Takashi Miike

Miike was born in Yao, Osaka Prefecture, to a Nikkei family originally from the Kumamoto Prefecture, on the island of Kyushu. During World War II, his grandfather was stationed in China and Korea, and his father was born in Seoul in today's South Korea. His father worked as a welder and his mother as seamstress.[1] Although he claimed to have attended classes only rarely, he graduated from Yokohama Vocational School of Broadcast and Film (Yokohama Hōsō Eiga Senmon Gakkō) under the guidance of renowned filmmaker Shohei Imamura, the founder and Dean of that institution.[2]

Miike's first films were television productions, but he also began directing several direct-to-video V-Cinema releases. Miike still directs V-Cinema productions intermittently due to the creative freedom afforded by the less stringent censorship of the medium and the riskier content that the producers will allow.

Miike's theatrical debut was the film The Third Gangster (Daisan no gokudō).[3][4] However, it was Shinjuku Triad Society (1995) that was the first of his theatrical releases to gain public attention. The film showcased his extreme style and his recurring themes, and its success gave him the freedom to work on higher-budgeted pictures. Shinjuku Triad Society is also the first film in what is labeled his "Black Society Trilogy", which also includes Rainy Dog (1997) and Ley Lines (1999). He gained international fame in 2000 when his romantic horror film Audition (1999), his violent yakuza epic Dead or Alive (1999), and his controversial adaptation of the manga Ichi the Killer played at international film festivals. He has since gained a strong cult following in the West that is growing with the increase in DVD releases of his works. His film Hara-Kiri: Death of a Samurai premiered In Competition at the 2011 Cannes Film Festival.[5] His 2013 film Straw Shield was nominated for the Palme d'Or at the 2013 Cannes Film Festival.[6]

Miike achieved notoriety for depicting shocking scenes of extreme violence and sexual perversions. Many of his films contain graphic and lurid bloodshed, often portrayed in an over-the-top, cartoonish manner. Much of his work depicts the activities of criminals (especially yakuza) or concern themselves with gaijin, non-Japanese or foreigners living in Japan. He is known for his dark sense of humor and for pushing the boundaries of censorship as far as they will go.

Despite his notorious reputation, Miike has directed film in a range of genres. He has created lighthearted children's films (Ninja Kids!!!, The Great Yokai War), period pieces (Sabu), a road movie (The Bird People in China), a teen drama (Andromedia), a farcical musical-comedy-horror (The Happiness of the Katakuris), and video game adaptations (Like a Dragon, Ace Attorney). Other less controversial works include Ley Lines and Agitator, which are character-driven crime dramas.

While Miike often creates films that are less accessible and target arthouse audiences and fans of extreme cinema, such as Izo and the "Box" segment in Three... Extremes, he has created several mainstream and commercial titles such as the horror film One Missed Call and the fantasy drama The Great Yokai War.

Miike has cited Starship Troopers as his favorite film.[7] He expressed admiration for directors Akira Kurosawa,[8] Hideo Gosha,[8][9] David Lynch,[10] David Cronenberg,[10] and Paul Verhoeven.[10]

Several of Miike's films have been subject to scrutiny due to heavy violence. His 2001 horror film Ichi the Killer, adapted from a manga of the same name and starring Tadanobu Asano as a sadomasochistic yakuza enforcer, was highly controversial; during its international premiere at the Toronto International Film Festival in 2001, the audience received "barf bags" emblazoned with the film's logo as a promotional gimmick.[11] The British Board of Film Classification refused to allow the release of the film uncut in the United Kingdom, citing its extreme levels of sexual violence towards women; the film required 3 minutes and 15 seconds of mandated cuts to be allowed release.[12] In Hong Kong, 16 minutes and 59 seconds of footage were cut.[13] Ichi the Killer was also banned outright in Finland, Germany and Malaysia.[14]

In 2005, Miike was invited to direct an episode of the Masters of Horror anthology series. The series, featuring episodes by a range of established horror directors such as John Carpenter, Tobe Hooper and Dario Argento, was supposed to provide directors with relative creative freedom and relaxed restrictions on violent and sexual content (some sexual content was edited from the Argento-directed episode "Jenifer"). However, when the Showtime cable network acquired the rights to the series, Miike’s episode, Imprint, was deemed too disturbing for the network. Showtime cancelled it from the broadcast lineup even after extended negotiations, though it was retained as part of the series' DVD release. Mick Garris, creator and executive producer of the series, described the episode as "amazing, but hard even for me to watch... definitely the most disturbing film I've ever seen".[15]

While "Imprint" has yet to air in the United States, it has aired on Bravo in the United Kingdom,[16] on FX in Mexico, South and Central America, the Dominican Republic, France, Israel, Turkey, on Nelonen in Finland and on Rai Tre in Italy. Anchor Bay Entertainment, which has handled the DVD releases for the Masters of Horror series in the US, released "Imprint" uncut on Region 1 DVD on September 26, 2006.[17]

In 2005 Takashi Miike directed a Kabuki-style play titled Demon Pond. The DVD recording of the performance was released by Cinema Epoch.[19][20]

• Mes, Tom. Agitator: The Cinema of Takashi Miike. Godalming: FAB Press, 2003. ISBN 1-903254-21-3
• Williams, Tony. "Takashi Miike's Cinema of Outrage." cineACTION 64 (2004): 54-62
• "Izo: Takashi Miike's History Lesson." Asian Cinema 16.2 (2005): 85-109.
• Gerow, Aaron. "The Homelessness of Style and the Problems of Studying Miike Takashi." Canadian Journal of Film Studies 18.1 (2009): 24-43
• Black, Art (2003). "Takashi Miike Revisited". Asian Cult Cinema. 38 (1st Quarter): 12–17.

• Takashi Miike at IMDb
• Suicide is for the Birds: Takashi Miike's Tales of De-territorializing Flight at Fantasia 2003 and Beyond
• 2002 Interview at the Brussels International Festival of Fantastic Film
• SuicideGirls interview with Miike by Daniel Robert Epstein
• Takashi Miike at the Japanese Movie Database (in Japanese)
• Interview with Takashi Miike by Mark Schilling
• Interview with Takashi Miike on Midnight Eye
• Interview with Miike regarding his Yakuza work on 1UP.com
• Another Decade with Takashi Miike: An Introduction
• PULP : : The Manga Magazine : : 6.01 What's No. 5?
• PULP : : The Manga Magazine : : 5.07 Feature
• PULP : : The Manga Magazine : : 5.07 Feature
• PULP : : The Manga Magazine : : THE WOUNDED MAN INTERVIEW