Exile on Main St.

Exile on Main St. is a studio album by English rock band the Rolling Stones. It was first released as a double album on 12 May 1972 by Rolling Stones Records and was the band's tenth studio album released in the United Kingdom. Recording for the album began in 1969 in England during sessions for Sticky Fingers[1] and continued in the summer of 1971 at a rented villa in the South of France named Nellcôte while the band lived abroad as tax exiles. A collage of various images, the album's artwork, according to frontman Mick Jagger, reflects the Rolling Stones as "runaway outlaws using the blues as its weapon against the world", showcasing "feeling of joyful isolation, grinning in the face of a scary and unknown future".

For the Supernatural episode, see Exile on Main St. (Supernatural). For the Pussy Galore album, see Exile on Main St. (Pussy Galore album).

Exile on Main St.
Studio album by
The Rolling Stones
Released12 May 1972
Recorded
  • October 1970
  • 10 July 1971 – March 1972
Studio
Genre
Length67:07
LabelRolling Stones
ProducerJimmy Miller
The Rolling Stones chronology
Sticky Fingers
(1971)		 Exile on Main St.
(1972)		 Goats Head Soup
(1973)
Singles from Exile on Main St.
  1. "Tumbling Dice" / "Sweet Black Angel"
    Released: 14 April 1972
  2. "Happy" / "All Down the Line"
    Released: 15 July 1972

Working with a mobile recording studio, the loose and unorganised Nellcôte sessions went on for hours into the night, with personnel varying greatly from day to day. The recording was completed with overdub sessions at Los Angeles's Sunset Sound and included additional musicians such as pianist Nicky Hopkins, saxophonist Bobby Keys, drummer Jimmy Miller and horn player Jim Price. The resulting music was rooted in blues, rock and roll, swing, country and gospel, while the lyrics explored themes related to hedonism, sex and time. These newly recorded tracks were combined with some tracks recorded at earlier sessions from 1969-1971, resulting in the Stones' first double album.

Exile on Main St. contains frequently performed concert staples and was a number one charting album in six countries, including the UK, US, and Canada. It spawned the hit songs "Happy", a rare song that featured Keith Richards on lead vocals, country music ballad "Sweet Virginia", and world-wide top-ten hit "Tumbling Dice". A remastered and expanded version of the album was released in Europe on 17 May 2010 and in the United States the next day, featuring a bonus disc with 10 new tracks.[2] Unusual for a re-release, it also charted highly at the time of its release, reaching number one in the UK and number two in the US on the album charts.

The album was originally met with mixed reviews before a positive critical reassessment during the 1970s. It has since been viewed by many critics as the Rolling Stones' best work and a culmination of a string of the band's highly critically successful albums, following the releases of Beggars Banquet (1968), Let It Bleed (1969) and Sticky Fingers (1971).[3] In 2003, Exile on Main St. was ranked 7th on Rolling Stone magazine's list of the 500 Greatest Albums of All Time, maintaining the rating in a 2012 revised list, but dropping to the 14th place in the 2020 edition of the list,[4] the highest Rolling Stones album ranked on the list. In 2012, the album was inducted into the Grammy Hall of Fame, the band's fourth album to be inducted.

Recording

Exile on Main St. was written and recorded between 1969 and 1972. Mick Jagger said "After we got out of our contract with Allen Klein, we didn't want to give him [those earlier tracks]," as they were forced to do with "Brown Sugar" and "Wild Horses" from Sticky Fingers (1971). Many tracks were recorded between 1969 and 1971 at Olympic Studios and Jagger's Stargroves country house in England during sessions for Sticky Fingers.[1]

By the spring of 1971 the Rolling Stones had spent the money they owed in taxes and left Britain before the government could seize their assets. Jagger settled in Paris with his new bride Bianca, and guitarist Keith Richards rented a villa, Nellcôte, in Villefranche-sur-Mer, near Nice. The other members settled in the south of France. As a suitable recording studio could not be found where they could continue work on the album, Richards' basement at Nellcôte became a makeshift studio using the band's mobile recording truck.

Nellcôte

Recording began in earnest sometime near the middle of June. Bassist Bill Wyman recalls the band working all night, every night, from eight in the evening until three the following morning for the rest of the month. Wyman said of that period, "Not everyone turned up every night. This was, for me, one of the major frustrations of this whole period. For our previous two albums we had worked well and listened to producer Jimmy Miller. At Nellcôte things were very different and it took me a while to understand why." By this time Richards had begun a daily habit of using heroin. Thousands of pounds' worth of heroin flowed through the mansion each week, along with visitors such as William S. Burroughs, Terry Southern, Gram Parsons, John Lennon, and Marshall Chess, the son of famous blues impresario Leonard Chess, who had been recently recruited to serve as president of the Rolling Stones' new eponymous record label.[5] Parsons was asked to leave Nellcôte in early July 1971, the result of his obnoxious behavior and an attempt by Richards to clean the house of drug users as the result of pressure from the French police.[6]

Richards' substance abuse frequently prevented him from attending the sessions that continued in his basement, while Jagger and Wyman were often unable to attend sessions for other reasons. This often left the band in the position of having to record in altered forms. A notable instance was the recording of one of Richards' most famous songs, "Happy". Recorded in the basement, Richards said in 1982, "'Happy' was something I did because I was for one time early for a session. There was Bobby Keys and Jimmy Miller. We had nothing to do and had suddenly picked up the guitar and played this riff. So we cut it and it's the record, it's the same. We cut the original track with a baritone sax, a guitar and Jimmy Miller on drums. And the rest of it is built up over that track. It was just an afternoon jam that everybody said, 'Wow, yeah, work on it'".

The basic band for the Nellcôte sessions consisted of Richards, Keys, Mick Taylor, Charlie Watts, Nicky Hopkins, Miller (a skilled drummer in his own right who covered for the absent Watts on the aforementioned "Happy" and "Shine a Light"),[1] and Jagger when he was available. Wyman did not like the ambiance of Richards' villa and sat out many of the French sessions. Although Wyman is credited on only eight songs of the released album, he told Bass Player magazine that the credits are incorrect and that he actually played on more tracks than that. The other bass parts were credited to Taylor, Richards and session bassist Bill Plummer. Wyman noted in his memoir Stone Alone that there was a division between the band members and associates who freely indulged in drugs (Richards, Miller, Keys, Taylor and engineer Andy Johns) and those who abstained to varying degrees (Wyman, Watts and Jagger).[5]

Los Angeles

Work on basic tracks (probably only "Rocks Off", "Rip This Joint", "Casino Boogie", "Tumbling Dice", "Happy", "Turd on the Run", "Ventilator Blues" and "Soul Survivor") began in the basement of Nellcôte and was taken to Sunset Sound Recorders in Los Angeles, where overdubs (all lead and backing vocals, all guitar and bass overdubs) were added during sessions that meandered from December 1971 until March 1972. Although Jagger was frequently missing from Nellcôte,[5] he took charge during the second stage of recording in Los Angeles, arranging for the keyboardists Billy Preston and Dr. John and the cream of the city's session backup vocalists to record layers of overdubs. The final gospel-inflected arrangements of "Tumbling Dice", "Loving Cup", "Let It Loose" and "Shine a Light" were inspired by Jagger, Preston, and Watts' visit to a local evangelical church[1] where Aretha Franklin was recording what would become the live album/movie Amazing Grace.

The extended recording sessions and differing methods on the part of Jagger and Richards reflected the growing disparity in their personal lives.[5] During the making of the album, Jagger had married Bianca, followed closely by the birth of their only child, Jade, in October 1971. Richards was firmly attached to his girlfriend Anita Pallenberg, yet both were in the throes of heroin addiction,[5] which Richards would not overcome until the turn of the decade.

Music and lyrics

According to Bill Janovitz, in his account of the album for the 33⅓ book series, Exile on Main St. features "a seemingly infinite amount of subtle (and not so subtle) variations on rock & roll – a form that had seemed to be severely limited to basic, guitar-driven music."[7] Music biographer John Perry writes that the Rolling Stones had developed a style of hard rock for the album that is "entirely modern yet rooted in 1950s rock & roll and 1930s–1940s swing".[8] Stephen Thomas Erlewine, writing for AllMusic, described Exile on Main St. as "a sprawling, weary double album" featuring "a series of dark, dense jams" that encompass rock and roll, blues, country, and gospel styles.[9] Rolling Stone writer Richard Gehr compares the album to outlaw music and observes a strong influence of music from the American South in its "loose-limbed" explorations of 1950s rock, African-American soul, and gospel country.[10]

Although Exile is often thought to reflect Richards' vision for a raw, rootsy rock sound, Jagger was already expressing his boredom with rock and roll in several interviews at the time of the album's release.[5] Jagger's stance on Exile's rock and roll sound at the time is interpreted by the music academic Barry J. Faulk to seemingly "signal the end of the Stones' conscious attempt to revive American-style roots rock".[11] With Richards' effectiveness seriously undermined by his dependence on heroin, the group's subsequent 1970s releases – directed largely by Jagger – would experiment to varying degrees with other musical genres, moving away from the rootsy influences of Exile on Main St.[5]

According to Robert Christgau, Exile on Main St. expands on the hedonistic themes the band had explored on previous albums such as Sticky Fingers. As he writes, "It pile[s] all the old themes – sex as power, sex as love, sex as pleasure, distance, craziness, release – on top of an obsession with time that was more than appropriate in men pushing 30 who were still committed to what was once considered youth music."[12]

Packaging

For Exile on Main St., Mick Jagger wanted an album cover that reflected the band as "runaway outlaws using the blues as its weapon against the world", showcasing "feeling of joyful isolation, grinning in the face of a scary and unknown future".[13] As the band finished the album in Los Angeles, they approached designer John Van Hamersveld and his photographer partner Norman Seeff, and also invited documentary photographer Robert Frank. The same day Seeff photographed the Stones at their Bel Air mansion, Frank took Jagger for photographs at Los Angeles' Main Street. The location was the 500 block near the Leonide Hotel. At the time there was a pawnshop, a shoeshine business and a pornographic theatre (The Galway Theatre) at the location. Still, Van Hamersveld and Jagger chose the cover image from an already existing Frank photograph, an outtake from his seminal 1958 book The Americans.[13][14] Named "Tattoo Parlor" but possibly taken from Hubert's Dime museum in New York City, the image is a collage of circus performers and freaks,[15] such as "Three Ball Charlie", a 1930s sideshow performer from Humboldt, Nebraska who holds three balls (a tennis ball, a golf ball, and a "5" billiard ball) in his mouth;[16] Joe "The Human Corkscrew" Allen, pictured in a postcard-style advertisement, a contortionist with the ability to wiggle and twist through a 13.5-inch (34 cm) hoop;[17] and Hezekiah Trambles, "The Congo Jungle Freak", a man who dressed as an African savage, in a picture taken by the then recently deceased Diane Arbus.[18] The Seeff pictures were repurposed as 12 perforated postcards inside the sleeve, while Frank's Main Street photographs were used in the gatefold and back cover collage made by Van Hamersveld, which features other pictures Frank took of the band and their crew—including their assistant Chris O'Dell, a former acquaintance of Van Hamersveld who brought him to the Stones—and other The Americans outtakes.[14]

Release and reception

Exile on Main St. was first released on 12 May 1972 as a double album by Rolling Stones Records. It was the band's tenth studio album released in the United Kingdom.[19] Preceded by the UK (No. 5) and US (No. 7) Top 10 hit "Tumbling Dice", Exile on Main St was an immediate commercial success, reaching No. 1 worldwide just as the band embarked on their celebrated 1972 American Tour. Their first American tour in three years, it featured many songs from the new album. The Richards-sung "Happy" was released as a second single to capitalize on the tour; it would peak at No. 22 in the United States in August.[20]

Exile on Main St was not well received by most contemporary critics, who found the quality of the songs inconsistent.[21] Reviewing in July 1972 for Rolling Stone, Lenny Kaye said the record has "a tight focus on basic components of the Stones' sound as we've always known it," including blues-based rock music with a "pervading feeling of blackness". However, he added that the uneven quality of songs means "the great Stones album of their mature period is yet to come".[22] Richard Williams from Melody Maker was more enthusiastic and deemed it the band's best album, writing that it will "take its place in history" as the music "utterly repulses the sneers and arrows of outraged put down artists. Once and for all, it answers any questions about their ability as rock 'n' rollers."[23] In a year-end list for Newsday, Christgau named it the best album of 1972 and said, "this fagged-out masterpiece" marks the peak of rock music for the year as it "explored new depths of record-studio murk, burying Mick's voice under layers of cynicism, angst and ennui".[24]

At the time of Exile's release, Jagger said, "This new album is fucking mad. There's so many different tracks. It's very rock & roll, you know. I didn't want it to be like that. I'm the more experimental person in the group, you see I like to experiment. Not go over the same thing over and over. Since I've left England, I've had this thing I've wanted to do. I'm not against rock & roll, but I really want to experiment. The new album's very rock & roll and it's good. I mean, I'm very bored with rock & roll. The revival. Everyone knows what their roots are, but you've got to explore everywhere. You've got to explore the sky too."[1]

After the release of Exile on Main St, Allen Klein sued the Rolling Stones for breach of settlement because five songs on the album were composed while Jagger and Richards were under contract with his company, ABKCO: "Sweet Virginia", "Loving Cup", "All Down the Line", "Shine a Light" and "Stop Breaking Down" (written by Robert Johnson but re-interpreted by Jagger and Richards). ABKCO acquired publishing rights to the songs, giving it a share of the royalties from Exile on Main St, and was able to release another album of Rolling Stones songs, More Hot Rocks (Big Hits & Fazed Cookies).[25]

Legacy and reappraisal
Retrospective professional reviews
Review scores
SourceRating
AllMusic[9]
The A.V. ClubA[26]
Christgau's Record GuideA+[27]
Encyclopedia of Popular Music[21]
Entertainment WeeklyA+[28]
MusicHound Rock5/5[29]
NME10/10[30]
Q[31]
The Rolling Stone Album Guide[32]
Uncut[33]

Critics later reassessed Exile on Main St favourably,[21] and by the late 1970s it had become viewed as the Rolling Stones' greatest album.[34] In retrospect, Janovitz called it "the greatest, most soulful, rock & roll record ever made" because it seamlessly distills "perhaps all the essential elements of rock & roll up to 1971, if not beyond". He added that it is "the single greatest rock & roll record of all time", distinguished from other contending albums by the Beatles or Pet Sounds, which are more so "brilliant pop records".[35] On the response to the album, Richards said, "When [Exile] came out it didn't sell particularly well at the beginning, and it was also pretty much universally panned. But within a few years the people who had written the reviews saying it was a piece of crap were extolling it as the best frigging album in the world."[36]

In 2003, Jagger said, "Exile is not one of my favourite albums, although I think the record does have a particular feeling. I'm not too sure how great the songs are, but put together it's a nice piece. However, when I listen to Exile it has some of the worst mixes I've ever heard. I'd love to remix the record, not just because of the vocals, but because generally I think it sounds lousy. At the time Jimmy Miller was not functioning properly. I had to finish the whole record myself, because otherwise there were just these drunks and junkies. Of course I'm ultimately responsible for it, but it's really not good and there's no concerted effort or intention." Jagger also stated he did not understand the praise among Rolling Stones fans because the album did not yield many hits.[37] Of the 18 tracks on the album, only "Tumbling Dice", "Happy" and "All Down the Line" got heavy rotation at concerts. "Sweet Black Angel", "Ventilator Blues" and "Stop Breaking Down" were each performed live only once, while "Shake Your Hips", "Casino Boogie", "Turd on the Run", "I Just Wanna See His Face", "Let It Loose" and "Soul Survivor" have never been played live.[38]

Richards also said, "Exile was a double album. And because it's a double album you're going to be hitting different areas, including 'D for Down', and the Stones really felt like exiles. We didn't start off intending to make a double album; we just went down to the south of France to make an album and by the time we'd finished we said, 'We want to put it all out.' The point is that the Stones had reached a point where we no longer had to do what we were told to do. Around the time Andrew Oldham left us, we'd done our time, things were changing and I was no longer interested in hitting Number One in the charts every time. What I want to do is good shit—if it's good they'll get it some time down the road."[36]

Accolades

Exile on Main St has been ranked on various lists as one of the greatest albums of all time.[39] According to Acclaimed Music, it is the tenth-best-ranked record on critics' all-time lists.[40] In 1998, Q magazine readers voted Exile on Main St the 42nd-greatest album of all time,[41] while in 2000 the same magazine placed it at number 3 in its list of the 100 Greatest British Albums Ever.[42] In 1987 it was ranked third on Rolling Stone magazine's list of the best 100 albums of the period 1967–1987.[43] In 1993, Entertainment Weekly named it No. 1 on their list of "100 Greatest CDs".[44] In 2003, Pitchfork Media ranked it number 11 on their Top 100 Albums of the 1970s.[45] In 2001, the TV network VH1 placed it at number 22 on their best albums survey.[46]

In 2003, the album was ranked 7th on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list,[47] the highest Rolling Stones album ranked on the list.[48] In 2005, Exile on Main St was ranked number 286 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.[49] The album was ranked number 19 on the October 2006 issue of Guitar World magazine's list of the greatest 100 guitar albums of all time. In 2007, the National Association of Recording Merchandisers (NARM) and the Rock and Roll Hall of Fame placed the album No. 6 on the "Definitive 200" list of albums that "every music lover should own."[50] Its re-release has a highest normalised rating of 100 on Metacritic based on seven professional reviews, a distinction it shares with other re-releases such as London Calling by The Clash.[51] The album was also included in the book 1001 Albums You Must Hear Before You Die.[52] In 2012, the album was inducted into the Grammy Hall of Fame.[53] It was voted number 35 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).[54]

The singer Bilal names it among his 25 favorite albums, citing the Stones' "very loose and open" approach to recording the songs.[55]

The album and its title have been referenced several times in popular culture. The garage-trash noise-rock band Pussy Galore released a complete cover of the album, titled Exile on Main St., that reflected their own personal and musical interpretations of the songs, as opposed to paying tribute to the original sound. John Duffy of Allmusic rated the album three and a half out of five stars,[56] and NME ranked it number 253 in "The 500 Greatest Albums of All Time".[57]

The British acid house group Alabama 3 titled its debut album Exile on Coldharbour Lane. Perhaps the most notable reference comes from indie singer/songwriter Liz Phair's debut album Exile in Guyville. Phair herself claimed the album to be a direct song-by-song "response" of sorts to Exile on Main St.[58][59] Post-grunge band Matchbox Twenty paid homage to this album by titling their 2007 retrospective Exile on Mainstream. Industrial rock band Chemlab named the leading track from their album East Side Militia, "Exile on Mainline", in reference to the Rolling Stones album.

The Departed, a 2006 film by Martin Scorsese, features a scene in which Bill Costigan mails Madolyn Madden an Exile on Main St jewel case containing an incriminating recording of Colin Sullivan conspiring with crime boss Frank Costello. The same film also uses the song "Let It Loose" from the album. On 31 October 2009, American rock band Phish covered Exile on Main St in its entirety as the "musical costume" for their Halloween show in Indio, California. The first episode of the fourth season of the Showtime program Californication is called "Exile on Main St". A later episode in the sixth season featured a guest character waking up next to her musician boyfriend who had died from an overdose in the night in room "1009," a reference to the lyrics of "Shine a Light". The same song was also played by Tim Minchin's character in the following episode. The first episode of the sixth season of the hit CW show Supernatural is titled "Exile on Main Street".

Knives Out, a 2019 feature film by Rian Johnson, plays the song "Sweet Virginia" at the conclusion of the film and during the running of the end credits.

Reissues

In 1994, Exile on Main St was remastered and reissued by Virgin Records, along with the rest of the post-Get Yer Ya-Ya's Out catalogue, after the company acquired the masters to the band's output on its own label. This remaster was initially released in a Collector's Edition CD, which replicated in miniature many elements of the original vinyl album packaging, including the postcards insert.

Universal Music, which remastered and re-released the rest of the post-1970 Rolling Stones catalogue in 2009,[60] issued a new remastering of Exile on Main St in a deluxe package in May 2010.[61] Of the ten bonus tracks, only two are undoctored outtakes from the original sessions: an early version of "Tumbling Dice" entitled "Good Time Women", and "Soul Survivor", the latter featuring a Richards lead vocal (with dummy/placeholder lyrics).[62] The other tracks received overdubs just prior to release on this package, with new lead vocals by Jagger on all except "I'm Not Signifying", backing vocals in places by past and current Stones tour singers Cindy Mizelle and Lisa Fischer, and several new guitar parts by Keith Richards, and Mick Taylor on "Plundered My Soul."[62] On the selection of tracks, Richards said, "Well, basically it's the record and a few tracks we found when we were plundering the vaults. Listening back to everything we said, 'Well, this would be an interesting addition.'".[63] All harmonica heard was added during 2010 sessions by Jagger, and Richards added a new guitar lead on 'So Divine'. "Title 5" is not an actual outtake from the sessions for Exile, it is an outtake from early 1967 sessions. It features the MRB effect (mid-range boost) from a Vox Conqueror or Supreme amp, as used by Richards in 1967 and 1968. "Loving Cup" is an outtake from early June 1969, but is actually an edit from two outtakes. The first 2 minutes and 12 seconds is the well-known 'drunk' version, as has been available on bootlegs since the early 1990s, but the second part is spliced from a second, previously unknown take. "Following the River" features Jagger overdubs on a previously uncirculated track featuring Nicky Hopkins on piano.

Jimmy Fallon announced on his show, Late Night with Jimmy Fallon, that he would mark the re-release of the album with a week's worth of musicians performing songs from the album.[64] Phish, who had played the album in its entirety live in concert before, were the first confirmed act to join the salute.

The re-released album entered at number one in the UK charts, almost 38 years to the week after it first occupied that position.[65] The album also re-entered at number two in the US charts selling 76,000 during the first week.[66] The bonus disc, available separately as Exile on Main St Rarities Edition exclusively in the US at Target also charted, debuting at number 27 with 15,000 copies sold.

It was released once again in 2011 by Universal Music Enterprises in a Japanese-only SHM-SACD version.

Track listing

All tracks are written by Mick Jagger and Keith Richards, except where noted.

Side one
No.TitleWriter(s)Length
1."Rocks Off" 4:31
2."Rip This Joint" 2:22
3."Shake Your Hips"Slim Harpo2:59
4."Casino Boogie" 3:33
5."Tumbling Dice" 3:45
Side two
No.TitleLength
1."Sweet Virginia"4:27
2."Torn and Frayed"4:17
3."Sweet Black Angel"2:54
4."Loving Cup"4:25
Side three
No.TitleWriter(s)Length
1."Happy" 3:04
2."Turd on the Run" 2:36
3."Ventilator Blues"Jagger, Richards, Mick Taylor3:24
4."I Just Want to See His Face" 2:52
5."Let It Loose" 5:16
Side four
No.TitleWriter(s)Length
1."All Down the Line" 3:49
2."Stop Breaking Down"Robert Johnson4:34
3."Shine a Light" 4:14
4."Soul Survivor" 3:49
2010 reissue bonus disc
No.TitleLength
1."Pass the Wine (Sophia Loren)"4:54
2."Plundered My Soul"3:59
3."I'm Not Signifying"3:55
4."Following the River"4:52
5."Dancing in the Light"4:21
6."So Divine (Aladdin Story)"4:32
7."Loving Cup" (alternate take)5:26
8."Soul Survivor" (alternate take)3:59
9."Good Time Women"3:21
10."Title 5"1:47
11."All Down the Line" (alternate take; Japanese bonus track)4:09

Personnel
The Rolling Stones
  • Mick Jagger – lead vocals, backing vocals; harmonica (on "Shake Your Hips", "Sweet Virginia," "Sweet Black Angel," "Turd on the Run" and "Stop Breaking Down"); electric guitar (on "Tumbling Dice" and "Stop Breaking Down")
  • Keith Richards – guitars, backing vocals; bass guitar (on "Casino Boogie," "Happy" and "Soul Survivor"); electric piano (on "I Just Want to See His Face"); lead vocals (on "Happy")
  • Mick Taylor – guitars (on all but “Tumbling Dice”, “Torn and Frayed” and “Happy”); bass guitar (on "Tumbling Dice," "Torn and Frayed," "I Just Want to See His Face" and "Shine A Light")
  • Bill Wyman – bass guitar (on "Rocks Off," "Shake Your Hips," "Sweet Virginia," "Sweet Black Angel," "Loving Cup," "Ventilator Blues," "Let It Loose" and "Stop Breaking Down")
  • Charlie Watts – drums (on all tracks except "Happy" and "Shine a Light")
Additional personnel
Technical

2010 bonus disc

Charts

Weekly charts

Year-end charts
Chart (1972) Position
Australian Albums Chart[67] 19
Dutch Albums Chart[92] 11
Italian Albums Chart[70] 36
U.S. Billboard Top Pop Albums 31
Chart (2010) Position
Dutch Albums Chart[93] 66
German Albums Chart[94] 84
Swedish Albums Chart[95] 72
US Billboard 200[96] 176

Certifications
Region CertificationCertified units/sales
Australia (ARIA)[97]
2010 release 		Platinum 70,000^
Italy (FIMI)[98] Gold 25,000*
New Zealand (RMNZ)[99]
2010 release 		Gold 7,500^
United Kingdom (BPI)[100]
2010 release 		Platinum 300,000^
United States (RIAA)[101] Platinum 1,000,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

References
  1. "Exile on Main St". timeisonourside.com. Archived from the original on 29 August 2007. Retrieved 6 July 2006.
  2. Itzkoff, Dave (26 February 2010). "Seen Much Better Days: Rolling Stones Return to 'Main Street'". The New York Times. New York City: New York Times Media. Archived from the original on 3 May 2010. Retrieved 2 May 2010.
  3. Behr, Adam. "Street fighting sound: The album that got the stones rolling and rocking again". The New European. Archived from the original on 4 January 2021. Retrieved 29 August 2020.
  4. "Rolling Stone's 500 Greatest Albums of All Time (2020 Edition) - The Rolling Stones's 'Exile on Main St.'". Archived from the original on 4 January 2021. Retrieved 1 October 2020.
  5. Greenfield, Robert (21 September 2006). "Making Exile on Main St". Rolling Stone (1009). New York City: Wenner Media LLC. p. 72. Archived from the original on 1 October 2007. Retrieved 8 September 2006.
  6. Richards, Keith; Fox, James (2010). Life. London: Weidenfeld & Nicolson. ISBN 978-0-297-85439-5.
  7. Janovitz 2005, p. 163.
  8. Perry, John (2000). Exile on Main Street: The Rolling Stones. Schirmer Books. p. 27. ISBN 0825671809.
  9. Erlewine, Stephen Thomas. Exile on Main St. at AllMusic. Retrieved 27 June 2004.
  10. Gehr, Richard (12 November 2014). "50 Rock Albums Every Country Fan Should Own – The Rolling Stones, 'Exile on Main St.' (1972)". Rolling Stone. Archived from the original on 4 January 2021. Retrieved 26 May 2020.
  11. Faulk, Barry J. (2016). British Rock Modernism, 1967–1977. Taylor & Francis. p. 161. ISBN 9781317171522.
  12. Christgau, Robert (1998). Grown Up All Wrong: 75 Great Rock and Pop Artists from Vaudeville to Techno. Harvard University Press. p. 81. ISBN 0674443187. Archived from the original on 7 April 2017. Retrieved 5 October 2014.
  13. "Robert Frank: The Photographer Behind 'Exile On Main St.'". Archived from the original on 2 February 2016. Retrieved 10 October 2016.
  14. "Cover Story – The Rolling Stones' "Exile on Main Street", with artwork by John Van Hamersveld". Archived from the original on 22 May 2008. Retrieved 10 October 2016.
  15. "Tattoo Parlor". Archived from the original on 4 January 2021. Retrieved 10 October 2016.
  16. "Sideshow World, Sideshow Performers from around the world". Archived from the original on 3 December 2013. Retrieved 28 November 2013.
  17. "Pittsburgh Post-Gazette – Google News Archive Search". Archived from the original on 4 January 2021. Retrieved 7 October 2016.
  18. I Put a Spell on You
  19. "Rolling Stones: defining moments". The Daily Telegraph. Archived from the original on 4 January 2021. Retrieved 18 June 2015.
  20. "Archived copy". Archived from the original on 4 February 2017. Retrieved 16 April 2017.CS1 maint: archived copy as title (link)
  21. Larkin, Colin (2011). "Rolling Stones". The Encyclopedia of Popular Music (5th ed.). Omnibus Press. pp. 2515, 2525. ISBN 978-0857125958.
  22. Kaye, Lenny (6 July 1972). "The Rolling Stones Exile on Main St > Album Review". Rolling Stone (112). Archived from the original on 21 October 2006. Retrieved 15 June 2006. Posted on 21 January 1997.
  23. The Rolling Stones – Off The Record by Mark Paytress, Omnibus Press, 2005, page 211. ISBN 1-84449-641-4
  24. Christgau, Robert (31 December 1972). "Choice Bits From a "Sorry" Year". Newsday. Archived from the original on 4 January 2021. Retrieved 9 July 2013.
  25. Goodman, Fred (2015). Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll. Boston, New York: Houghton Mifflin Harcourt. pp. 235–236. ISBN 978-0-547-89686-1.
  26. Hyden, Steven (25 May 2010). "The Rolling Stones: Exile On Main Street". The A.V. Club. Chicago. Archived from the original on 4 January 2021. Retrieved 9 July 2013.
  27. Christgau, Robert (1981). "The Rolling Stones: Exile on Main St.". Christgau's Record Guide: Rock Albums of the '70s. Da Capo Press. p. 327. ISBN 0-306-80409-3. Archived from the original on 4 January 2021. Retrieved 1 December 2018.
  28. Collis, Clark (21 May 2010). "Exile on Main Street Review". Entertainment Weekly (1103). Archived from the original on 4 January 2021. Retrieved 9 July 2013.
  29. Rucker, Leland (1996). "The Rolling Stones". In Graff, Gary (ed.). MusicHound Rock: The Essential Album Guide. Detroit: Visible Ink Press. ISBN 0787610372.
  30. NME. London: 43. 9 July 1994.CS1 maint: untitled periodical (link)
  31. Q. London: 137. June 2010.CS1 maint: untitled periodical (link)
  32. "The Rolling Stones > Album Guide". rollingstone.com. Archived from the original on 12 April 2011. Retrieved 2 December 2011.
  33. Uncut. London: 104. June 2010.CS1 maint: untitled periodical (link)
  34. Christgau, Robert (25 April 1977). "Too Strait Are the Gates of Eden: Morris Dickstein's 'Gates of Eden'". The Village Voice. New York. Archived from the original on 4 January 2021. Retrieved 21 June 2013.
  35. Janovitz 2005, p. 1.
  36. Loewenstein, Dora; Philip Dodd (2003). According to the Rolling Stones. San Francisco: Chronicle Books. p. 159. ISBN 0-8118-4060-3.
  37. Lowenstein & Dodd 2003, p. 157.
  38. "Live debuts of each Rolling Stones song". Archived from the original on 25 October 2015. Retrieved 1 October 2015.
  39. "'Exile On Main St' Concert Information". CBS Pittsburgh. 20 April 2012. Archived from the original on 13 January 2014. Retrieved 12 January 2014.
  40. "Archived copy". Archived from the original on 4 January 2021. Retrieved 30 November 2020.CS1 maint: archived copy as title (link)
  41. ‘Q Readers All Time Top 100 Albums’ Archived 25 February 2012 at WebCite. Q. February 1998. Retrieved 8 July 2007.
  42. Greatest British Albums "100 Greatest British Albums" Archived 31 December 2014 at the Wayback Machine. Q. June 2000. Retrieved 8 July 2007.
  43. DeCurtis, Anthony; M. Coleman (27 August 1987). "The Best 100 Albums of the Last Twenty Years". Rolling Stone (507). p. 45. List posted at "Rolling Stone Top 100 Albums of the Last 20 Years". rocklistmusic.co.uk. Archived from the original on 18 July 2011. Retrieved 8 July 2007.
  44. "ENTERTAINMENT WEEKLY'S 100 Greatest CDs" Archived 26 May 2010 at the Wayback Machine. Entertainment Weekly. 1993 (Retrieved 16 May 2010).
  45. "Top 100 Albums of the 1970s" Archived 5 May 2007 at the Wayback Machine. Pitchfork. 23 June 2004. Retrieved 8 July 2007.
  46. "Greatest Albums of Rock and Roll" Archived 1 October 2007 at the Wayback Machine. VH1. 23 June 2001. Retrieved 8 July 2007.
  47. "500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time". Rolling Stone. 2012. Archived from the original on 4 January 2021. Retrieved 23 September 2019.
  48. Rolling Stone's 500 Greatest Albums of All Time Archived 4 January 2021 at the Wayback Machine. Rolling Stone. Retrieved on 4 September 2012.
  49. [...], Rock Hard (Hrsg.). [Red.: Michael Rensen. Mitarb.: Götz Kühnemund] (2005). Best of Rock & Metal die 500 stärksten Scheiben aller Zeiten. Königswinter: Heel. p. 98. ISBN 3-89880-517-4.CS1 maint: numeric names: authors list (link)
  50. "The 'Definitive 200'" Archived 16 June 2010 at the Wayback Machine. MacVolPlace. March 2007. Retrieved 25 November 2010.
  51. "Exile on Main St [Reissue] – The Rolling Stones". metacritic. Archived from the original on 4 January 2021. Retrieved 3 December 2011. The Rolling Stone review is actually of the 1994 Deluxe Edition not the Reissue.
  52. Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.
  53. "Grammy Hall of Fame Award" Archived 22 January 2011 at the Wayback Machine. Grammy.org. Retrieved 21 December 2012
  54. Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rd ed.). Virgin Books. p. 51. ISBN 0-7535-0493-6.
  55. Simmons, Ted (26 February 2013). "Bilal's 25 Favorite Albums". Complex. Archived from the original on 4 January 2021. Retrieved 28 August 2020.
  56. Duffy, John. "Exile on Main Street". Allmusic. Archived from the original on 4 January 2021. Retrieved 11 December 2016.
  57. "NME: The 500 Greatest Albums of All Time". NME. October 2013. Archived from the original on 1 March 2017. Retrieved 11 December 2016.
  58. Spanos, Brittany (4 May 2018). "Liz Phair Breaks Down 'Exile in Guyville,' Track by Track". Rolling Stone. Archived from the original on 4 January 2021. Retrieved 5 February 2019.
  59. Ganz, Caryn (21 May 2010). "He Said, She Said: How Liz Phair Took the Rolling Stones to 'Guyville'". Rolling Stone. Archived from the original on 4 January 2021. Retrieved 5 February 2019.
  60. Cavanagh, David. "Album reviews: the rolling stones reissues". Uncut. IPC Media. Archived from the original on 5 December 2010. Retrieved 17 May 2010.
  61. "Rolling stones reissue 'exile on main street'". Uncut. IPC Media. Retrieved 30 March 2010.
  62. Sexton, Paul (9 May 2010). "Behind the bonus tracks on 'exile on main street'". The Sunday Times. London: Times Newspapers Ltd. Posted at "Behind the bonus tracks on Exile on Main St". entertainment.timesonline.co.uk. Archived from the original on 15 June 2011. Retrieved 8 June 2010.
  63. Greene, Andy (9 March 2010). "The Secrets Behind the Rolling Stones' "Exile on Main Street" Reissue". rollingstone.com. Archived from the original on 13 December 2016. Retrieved 30 March 2010.
  64. Collis, Chris (30 March 2010). "Phish to appear on Jimmy Fallon's Exile on Main St tribute week". music-mix.EW.com. Entertainment Weekly Inc. Music Mix. Archived from the original on 4 January 2021. Retrieved 30 March 2010.
  65. "Archive Chart". Official Charts Company. 29 May 2010. Archived from the original on 4 January 2021. Retrieved 13 March 2011.
  66. "'Glee' Stops the Show at No. 1, Stones Come in Second On Billboard 200". Billboard.com. 14 September 2009. Archived from the original on 4 July 2013. Retrieved 13 March 2011.
  67. Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  68. "Top Albums/CDs – Volume 17, No. 20". RPM. 1 July 1972. Archived from the original on 9 August 2016. Retrieved 5 May 2013.
  69. "dutchcharts.nl The Rolling Stones – Exile on Main St" (ASP). Hung Medien (in Dutch). MegaCharts. Archived from the original on 6 November 2012. Retrieved 1 May 2012.
  70. "Hit Parade Italia – Gli album più venduti del 1972" (in Italian). hitparadeitalia.it. Archived from the original on 14 December 2012. Retrieved 1 May 2012.
  71. Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.
  72. "norwegiancharts.com The Rolling Stones – Exile on Main St" (ASP). Archived from the original on 5 October 2013. Retrieved 1 May 2012.
  73. Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
  74. "Swedish Charts 1969–1972 / Kvällstoppen – Listresultaten vecka för vecka > Juni 1972 > 13 Juni" (PDF). hitsallertijden.nl (in Swedish). Archived (PDF) from the original on 14 October 2012. Retrieved 13 February 2014.Note: Kvällstoppen combined sales for albums and singles in the one chart; Exile on Main St peaked at the number-three on the list, behind Sven-Bertil Taube's "frihetEn sång om frihet" and Gilbert O'Sullivan's Himself.
  75. "The Rolling Stones > Artists > Official Charts". UK Albums Chart. Archived from the original on 19 April 2013. Retrieved 1 May 2013.
  76. "Allmusic: Exile on Main St : Charts & Awards : Billboard Albums". allmusic.com. Retrieved 1 May 2013.
  77. "Album Search: The Rolling Stones – Exile on Main St" (ASP) (in German). Media Control. Archived from the original on 4 January 2021. Retrieved 1 May 2013.
  78. "australian-charts.com The Rolling Stones – Exile on Main St" (ASP). Australian Recording Industry Association. Archived from the original on 2 October 2013. Retrieved 8 May 2013.
  79. "austriancharts.at The Rolling Stones – Exile on Main St" (ASP). Hung Medien (in German). Archived from the original on 4 April 2013. Retrieved 8 May 2013.
  80. "ultratop.be The Rolling Stones – Exile on Main St" (ASP). Hung Medien (in Dutch). Ultratop. Archived from the original on 15 October 2013. Retrieved 8 May 2013.
  81. "ultratop.be The Rolling Stones – Exile on Main St" (ASP). Hung Medien (in French). Ultratop. Archived from the original on 4 October 2013. Retrieved 8 May 2013.
  82. "InfoDisc : Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste" (in French). infodisc.fr. Archived from the original on 26 January 2016. Retrieved 1 June 2013.Note: user must select 'The Rolling Stones' from drop-down.
  83. "danishcharts.dk The Rolling Stones – Exile on Main St". danishcharts.dk. Archived from the original on 4 January 2021. Retrieved 8 May 2013.
  84. "greekcharts.com The Rolling Stones – Exile on Main St". Hung Medien. Archived from the original (ASP) on 14 March 2012. Retrieved 13 May 2011.
  85. "irma.com The Rolling Stones – Exile on Main St". irma.com. Archived from the original on 5 March 2014. Retrieved 14 January 2014.
  86. "ザ・ローリング・ストーンズ-リリース-ORICON STYLE-ミュージック" [Highest position and charting weeks of Exile on Main St by The Rolling Stones]. oricon.co.jp (in Japanese). Oricon Style. Archived from the original on 3 October 2013. Retrieved 8 May 2013.
  87. "charts.nz The Rolling Stones – Exile on Main St" (ASP). Hung Medien. Recording Industry Association of New Zealand. Archived from the original on 4 January 2021. Retrieved 11 January 2014.
  88. "scotishcharts.com The Rolling Stones – Exile on Main St" (ASP). Hung Medien. Archived from the original on 22 June 2018. Retrieved 8 May 2013.
  89. "spanishcharts.com The Rolling Stones – Exile on Main St" (ASP). Hung Medien. Archived from the original on 26 September 2013. Retrieved 8 May 2013.
  90. "swedishcharts.com JThe Rolling Stones – Exile on Main St" (ASP) (in Swedish). Archived from the original on 1 October 2013. Retrieved 8 May 2013.
  91. "The Rolling Stones – Exile on Main St – hitparade.ch" (ASP). Hung Medien (in German). Swiss Music Charts. Archived from the original on 6 October 2013. Retrieved 8 May 2013.
  92. "Dutch charts jaaroverzichten 1972" (ASP) (in Dutch). Archived from the original on 12 May 2014. Retrieved 2 April 2014.
  93. "Jaaroverzichten – Album 2010" (in Dutch). Archived from the original on 17 June 2013. Retrieved 2 May 2013.
  94. Archived 8 January 2011 at the Wayback Machine
  95. "Årslista Album – År 2010" (in Swedish). Hitlistan.se. Sverigetopplistan. Archived from the original on 22 February 2014. Retrieved 17 January 2013.
  96. "Best of 2010 – Billboard Top 200". Billboard. Nielsen Business Media, Inc. Archived from the original on 18 April 2013. Retrieved 31 December 2010.
  97. "ARIA Charts – Accreditations – 2010 Albums". Australian Recording Industry Association. Archived from the original on 10 August 2020. Retrieved 1 May 2012.
  98. "Italian album certifications – The Rolling Stones – Exile on Main St" (in Italian). Federazione Industria Musicale Italiana. Retrieved 27 June 2014. Select "2014" in the "Anno" drop-down menu. Select "Exile on Main St" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
  99. "New Zealand album certifications – The Rolling Stones – Exile on Main St". Recorded Music NZ. Retrieved 1 May 2012.
  100. "British album certifications – The Rolling Stones – Exile on Main St". British Phonographic Industry. Retrieved 1 May 2012. Select albums in the Format field. Select Platinum in the Certification field. Type Exile on Main St in the "Search BPI Awards" field and then press Enter.
  101. "American album certifications – The Rolling Stones – Exile on Main St". Recording Industry Association of America. Retrieved 1 May 2012. If necessary, click Advanced, then click Format, then select Album, then click SEARCH. 

Bibliography

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.