Sticky Fingers

Sticky Fingers is the ninth British and eleventh American studio album by the English rock band the Rolling Stones, released 23 April 1971 on their new, and own, label Rolling Stones Records after previously having been contracted by Decca Records and London Records in the UK and US since 1963. It is Mick Taylor's second full-length appearance on a Rolling Stones album (after the live album Get Yer Ya-Ya's Out!) without contributions from guitarist and founder Brian Jones, who died two years earlier. The original cover artwork, conceived by Andy Warhol and photographed and designed by members of his art collective, The Factory, was highly innovative, showing a sexually suggestive picture of a man in tight jeans complete with a fully working zipper that opened to reveal a pair of underwear. Owing to the damage caused by the zipper to the vinyl disc, and the expense in producing the unusual cover, later re-issues featured just the outer photograph of the jeans.

This article is about The Rolling Stones album. For other uses, see Sticky Fingers (disambiguation).

Sticky Fingers
Studio album by
the Rolling Stones
Released23 April 1971 (1971-04-23)
Recorded
  • 22–31 March 1969
  • 2–4 December 1969
  • 17 February – 31 October 1970
Studio
Genre
Length46:25
LabelRolling Stones
ProducerJimmy Miller
The Rolling Stones chronology
Get Yer Ya-Ya's Out! The Rolling Stones in Concert
(1970)		 Sticky Fingers
(1971)		 Exile on Main St.
(1972)
Spanish issue
Singles from Sticky Fingers
  1. "Brown Sugar" / "Bitch"
    Released: 16 April 1971
  2. "Wild Horses" / "Sway"
    Released: 12 June 1971

Noted for its downbeat tempo, the album featured a return to basics for the Rolling Stones. The unusual instrumentation introduced several albums prior was absent; most songs featuring drums, guitar, bass, and percussion as provided by the key members: Mick Jagger (lead vocal, various percussion and rhythm guitar), Keith Richards (guitar and backing vocal), Mick Taylor (guitar), Bill Wyman (bass guitar), and Charlie Watts (drums). Additional contributions were made by long-time Stones collaborators including saxophonist Bobby Keys and keyboardists Billy Preston, Jack Nitzsche, Ian Stewart, and Nicky Hopkins. As with the other albums of the Rolling Stones classic late 1960s/early 1970s period, it was produced by Jimmy Miller.

Sticky Fingers is considered one of the Rolling Stones' best albums. It was the band's first album to reach number one on both the UK albums and US albums charts, and has since achieved triple platinum certification in the US. "Brown Sugar” topped the Billboard Hot 100 in 1971. Sticky Fingers was voted the second best album of the year in The Village Voice's annual Pazz & Jop critics poll for 1971, based on American critics' votes. The album is inducted in the Grammy Hall of Fame and included in Rolling Stone magazine's 500 Greatest Albums of All Time list.

Background

With the end of their Decca/London association at hand, The Rolling Stones were finally free to release their albums (cover art and all) as they pleased. However, their departing manager Allen Klein dealt the group a major blow when they discovered that they had inadvertently signed over their entire 1960s American copyrights to Klein and his company ABKCO, which is how all of their material from 1963's "Come On" to Get Yer Ya-Ya's Out! The Rolling Stones in Concert has since been released solely in America by ABKCO Records.[4] The band later sued for their return but without success, settling in 1984.[5][4] The band would remain incensed with Klein for decades for that act. Klein died in 2009.[5]

When Decca informed The Rolling Stones that they were owed one more single, they cheekily submitted a track called "Cocksucker Blues",[6] which was guaranteed to be refused. Instead, Decca released the two-year-old Beggars Banquet track "Street Fighting Man" while Klein retained dual copyright ownership in conjunction with The Rolling Stones of "Brown Sugar" and "Wild Horses."

Recording

Although sessions for Sticky Fingers began in earnest in March 1970, The Rolling Stones had been recording at Muscle Shoals Sound Studio in Alabama in December 1969, where they cut "Brown Sugar" and "Wild Horses." "Sister Morphine," cut during Let It Bleed's sessions earlier in March of that year, had been held over from this release. Much of the recording for Sticky Fingers was made with The Rolling Stones' mobile studio unit in Stargroves during the summer and autumn of 1970. Early versions of songs that would eventually appear on Exile on Main St. were also rehearsed during these sessions.[7]

Music and lyrics

Sticky Fingers originally included 10 tracks. The album is noted for its overall use of downbeat tempo and references to narcotics.[8]

Artwork

Standard version
The Rolling Stones posing in an ad with covers of Sticky Fingers, with the original artwork, in 1971, from left to right: Charlie Watts, Mick Taylor, Bill Wyman, Keith Richards, and Mick Jagger

The album's artwork emphasises the suggestive innuendo of the Sticky Fingers title, showing a close-up of a jeans-clad male crotch with the visible outline of a penis; the cover of the original (vinyl LP) release featured a working zipper and perforations around the belt buckle that opened to reveal a sub-cover image of cotton briefs. The vinyl release displayed the band's name and album title along the image of the belt; behind the zipper the white briefs were seemingly rubber stamped in gold with the stylized name of American pop artist Andy Warhol, below which read "THIS PHOTOGRAPH MAY NOT BE—ETC." While the artwork was conceived by Warhol, photography was by Billy Name and design was by Craig Braun. Braun and his team had other ideas, such as wrapping the album in rolling paper – a concept later used by Cheech & Chong in Big Bambu – but Jagger was enthused by Warhol's cover with a zipper. Execution was then handled as Warhol sent Braun Polaroid pictures of a model in tight jeans.[9]

The cover photo of a male model's crotch clad in tight blue jeans was assumed by many fans to be an image of Mick Jagger, but the people actually involved at the time of the photo shoot claim that Warhol had several different men photographed (Jagger was not among them) and never revealed which shots he used. Among the candidates, Jed Johnson, Warhol's lover at the time, denied it was his likeness, although his twin brother Jay is a possibility. Those closest to the shoot, and subsequent design, name Factory artist and designer Corey Tippin as the likeliest candidate. Warhol "superstar" Joe Dallesandro claims to have been the model.[10]

After retailers complained that the zipper was causing damage to the vinyl (from stacked shipments of the record), the zipper was "unzipped" slightly to the middle of the record, where damage would be minimised.[9]

The Rolling Stones' tongue and lips logo, designed by John Pasche and modified by Craig Braun,[9] was introduced in 1971.

For the initial vinyl release the album title and band name is smaller and at the top on the American release. For the UK release, the title and band name are in bigger letters and on the left.

The album features the first usage of the tongue and lips logo of Rolling Stones Records, originally designed by John Pasche in 1970. Jagger suggested to Pasche that he copy the outstuck tongue of the Hindu goddess Kali, and while Pasche first felt it would date the image back to the Indian culture craze of the 1960s, seeing Kali made him change his mind. Before the end of that year his basic version was faxed to Craig Braun by Marshall Chess. The black & white copy was then modified by Braun and his team, resulting in today's most popular red version, the slim one with the two white stripes on the tongue.[9] Critic Sean Egan has said of the logo, "Without using the Stones' name, it instantly conjures them, or at least Jagger, as well as a certain lasciviousness that is the Stones' own ... It quickly and deservedly became the most famous logo in the history of popular music."[11] The tongue and lips design was part of a package that, in 2003, VH1 named the "No. 1 Greatest Album Cover" of all time.[12]

Alternative version and covers

In Spain, the original cover was censored by the Franco regime and replaced with a "Can of fingers" cover, designed by John Pasche and Phil Jude,[13] and "Sister Morphine" was replaced by a live version of Chuck Berry's "Let It Rock."[14] This track was later included on the CD compilation Rarities 1971–2003 in 2005.

In 1992, the LP release of the album in Russia featured a similar treatment as the original cover; but with Cyrillic lettering for the band name and album name, a colourised photograph of blue jeans with a zipper, and a Soviet Army uniform belt buckle that shows a hammer and sickle inscribed in a star. The model appears to be female.[15]

Release and reception
Professional ratings
Retrospective reviews
Review scores
SourceRating
AllMusic[16]
Christgau's Record GuideA[17]
Encyclopedia of Popular Music[18]
MusicHound Rock4.5/5[18]
NME9/10[19]
Pitchfork10/10[20]
Q[21]
Record Collector[21]
The Rolling Stone Album Guide[22]
Uncut[23]

Sticky Fingers hit the number one spot on the British charts in May 1971, remaining there for four weeks before returning at number one for a further week in mid June. In the US, the album hit number one within days of release, and stayed there for four weeks. The album spent a total of 69 weeks on the Billboard 200.[24] According to Billboard's Top 200 list, it was one of many American albums that topped the German chart that year.

In a contemporary review for the Los Angeles Times, music critic Robert Hilburn said that although Sticky Fingers is one of the best rock albums of the year, it is only "modest" by the Rolling Stones' standards and succeeds on the strength of songs such as "Bitch" and "Dead Flowers," which recall the band's previously uninhibited, furious style.[25] Jon Landau, writing in Rolling Stone, felt that it lacks the spirit and spontaneity of the Rolling Stones' previous two albums and, apart from "Moonlight Mile", is full of "forced attempts at style and control" in which the band sounds disinterested, particularly on formally correct songs such as "Brown Sugar."[26] In a positive review, Lynn Van Matre of the Chicago Tribune viewed the album as the band "at their raunchy best" and wrote that, although it is "hardly innovative," it is consistent enough to be one of the year's best albums.[27]

Sticky Fingers was voted the second best album of the year in The Village Voice's annual Pazz & Jop critics poll for 1971.[28] Lester Bangs voted it number one in the poll and said that it was his most played album of the year.[29] Robert Christgau, the poll's creator, ranked the album 17th on his own year-end list.[30] In a 1975 article for The Village Voice, Christgau suggested that the release was "triffling with decadence", but might be the Rolling Stones' best album, approached only by Exile on Main St. (1972).[31] In Christgau's Record Guide: Rock Albums of the Seventies (1981), he wrote that it reflected how unapologetic the band was after the Altamont Free Concert and that, despite the concession to sincerity with "Wild Horses", songs such as "Can't You Hear Me Knocking" and "I Got the Blues" are as "soulful" as "Good Times," and their cover of "You Gotta Move" is on-par with their previous covers of "Prodigal Son" and "Love in Vain."[17]

Re-releases

In 1994, Sticky Fingers was remastered and reissued by Virgin Records. This remaster was initially released in a Collector's Edition CD, which replicated in miniature many elements of the original vinyl album packaging, including the zipper. Sticky Fingers was remastered again in 2009 by Universal Music Enterprises and in 2011 by Universal Music Enterprises in a Japanese-only SHM-SACD version.

In June 2015, the Rolling Stones reissued Sticky Fingers (in its 2009 remastering) in a variety of formats to coincide with a new concert tour, the Zip Code Tour. The Deluxe and Super Deluxe versions of the reissue featured previously unreleased bonus material (depending on the format): alternative takes of some songs, live tracks recorded on 14 March 1971 at the Roundhouse, London, and the complete 13 March 1971 show at Leeds University. It re-entered the UK Albums chart at number 7, extending their UK Top 10 album chart span beyond 51 years and 2 months since their self-titled debuted at number 7 on 23 April 1964.[32][33][34][35] It also re-entered the US Albums chart at number 5, extending their US Top 10 album chart span beyond 50 years and 6 months since 12 x 5 on 14 December 1964.[32][33][34][35]

Legacy

Sticky Fingers was the first album released by the group in the post-Klein era[36] and is widely regarded as one of the best albums of all time and was subsequently listed among the 1994 class of Grammy Hall of Fame inductees.[37] According to Acclaimed Music, it is the 53rd most celebrated album in popular music history.[38]

In 1994, Sticky Fingers was ranked number ten in Colin Larkin's All Time Top 1000 Albums. He stated, "Dirty rock like this has still to be bettered, and there is still no rival in sight."[39] In a retrospective review, Q magazine said that the album was "the Stones at their assured, showboating peak ... A magic formula of heavy soul, junkie blues and macho rock."[21] NME wrote that it "captures the Stones bluesy swagger" in a "dark-land where few dare to tread."[19] Record Collector magazine said that it showcases Jagger and Richards as they "delve even further back to the primitive blues that first inspired them and step up their investigations into another great American form, country."[21] In his review for Goldmine magazine, Dave Thompson wrote that the album still is superior to "most of The Rolling Stones' catalog."[40]

Sticky Fingers was listed as No. 63 on Rolling Stone magazine's 2003 list of The 500 Greatest Albums of All Time,[41] No. 64 in a 2012 revised list,[42] and No. 104 in a 2020 revised list.[43] In a 2018 retrospective review, The Guardian's Alexis Petridis ranked it the best album the band had ever produced, stating "their claim to be The Greatest Rock’n’Roll Band in the World has no more compelling evidence than the flawless 46 minutes of music here."[44]

David Hepworth wrote in his 2016 book Never a Dull Moment that the contributions of guest performers like Keys, Jim Dickinson, and Preston made the album contain "more musical range than any other Rolling Stones album," such as "Dickinson's honky-tonk piano on 'Wild Horses'" and "Preston's churchy organ solo on 'I Got the Blues'."[45] Hepworth also suggested that Taylor's "Latin-flavored guitar solo" on "Can't You Hear Me Knocking" was influenced by Santana's 1970 album Abraxas.[45]

Track listing

All tracks are written by Mick Jagger and Keith Richards, except where noted.

Side one
No.TitleLength
1."Brown Sugar"3:48
2."Sway"3:50
3."Wild Horses"5:42
4."Can't You Hear Me Knocking"7:14
5."You Gotta Move" (writers: Fred McDowell, Gary Davis)2:32
Side two
No.TitleLength
1."Bitch"3:38
2."I Got the Blues"3:54
3."Sister Morphine" (writers: Jagger, Richards, Marianne Faithfull)5:31
4."Dead Flowers"4:03
5."Moonlight Mile"5:56
  • Sides one and two were combined as tracks 1–10 on CD reissues.
2015 Deluxe edition bonus disc
No.TitleLength
1."Brown Sugar" (Alternate Version with Eric Clapton)4:07
2."Wild Horses" (Acoustic version)5:47
3."Can't You Hear Me Knocking" (Alternate version)3:24
4."Bitch" (Extended version)5:53
5."Dead Flowers" (Alternate version)4:18
6."Live with Me" (Live at the Roundhouse, 1971)4:22
7."Stray Cat Blues" (Live at the Roundhouse, 1971)3:38
8."Love in Vain" (Live at the Roundhouse, 1971)6:42
9."Midnight Rambler" (Live at the Roundhouse, 1971)11:27
10."Honky Tonk Women" (Live at the Roundhouse, 1971)4:14
2015 Super Deluxe edition bonus disc (Live at University of Leeds, 1971)
No.TitleLength
1."Jumpin' Jack Flash" (Live at University of Leeds, 1971)3:59
2."Live with Me" (Live at University of Leeds, 1971)4:21
3."Dead Flowers" (Live at University of Leeds, 1971)4:02
4."Stray Cat Blues" (Live at University of Leeds, 1971)4:14
5."Love in Vain" (Live at University of Leeds, 1971)6:28
6."Midnight Rambler" (Live at University of Leeds, 1971)13:09
7."Bitch" (Live at University of Leeds, 1971)5:25
8."Honky Tonk Women" (Live at University of Leeds, 1971)3:20
9."(I Can't Get No) Satisfaction" (Live at University of Leeds, 1971)5:31
10."Little Queenie" (Live at University of Leeds, 1971)4:26
11."Brown Sugar" (Live at University of Leeds, 1971)4:44
12."Street Fighting Man" (Live at University of Leeds, 1971)4:52
13."Let It Rock" (Live at University of Leeds, 1971)3:14

Personnel
  • Track credits are noted in parenthesis and based on CD numbering.

The Rolling Stones

Additional personnel

Technical

Charts

Certifications
Region CertificationCertified units/sales
Australia (ARIA)[82] Gold 35,000^
France (SNEP)[83] Gold 109,400[84]
Norway (IFPI Norway)[85] Silver 20,000[86]
United Kingdom (BPI)[87] Platinum 300,000
United States (RIAA)[88] 3× Platinum 3,000,000^

^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.

BPI certification awarded only for sales since 1994.

See also

References
  1. Gilman, William (July 1971). "The Pick". Gramophone. London. 49: 245. The music is hard rock and a reversion to this group's earlier days prior to their "Beggars' Banquet" album, which is about the most imaginative LP they have achieved.
  2. Bridges, Rose (2017). "3". Yoko Kanno's Cowboy Bebop Soundtrack. Bloomsbury.
  3. Hamilton, Jack (10 June 2015). "After Altamont". Slate Magazine. Archived from the original on 26 February 2018. Retrieved 26 February 2018.
  4. McMillian, John (17 December 2013). "You Never Give Me Your Money: How Allen Klein Played The Beatles and The Stones". Newsweek. Retrieved 23 December 2020.
  5. Sisario, Ben (5 July 2009). "Allen Klein, 77, Dies; Managed Music Legends (Published 2009)". The New York Times. ISSN 0362-4331. Retrieved 23 December 2020.
  6. Sanchez, Tony (1996). Up and Down with the Rolling Stones, p. 195. Da Capo Press. ISBN 0-306-80711-4.
  7. Greenfield, Robert (2006). Exile on Main Street: A Season in Hell with the Rolling Stones, pp. 95–96. Da Capo Press. ISBN 0-306-81433-1.
  8. "Rolling Stones Album Guide: The Good, the Great and the 'Angie'". Rolling Stone. 17 August 2012. Retrieved 27 December 2020.
  9. "Art of The Rolling Stones: Behind that zipper and that tongue". The New York Times. Archived from the original on 10 June 2015. Retrieved 11 June 2015.
  10. "Album Cover Joe". Joedallesandro.com. Archived from the original on 13 July 2011. Retrieved 12 May 2013.
  11. Egan 2013.
  12. Goldstein, Mike. "UnCovered Interview – The Rolling Stones Lips & Tongue logo, with designs by Ernie Cefalu". RockPoP Gallery. Archived from the original on 29 November 2014. Retrieved 22 November 2014.
  13. "Rare Spanish version of Sticky Fingers to be reissued on vinyl". Rollingstones.com. Archived from the original on 26 March 2016. Retrieved 19 June 2015.
  14. "Rolling Stones – Spanish 1st Pressing "Sticky Fingers" LP With Alternate Cover". Recordmecca. Archived from the original on 24 December 2020. Retrieved 24 December 2020.
  15. "Dust & Grooves – Adventures in Record Collecting. A book about vinyl records collectors » DB Burkeman – Brooklyn, NY". Dustandgrooves.com. Archived from the original on 18 March 2014. Retrieved 10 June 2015.
  16. Stephen Thomas Erlewine (23 April 1971). "Sticky Fingers – The Rolling Stones | Songs, Reviews, Credits, Awards". AllMusic. Archived from the original on 1 July 2013. Retrieved 10 June 2015.
  17. Christgau, Robert (1981). Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. p. 329. ISBN 0899190251.
  18. "Sticky Fingers". Acclaimed Music. Archived from the original on 19 September 2017. Retrieved 10 October 2015.
  19. "Review: Sticky Fingers". NME. London: 43. 9 July 1994.
  20. "The Rolling Stones: Sticky Fingers". Pitchfork Media. 19 June 2015. Archived from the original on 2 July 2015. Retrieved 2 July 2015.
  21. "Rolling Stones – Sticky Fingers CD Album". Rakuten.com. Muze. Archived from the original on 11 July 2013. Retrieved 21 June 2013.
  22. Moon, Tom (2004). "The Rolling Stones". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide. London: Fireside. pp. 695–699. ISBN 0-7432-0169-8. Portions posted at "The Rolling Stones > Album Guide". rollingstone.com. Archived from the original on 12 April 2011. Retrieved 2 December 2011.
  23. Cavanagh, David. "Album Reviews: The Rolling Stones Reissues". Uncut. London. Archived from the original on 2 February 2014. Retrieved 11 July 2013.
  24. "The Rolling Stones". Billboard. Retrieved 23 December 2020.
  25. Hilburn, Robert (9 May 1971). "The Survival of 'Sticky Fingers'". Los Angeles Times. p. Q37. Retrieved 11 July 2013. (subscription required)
  26. Landau, Jon (23 April 1971). "Sticky Fingers". Rolling Stone. New York. Archived from the original on 24 December 2014. Retrieved 11 July 2013.
  27. Van Matre, Lynn (30 April 1971). "'Stones' at their raunchy best". Chicago Tribune. section 2, p. B12. Retrieved 11 July 2013. (subscription required)
  28. "The 1971 Pazz & Jop Critics Poll". The Village Voice. New York. 10 February 1972. Archived from the original on 9 July 2013. Retrieved 11 July 2013.
  29. Christgau, Robert (17 February 1972). "Pazz & Jop Critics Poll: What Does It All Mean?". The Village Voice. New York. Archived from the original on 14 September 2020. Retrieved 11 July 2013.
  30. Christgau, Robert (10 February 1972). "Pazz & Jop 1971: Dean's List". The Village Voice. New York. Archived from the original on 15 August 2013. Retrieved 11 July 2013.
  31. "It Isn't Only Rock and Roll". The Village Voice. New York. 30 June 1975. Archived from the original on 16 August 2013. Retrieved 11 July 2013.
  32. "The Rolling Stones' Sticky Fingers lives again!". www.rollingstones.com. 31 March 2015. Archived from the original on 10 April 2015. Retrieved 9 April 2015.
  33. "Sticky Fingers Rerelease: Out 8/9 June". www.rollingstones.com. 9 April 2015. Archived from the original on 25 July 2015. Retrieved 9 April 2015.
  34. "The Rolling Stones are rereleasing their classic 1971 album Sticky Fingers, along with previously unreleased material and alternative re-workings of beloved album tracks". www.rollingstones.com. April 2015. Archived from the original on 14 April 2015. Retrieved 9 April 2015.
  35. "The Rolling Stones – Sticky Fingers". www.rollingstones.com. April 2015. Archived from the original on 10 April 2015. Retrieved 9 April 2015.
  36. Jones, Chris (2007). "BBC - Music - Review of The Rolling Stones - Sticky Fingers". BBC. Retrieved 23 December 2020.
  37. "Grammy Hall of Fame Letter S". Grammy. Archived from the original on 7 July 2015. Retrieved 5 May 2020.
  38. "Sticky Fingers ranked 53rd greatest album". Acclaimed Music. Retrieved 30 November 2020.
  39. Larkin, Colin (1994). Guinness Book of Top 1000 Albums (1 ed.). Gullane Children's Books. p. 10. ISBN 978-0-85112-786-6.
  40. Thompson, Dave (9 May 2011). "True 5-Star Albums: Rolling Stones' 'Sticky Fingers'". Goldmine. Archived from the original on 26 April 2014. Retrieved 11 July 2013.
  41. "500 Greatest Albums of All Time". Rolling Stone. New York: 113. 11 December 2003.
  42. "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time". Rolling Stone. 2012. Archived from the original on 23 September 2019. Retrieved 23 September 2019.
  43. "Sticky Fingers ranked 104th greatest album by Rolling Stone magazine". Rolling Stone. Retrieved 27 November 2020.
  44. Petridis, Alexis (17 May 2018). "The Rolling Stones – every album ranked!". the Guardian. Retrieved 23 December 2020.
  45. Hepworth, David (2016). Never a Dull Moment: 1971 – The Year That Rock Exploded. New York: Henry Holt and Company. p. 111. ISBN 9781627793995. Archived from the original on 19 August 2020. Retrieved 8 October 2019.
  46. Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  47. "Top Albums/CDs – Volume 15, No. 17". RPM. 12 June 1971. Archived from the original on 23 September 2013. Retrieved 5 May 2013.
  48. "dutchcharts.nl The Rolling Stones – Sticky Fingers" (ASP). Hung Medien (in Dutch). MegaCharts. Archived from the original on 7 March 2013. Retrieved 1 May 2012.
  49. "InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste" (in French). infodisc.fr. Archived from the original on 26 January 2016. Retrieved 1 June 2013.Note: user must select 'The Rolling Stones' from drop-down.
  50. "Hit Parade Italia – Gli album più venduti del 1971" (in Italian). hitparadeitalia.it. Archived from the original on 17 January 2017. Retrieved 1 May 2012.
  51. Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.
  52. "norwegiancharts.com The Rolling Stones – Sticky Fingers" (ASP). Archived from the original on 23 October 2013. Retrieved 1 May 2012.
  53. Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
  54. "Swedish Charts 1969–1972 / Kvällstoppen – Listresultaten vecka för vecka > Maj 1971 > 18 Maj" (PDF). hitsallertijden.nl (in Swedish). Archived (PDF) from the original on 14 October 2012. Retrieved 13 February 2014.Note: Kvällstoppen combined sales for albums and singles in the one chart; Sticky Fingers peaked at the number-two on the list, behind "Chirpy Chirpy Cheep Cheep" by Middle of the Road.
  55. "The Rolling Stones > Artists > Official Charts". UK Albums Chart. Archived from the original on 19 April 2013. Retrieved 1 May 2013.
  56. "Allmusic: Sticky Fingers : Charts & Awards : Billboard Albums". allmusic.com. Retrieved 1 May 2013.
  57. "Album Search: The Rolling Stones – Sticky Fingers" (ASP) (in German). Media Control. Archived from the original on 14 September 2020. Retrieved 1 May 2013.
  58. "The Rolling Stones – Sticky Fingers". Argentine Albums. CAPIF. On Fecha, select {{{date}}} to see the correspondent chart. Retrieved 12 June 2015.
  59. "Australiancharts.com – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 12 June 2015.
  60. "Austriancharts.at – The Rolling Stones – Sticky Fingers" (in German). Hung Medien. Retrieved 17 June 2015.
  61. "Ultratop.be – The Rolling Stones – Sticky Fingers" (in Dutch). Hung Medien. Retrieved 17 June 2015.
  62. "Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select {{{date}}} on the field besides the word "Zobrazit", and then click over the word to retrieve the correct chart data. Retrieved 12 June 2015.
  63. "InfoDisc : Classement officiel des ventes d'albums en France" (in French). chartsinfrance.net. Archived from the original on 19 June 2015. Retrieved 15 June 2015.
  64. "Longplay-Chartverfolgung at Musicline" (in German). Musicline.de. Phononet GmbH. Retrieved 12 June 2015.
  65. "Greekcharts.com – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 12 June 2015.
  66. "GFK Chart-Track Albums: Week {{{week}}}, {{{year}}}". Chart-Track. IRMA. Retrieved 12 June 2015.
  67. "Italiancharts.com – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 18 June 2015.
  68. "Dutchcharts.nl – The Rolling Stones – Sticky Fingers" (in Dutch). Hung Medien. Retrieved 12 June 2015.
  69. "Charts.nz – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 12 June 2015.
  70. "Norwegiancharts.com – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 12 June 2015.
  71. "Oricon Top 50 Albums: {{{date}}}" (in Japanese). Oricon. Retrieved 12 June 2015.
  72. "Portuguesecharts.com – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 12 June 2015.
  73. "South Korea Gaon Album Chart". On the page, select "{{{date}}}" to obtain the corresponding chart. Gaon Chart Retrieved 12 June 2015.
  74. "Spanishcharts.com – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 12 June 2015.
  75. "Swedishcharts.com – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 12 June 2015.
  76. "Swisscharts.com – The Rolling Stones – Sticky Fingers". Hung Medien. Retrieved 17 June 2015.
  77. "The Rolling Stones | Artist | Official Charts". UK Albums Chart. Retrieved 12 June 2015.
  78. "Dutch charts jaaroverzichten 1971" (ASP) (in Dutch). Archived from the original on 12 May 2014. Retrieved 2 April 2014.
  79. "Les Albums (CD) de 1971 par InfoDisc" (in French). infodisc.fr. Archived from the original (PHP) on 2 January 2016. Retrieved 1 February 2014.
  80. "The Official UK Charts Company : ALBUM CHART HISTORY". Archived from the original on 17 December 2007. Retrieved 17 December 2007.
  81. 1971 Year-end Albums – The Billboard Pop Albums. 25 December 1971. Archived from the original on 18 March 2017. Retrieved 3 October 2011.
  82. "ARIA Charts – Accreditations – 2015 Albums". Australian Recording Industry Association. Archived from the original on 10 August 2020. Retrieved 17 June 2016.
  83. "French album certifications – The Rolling Stones – Sticky Fingers" (in French). InfoDisc. Retrieved 1 June 2012. Select THE ROLLING STONES and click OK. 
  84. "Les Albums Or". infodisc.fr. SNEP. Archived from the original on 4 March 2014. Retrieved 3 July 2011.
  85. "WEA's International's…" (PDF). Cash Box. 16 September 1972. p. 42.
  86. "Gold/Silver Record Chart". Billboard. 26 December 1974. Archived from the original on 14 September 2020. Retrieved 12 November 2019.
  87. "British album certifications – The Rolling Stones – Sticky Fingers". British Phonographic Industry. Retrieved 19 June 2019. Select albums in the Format field. Select Platinum in the Certification field. Type Sticky Fingers in the "Search BPI Awards" field and then press Enter.
  88. "American album certifications – The Rolling Stones – Sticky Fingers". Recording Industry Association of America. Retrieved 1 May 2012. If necessary, click Advanced, then click Format, then select Album, then click SEARCH. 

Further reading
  • Warwick, Neil; Jon Kutner; Tony Brown (2004). The Complete Book of the British Charts: Singles and Albums. Omnibus Press. ISBN 1-84449-058-0.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.