Sammy Davis Jr.

Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, dancer, actor, vaudevillian and comedian whom critic Randy Blaser called "the greatest entertainer ever to grace a stage in these United States."[2]

Sammy Davis Jr.
Davis in 1972
Born
Samuel George Davis Jr.

(1925-12-08)December 8, 1925
New York City, U.S.
DiedMay 16, 1990(1990-05-16) (aged 64)
Beverly Hills, California, U.S.
Resting placeForest Lawn Memorial Park, Glendale, California, U.S.
Occupation
  • Singer
  • dancer
  • actor
  • comedian
Years active1928–1990[1]
Spouse(s)
  • Loray White
    ​
    ​
    (m. 1958; div. 1959)​
  • ​
    ​
    (m. 1960; div. 1968)​
  • ​
    (m. 1970)​
Children4
Parent(s)
Musical career
Genres
Instruments
  • Vocals
  • piano
  • drums
Associated acts
Ray Vasquez
Websitewww.sammydavis-jr.com

At age three, Davis began his career in vaudeville with his father Sammy Davis Sr. and the Will Mastin Trio, which toured nationally, and his film career began in 1933. After military service, Davis returned to the trio and became an overnight sensation following a nightclub performance at Ciro's (in West Hollywood) after the 1951 Academy Awards. With the trio, he became a recording artist. In 1954, at the age of 29, he lost his left eye in a car accident. Several years later, he converted to Judaism, finding commonalities between the oppression experienced by African-American and Jewish communities.[3]

After a starring role on Broadway in Mr. Wonderful with Chita Rivera (1956), he returned to the stage in 1964 in a musical adaptation of Clifford Odets' Golden Boy opposite Paula Wayne. Davis was nominated for a Tony Award for his performance and the show was said to have featured the first interracial kiss on Broadway.[4] In 1960, he appeared in the Rat Pack film Ocean's 11. In 1966, he had his own TV variety show, titled The Sammy Davis Jr. Show. While Davis's career slowed in the late 1960s, his biggest hit, "The Candy Man", reached the top of the Billboard Hot 100 in June 1972, and he became a star in Las Vegas, earning him the nickname "Mister Show Business".[5][6]

Davis’s popularity helped break the race barrier of the segregated entertainment industry.[7] He did however have a complex relationship with the black community and drew criticism after publicly supporting President Richard Nixon in 1972. One day on a golf course with Jack Benny, he was asked what his handicap was. "Handicap?" he asked. "Talk about handicap. I'm a one-eyed Negro who's Jewish."[8][9] This was to become a signature comment, recounted in his autobiography and in many articles.[10]

After reuniting with Frank Sinatra and Dean Martin in 1987, Davis toured with them and Liza Minnelli internationally, before his death in 1990. He died in debt to the Internal Revenue Service,[11] and his estate was the subject of legal battles after the death of his wife.[12] Davis was awarded the Spingarn Medal by the NAACP and was nominated for a Golden Globe Award and an Emmy Award for his television performances. He was a recipient of the Kennedy Center Honors in 1987, and in 2001, he was posthumously awarded the Grammy Lifetime Achievement Award.

Early life

Davis was born on December 8, 1925, in the Harlem section of Manhattan in New York City, the son of African-American entertainer and stage performer Sammy Davis Sr. (1900–1988) and tap dancer and stage performer Elvera Sanchez (1905–2000).[13] During his lifetime, Davis stated that his mother was Puerto Rican and born in San Juan. However, in the 2003 biography In Black and White, author Wil Haygood wrote that Davis's mother was born in New York City to Cuban parents who were of Afro-Cuban background, and that Davis claimed he was Puerto Rican because he feared anti-Cuban backlash would hurt his record sales.[14][15] Davis's parents were vaudeville dancers. As an infant, he was reared by his paternal grandmother. When he was three years old, his parents separated. His father, not wanting to lose custody of his son, took him on tour.

Davis learned to dance from his father and his godfather Will Mastin. Davis joined the act as a child, and they became the Will Mastin Trio. Throughout his career, Davis included the Will Mastin Trio in his billing. Mastin and his father shielded him from racism by, e.g., explaining race-based snubs as jealousy. However, when Davis served in the United States Army during World War II, he was confronted by strong prejudice. He later said: "Overnight the world looked different. It wasn't one color any more. I could see the protection I'd gotten all my life from my father and Will. I appreciated their loving hope that I'd never need to know about prejudice and hate, but they were wrong. It was as if I'd walked through a swinging door for 18 years, a door which they had always secretly held open."[16] At age seven, Davis played the title role in the film Rufus Jones for President, in which he sang and danced with Ethel Waters.[17] He lived for several years in Boston's South End and reminisced years later about "hoofing and singing" at Izzy Ort's Bar & Grille.[18]

Military service

In 1943, during World War II, Davis was drafted into the U.S. Army at age 18.[19] He was frequently abused by white soldiers from the South and later recounted: "I must have had a knockdown, drag-out fight every two days." His nose was broken numerous times and permanently flattened. At one point he was offered a beer laced with urine.[7]

He was reassigned to the Army's Special Services branch, which put on performances for troops.[20] At one show he found himself performing in front of soldiers who had previously racially abused him.[19] Davis, who earned the American Campaign Medal and World War II Victory Medal, was discharged in 1945 with the rank of private.[19] He later said, "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking."[21]

Career
Davis during the 1963 March on Washington
Davis in the Western Wall, Jerusalem, during a tour in Israel, 1969

After his discharge, Davis rejoined the family dance act, which played at clubs around Portland, Oregon. He also recorded blues songs for Capitol Records in 1949 under the pseudonyms Shorty Muggins and Charlie Green.[22]

On March 23, 1951, the Will Mastin Trio appeared at Ciro's as the opening act for headliner Janis Paige. They were to perform for only 20 minutes, but the reaction from the celebrity-filled crowd was so enthusiastic, especially when Davis launched into his impressions, that they performed for nearly an hour, and Paige insisted the order of the show be flipped.[7] Davis began to achieve success on his own and was singled out for praise by critics, releasing several albums.[23]

In 1953, Davis was offered his own television show on ABC, Three for the Road—with the Will Mastin Trio.[24][25][26] The network spent $20,000 filming the pilot, which presented African Americans as struggling musicians, not slapstick comedy or the stereotypical mammy roles of the time. The cast included Frances Davis, who was the first black ballerina to perform for the Paris Opera, actresses Ruth Attaway and Jane White, and Federick O'Neal, who founded the American Negro Theater. The network could not get a sponsor, so the show was dropped.[26]

In 1954, Davis was hired to sing the title song for the Universal Pictures film Six Bridges to Cross.[27][28] In 1956, he starred in the Broadway musical Mr. Wonderful.

In 1958, Davis was hired to crown the winner of the Miss Cavalcade of Jazz beauty contest for the famed fourteenth Cavalcade of Jazz concert produced by Leon Hefflin Sr., held at the Shrine Auditorium on August 3. The other headliners were Little Willie John, Sam Cooke, Ernie Freeman, and Bo Rhambo. The event featured the top four prominent disc jockeys of Los Angeles.[29][30]

In 1959, Davis became a member of the Rat Pack, led by his friend Frank Sinatra, which included fellow performers Dean Martin, Joey Bishop, and Peter Lawford, a brother-in-law of John F. Kennedy. Initially, Sinatra called the gathering "the Clan", but Davis voiced his opposition, saying that it reminded people of the Ku Klux Klan. Sinatra renamed the group "the Summit". One long night of poker that went on into the early morning saw the men drunken and disheveled. As Angie Dickinson approached the group, she said, "You all look like a pack of rats." The nickname caught on, and they were then called the Rat Pack, the name of the earlier group led by Humphrey Bogart and his wife, Lauren Bacall, who originally made the remark about the "pack of rats" they associated with.

The group around Sinatra made several movies together, including Ocean's 11 (1960), Sergeants 3 (1962), and Robin and the 7 Hoods (1964), and they performed onstage together in Las Vegas. In 1964, Davis was the first African American to sing at the Copacabana night club in New York.[31]

Davis was a headliner at The Frontier Casino in Las Vegas, but owing to Jim Crow practices in Las Vegas, he was required (as were all black performers in the 1950s) to lodge in a rooming house on the west side of the city instead of in the hotels as his white colleagues did. No dressing rooms were provided for black performers, and they had to wait outside by the swimming pool between acts. Davis and other black artists could entertain but could not stay at the hotels where they performed, gamble in the casinos, or dine or drink in the hotel restaurants and bars. Davis later refused to work at places that practiced racial segregation.[32]

Canada provided opportunities for performers like Davis unable to break the color barrier in U.S. broadcast television, and in 1959 he starred in his own TV special, Sammy's Parade, on the Canadian network CBC[33] It was a breakthrough event for the performer, as in the United States in the 1950s corporate sponsors largely controlled the screen: "Black people [were] not portrayed very well on television, if at all," according to Jason King of the Clive Davis Institute of Recorded Music.[34]

Davis performing in 1966

In 1964, Davis was starring in Golden Boy at night and shooting his own New York-based afternoon talk show during the day. When he could get a day off from the theater, he recorded songs in the studio, performed at charity events in Chicago, Miami, or Las Vegas, or appeared on television variety specials in Los Angeles. Davis felt he was cheating his family of his company, but he said he was incapable of standing still.

Although he was still popular in Las Vegas, he saw his musical career decline by the late 1960s. He had a No. 11 hit (No. 1 on the Easy Listening singles chart) with "I've Gotta Be Me" in 1969. He signed with Motown to update his sound and appeal to young people.[35] His deal to have his own label with the company fell through. He had an unexpected No. 1 hit with "The Candy Man" with MGM Records in 1972. He did not particularly care for the song and was chagrined that he had become known for it, but Davis made the most of his opportunity and revitalized his career.

Although he enjoyed no more Top 40 hits, he did enjoy popularity with his 1976 performance of the theme song from the Baretta television series, "Baretta's Theme (Keep Your Eye on the Sparrow)" (1975–1978), which was released as a single (20th Century Records). He appeared on the television shows The Rifleman, I Dream of Jeannie, All in the Family (during which he famously kisses Archie Bunker (Carroll O'Connor) on the cheek), and Charlie's Angels (with his wife, Altovise Davis). He appeared in Japanese commercials for Suntory whisky in the 1970s.

On December 11, 1967, NBC broadcast a musical-variety special featuring Nancy Sinatra, the daughter of Frank Sinatra, titled Movin' with Nancy. In addition to the Emmy Award-winning musical performances, the show is notable for Nancy Sinatra and Davis greeting each other with a kiss, one of the first black-white kisses in US television.[36]

Davis had a friendship with Elvis Presley in the late 1960s, as they both were top-draw acts in Vegas at the same time. Davis was in many ways just as reclusive during his hotel gigs as Elvis was, holding parties mainly in his penthouse suite that Elvis occasionally attended. Davis sang a version of Presley's song "In the Ghetto" and made a cameo appearance in Presley's concert film Elvis: That's the Way It Is. One year later, he made a cameo appearance in the James Bond film Diamonds Are Forever, but the scene was cut. In Japan, Davis appeared in television commercials for coffee, and in the United States he joined Sinatra and Martin in a radio commercial for a Chicago car dealership.

Davis in 1986

On May 27–28, 1973, Davis hosted (with Monty Hall) the first annual, 20-hour Highway Safety Foundation telethon. Guests included Muhammad Ali, Paul Anka, Jack Barry, Dr. Joyce Brothers, Ray Charles, Dick Clark, Roy Clark, Howard Cosell, Ossie Davis, Ruby Dee, Joe Franklin, Cliff Gorman, Richie Havens, Danny Kaye,[37] Jerry Lewis, Hal Linden, Rich Little, Butterfly McQueen, Minnie Pearl, Boots Randolph, Tex Ritter, Phil Rizzuto, The Rockettes, Nipsey Russell, Sally Struthers, Mel Tillis, Ben Vereen, and Lawrence Welk. It was a financial disaster. The total amount of pledges was $1.2 million. Actual pledges received were $525,000.[38]

Davis was a huge fan of daytime television, particularly the soap operas produced by the American Broadcasting Company. He made a cameo appearance on General Hospital and had a recurring role as Chip Warren on One Life to Live, for which he received a 1980 Daytime Emmy Award nomination. He was also a game show fan, appearing on Family Feud in 1979 and Tattletales with his wife Altovise in the 1970s.

After his bout with cirrhosis due to years of drinking,[39] Davis announced his sponsorship of the Sammy Davis Jr. National Liver Institute in Newark, New Jersey in 1985.[40] In 1988, Davis was billed to tour with Frank Sinatra and Dean Martin, but Sinatra and Martin had a falling out.[39] Liza Minnelli replaced Dean on the tour dubbed as ''The Ultimate Event.''[41][42] During the tour in 1989, Davis was diagnosed with throat cancer; his treatments prevented him from performing.[43][44]

Personal life

Accident and conversion

Davis nearly died in an automobile accident on November 19, 1954, in San Bernardino, California, as he was making a return trip from Las Vegas to Los Angeles.[45] During the previous year, he had started a friendship with comedian and host Eddie Cantor, who had given him a mezuzah. Instead of putting it by his door as a traditional blessing, Davis wore it around his neck for good luck. The only time he forgot it was the night of the accident.[46] The accident occurred at a fork in U.S. Route 66 at Cajon Boulevard and Kendall Drive.[47] Davis lost his left eye to the bullet-shaped horn button (a standard feature in 1954 and 1955 Cadillacs) as a result. His friend, actor Jeff Chandler, said he would give one of his own eyes if it would keep Davis from total blindness.[48] Davis wore an eye patch for at least six months following the accident.[49][50] He was featured with the patch on the cover of his debut album and appeared on What's My Line? wearing the patch.[51] Later, he was fitted for a glass eye, which he wore for the rest of his life.

Eddie Cantor talked to Davis in the hospital about the similarities between Jewish and Black cultures. Davis, who was born to a Catholic mother and Baptist father, began studying the history of Jews. He converted to Judaism several years later in 1961.[8][52] One passage from his readings (from the book A History of the Jews by Abram L. Sachar), describing the endurance of the Jewish people, interested him in particular: "The Jews would not die. Three millennia of prophetic teaching had given them an unwavering spirit of resignation and had created in them a will to live which no disaster could crush."[53] The accident marked a turning point in Davis's career, taking him from a well-known entertainer to a national celebrity.[54]

Marriages
Davis with his third wife, Altovise Gore, in 1987

In 1957, Davis was involved with actress Kim Novak, who was under contract with Columbia Pictures. Because Novak was white, Harry Cohn, the president of Columbia, gave in to his worries that racist backlash against the relationship could hurt the studio. There are several accounts of what happened, but they agree that Davis was threatened by organized crime figures close to Cohn.[55] According to one account, Cohn called racketeer John Roselli, who was told to inform Davis that he must stop seeing Novak. To try to scare Davis, Roselli had him kidnapped for a few hours.[56] Another account relates that the threat was conveyed to Davis's father by mobster Mickey Cohen.[55] Davis was threatened with the loss of his other eye or a broken leg if he did not marry a black woman within two days. Davis sought the protection of Chicago mobster Sam Giancana, who said that he could protect him in Chicago and Las Vegas but not California.[7][55][57]

Davis briefly married black dancer Loray White in 1958 to protect himself from mob violence;[55] Davis had previously dated White, who was 23 and twice divorced and had a six-year-old child.[7] He paid her a lump sum - $10,000 or $25,000 - to engage in a marriage on the condition that it would be dissolved before the end of the year.[7][55] Davis became inebriated at the wedding and attempted to strangle White en route to their wedding suite. Checking on him later, Silber found Davis with a gun to his head. Davis despairingly said to Silber, "Why won't they let me live my life?" The couple never lived together[7] and commenced divorce proceedings in September 1958.[55][58] The divorce was granted in April 1959.[59]

In 1960, there was another racially charged public controversy when Davis married white, Swedish-born actress May Britt in a ceremony officiated by Rabbi William M. Kramer at Temple Israel of Hollywood. While interracial marriage had been legal in California since 1948, anti-miscegenation laws in the United States still stood in 23 states, and a 1958 opinion poll had found that only four percent of Americans supported marriage between black and white spouses.[60] During 1964–66, Davis received racist hate mail while starring in the Broadway adaptation of Golden Boy, in which his character is in a relationship with a white woman, paralleling his own interracial relationship. At the time Davis appeared in the musical, although New York had no laws against it, debate about interracial marriage was still ongoing in America as Loving v. Virginia was being fought. It was only in 1967, after the musical finished, that anti-miscegenation laws in all states were ruled unconstitutional by the Supreme Court of the United States.[61]

Davis's daughter Tracey Davis (July 5, 1961 – November 2, 2020)[62]) revealed in a 2014 book that the marriage to Britt also resulted in President Kennedy's refusing to allow Davis to perform at his inauguration.[63] The snub was confirmed by director Sam Pollard, who revealed in a 2017 American Masters documentary that Davis's invitation to perform at his inauguration was abruptly cancelled on the night of his inaugural party.[64]

In addition to Tracey, Davis and Britt adopted two sons, Mark and Jeff.[3][65] Davis performed almost continuously and spent little time with his wife. They divorced in 1968 after Davis admitted to having had an affair with singer Lola Falana. After his marriage imploded, Davis turned to alcohol and "found solace in drugs, particularly cocaine and amyl nitrite, and experimented briefly with Satanism and pornography."[44][66][67]

In 1968, Davis started dating Altovise Gore, a dancer in Golden Boy. They were married on May 11, 1970, by Reverend Jesse Jackson and adopted a son, Manny, in 1989.[44] Davis and Gore remained married until his death in 1990.[68]

Hobbies

Davis was an avid photographer who enjoyed shooting pictures of family and acquaintances. His body of work was detailed in a 2007 book by Burt Boyar titled Photo by Sammy Davis, Jr.[69] "Jerry [Lewis] gave me my first important camera, my first 35 millimeter, during the Ciro's period, early '50s," Boyar quotes Davis as saying. "And he hooked me." Davis used a medium format camera later on to capture images. Boyar reports that Davis had said, "Nobody interrupts a man taking a picture to ask... 'What's that nigger doin' here?'" His catalog includes rare photos of his father dancing onstage as part of the Will Mastin Trio and intimate snapshots of close friends Jerry Lewis, Dean Martin, Frank Sinatra, James Dean, Nat "King" Cole, and Marilyn Monroe. His political affiliations also were represented, in his images of Robert Kennedy, Jackie Kennedy, and Martin Luther King Jr. His most revealing work comes in photographs of wife May Britt and their three children, Tracey, Jeff and Mark.

Davis was an enthusiastic shooter and gun owner. He participated in fast-draw competitions. Johnny Cash recalled that Davis was said to be capable of drawing and firing a Colt Single Action Army revolver in less than a quarter of a second.[70] Davis was skilled at fast and fancy gunspinning and appeared on television variety shows showing off this skill. He also demonstrated gunspinning to Mark on The Rifleman in "Two Ounces of Tin." He appeared in western films and as a guest star on several television westerns.

Political beliefs
In the Yellow Oval Room of the White House with President Richard Nixon, March 4, 1973

Davis was a registered Democrat and supported John F. Kennedy's 1960 election campaign as well as Robert F. Kennedy's 1968 campaign.[71] John F. Kennedy would later refuse to allow Davis to perform at his inauguration on account of his marriage with the white actress May Britt.[63][72] Nancy Sinatra revealed in her 1986 book Frank Sinatra: My Father how Kennedy had planned to snub Davis as plans for his wedding to Britt were unfolding.[72] He went on to become a close friend of President Richard Nixon (a Republican) and publicly endorsed him at the 1972 Republican National Convention.[71] Davis also made a USO tour to South Vietnam at Nixon's request.

In February 1972, during the later stages of the Vietnam War, Davis went to Vietnam to observe military drug abuse rehabilitation programs and talk to and entertain the troops. He did this as a representative from President Nixon's Special Action Office For Drug Abuse Prevention.[73] He performed shows for up to 15,000 troops; after one two-hour performance he reportedly said, "I've never been so tired and felt so good in my life."[74] The U.S. Army made a documentary about Davis's time in Vietnam performing for troops on behalf of Nixon's drug treatment program.[75]

Nixon invited Davis and his wife, Altovise, to sleep in the White House in 1973, the first time African-Americans were invited to do so. The Davises spent the night in the Lincoln Bedroom.[76] Davis later said he regretted supporting Nixon, accusing Nixon of making promises on civil rights that he did not keep.[77] Davis was a longtime donor to the Reverend Jesse Jackson's Operation PUSH organization and later supported Jackson's 1984 campaign for President.[78]

Illness and death
Davis's grave in the Garden of Honor, Forest Lawn Glendale

In August 1989, Davis began to develop symptoms: a tickle in his throat and an inability to taste food.[79] Doctors found a cancerous tumor in Davis's throat.[43][80] He had often smoked four packs of cigarettes a day as an adult.[80] When told that surgery (laryngectomy) offered him the best chance of survival, Davis replied he would rather keep his voice than have a part of his throat removed; he was initially treated with a combination of chemotherapy and radiation.[79] His larynx was later removed when his cancer recurred.[15][81] He was released from the hospital on March 13, 1990.[82]

Davis died of complications from throat cancer two months later at his home in Beverly Hills, California, on May 16, 1990, at age 64.[82] He was buried at Forest Lawn Memorial Park in Glendale, California. On May 18, 1990, two days after his death, the neon lights of the Las Vegas Strip were darkened for 10 minutes as a tribute.[83]

Estate

Davis left the bulk of his estate, estimated at $4 million, to his widow, Altovise Davis,[68][84] but he owed the IRS $5.2 million, which, after interest and penalties, had increased to over $7 million.[85][86] His widow, Altovise Davis, became liable for his debt because she had co-signed his tax returns.[66] She was forced to auction his personal possessions and real estate. Some of his friends in the industry, including Quincy Jones, Joey Bishop, Ed Asner, Jayne Meadows, and Steve Allen, participated in a fundraising concert at the Sands Hotel in Las Vegas.[85] Altovise Davis and the IRS reached a settlement in 1997.[86] After she died in 2009, their son Manny was named executor of the estate and majority-rights holder of his intellectual property.[87]

Legacy

On June 25, 2019, The New York Times Magazine listed Davis among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[88]

Portrayals

Honors and awards

Shortly before his death in 1990, ABC aired the TV special Sammy Davis, Jr. 60th Anniversary Celebration, produced by George Schlatter. An all-star cast, including Michael Jackson, Eddie Murphy, Diahann Carroll, Clint Eastwood, and Ella Fitzgerald, paid tribute to Davis.[92] The show was nominated for six Primetime Emmy Awards, winning Outstanding Variety, Music or Comedy.[93]

Grammy Awards
Year Category Song Result Notes
2002 Grammy Hall of Fame Award "What Kind of Fool Am I?" Inducted Recorded in 1962
2001 Grammy Lifetime Achievement Award Winner Posthumously
1972 Pop Male Vocalist "Candy Man" Nominee
1962 Record of the Year "What Kind of Fool Am I?" Nominee
1962 Male Solo Vocal Performance "What Kind of Fool Am I?" Nominee

Emmy Awards
Year Category Program Result
1990 Outstanding Variety, Music or Comedy Sammy Davis Jr.'s 60th Anniversary Celebration Winner
1989 Outstanding Guest Actor in a Comedy Series The Cosby Show Nominee
1980 Outstanding Cameo Appearance in a Daytime Drama Series One Life to Live Nominee
1966 Outstanding Variety Special The Swinging World of Sammy Davis Jr. Nominee
1956 Best Specialty Act — Single or Group Sammy Davis Jr. Nominee

Other honors
Year Category Organization Program Result
2017 Singer National Rhythm & Blues Hall of Fame Inducted
2008 International Civil Rights Walk of Fame Martin Luther King Jr. National Historic Site Inducted
2006 Las Vegas Walk of Stars[94] front of Riviera Hotel Inducted
1989 NAACP Image Award NAACP Winner
1987 Kennedy Center Honors John F. Kennedy Center for
the Performing Arts		 Honoree
1985 Worst Supporting Actor Golden Raspberry Awards Cannonball Run II (1984) Nominee
1977 Best TV Actor — Musical/Comedy Golden Globe Sammy and Company (1975) Nominee
1974 Special Citation Award National Academy of Television Arts and Sciences Winner
1968 NAACP Spingarn Medal Award NAACP Winner
1965 Best Actor — Musical Tony Award Golden Boy Nominee
1961 Man of the Year[95] American Guild of Variety Artists Winner
1960 Recording[96] Hollywood Walk of Fame Inducted

Discography
Main article: Sammy Davis Jr. discography

Filmography

Stage

Television

See also

References
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  2. Blaser, Randy (December 20, 2017). "Rediscovering the genius of Sammy Davis, Jr". The Chicago Tribune. Retrieved July 10, 2020.
  3. Sammy Davis Jr. Biography. Biography.com. Retrieved June 6, 2013.
  4. "Paula Wayne, Golden-Voiced Broadway Star of Golden Boy, Dead at 84". Broadway.com. Retrieved November 21, 2020.
  5. Casey Kasem's American Top 40 – The 70's from April 29 & May 6, 1972
  6. Sammy Davis Jr.: Mr. Show Business. Legacy.com. Retrieved February 2, 2013.
  7. Kashner, Sam (September 2013). "The Color of Love". Vanity Fair. Retrieved October 6, 2019.
  8. Religion: Jewish Negro Time February 1, 1960
  9. Sammy Davis Jr. "Is My Mixed Marriage Mixing Up My Kids", Ebony, October 1966, p. 124.
  10. Rebecca Dube, "Menorah Illuminates Davis Jr.'s Judaism", The Jewish Daily Forward, May 29, 2009.
  11. Sammy Davis, Jr.'s 'Music, Money, Madness' - NPR
  12. GlobeNewswire (May 6, 2010). "LegalZoom Will Upheld In Sammy Davis, Jr. Estate Battle". Archived from the original on July 19, 2018.
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  15. Haygood, Wil (2003). In Black and White: The Life of Sammy Davis Junior. New York: A. A. Knopf (Random House). p. 516. ISBN 0-375-40354-X. Retrieved April 29, 2006.
  16. Davis, Sammy; Boyar, Jane; Boyar, Burt (2000). Sammy: An Autobiography: with Material Newly Revised from Yes I Can and Why Me?. Farrar, Straus and Giroux. pp. 46–. ISBN 978-0-374-29355-0. Retrieved August 17, 2017.
  17. "Rufus Jones for President", British Film Institute, (1933)
  18. Santosuosso, Ernie (May 17, 1990). "Sammy Davis Jr., Entertainer for Six Decades, Dies at 64". The Boston Globe.
  19. "Davis, Samuel G., Jr., Pvt". www.army.togetherweserved.com. Retrieved June 5, 2019.
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  21. "Sammy Davis Jr". Oral Cancer Foundation. February 6, 2008. Archived from the original on February 9, 2008. Retrieved May 14, 2008.
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  27. Haygood, Wil (October 7, 2003). In Black and White: The Life of Sammy Davis, Jr. A. A. Knopf. p. 156. ISBN 9780375403545. Retrieved January 14, 2011.
  28. Fishgall, Gary (September 30, 2003). Gonna Do Great Things: The Life of Sammy Davis Jr. Scribner. ISBN 978-0-7432-2741-4. Retrieved January 14, 2011.
  29. Guralnick, Peter. (2005). Dream boogie : the triumph of Sam Cooke (1st ed.). New York: Little, Brown. ISBN 0316377945. OCLC 57393650.
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  31. Raymond, Emilie (2015). "Sammy Davis, Jr: Public Image and Politics". Cultural History. 4: 42–63. doi:10.3366/cult.2015.0083.
  32. Sammy Davis Jr., Burt Boyar, and Jane Boyar, Sammy: The Autobiography of Sammy Davis Jr. (New York: Farrar, Straus and Giroux, 2000).
  33. Parris, Amanda (April 25, 1986), CBC's digging up its music archives, and it couldn't have happened at a better time, CBC
  34. Sammy Davis Jr. on Parade, CBC, November 15, 2018
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  38. Staff Writer (1973). "The Highway Safety Foundation: A Chronology". Documenting reality. Retrieved March 5, 2014.
  39. Blavat, Jerry (August 13, 2013). You Only Rock Once: My Life in Music. Running Press. p. 315. ISBN 978-0-7624-5018-3.
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  41. "Frank Sinatra, Liza Minnelli and Sammy Davis Jr. Announce Concert Tour". AP NEWS. April 14, 1988.
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Further reading

Autobiographies
  • Yes, I Can (with Burt and Jane Boyar) (1965), ISBN 0-374-52268-5
  • Why Me? (with Burt and Jane Boyar) (1989), ISBN 0-446-36025-2
  • Sammy (with Burt and Jane Boyar) (2000), ISBN 0-374-29355-4; consolidates the two previous books and includes additional material
  • Hollywood in a Suitcase (1980), ISBN 0-425-05091-2

Biographies
  • Haygood, Wil (2003). In Black and White: The Life of Sammy Davis, Jr. New York: A. A. Knopf (Random House). ISBN 0-375-40354-X.
  • Birkbeck, Matt (2008), Deconstructing Sammy. Amistad. ISBN 978-0-06-145066-2
  • Silber Jr., Arthur (2003), "Sammy Davis Jr: Me and My Shadow, Samart Enterprises, ISBN 0-9655675-5-9

Other
Archives at
LocationMusic Division, Library of Congress
SourceBurt Boyar collection of Sammy Davis, Jr. biographical materials, 1954-2000
How to use archival material
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