John Farrow

At Paramount Farrow worked a series of "woman's pictures" Three Weekends (1928), with Clara Bow; The Woman from Moscow (1928) for Pola Negri; The First Kiss (1928), with Fay Wray and Gary Cooper, and Ladies of the Mob (1929) with Bow. At that studio he also made The Showdown (1928), The Four Feathers (1929), The Wheel of Life (1929), A Dangerous Woman (1929) and Wolf Song (1929) with Gary Cooper.

He wrote The Bad One (1930) for United Artists. Shadow of the Law (1930) and Seven Days' Leave (1930) (with Cooper) were for Paramount.

Farrow began to work increasingly at RKO: Inside the Lines (1930); The Common Law (1931), with Constance Bennett, and a big hit; A Woman of Experience (1931) with Helen Twelvetrees.

He compiled an English-French-Tahitian dictionary and wrote a novel, Laughter Ends (1933). In 1932 he went to England where he wrote The Impassive Footman (1932) for Basil Dean. He worked as a writer and assistant director on G. W. Pabst's film Don Quixote (1933), and briefly visited Tahiti again.[10]

Farrow returned to Hollywood and re-established himself as a screenwriter. On 27 January 1933, while dancing at the Cocoanut Grove nightclub, he was arrested for breach of his visa, as part of a general crackdown against illegal immigrants in the film industry.[11] Farrow was charged with making a false statement while entering the US, having claimed he was Romanian.[12] Although threatened with deportation, eventually he was given five years' probation,[13] before being acquitted of the charges the following year.[14]

At MGM Farrow wrote Last of the Pagans (1935), partly set in Tahiti, and directed a short, The Spectacle Maker (1934). He received a plum appointment to work on Tarzan Escapes (1936) but the film was subsequently rewritten and reshot.[15]

In 1930, it was announced that Farrow would direct his own story First Love but this did not materialize.[16] He signed to Warner Bros. in 1936 looking to direct and was linked with a number of projects, including a Foreign Legion story and an adaptation of Edgar Allan Poe's 1842 short story "The Pit and the Pendulum".[17] Farrow finally made his directorial debut in 1937 with Men in Exile, a remake of Safe in Hell (1931).

Following this, he accompanied his wife to Europe, where she was making A Yank at Oxford (1938), lecturing on Father Damien, about whom Farrow had written a book (published in 1937), and receiving a Papal knighthood.[18]

On his return to Hollywood, Farrow resumed working as a B-picture director for Warner Bros., with West of Shanghai (1937) with Boris Karloff and She Loved a Fireman (1937) with Dick Foran and Ann Sheridan. He was reunited with Karloff in The Invisible Menace (1938) then made Little Miss Thoroughbred (1938) with John Litel and Sheridan, the first film for Peggy Ann Garner.[19]

Farrow followed this with Broadway Musketeers (1938) with Margaret Lindsay and Sheridan (a remake of a 1932 drama, Three on a Match), and My Bill (1938) with Kay Francis, the first of Francis' B movies for Warner Bros. He did some uncredited work on Comet Over Broadway (1938), starring Francis, when director Busby Berkeley fell ill.

Farrow left his contract for a number of months, ostensibly to finish a book he was writing on the history of the papacy, and also due to disputes over the script for his next film, another starring Kay Francis, Women in the Wind (1939).[20]

Farrow re-emerged as a contract director for RKO;[21] directing the highly profitable The Saint Strikes Back (1939), the second in the "Saint" series and the first to star George Sanders in the lead. He followed it with Sorority House (1939), from a script by Dalton Trumbo and produced by Robert Sisk. RKO then announced Farrow would direct a film version of the director's book Damien the Leper produced by Sisk and starring Joseph Calleia[22] but it was never made. Instead he directed Five Came Back (1939), which, although a "B", became a surprise hit and received excellent reviews.

"I deliberately set out to become the damndest commercial director in the business", he said later. "The only way to get anywhere in Hollywood is to make money pictures. Then you can get some measure of respect and authority from the studio bosses, and little by little you get to do more of the things you want to do."[23]

Farrow went on to direct Full Confession (1939), with Victor McLaglen; Reno (1939); Married and in Love (1940); and A Bill of Divorcement (1940), a remake of the 1932 Katharine Hepburn film, with Maureen O'Hara in the lead. All these films were produced by Sisk. Bill of Divorcement was Farrow's first "A" as director.

Despite his flourishing career and recently having become a father for the first time, Farrow was keen to be involved in World War II. He went to Vancouver in November 1939 and enlisted in the Canadian Navy.[24] He went back to RKO to finish Bill of Divorcement then joined the navy. RKO promised to hold his job when he returned.[25]

Farrow was appointed lieutenant in March 1940 and assigned to Naval History and the Controller of Information Unit. He worked on anti-submarine patrols and in April 1941 was loaned to the Royal Navy and appointed to HMS Goshawk naval base in Trinidad, and served as assistant to the Senior British Naval Officer, Curaçao. He contracted typhus fever and returned to Naval Headquarters, Ottawa, in late 1941.[26]

It was announced he would direct a Canadian war film starring his wife Maureen O'Sullivan while on leave, but this did not eventuate.[27]

Farrow was invalided out of the Canadian Navy with typhus in January 1942 at the rank of Commander but remained in the naval reserve.[28] He was gravely ill when he returned but was nursed back to health by his wife. His illness meant he was unable to return to active service.[29]

Farrow resumed his directing career at Paramount, whose then-head of production, Buddy de Sylva, had been impressed by Five Came Back and offered Farrow a contract.[30] For the first time, Farrow was directing nothing but "A" movies. The association began brilliantly with Wake Island (1942), which earned him an Oscar nomination for Best Director, and was one of the year's biggest hits.

Farrow followed it with another war film, Commandos Strike at Dawn (1942), which also proved popular. China (1943), with Alan Ladd and Loretta Young, was another big hit.[31]

In February 1943, Farrow signed a long-term contract with Paramount.[32] In July 1943 he served as technical consultant for the proposed Royal Canadian Navy show.[5] He directed The Hitler Gang (1944); Two Years Before the Mast (filmed 1944, not released until 1946), with Ladd; and You Came Along (1945), from a script co-written by Ayn Rand.

In May 1945, Farrow was briefly recalled to active duty, travelling to Britain for work in connection with the Director of Special Services.[5][33] Shortly after he made Calcutta (1947) with Ladd, though it was not released until two years later, to strong box office.

Two Years Before the Mast was released in 1946 and became the tenth most popular movie of the year. In 1946 Farrow was reportedly writing a biography of Junípero Serra but it appears to have never been made.[34]

Ladd was meant to star in Farrow's California (1947) but dropped out over money and was replaced by Ray Milland. It was a big hit. Less popular were two films with Sonny Tufts: Blaze of Noon (1947), about flyers, and Easy Come, Easy Go (1947), with Barry Fitzgerald.

Farrow became an American citizen in July 1947.[35]

In 1947, Farrow made one of his most highly regarded films, the noir The Big Clock (1948) with Ray Milland and O'Sullivan. He was reunited with Ladd for a military drama, Beyond Glory (1948), then returned to noir with Night Has a Thousand Eyes (1948), starring Edward G. Robinson from a Cornell Woolrich novel, and Alias Nick Beal (1949), with Milland.

As a change of pace he produced and directed a comedy with Betty Hutton, Red, Hot and Blue (1949), followed by a popular Western with Milland, Copper Canyon (1950). Farrow did some uncredited work on the Ladd Western, Red Mountain (1951), with William Dieterle fell ill. He also published a history of the papacy, Pageant of the Popes (1950).

For Howard Hughes at RKO he directed Robert Mitchum in a noir, Where Danger Lives (1950). Hughes liked Farrow's work enough to hire him again for His Kind of Woman (1951), also with Mitchum, although the film would be extensively re-shot by Richard Fleischer.

Back at Paramount he made Submarine Command (1951) with William Holden. He wound up his contract with a final movie with Ladd, Botany Bay (1952), a half-successful attempt to repeat Two Years to the Mast. It was one of his few movies to have a connection to his native Australia.[36]

Farrow directed Robert Taylor and Ava Gardner in the MGM Western, Ride, Vaquero! (1953), which was a hit. He made two produced by John Wayne for Wayne's company, Batjac: Plunder of the Sun (1953), an adventure story with Glenn Ford, and Hondo (1953) with Wayne, from a story by Louis L'Amour; the latter especially was popular at the box office.

He made A Bullet Is Waiting (1954) at Columbia, then he had another big hit with Wayne, The Sea Chase (1955), where Wayne played a German sea captain in World War II. The early part of the film was set in Sydney, Australia, although not filmed there.

Farrow was the original director of Around the World in 80 Days (1956) but was fired by producer Michael Todd shortly after filming commenced. However Farrow remained credited for his contribution to the screenplay, which won an Oscar in 1956.[37]

He also published a collection of poetry and a biography of Sir Thomas More.

Farrow signed a three-picture deal with RKO.[38] He only made two of them, neither successful: Back from Eternity (1956), a remake of Five Came Back, and The Unholy Wife (1957), a failed attempt to launch Diana Dors to US audiences.

He received an offer from Samuel Bronston to make two films, a biography of John Paul Jones and a story of the life of Jesus Christ, which Farrow had been trying to make for years. He directed the first one – John Paul Jones. However he was replaced as director on the second by Nicholas Ray – it was released as King of Kings (1961).

Farrow died of a heart attack[46] in Beverly Hills, California on 27 January 1963 at the age of 58 and was buried in the Holy Cross Cemetery, Culver City.

• A Friend of Napoleon (1927) – adapted from story by Richard Connell for director William K Howard and produced Cecil B de Mille[68]
• Father Damien (1939), adapted from Farrow's book Damien the Leper (1937)[69][70]