The Fallen Idol (film)
The Fallen Idol (also known as The Lost Illusion) is a 1948 British mystery thriller film directed by Carol Reed, and starring Ralph Richardson, Bobby Henrey, Michèle Morgan, and Denis O'Dea. Its plot follows the young son of a French diplomat in London, who comes to suspect that his family's butler, whom he idolises, has committed a murder. It is based on the 1936 short story "The Basement Room", by Graham Greene.
The Fallen Idol | |
---|---|
U.S. theatrical release poster | |
Directed by | Carol Reed |
Produced by | Carol Reed |
Written by | William Templeton Lesley Storm Graham Greene |
Based on | "The Basement Room" by Graham Greene |
Starring | |
Music by | William Alwyn |
Cinematography | Georges Périnal |
Edited by | Oswald Hafenrichter |
Production company | |
Distributed by | British Lion Films |
Release date |
|
Running time | 95 minutes |
Country | United Kingdom |
Language | English |
Box office | £215,823 (UK)[1] |
The film was nominated for the Academy Award for Best Director (Carol Reed) and Best Adapted Screenplay (Graham Greene), and won the BAFTA Award for Best British Film.
Plot
Philippe, the young son of a French diplomat living in London, idolises his father's butler, Baines. Baines has invented a heroic persona to keep Phillipe entertained during his father's absences, telling him stories of his daring adventures in Africa and elsewhere, where he claims to have single-handedly killed men in self-defence, and conquered lions.
In reality, Baines has never been to Africa, is in a loveless marriage with his wife (who is also employed as the family's housekeeper), and is carrying on an affair with a young secretary, Julie. One day, when Philippe's father departs for several days, Philippe follows Baines to a cafe, where he is meeting with Julie to discuss their relationship—Julie urges Baines to separate from his wife so they can be together, but Philippe is impervious to the details of their conversation. Afterward, Baines tells Philippe that Julie is his niece, and asks that he not mention the incident to Mrs. Baines. That afternoon, Philippe is chastised by Mrs. Baines for playing on a window ledge on the staircase landing. Later, she attempts to glean information about her husband from Philippe, suspicious he is cheating on her.
The next morning, Baines takes Philippe on a trip to the London Zoo, where Julie meets with them, and accompanies them back home for dinner in Mrs. Baines's absence. The three return home, where Philippe finds a telegram from Mrs. Baines, notifying her husband she will return in two days. The three have dinner, and afterward play a game of hide-and-seek. Later that night, Mrs. Baines returns to the house unexpectedly, finding her husband in bed with Julie. She awakens Philippe before attacking Baines, and slapping Phillipe in the process. The two get into an argument on a staircase landing, which Philippe partially witnesses. When Baines locks himself in the guest bedroom with Julie, Mrs. Baines walks onto an unguarded ledge on the landing, where a window faces directly into the bedroom. In the process, she slips and falls to her death, landing at the foot of the staircase. Philippe does not witness the accident, and presumes that Baines pushed her to her death.
Philippe flees the house in terror, and is captured by a police officer in the streets. He is returned home, where Baines then recounts the evening to police, though he eliminates Julia from his version of events in order to protect her, instead claiming that he, Mrs. Baines, and Philippe had dinner together. During the interrogation, Philippe attempts to gather the telegram Mrs. Baines sent, but it is confiscated by police, who use it as evidence against Baines.
Julie visits the house the following morning. Soon after, Inspector Crowe and Detective Ames arrive to further question Baines. Julie attempts to leave, but, upon being introduced as Baines's secretary, the police ask that she stay to transcribe his interview. Crow and Ames first interview Philippe alone, and he lies about Mrs. Baines slapping him, and denies that Julie ever visited the house. Julie overhears Philippe concealing the truth, and, speaking French, implores him to be honest. Baines interjects, and proceeds to recount to police what actually happened the night before. They continue to disbelieve him, and suggest he make a formal statement.
Fearing he cannot prove his innocence, Baines heads to his basement bedroom to retrieve a pistol and commit suicide. He is followed by Philippe, who tearfully questions whether his many stories are true. Baines admits they were merely games, and also denies killing his wife, before proceeding downstairs. Simultaneously, two other officers notice a footprint in the spilt dirt from a potted plant on the window ledge, and discern it came from a women's shoe. Crow and Ames swiftly renege their accusation against Baines, and Julie is able to stop him from carrying out his suicide in time. Philippe, compelled to be truthful, insists he left the footprint two days before, but Crowe disbelieves him. As the police depart, Philippe runs to the ledge, where he sweeps away the dirt with Mrs. Baines's footprint. As he does this, his mother, from whom he has long been separated, arrives.
Cast
- Ralph Richardson as Baines
- Michèle Morgan as Julie
- Sonia Dresdel as Mrs. Baines
- Bobby Henrey as Philippe
- Denis O'Dea as Chief Inspector Crowe
- Jack Hawkins as Detective Ames
- Walter Fitzgerald as Dr. Fenton
- Dandy Nichols as Mrs. Patterson
- Joan Young as Mrs. Barrow
- Karel Stepanek as First Secretary
- Gerard Heinz as Ambassador
- Torin Thatcher as Police Constable
- James Hayter as Perry
- Geoffrey Keen as Detective Davis
- Bernard Lee as Inspector Hart, Special Branch
- John Ruddock as Dr. Wilson
- Hay Petrie as Clock Winder
- Dora Bryan as Rose
- George Woodbridge as Sergeant, Chelsea Police Station
Production
The cameras began turning on the film on the bright, sunny morning of Wednesday, 17 September 1947, with the first location scene to be filmed being that of Philippe running across Belgrave Square in London.
The Fallen Idol marks the first notable film Carol Reed made at Grosvenor Crescent, Belgravia, in London as a filming location — the other being Reed's acclaimed movie Oliver!, filmed 20 years later at the same site. Coincidentally, it was a film featuring a similar seven-year-old precocious boy.
Release
Critical response
The Monthly Film Bulletin called the film "outstanding."[2]
It was one of the most popular movies at the British box office in 1948.[3][4] According to Kinematograph Weekly the 'biggest winner' at the box office in 1948 Britain was The Best Years of Our Lives with Spring in Park Lane being the best British film and "runners up" being It Always Rains on Sunday, My Brother Jonathan, Road to Rio, Miranda, An Ideal Husband, Naked City, The Red Shoes, Green Dolphin Street, Forever Amber, Life with Father, The Weaker Sex, Oliver Twist, The Fallen Idol and The Winslow Boy.[5]
The Fallen Idol was included at number 48 on Time Out magazine's list of the "100 best British films", which polled critics and members of the film industry. It was described as "one of the finest British films about children, about the ways they can be manipulated and betrayed, their loyalties misplaced and their emotions toyed with."[6]
Accolades
Institution | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|
Academy Awards | Best Adapted Screenplay | William Templeton, Lesley Storm, Graham Greene | Nominated | |
Best Director | Carol Reed | Nominated | ||
Bodil Awards | Best Non-American Film | The Fallen Idol | Won | |
BAFTA Awards | Best Film | Won | [7] | |
Golden Globe Awards | Best Foreign Film | Nominated | ||
National Board of Review | Top Ten Films of the Year | Won | ||
Best Actor | Ralph Richardson | Won | [8] | |
Best Adapted Screenplay | Graham Greene | Won | ||
New York Film Critics Circle | Best Director | Carol Reed | Won | |
Best Film | The Fallen Idol | Nominated | ||
Best Actor | Ralph Reed | Nominated | ||
Venice International Film Festival | Best Screenplay | Graham Greene | Won | |
Grand International Award | Carol Reed | Nominated |
Home media
The Criterion Collection released the film on DVD on 7 November 2006.[9] This DVD went out of print in 2010.[10] In 2015, StudioCanal released a region B Blu-ray edition.[11]
References
- Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p486
- "Monthly Film Bulletin review". www.screenonline.org.uk.
- "THE STARRY WAY". The Courier-Mail. Brisbane: National Library of Australia. 8 January 1949. p. 2. Retrieved 11 July 2012.
- Thumim, Janet. "The popular cash and culture in the postwar British cinema industry". Screen. Vol. 32 no. 3. p. 258.
- Lant, Antonia (1991). Blackout : reinventing women for wartime British cinema. Princeton University Press. p. 232.
- "100 Best British Films (numbers 41-50)". Time Out. Retrieved 26 January 2014.
- Hammer 1991, p. 457.
- Hammer 1991, p. 571.
- Erickson, Glenn (5 November 2006). "DVD Savant Review: The Fallen Idol". DVD Talk. Archived from the original on 28 December 2020.
- "Out of Print Sale". The Criterion Collection. 2 February 2010. Archived from the original on 28 December 2020.
- "The Fallen Idol Blu-ray". Blu-ray.com. Archived from the original on 28 December 2020.
Sources
External links
- The Fallen Idol at IMDb
- The Fallen Idol at BFI Screenonline
- The Fallen Idol at Rotten Tomatoes
- The Fallen Idol at Metacritic
- The Fallen Idol at AllMovie
- The Fallen Idol: Through a Child’s Eye, Darkly an essay by Geoffrey O’Brien at the Criterion Collection
- Interview with child actor Robert (Bobby) Henrey later in life, interview begins at 18:05