Cyprian Norwid

South annex of Czapski Palace (Krakowskie Przedmieście 5, Warsaw), where Chopin lived to 1830. In 1837–39 Norwid studied painting here. Later he penned "Chopin's Piano", about Russian troops' 1863 defenestration of the piano.

The surname "Norwid" is a Polish form of the Lithuanian two-syllable archaic (sur)name Norvydas — from noras a wish, a desire, a goal and (iš)vysti to see, literally one, who has a desire.[2][3] Born into a Polish–Lithuanian noble family bearing the Topór coat of arms, Cyprian Norwid and his brother Ludwik were orphaned early. For most of their childhood, they were educated at Warsaw schools. In 1830 Norwid interrupted his schooling (not having completed the fifth grade) and entered a private school of painting. His incomplete formal education forced him to become an autodidact.

His first foray into the literary sphere occurred in the periodical Piśmiennictwo Krajowe, which published his first poem, "Mój ostatni sonet" ("My Last Sonnet"), in issue 8, 1840.

Europe

Manuscript of "Chopin's Piano"

In 1842 Norwid went to Dresden, ostensibly to gain instruction in sculpture. He later also visited Venice and Florence. After he settled in Rome in 1844, his fiancée Kamila broke off their engagement. Later he met Maria Kalergis, née Nesselrode, who became his "lost love", even as his health deteriorated. The poet then travelled to Berlin, where he participated in university lectures and meetings with local Polonia. It was a time when Norwid made many new social, artistic and political contacts. After being arrested and forced to leave Prussia in 1846, Norwid went to Brussels. During the European Revolutions of 1848, he stayed in Rome, where he met fellow Polish intellectuals Adam Mickiewicz and Zygmunt Krasiński.

During 1849–1852, Norwid lived in Paris, where he met fellow Poles Frédéric Chopin and Juliusz Słowacki, as well as Russians Ivan Turgenev and Alexander Herzen. Financial hardship, unrequited love, political misunderstandings, and a negative critical reception of his works put Norwid in a dire situation. He lived in poverty and suffered from progressive blindness and deafness, but still managed to publish his work in the Parisian publication Goniec polski.

Paris

Norwid in 1882, by
Pantaleon Szyndler

During April 1854, Norwid returned to Europe with Prince Marcel Lubomirski. He lived in London and earned enough money through artistic endeavours to be finally able to return to Paris. With his artistic work revived, Norwid was able to publish several works. He took a very keen interest in the outbreak of the January Uprising in 1863. Although he could not participate personally due to his poor health, Norwid hoped to personally influence the outcome of the event.

In 1866, the poet finished his work on Vade-Mecum, a vast anthology of verse. However, despite his greatest efforts and formidable contacts, it was unable to be published. This included Prince Władysław Czartoryski failing to grant the poet the loan he had promised.

In subsequent years, Norwid lived in extreme poverty and suffered from tuberculosis. His cousin, Michał Kleczkowski, later relocated Norwid to the St. Casimir's Institute nursing home on the outskirts of Paris. During the last months of his life, Norwid was weak and bed-ridden; he frequently wept and refused to speak with anyone. He died in the morning of 23 May 1883.

Norwid, Paris, 1861

Literary historians view Norwid's work as being too far ahead of its time to be appreciated,[4] possessing elements of romanticism, classicism and parnassianism. Following his death, many of Norwid's works were forgotten; it was not until the Young Poland period that his finesse and style was appreciated. At that time, his work was discovered and popularised by Zenon Przesmycki, a Polish poet and literary critic who was a member of the Polish Academy of Literature. Some eventually concluded that during his life, Norwid had been rejected by his contemporaries so that he could be understood by the next generation of "late grandsons."[5]

Opinion is divided however, as to whether he was a true Romanticist artist – or if he was artistically ahead of his time. Norwid's "Collected Works" (Dzieła Zebrane) were published in 1968 by Juliusz Wiktor Gomulicki, a Norwid biographer and commentator. The full iconic collection of the artist's work was released during the period 1971–76 as Pisma Wszystkie ("Collected Works"). Comprising 11 volumes, it includes all of Norwid's poetry as well as his letters and reproductions of his artwork. Since 2011 the Scientific Society of the Catholic University of Lublin has been publishing a new critical edition of his complete works, Dziela wszystkie, in 17 volumes. His graphic works were published in 4 volumes between 2014 and 2019. In 2011 a Polish poet and translator of Norwid into French, Christophe Jeżewski, published a pioneering study about the influence of ancient Chinese thinking on the Polish writer – Cyprian Norwid a mysl i poetyka Kraju Srodka (Cyprian Norwid and the Thought and Poetics of the Middle Kingdom).

On 24 September 2001, 118 years after his death in France, an urn containing soil from the collective grave where Norwid had been buried in Paris' Montmorency cemetery, was enshrined in the "Crypts of the Bards" at Wawel Cathedral. There, Norwid's remains were placed next to those of fellow Polish poets Adam Mickiewicz and Juliusz Słowacki. The cathedral's Zygmunt Bell, heard only when events of great national and religious significance occur, resounded loudly to mark the poet's return to his homeland. During a special Thanksgiving Mass held at the cathedral, the Archbishop of Kraków, cardinal Franciszek Macharski said that 74 years after the remains of Juliusz Slowacki were brought in, again the doors of the crypt of bards have opened "to receive the great poet, Cyprian Norwid, into Wawel's royal cathedral, for he was the equal of kings".[6]

In 1966, the Polish Scouts in Chicago acquired a 240-acre parcel of property in the northwoods of Wisconsin, 20 miles west of Crivitz, Wisconsin and named it Camp Norwid in his honor. The camp is private property, and has been a forging place for generations of youth of Polish heritage from the Chicago and Milwaukee areas and from across the United States.

Bas relief of Norwid, Wawel Cathedral

Norwid's most extensive work, Vade mecum, written between 1858 and 1865, was first published a century after his death. Some of Norwid's works have been translated into English by the American, Walter Whipple and Danuta Borchardt, in England by Jerzy Pietrkiewicz and Adam Czerniawski.

• Jarzębowski, Józef. Norwid i Zmartwychstańcy. London: Veritas, 1960. ("Norwid and The Resurrectionists")
• Kalergis, Maria. Listy do Adama Potockiego (Letters to Adam Potocki), edited by Halina Kenarowa, translated from the French by Halina Kenarowa and Róża Drojecka, Warsaw, 1986.

• List of Poles

• Speech made by Pope John Paul II to the representatives of the Institute of Polish National Patrimony
• Biography links
• Norwid laid to rest in Wawel Cathedral
• Repository of translated poems
• Cyprian Kamil Norwid collected works (Polish)
• Profile of Cyprian Norwid at Culture.pl
• Works by or about Cyprian Norwid at Internet Archive
• Works by Cyprian Norwid at LibriVox (public domain audiobooks)