History of LGBTQ characters in animated series: 2000s

Anime and Western animated shows built upon the representation of LGBTQ characters in the previous decade and that which existed in the years before. The 2000s brought with it Queer Duck, the first animated TV series on U.S. television which featured homosexuality as a major theme,[1] an alien named Roger in American Dad! who had an ambiguous sexuality,[2] and an assortment of other shows. This included the yuri-focused Simoun and Strawberry Panic. This would set the stage for shows to come in the 2010s and in the 2020s which further increased LGBTQ representation in animation.

A life-sized costume of Roger holding Klaus; image by Gage Skidmore, July 25, 2008 at Comic-Con

To see the list of LGBTQ+ characters in the 2000s, please read the Animated series with LGBTQ characters: 2000s page, which is subdivided into pages for 2000–2004 and 2005–2009. For fictional characters in other parts of the LGBTQ+ community, see the lists of lesbian, gay, trans, bisexual, non-binary, pansexual, asexual, and intersex characters.

LGBTQ characters and storylines in anime

In the early years of the 21st century, the Class S genre saw new life,[3] even as Sailor Moon, key work for the yuri genre,[4] came to a close,[5] with no new anime films since 1995 (apart from one set to air in 2020).[6] Sailor Moon stopped broadcasting on Cartoon Network's Toonami in October 2000[7] despite efforts by fans to continue its run.[8] From 2005 to 2009, a plethora of anime including LGBTQ+ characters began showing despite the fact that the number of anime productions began to decline after peaking in 2006 due to alternative forms of entertainment, less ad revenue, and other reasons, with TV Tokyo remaining one of the only channels airing anime shows.[9] The same year, one Western anime fan, Erica Friedman, created what would become Yuricon, a conference of those who appreciated yuri animation.[10] She did so in a broader context of homosexuality in Japan. While the country does not have a puritanical history saying that homosexuality is a "cardinal sin," meaning that there could be anime with gay characters, although this didn't translate to an easy ability to be out as gay in Japan, even as late as 2015.[11] This manifested itself in the fact that yuri manga is often geared toward male readers[12] which is relevant because anime has a "steady relationship" with manga.[13]:8 While the days of "laughably wrong" American anime dubs in the 1980s and 1990s had long past,[14] anime began entering U.S. homes like never before, with fans able to get their hands on Japanese-language originals of animesthey watched, thanks to the internet.[15] Anime further became entrenched in U.S. households with the launch of Adult Swim by Cartoon Network in 2001, aimed at those in the "older OVA & tape trading crowd," with a new fandom forming.[16]

Rocky days of representation in Western animation

In the early 2000s, LGBTQ+ representation in U.S. animation faltered, with under-representation of gay characters through the Fall 2000 television season for all broadcast shows, with trend continuing until at least 2003.[17] It would not be until 2005 that GLAAD would began their annual “Where We Are on TV” report"[18] starting its continuing effort to compile statistics on characters in the LGBTQ+ community, and other marginalized groups.[19] GLAAD, for their part, bemoaned the lack of LGBT representation. They noted in the regular 2006–2007 season, LGBTQ+ characters only comprised 1.3% of all regular characters on major broadcast networks (NBC, CBS, ABC, Fox, The CW, and UPN).[20] In a report the next year, they noted in the 2007–2008 season, the FOX network only featured LGBT characters in animated comedies like The Simpsons and American Dad.[21] In a report for the following year, GLAAD assessed the "considerable" LGBTQ+ representation in animated primetime programming," citing shows such as The Simpsons, American Dad, Sit Down, Shut Up, The Goode Family, Rick & Steve: The Happiest Gay Couple in All the World, and Drawn Together, even as they had their reservations about existing LGBTQ+ characters on television.[22] In later years, GLAAD painted a bleaker picture, noting that no black LGBT characters were regular characters[23] on television networks, again noting American Dad,[24] The Simpsons,[25] and Rick & Steve: The Happiest Gay Couple in All the World.[26] They stated that most animated LGBT characters were on FOX, lamenting that while South Park historically had LGBT characters and storylines, it could be "hit or miss" like Family Guy.[27]

See also

References

Citations

  1. Meisler, Andy (April 7, 2002). "Television/Radio; 'Queer Duck,' a Web-Footed Survivor, Migrates to TV". New York Times. Archived from the original on March 25, 2020. Retrieved April 25, 2020.
  2. Kurland, Daniel (February 24, 2015). "American Dad: LGBSteve Review". Den of Geek. Archived from the original on March 25, 2020. Retrieved March 11, 2020.
  3. Valens, Ana (October 6, 2016). "Rethinking Yuri: How Lesbian Mangaka Return the Genre to Its Roots". The Mary Sue. Archived from the original on November 7, 2019. Retrieved March 28, 2020.
  4. Friedman, Erica (July 24, 2007). "Erica Friedman's Guide to Yuri". AfterEllen. Archived from the original on March 29, 2008. Retrieved April 1, 2020.
  5. "The Program Exchange Gets "Sailor Moon" on the Cartoon Network". saveoursailors.org. Retrieved June 5, 2015.
  6. Weekes, Princess (July 1, 2019). "A New Sailor Moon Movie Is Coming, so Here's Your Guide to the Other Three". The Mary Sue. Archived from the original on July 2, 2019. Retrieved March 29, 2020.
  7. "Midnight Run & Rising Sun Schedules". Toonami. Cartoon Network. October 14, 2000. Archived from the original on October 14, 2000. Retrieved April 25, 2020.
  8. "Midnight Run & Rising Sun Schedules". Save Our Sailors. saveoursailors.org. 2001. Archived from the original on October 14, 2007. Retrieved April 1, 2020. Also see Sailor Moon on U.S. TV.
  9. Yasuo, Yamaguchi (November 28, 2013). "The Evolution of the Japanese Anime Industry". nippon.com. Archived from the original on March 4, 2020. Retrieved March 28, 2020.
  10. Aoki, Deb (October 27, 2014). "Interview: Erica Friedman". About.com. Archived from the original on March 4, 2016. Retrieved March 28, 2020.
  11. Gingold, Nicole (August 5, 2015). "Why an anime character can be openly gay in Japan, but you can't". PRI. Archived from the original on March 18, 2020. Retrieved April 25, 2020.
  12. Santos, Khursten (November 10, 2014). "Lessons from Manga Futures". punkednoodle.com. Archived from the original on March 26, 2020. Retrieved April 25, 2020. Khursten Santos is a Filipina postgraduate student based in Australia, specialising on Japanese pop culture and media history
  13. Carter, Laz (November 2011). "Introduction: What Is Anime? Why Anime? Where Is Anime?". Globalisation in Contemporary Anime: An Analysis of the Multiple Platform Pokémon Franchise (PhD). School of Oriental and African Studies. Retrieved March 28, 2020.
  14. Bond, Jean-Michael (April 6, 2018). "Why anime is more popular now than ever". The Daily Dot. Archived from the original on March 27, 2020. Retrieved March 28, 2020.
  15. Dietsch, Drew (December 8, 2017). "The History of Anime's Journey to America". Fandom. Archived from the original on April 22, 2020. Retrieved April 25, 2020.
  16. Ohno, John (May 22, 2019). "A brief history of anime fandom outside of Japan". Medium. Archived from the original on May 23, 2019. Retrieved April 25, 2020.Ohno is an author of various books in the area of computing, such as Big and Small Computing: Trajectories for the Future of Software.
  17. Cook 2018, p. 11-12.
  18. Cook 2018, p. 6.
  19. GLAAD 2009, p. 2.
  20. GLAAD 2006, p. 1.
  21. GLAAD 2007, p. 3.
  22. GLAAD 2008, p. 18.
  23. GLAAD 2009, p. 3.
  24. GLAAD 2009, p. 8.
  25. GLAAD 2009, p. 9.
  26. GLAAD 2009, p. 11, 14.
  27. GLAAD 2009, p. 16.

Sources

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.