionaries (Saints) Cyril and Methodius in 869 during Basil I's reign, who sent them after Knez Mutimir had acknowledged the suzerainty of the Byzantine Empire.[3]

After the Schism, those who lived under the Byzantine sphere of influence became Orthodox and those who lived under the Roman sphere of influence became Catholic. During Stefan Nemanjić's reign (1169-1196), Serbian principalities were united into a Kingdom and many churches and monasteries were built throughout the territories, including the Studenica Monastery. Nemanjić's youngest son, Saint Sava (born as Rastko) was an influential Serbian monk who became the first independent Serbian Archbishop in 1219, granted by the Ecumenical Patriarchate of Constantinople.[3]

Later, with the arrival of the Ottoman Empire, one part of Serbs converted to Islam. Their modern descendants are considered to be members of the Gorani and Bosniak ethnic groups. The Serbian Orthodox Church was the westernmost bastion of the Eastern Orthodox Christianity in Europe,[4] which shaped its historical fate through contacts with Catholicism and Islam.

During World War II, the Serbs, living in a wide area, were persecuted by various peoples and organizations. The Catholic Croats within the Independent State of Croatia recognized the Serbs only as "Croats of the Eastern Greek faith" and had the ideological vision that 1/3 of the Serbs were to be murdered, 1/3 were to be converted and the last third expelled.[5] The outcome of these visions was the deaths of at least 300,000 people, the religious conversion of 250,000 as well as mass expulsion.[6]

According to the 2011 Serbian census, 6,079,396 people (84.6%) identified themselves as Christian Orthodox, with 5% Roman Catholic, 3% Muslim and 1% Protestant.[7]

Names
Main article: Serbian name

Given names

As with most Western cultures, a child is given a first name chosen by their parents but approved by the godparents of the child (the godparents usually approve the parent's choice). The given name comes first, the surname last, e.g. "Željko Popović", where "Željko" is a first name and "Popović" is a family name. Female names typically end with -a or -ica.[8]

Popular names are mostly of Serbian (Slavic), Christian (Biblical), Greek and Latin origin. Some examples are:

Surnames

Most Serbian surnames (like Bosnian, Croatian and Montenegrin) have the surname suffix -ić (pronounced [t͡ɕ], Cyrillic: -ић).[8] This is often transliterated as -ic or -ici. In history, Serbian names have often been transcribed with a phonetic ending, -ich or -itch. This form is often associated with Serbs from before the early 20th century: hence Milutin Milanković is usually referred to, for historical reasons, as Milutin Milankovitch.

The -ić suffix, with variants "-ović"/"-ević", is originally a Slavic diminutive and its meaning has been extended to creating patronymics. Thus the surname Petr(ov)ić signifies little Petar, as does, for example, "-sen"/"-son" in Scandinavian and to a lesser extent German and English names or a common prefix Mac ("son of") in Scottish & Irish, and O' (grandson of) in Irish names. It is estimated that some two thirds of all Serbian surnames end in -ić but that some 80% of Serbs carry such a surname with many common names being spread out among tens and even hundreds of non-related extended families.

Other common surname suffixes are -ov or -in which is the Slavic possessive case suffix, thus Nikola's son becomes Nikolin, Petar's son Petrov, and Jovan's son Jovanov. Those are more typical for Serbs from Vojvodina. The two suffixes are often combined. The most common surnames are Marković, Nikolić, Petrović, and Jovanović.[9]

Cuisine
Main article: Serbian cuisine

Most people in Serbia will have three meals daily, breakfast, lunch and dinner, with lunch being the largest and most important meal. However, traditionally, only lunch and dinner existed, with breakfast being introduced in the second half of the 19th century.[10]

Rolled pie (or rolled burek) served with the national drink Rakia[11]

Background

Traditional Serbian cuisine is varied and can be said to be a mix of European, Mediterranean and Middle Eastern cuisine.[12] Ćevapi consisting of grilled heavily seasoned mixed ground meat patties is considered to be the national dish. Other notable dishes include Koljivo used in religious rituals, Serbian salad, Sarma (stuffed wineleaf), pilav (pilaf, Middle eastern meal similar to rizzoto), Moussaka and bean soup (prebranac). Česnica is a traditional bread for Christmas Day.

Homemade meals

A number of foods which are simply bought into Supermarkets from the West, are often made at home in Serbia. These include rakija (fruit brandy), slatko, jam, jelly, and pickled foods (notably sauerkraut, ajvar and sausage). The reasons for this range from economical to cultural. Food preparation is a strong part of the Serbian family tradition.

Desserts

Serbian desserts are a mixture of other Balkan desserts and desserts native to central Serbia. Desserts served are usually Uštipci, Tulumbe, Krofne and Palačinke (crepes). Slatko is a traditional Serbian dessert popular throughout Serbia and it can be found in most Serbian restaurants in the Balkans and in the diaspora.

Drinks

Beer is widely consumed in Serbia. The most popular brands are Jelen Pivo and Lav Pivo. Rakija, a type of fruit brandy is also widespread, with the plum rakija (šljivovica, symbol of Šumadija), and grape rakija (loza, southern Serbia). This is the national drink of Serbia and is common in other Mediterranean countries. Domestic wine is also popular. Turkish coffee (called domaća or srpska kafa) is widely consumed as well.

Language
Main article: Serbian language
Serbian is the only European language with active digraphia, using both Cyrillic and Latin alphabets. On the picture: Vuk Stefanović Karadžić's Serbian folk poems, 1841

Serbs speak the Serbian language, a member of the South Slavic group of languages, specifically in the Southwestern Slavic subgroup together with other Serbo-Croatian varieties and Slovenian. It is mutually intelligible with the Croatian and Bosnian language (see Differences in standard Serbian, Croatian and Bosnian) and most linguists consider it one of the standard varieties of the common Serbo-Croatian language.

The Serbian language comprises several dialects, the standard language is based on the Stokavian dialect.[13]

It is an official language in Serbia, Bosnia and Herzegovina and Montenegro. In Hungary, Slovakia, Croatia, North Macedonia and Romania, it is a regionally recognized minority language.

There are also historical variants of the Serbian language, namely Old Serbian and Slavonic-Serbian, a blend of Church Slavonic, Russian and Serbian.

Jovan Sterija Popović, a major dramatist, writer and the founder of several institutions of culture, such as the National Museum of Serbia

Serbian is the only European language with active digraphia, using both Cyrillic and Latin alphabets. Serbian Cyrillic alphabet was devised in 1814 by Vuk Karadžić, who created the alphabet on phonemic principles, the Cyrillic itself has its origins in Cyril and Methodius transformation from the Greek script. The Latin alphabet used for Serbian is Ljudevit Gaj's version shared by all Southwestern Slavic languages.

Loanwords in the Serbian language are mostly from Turkish, German and Italian, words of Hungarian origin is present mostly in the north and Greek words mostly in the liturgy.

Two Serbian words that are used in many of the world's languages are vampire and paprika. Slivovitz and ćevapčići are Serbian words which have spread together with the Serbian food/drink they refer to. Šljivovica is borrowed via German; paprika itself entered Serbian via Ottoman Turkish. Vampire entered most West European languages through German-language texts in the early 18th century and has since spread widely in the world.

Literature
Main article: Serbian literature
See also: Serbian epic poetry and Serbian comics

Most Medieval literature was about religious themes. Various gospels, psalters, menologies, hagiographies, and essays and sermons of the founders of the Serbian Orthodox Church were written. At the end of the 12th century, two of the most important pieces of Serbian medieval literature were created– the Miroslav Gospels (UNESCO's Memory of the World) and the Vukan Gospels, which combined handwritten Biblical texts with painted initials and small pictures.[14] Serbian epic poetry was a central part of medieval Serbian literature based on historic events such as the Battle of Kosovo.

Notable Baroque authors were Andrija Zmajević, Gavril Stefanović Venclović, Jovan Rajić, Zaharije Orfelin and others. Dositej Obradović was the most prominent figure of the Age of Enlightenment, while the most notable Classicist writer was Jovan Sterija Popović, although his works also contained elements of Romanticism. Modern Serbian literature began with Vuk Karadžić's collections of folk songs in the 19th century, and the writings of Njegoš and Branko Radičević. The first prominent representative of Serbian literature in the 20th century was Jovan Skerlić, who wrote in pre–World War I Belgrade and helped introduce Serbian writers to literary modernism.

In the 20th century, Serbian literature flourished and a myriad of young and talented writers appeared. The most well known authors are Ivo Andrić, Miloš Crnjanski, Meša Selimović, Borislav Pekić, Danilo Kiš, Milorad Pavić, David Albahari, Miodrag Bulatović, Dobrica Ćosić, Zoran Živković and many others. Jelena Dimitrijević and Isidora Sekulić are two early 20th century women writers, while Svetlana Velmar-Janković was the best known female novelist in mid 20th and early 21st century. Ivo Andrić won the Nobel Prize in Literature in 1961.

Miroslav's Gospel printed in 1186, UNESCO's Memory of the World Register

Milorad Pavić is one of the most widely acclaimed Serbian authors, most notably for his Dictionary of the Khazars, which has been translated in 38 languages.[15]

Traditions and customs
Main article: Serbian traditions
See also: Serbian folklore and Serbian traditional clothing

Serbs have many traditions. The Slava is exclusive custom of the Serbs, each family has one patron saint that they venerate on their feast day.[16] The Serbian Orthodox Church uses the traditional Julian calendar, as per which Christmas Day (December 25) falls currently on January 7 of the Gregorian calendar, thus the Serbs celebrate Christmas on January 7, shared with the Orthodox churches of Jerusalem, Russia, Georgia, Ukraine and the Greek Old Calendarists.

  • Slava, Serbian Orthodox Patron saint veneration
  • Kumstvo, God-parenthood in the Serbian Orthodox Church
  • Pobratimstvo, blood-brotherhood

The Serbs are a highly family-oriented society. A glance into a Serbian dictionary and the richness of their terminology related to kinship speaks volumes.

Slava is a family feast prepared in honour of family's Patron Saint. It was inscribed in UNESCO Intangible Cultural Heritage Lists.

Among Slavs and Orthodox Christians, only Serbs have the custom of slava.[16] The Slava is the celebration of a family's patron saint; unlike most customs that are common for the whole people, each family separately celebrates its own saint (of course, there is a lot of overlap) who is considered its protector. A slava is inherited, mostly, though not exclusively from father to son (if a family has no son and a daughter stays in parental house and her husband moves in, her Slava, not his, is celebrated). Each household has only one saint it celebrates, which means that the occasion brings all of the family together. However, since many saints (e.g. St. Nicholas, St. John the Baptist, St. George, St. Archangels of Gabriel and Michael, and the Apostles St. Peter and Paul) have two feast days, both are marked.

The traditional dance is a circle dance called kolo, which is common among Serbs, Montenegrins and Macedonians. It is a collective dance, where a group of people (usually several dozen, at the very least three) hold each other by the hands or around the waist dancing, forming a circle (hence the name), semicircle or spiral. It is called Oro in Montenegro. Similar circle dances also exist in other cultures of the region.

Badnjak is a central tradition in Serbian Christmas celebrations

Serbs have their own customs regarding Christmas. The Serbian Orthodox Church uses the Julian calendar, so Christmas currently falls on January 7 of the Gregorian calendar.[17] Early in the morning of Christmas Eve, the head of the family would go to a forest in order to cut badnjak, a young oak, the oak tree would then be brought into the church to be blessed by the priest. Then the oak tree would be stripped of its branches with combined with wheat and other grain products would be burned in the fireplace. The burning of the badnjak is a ritual which is most certainly of pagan origin and it is considered a sacrifice to God (or the old pagan gods) so that the coming year may bring plenty of food, happiness, love, luck and riches. Nowadays, with most Serbs living in towns, most simply go to their church service to be given a small parcel of oak, wheat and other branches tied together to be taken home and set afire. The house floor and church is covered with hay, reminding worshippers of the stable in which Jesus was born.

Christmas Day itself is celebrated with a feast, necessarily featuring roasted piglet as the main meal. The most important Christmas meal is česnica, a special kind of bread. The bread contains a coin; during the lunch, the family breaks up the bread and the one who finds the coin is said to be assured of an especially happy year.[17]

Christmas is not associated with presents like in the West, although it is the day of Saint Nicholas, the protector saint of children, to whom presents are given. However, most Serbian families give presents on New Year's Day. Santa Claus (Deda Mraz (literally meaning Grandpa Frost)) and the Christmas tree (but rather associated with New Year's Day) are also used in Serbia as a result of globalisation. Serbs also celebrate the Old New Year (currently on January 14 of the Gregorian calendar).

On Orthodox Easter, Serbs have the tradition of Slavic Egg decorating.

Another related feature, often lamented by Serbs themselves, is disunity and discord; as Slobodan Naumović puts it, "Disunity and discord have acquired in the Serbian popular imaginary a notorious, quasi-demiurgic status. They are often perceived as being the chief malefactors in Serbian history, causing political or military defeats, and threatening to tear Serbian society completely apart." That disunity is often quoted as the source of Serbian historic tragedies, from the Battle of Kosovo in 1389 to Yugoslav Wars in the 1990s.[18] Even the contemporary notion of "two Serbia's"—one supposedly liberal, pro-European, Eurocentric and pro-western, and the other conservative, nationalist, Russophilic and Eurosceptic—seems to be the extension of the said discord.[19] Popular proverbs "two Serbs, three political parties" and "God save us from Serbs that may unite!", and even the unofficial Serbian motto "Only Unity Saves the Serbs" (Samo sloga Srbina spasava) illustrate the national frustration with the inability to unite over important issues.

Humour

Serbian has a long tradition of humour and popular jokes. The most common type of humour is Black Humour and Serbian jokes are often imitated by other peoples from the Balkans, often with a twist. As with many other peoples, there are popular stereotypes on the local level: in popular jokes and stories, northern Serbs of Vojvodina (Lale)[20] are perceived as phlegmatic, undisturbed and slow; Montenegrins are lazy and pushy; People from Pirot are misers;[21] Bosnians are raw and simple; Serbs from Central Serbia (Šumadija) are often portrayed as capricious and malicious, etc.

Visual arts
Main article: Serbian art
Migration of the Serbs (1896) by Paja Jovanović depicts the Great Serb Migrations, on display in the National Museum of Serbia.

There was some resumption of artistic endeavour after the restoration of the Serbian patriarch in 1557. Djordje Mitrofanović was the leading painter of the early 17th century with his work on the church at the Morača Monastery considered as amongst his best.[22]

Šid under Snow (1935) by Sava Šumanović

A Baroque church 'Our Lady of the Rocks' on an island in the Boka Kotorska, in Montenegro is one of the most notable pieces of architecture in the Serbian lands from the early modern period; many fine specimens of silverware dating from the 17th century are contained within its walls. Traditional Serbian art was beginning to show some Baroque influences at the end of the 18th century as shown in the works of Nikola Nešković, Teodor Kračun and Jakov Orfelin.[22]

There was somewhat of a resurgence in Serbian art in the 19th century as Serbia gradually regained its autonomy. Prince Aleksandar commissioned the building of a Monument to the Insurgents in Karađorđev Park in 1848 in Vračar. Serbian paintings showed the influence of Neoclassicism and Romanticism during the 19th century. Anastas Jovanović was a pioneering photographer in Serbia taking the photos of many leading citizens.

Kirilo Kutlik set up the first school of art in Serbia in 1895. Many of his students went to study in Western Europe, especially France and Germany and brought back avant-garde styles. Nadežda Petrović was influenced by Fauvism while Sava Šumanović worked in Cubism.

After World War I, the Belgrade School of Painting developed in the capital with some members such as Milan Konjović working in a Fauvist manner, while others such as Marko Čelebonović working in a style called Intimisme based on the use of colours.

The most famous Serbian painters were Paja Jovanović and Uroš Predić, painting in the Realist style.[23] Their monumental paintings of historical events have inspired generations of Serbian artists.

Performing arts

Music
Main article: Music of Serbia
Marija Šerifović won the Eurovision Contest for Serbia in 2007.

Serbian music dates from the medieval period with strong church and folk traditions. Church music in Serbia of the time was based on the Osmoglasnik a cycle of religious songs based on the resurrection and lasting for eight weeks. During the Nemanjić dynasty and under other rulers such as Stefan Dušan, musicians enjoyed royal patronage. There was a strong folk tradition in Serbia dating from this time.

Stevan Stojanović Mokranjac

During Ottoman rule, Serbs were forbidden to own property, to learn to read and write and denied the use of musical instruments. Church music had to be performed in private. Gusle, a one-stringed instrument, was used by Serbian peasants during this time in an effort to find a loophole through the stringent Ottoman laws. Filip Višnjić was a particularly notable guslar (gusle player). In the 18th century, Russian and Greek chant schools were established and the Serbian Orthodox Church accepted Church Slavonic into their liturgy.

Folk music enjoyed a resurgence in the nineteenth century. Stevan Mokranjac, a composer and musicologist collected folk songs as well as performing his own work. Kornelije Stanković wrote the first Serbian language works for choirs.

Traditional Serbian folk music remains popular today especially in rural areas. Western rock and pop music has become increasingly popular especially in cities with rock acts such as Riblja Čorba and Đorđe Balašević incorporating political statements in their music. Turbo-folk combined Western rock and pop styles with traditional folk music vocals. Serbian immigrants have taken their musical traditions to nations such as the US and Canada.

Marija Šerifović won first place at the 2007 Eurovision Song Contest, and Serbia was the host of the 2008 contest.[24]

Several notable composers used motifs from Serbian folk music and composed works inspired by Serbian history or culture, such as: Johannes Brahms, Franz Liszt, Arthur Rubinstein, Antonín Dvořák, Pyotr Ilyich Tchaikovsky, Nikolai Rimsky-Korsakov, Franz Schubert, Hans Huber and other.[25]

Theatre and cinema
Main article: Cinema of Serbia
A still from The Life and Deeds of the Immortal Leader Karađorđe, the first feature film released in the Balkans.

Serbia has a well-established theatrical tradition with many theatres. The Serbian National Theatre was established in 1861.[26] The company started performing opera from the end of the 19th century and the permanent opera was established in 1947. It established a ballet company.

Bitef, Belgrade International Theatre Festival, is one of the oldest theatre festivals in the world. New Theatre Tendencies is the constant subtitle of the Festival. Founded in 1967, Bitef has continually followed and supported the latest theater trends. It has become one of five most important and biggest European festivals. It has become one of the most significant culture institutions of Serbia.

Cinema was established reasonably early in Serbia with 12 feature films being produced before the start of World War II. The most notable of the prewar films was Mihailo Popovic's The Battle of Kosovo in 1939.

The National Theatre in Belgrade, founded in 1869

Cinema prospered after World War II. The most notable postwar director was Dušan Makavejev who was internationally recognised for Love Affair: Or the Case of the Missing Switchboard Operator in 1969.[27] Makavejev's Montenegro was made in Sweden in 1981. Zoran Radmilović was one of the most notable actors of the postwar period.

Serbian cinema continued to make progress in the 1990s and today despite the turmoil of the 1990s. Emir Kusturica won two Golden Palms for Best Feature Film at the Cannes Film Festival, for When Father Was Away on Business in 1985 and then again for Underground in 1995. In 1998, Kusturica won a Silver Lion for directing Black Cat, White Cat.[28]

Serbian handcrafts

Serbia has a long tradition of handicrafts. Đakovica in Kosovo was known for its black pottery. Pirot in southern Serbia became known for its ceramics under the Ottomans with the potters following Byzantine designs.[29] It also became a centre for the production of Kilims or rugs.

The Slavs introduced jewellery making to Serbia in the sixth century AD. Metalworking started to develop on a significant scale following the development of a Serbian state. Workshops were set up in towns, large estates and in monasteries. The Studenica Monastery was known for the quality of its goldsmithing. Coins were minted not only by the kings but some of the wealthier nobility. The nobility also was influenced by the wealth of the Byzantine court. Metalworking like many other arts and crafts went into decline following the Ottoman conquest. However, there was a partial revival in later centuries with a strong Baroque influence notably the 17th century silverware at "Our Lady on the Rocks" on Boka Kotorska.

Media

As of 2001, there were 27 daily newspapers and 580 other newspapers published in Serbia. Some of these newspapers have Internet editions. Politika founded in 1904 is the oldest daily newspaper in the Balkans.[30] There were also 491 periodical magazines published in Serbia[31] with the Nedeljne informativne novine (NIN) and Vreme amongst the notable ones. The state exerts its influence in some daily publications such as Večernje novosti and Politika.[32]

Television broadcasting started in 1958 with every country in the former Yugoslavia having its own station. In Serbia, the state television station was known as RTB and became known as RTS (Radio Television of Serbia) after the breakup of Yugoslavia. From the time of Yugoslavia until the Bulldozer Revolution in 2000, state broadcasting was controlled by the ruling party. The headquarters of RTS station was bombed during NATO's 1999 air-strikes against Yugoslavia, as they claimed this was being used for propaganda.

There was some private broadcasting with the B92 radio and television station starting in 1989 although it was shut down in 1999 during the hostilities. After the fall of Milošević, RTS became known as "new" RTS as an assertion of independence while B92 commenced broadcasting. During 2001, there were 70 television centres in Serbia of which 24 were privately owned. In 2003, there was a return to censorship as the Government of Zoran Živković temporarily imposed a state of emergency following the assassination of Zoran Djindjic and the European Federation of Journalists continues to hold concerns over media freedom in the country.

Sport
Main article: Sport in Serbia
World No. 1 tennis player Novak Djokovic
World, European and Diamond League champion long jumper Ivana Španović

Serbia is very successful in many sports. Among the most popular sports are football, basketball, water polo, sport shooting, handball, volleyball and tennis.

The two most popular football clubs in Serbia are Red Star Belgrade and FK Partizan. Their supporters are the Delije and the Grobari, respectively. The Serbian national football team participated in the 2010 FIFA World Cup.

In basketball, Serbian clubs are successful and participate regularly in European competitions, where they often make quarter-final and semi-final appearances. The Serbian national basketball team is successful in international competitions, having won several FIBA World Championship, EuroBasket and Olympic gold medals.

Serbian men's and women's teams are also World Champions in sports such as water polo and volleyball.

Serbian tennis players have been successful. Novak Djokovic is the current World No. 1 and he has won seventeed Grand Slam Singles titles so far. Janko Tipsarević, Viktor Troicki, Jelena Janković and Ana Ivanovic are also successful. The Serbia Davis Cup team won the 2010 Davis Cup Final held in the Belgrade Arena.

Cultural institutions
Matica srpska based in Novi Sad, the oldest matica in the world.

At the beginning of the 21st century, there were 32 art galleries and 142 museums in Serbia.[33] Belgrade has many of the most significant with the National Museum of Serbia in Belgrade, the Gallery of Frescoes featuring Orthodox Church art, the Ethnographic Museum and the Princess Ljubica's Residence. Novi Sad contains the Museum of Vojvodina, Gallery of Matica Srpska as well as the Petrovaradin fortress.

Matica Srpska is the oldest and most notable cultural and scientific organisation in today's Serbia. Its name is translated in Serbian as the Serbian matrix or parent body of the Serbs. It was founded in 1826 in Budapest and moved to Novi Sad in 1864. Amongst other achievements, it compiled a six-volume study of the Serbian language between 1967 and 1976. Its journal Letopis Matice Srpske is one of the oldest periodicals examining scientific and cultural issues anywhere in the world. Vojvodina province of Austro-Hungary became attractive for Serbs ever since the fall of Serbia in the 15th century, and was the site of the Great Serbian Migrations, when Serbs colonized the area escaping Turkish vengeance. Sremski Karlovci became the spiritual, political and cultural centre of the Serbs in the Habsburg Empire, with Metropolitan of the Serbian Orthodox Church residing in the town. To this day, Serbian Patriarch retains the title of Metropolitan of (Sremski) Karlovci. The town featured the earliest Serb and Slavic grammar school (Serbian: gimnazija/гимназија, French: Lycée) founded on August 3, 1791. In 1794, an Orthodox seminary was also founded in the town, ranking second oldest in the world (after the Spiritual Academy in Kiev). Novi Sad is home to Serbia's oldest professional theatre, founded in 1861 as Serbian National Theatre (serbian: Srpsko Narodno Pozorište), followed by Belgrade in 1868; however two other cities claim this title: City of Kragujevac Knjazesko Srbski Teatar since 1835 and Subotica since 1851 (*there were theatres throughout Serbia long before that time but cannot be classified as "professional").

There is a network of libraries with three national libraries, 689 public libraries, 143 higher education libraries and 11 non-specialised libraries as at 1998. The National Library of Serbia is the most significant of these. Project Rastko founded in 1997 is an Internet library of Serb culture.[34]

Roots to the Serbian education system date back to 11th and 12th centuries when first Catholic colleges were founded in Vojvodina (Titel, Bac). Medieval Serbian education however was mostly conducted through the Serbian Orthodox monasteries (UNESCO protected Sopoćani, Studenica, Patriarchate of Peć) starting from the rise of Raška in the 12th century, when Serbs overwhelmingly embraced Eastern Orthodoxy rather than Roman Catholicism. The first European-style higher education facilities however were founded in Catholic Vojvodina, Teacher's College in Subotica in 1689, although several facilities have functioned even before (e.g. Jesuit School in Belgrade, since 1609). Following short-lived Serbian independence between 1804 and 1813, Belgrade officially became an educational centre of the country (excluding Vojvodina). The University of Belgrade is the biggest and most prestigious institution of higher education in Serbia, founded as the Belgrade Higher School in 1808. The Gymnasium Jovan Jovanović Zmaj was founded in 1810 and many important Serb cultural figures studied there.

Within the Government of Serbia, the Serbian Ministry for Culture is responsible for administering its cultural facilities.

National symbols
Serbian tetragrammatic cross.
Serb civil flag, in continuous use since 1835
Main article: Serb heraldry

Both the eagle and the cross, besides being the basis for various Serbian coats of arms through history, are bases for the symbols of various Serbian organizations, political parties, institutions and companies.

Serbian folk attire varies, mostly because of the very diverse geography and climate of the territory inhabited by the Serbs. Some parts of it are, however, common:

  • A traditional shoe that is called the opanak. It is recognizable by its distinctive tips that spiral backward. Each region of Serbia has a different kind of tips.
  • A traditional hat that is called the šajkača. It is easily recognizable by its top part that looks like the letter V or like the bottom of a boat (viewed from above), after which it got its name. It gained wide popularity in the early 20th century as it was the hat of the Serbian army in the First World War. It is still worn everyday by some villagers today, and it was a common item of headgear among Bosnian Serb military commanders during the Bosnian War in the 1990s. However, the "Šajkača" is common mostly for the Serbian population living in the region of Central Serbia (Šumadija), while Serbs living in Vojvodina, Montenegro, Bosnia and Herzegovina, and Croatia had different types of traditional hats, which are not similar to "šajkača". Different types of traditional hats could be also found in eastern and southern parts of Central Serbia.

See also

References
  1. Манастир Милешева и Бели Анђео [Mileševa Monastery and the White Angel] (in Serbian). Tourist Organisation of Preijepolje. Retrieved 19 December 2014.
  2. Pieroni, Andrea; Quave, Cassandra L. (2014). Ethnobotany and Biocultural Diversities in the Balkans: Perspectives on Sustainable Rural Development and Reconciliation. Springer. p. 229. ISBN 978-1-4939-1492-0.
  3. Robinson, Michael D. (2019). Christianity: A Brief History. Wipf and Stock Publishers. p. 127. ISBN 978-1-4982-4377-3.
  4. "Serbian Orthodox Church Leaders Meet to Elect New Patriarch". rferl.org. RadioFreeEurope/RadioLiberty. 22 January 2010.
  5. Lefebure, Leo D. (2016). Religion, Authority, and the State: From Constantine to the Contemporary World. Springer. p. 161. ISBN 978-1-1375-9990-2.
  6. Myhill, John (2006). Language, Religion and National Identity in Europe and the Middle East: A historical study. John Benjamins Publishing. p. 217. ISBN 978-9-0272-9351-0.
  7. Ramet, Sabrina P.; Hassenstab, Christine M. (2017). Building Democracy in the Yugoslav Successor States: Accomplishments, Setbacks, and Challenges since 1990. Cambridge University Press. p. 169. ISBN 978-1-1071-8074-1.
  8. Schuman, Michael (2014). Serbia and Montenegro. Infobase Publishing. p. 10. ISBN 978-1-4381-2252-6.
  9. "Our Past". Naša Prošlost. National Museum Kraljevo. 7: 124. 2006. ISSN 0550-4317.
  10. Antonić, Dragomir (2006-07-23). Царство за гибаницу. Politika 33300 (in Serbian). Politika. p. 11.
  11. "Brandy history | Rakia Bar". www.rakiabar.com. Retrieved 2020-01-13.
  12. https://www.juznevesti.com. "Stevo Karapanža: Obožavam južnjački prebranac". Južne vesti (in Serbian). Retrieved 2020-01-13.
  13. Sussex, Roland; Cubberly, Paul (2006). The Slavic Languages. Cambridge University Press. p. 506. ISBN 978-0-521-22315-7.
  14. Cox 2002, p. 20.
  15. "Dictionary of the Khazars - Милорад Павић". www.khazars.com. Retrieved 2019-07-30.
  16. Deliso, Christopher (2008). Culture and Customs of Serbia and Montenegro. ABC-CLIO. p. 67. ISBN 978-0-3133-443-7-4.
  17. Andric, Gordana (6 January 2014). "Celebrate Christmas, Serbian Style". BalkanInsight.
  18. Slobodan Naumović. "The social origins and political uses of popular narratives on Serbian disunity" (PDF). Filozofija i društvo 2005 Issue 26, Pages: 65–104. Retrieved 2009-06-22. Cite journal requires |journal= (help)
  19. Branko Radun (2007-03-10). "Dve zadušnice za "dve Srbije"". Nova srpska politička misao. Retrieved 2010-12-05.
  20. Krojac. "Suveniri Srbije – Suvenir Lala". www.suvenirisrbije.com.
  21. Serbia, RTS, Radio televizija Srbije, Radio Television of. ""Pokuda škrtosti" o Piroćancima". www.rts.rs. Retrieved 2020-10-26.
  22. Deliso, Christopher (2009). Culture and Customs of Serbia and Montenegro. Greenwood Press. pp. 166–167. ISBN 978-0-3133-4436-7.
  23. Cox 2002, p. 121.
  24. "Serbian ballad wins at Eurovision". BBC. BBC News. 12 May 2007.
  25. Tomić, Dejan (2019). Srbi i evropski kompozitori: srpska muzika i Srbi u delima evropskih kompozitora, od XIX do početka XXI veka. Novi Sad: RTS. ISBN 978-86-6195-173-2.
  26. "Serbian National Theater History". snp.org.rs. Serbian National Theater.
  27. Ramet, Sabrina P. (1998). Eastern Europe: Politics, Culture, and Society Since 1939. Indiana University Press. p. 342. ISBN 978-0-2532-1256-6.
  28. "Emir Kusturica". Festival De Cannes.
  29. Janićijević, Jovan (1998). The Cultural Treasury of Serbia. IDEA Books. p. 116. ISBN 978-8-6754-7039-7.
  30. Grdešic, Marko (2019). The Shape of Populism: Serbia before the Dissolution of Yugoslavia. Michigan University Press. p. 30. ISBN 978-0-4721-3133-4.
  31. The Europa World Year Book 2007, Volume 2. Routledge. 2007. p. 3947. ISBN 978-1-8574-3414-9.
  32. Rankovic, Larisa. "Media in Serbia". Media Landscapes.
  33. Turner, B. (2017). The Statesman's Yearbook 2007: The Politics, Cultures and Economies of the World. Springer. p. 1086. ISBN 978-0-2302-7135-7.
  34. "[Projekat Rastko] O projektu". rastko.rs. Retrieved 2020-01-13.
  35. "Byzantine Empire". www.crwflags.com.

Further reading

Online references

Other references
  • "Serbia and Montenegro", Encyclopædia Britannica, 2005
  • "Serbia", Grove Art Online, 2005
  • "Serbia", Grove Music Online, 2005
  • The Statesman's Yearbook 2005: The Politics, Cultures and Economies of the World, London: Palgrave Macmillan, 2004, ISBN 1-4039-1481-8
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.