Only Revolutions (album)

In an interview with NME in September 2008, Simon Neil confirmed that work had begun on a followup to Puzzle, the new material containing some of the band's 'heaviest riffs to date,' while also introducing keyboards, suggesting some experimentation.[1] The first preview of the album came the following November, the band debuting a new song 'God & Satan' while playing an acoustic gig at London's Union Chapel.[2] In a March 2009 Kerrang! magazine article, it was stated that they planned to enter the studio and begin recording in April 2009. The same Kerrang! article revealed a working title for the upcoming album - "Boom, Blast and Ruin". Although this title was eventually scrapped, it was revealed that a song of the same name would appear on the album.

The final title for the album was officially announced as Only Revolutions after Mark Z. Danielewski's 2006 novel. Bassist James Johnston notes:

It's a really interesting book. [...] The nice thing is that it's a story told from two points of view and Simon got married last year and I think it's a love record in that regard, it's about his relationship with his new wife. A lot of it is about trying to take arguments from somebody else point of view and be able to see two sides of the picture. I guess a lot of it is about the revolutions in life and revolutions in relationships and those sort of things, just the stuff everyone goes through at different points in their life.[3]

"That Golden Rule" was confirmed as the second single from the album, after receiving its first play from an ecstatic Zane Lowe during his Radio 1 show on 8 July.[4] The single was released on 23 August 2009.

It was subsequently confirmed that the album would also include the band's 2008 hit single "Mountains," which had not previously been included on any of the band's studio albums (and had at the time of its release been considered a "non-album single").

Kerrang! magazine ran an interview in the 25 August edition informing the album would have 12 tracks and that David Campbell was providing orchestrations to six of those tracks. The article also validated the rumours that Josh Homme would make a guest appearance on the album, contributing a guitar solo to the track "Bubbles". "The Captain" received its first play during Zane Lowe's Radio 1 show on 8 September and it was then confirmed that the single would be released on 26 October.

The band confirmed on 26 November 2009 through their website that "Many of Horror" would be the fourth single and would be released on 18 January 2010.[5] It had been Fearne Cotton's record of the week on her Radio 1 weekday show.

The next single to be released was "Bubbles" on 3 May. The song reached a peak position of #34 in the UK Singles Charts, making it the fifth consecutive single to reach the top forty.

On 23 August the same year, the band released "God & Satan" as their next single. Like "Many of Horror", God & Satan received a single mix and further b-sides. On the same day, the band released a compilation album of all b-sides released during Only Revolutions called Lonely Revolutions,[6] much akin to Missing Pieces. Originally, the album was released as a limited pressing of 300 copies on 12' vinyl but later released a limited number of 1000 CDs.

Many of Horror was chosen as the X-Factor finalists song for Matt Cardle, and was released on Monday 13 December with the aim of becoming the UK's Christmas Number 1 record for 2010.

Professional ratings

Review scores
Source	Rating
AllMusic	[7]
Clash	(7/10)[8]
Drowned in Sound	(8/10)[9]
The Fly	[10]
Gigwise	[11]
The Guardian	[12]
Kerrang!	[13]
NME	(8/10)[14]
Q	[15]
Rock Sound	(9/10)[16]

Only Revolutions was met with positive reviews; Metacritic reports an aggregated score of 76, based on eight professional reviews.[17]

• Nick Annan of Clash magazine was favourable in his review and awarded a score of 7/10. He summarised; "QOTSA's Josh Homme contributes a guitar solo on 'Bubbles' and while Top five hit 'Mountains' is still the best example here of the band in full majestic flow, there are plenty of big chorus to be enjoyed elsewhere here. Contrary to the album's title, for Biffy Clyro evolution proves more useful than revolution".[8]
• Drowned in Sound writer Thom Gibbs praised the bands earnestness, despite describing the sound as more commercially accessible; "Biffy Clyro’s Simon Neil is emphatically unbothered about offending the anti-earnest on his band’s fifth album. Only Revolutions is a massive, bold and ambitious record, primed for radio but loaded with the unshakeable seriousness and belief that has run through Biffy’s career". He was less favourable towards the lyrics, particularly in slower songs such as 'God & Satan' and 'Many of Horror', but ultimately awarded a score of 8/10. He added, "Grandeur suits Biffy Clyro, and their overblown songs manage to tug effectively on heartstrings despite their foibles. Their vibrant brand of ridiculousness is infinitely preferable to the mass emotional prescriptions of Snow Patrol or vapid truisms of Coldplay".[9]
• Matt Glass, journalist for Scottish publication The Fly, gave a positive review with a 4/5 star rating. He did say however, that the album wasn't completely cohesive throughout; "Each track is undoubtedly great, but, as an album, Only Revolutions sometimes struggles to flow through Biffy’s scatterbomb of styles". That was that the only criticism though as he summed up his review with, "With Only Revolutions, Biffy cast a magnifying glass over everything they showcased on Puzzle. The riffs get louder, the screams more pertinent and the orchestral onslaughts darker and more sinister. 'Mon the Biffy..."[10]
• Chris Reynolds of Gigwise also awarded the album a four star rating. He summarised, "Simply put Only Revolutions maintains predictability and unpredictability in equal measure. It’s a step forward, a step up and a genuinely brilliant rock album, bring on the amphitheatres".[11]
• The Guardian writer Sarah Boden, complimented the band for "confidently casting their net wider" than predecessor Puzzle. She went on to add that "Biffy Clyro have got this far without paying heed to populist tastes, so they needn't start now. Still, it's a woeful soul who can listen to Only Revolutions without feeling exhilarated and part of the gang".[12]
• NME gave a very positive review, awarding a score of 8/10. Jamie Fullerton wrote that the album "springs the band instantly level with the greatest rock acts in the world. The only thing that can stop them being recognised as such is the 2010 trend of UK guitar music being treated with contempt by the electro-pop-fixated mainstream".[14]
• Rock Sound were also highly favourable, scoring the album at 9/10. Tim Newbound wrote that, "Only Revolutions perfectly juxtaposes moods; beautifully serene songs such as 'God & Satan', 'Know Your Quarry' and 'Many of Horror', for example, provide an ebb and flow that balances delicacy with the balls-out aggression of 'Cloud of Stink' and the ace closer that is 'Whorses', a song in which they achieve a dark melodic sensibility that betters anything featured on one of Neil's favourite records, Weezer's Pinkerton".[16]
• Mark Edwards of The Sunday Times gave the album a four star review. He praised the record for holding a "highly listenable variant". He also wrote that, "On Only Revolutions they move things up a gear with a string of actual and potential hits ('That Golden Rule', 'Mountains' and the stadium-ready 'The Captain' have already charted; the Josh Homme-featuring 'Bubbles' surely will). But the rubbery oddness of 'Born on a Horse' reassures us that the band haven’t lost their quirky imagination".[18]
• Further positive reviews came from British publications, Kerrang! and Q, who both rated the album at four stars.[13][15] Q magazine also named the album one of the 50 best records of 2009 and the song "Bubbles" as no 2 in its top 50 downloads of November.

All tracks are written by Simon Neil [22].

• "The Captain", "That Golden Rule", "Mountains", "Many of Horror", "Bubbles" & "God & Satan" were released as singles.
• An exclusive track by track video was available with the iTunes release of the album which consisted of a 15-minute video including all 3 members of the band commenting on each track.

The following people contributed to Only Revolutions:[24]

The sleeve's designer Storm Thorgerson said: "In thinking that the music was strong-minded yet lyrical persuaded us to think of material flapping in the wind like flags – the flags of a revolution. Not little flags or small bits of fabric, but enormous flags the size of a modest office block, which we affixed to a scaffold tower on the top of a hill on a windy day. The sound of the undulating material was affecting, let alone the bizarre shapes. The actual cover used red and blue flags to represent the sexes."[25]

The picture is clearly indebted to another of Thorgerson's works: the sleeve and video for Pink Floyd's "High Hopes".

Only Revolutions was released in various countries in 2009.

• Review by C.B.Liddell in Metropolis