Bayerischer Rundfunk

Bayerischer Rundfunk was founded in Munich in 1922 as Deutsche Stunde in Bayern. It aired its first program on 30 March 1924. The first broadcasts consisted mainly of time announcements, news, weather and stock market reports, and music. Programming expanded to include radio plays, concerts, programs for women, language courses, chess, opera, radio, news, and Catholic and Protestant morning services. Its new 1929 studio was designed by Richard Riemerschmid.[2]

Deutsche Stunde in Bayern became Bayerischer Rundfunk in 1931. In 1933, shortly after the Nazi seizure of power, the station was put under the control of the Reich Ministry of Public Enlightenment and Propaganda.[3] After the Allied victory over Nazi Germany, the American military occupation government took control of the station. Operating as Radio Munich, it broadcast, among other programming, live coverage of the Nuremberg trials and programs such as "War Never Again" ("Nie wieder Krieg").[4]

In 1949, Radio Munich became Bayerischer Rundfunk,[1] and in that year it established Europe's first VHF station. A station was added in Nuremberg in the early 1950s.[4] Television broadcasts began in 1954.[5]

BR is a statutory corporation established under the Bavarian Broadcasting Law (Bayerisches Rundfunkgesetz), originally passed in 1948,[4] and updated in 1993 to take account of the demands of a changed media and political environment. Its functions are determined by a legal foundation which lays down the principles under which the broadcaster operates and the structure of its internal organization.

The broadcast law is supplemented by the so-called Broadcast State Contract (Rundfunkstaatsvertrag), a multilateral agreement between all 16 German Länder which regulates the relationship of public and private broadcast in the dual broadcast system and which contains fundamental regulations particularly for financing. Just as important for the work of Bavarian Broadcasting is the cooperation of the ARD consortium, consisting of nine other regional broadcasting corporates as well as Deutsche Welle. The broadcasting service is further backed by the relevant European legal bases as well as the media service convention, which contain regulations for the on-line offerings of Bavarian Broadcasting.

BR is in part funded by commercial activity, including the limited sale of on-air commercial advertising time; however, its principal source of income is the revenue derived from viewer and listener licence fees. Every household in Germany is lawfully bound to pay 17,50 Euro per month as a so-called Rundfunkbeitrag (broadcast contribution) to finance the public broadcast system.[6] The fee is collected by Beitragsservice von ARD, ZDF und Deutschlandradio.

In 2012, BR derived 85.3% of its income from viewer and listener licence fees, 12.6% from other sources such as product licensing and investments, and 2.1% from the sale of advertising time. 48.5% of this income was spent on programme production costs, 25.1% on staffing, and 26.4% on other operating expenses and fixed charges.[7]

BR produces several series that are well known throughout Bavaria, and some of these are re-broadcast throughout other parts of Germany. These include:

• Rundschau
• quer
• Münchner Runde (political talkshow)
• alpha-Centauri
• Space Night
• Kunst und Krempel
• Unter unserem Himmel ("Under our Skies")
• Café Meineid
• Zur Freiheit ("To Freedom")
• Melodien der Berge

BR's TV channel, Bayerisches Fernsehen (Bavarian Television), as with all regional "Third Channel" broadcasters (along with public specialty channels such as arte, 3Sat, KI.KA, Phoenix and ARD-alpha) carry no commercials. Advertising is also not permitted on ARD's "Das Erste" or on ZDF on Sundays, national holidays, or on any day after 8:00pm. On weekdays, only 20 minutes of advertising is permitted, split between breaks between programs. Program sponsoring is not considered to be advertising, and is not subject to these restrictions.

BR's headquarters in Munich

BR operates a main broadcasting facility in downtown Munich as well as studios in Munich's northern Freimann quarter and the nearby municipality of Unterföhring. There are also regional TV and radio studios in Nuremberg ("Studio Franconia"), Würzburg ("Regional Studio Franconia/River Main") and Regensburg ("Regional Studio East Bavaria").

BR provides programs to various TV and radio networks, some done in collaboration with other broadcasters, and others completely independently.

BR administers three musical organizations:

• Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), founded in 1949. Music directors have included Eugen Jochum, Rafael Kubelík, Sir Colin Davis and Lorin Maazel. Mariss Jansons served in this role from 2003 until his death on November 30, 2019.
• Münchner Rundfunkorchester (Munich Radio Orchestra), founded in the 1920s, reorganized in 1952. The orchestra is known for its Sunday concerts, and youth/children's concerts. In 2005, the orchestra was threatened with dissolution in 2006, but ultimately survived, albeit reduced in size from 72 to 50 musicians.[8] Marcello Viotti gave up his post as music director, but continued to conduct the orchestra. He died on 16 February 2005 as a result of a stroke suffered during a performance of "Manon."
• Chor des Bayerischen Rundfunks (Bavarian Radio Choir), founded in 1946 as "Rundfunkchor München" (Munich Radio Choir). The choir has premiered works by Rafael Kubelík and Hans Pfitzner.

Managing Directors of BR since 1945:

• Field Horine (Chief of Section, Radio Munich) – 1945–1947
• Edmund Schechter – 1947
• Rudolf von Scholtz – 1947–1956
• Franz Stadelmayer – 1956–1960
• Christian Wallenreiter – 1960–1972
• Reinhold Vöth – 1972–1990
• Prof. Dr. h.c. Albert Scharf – 1990–2002
• Dr. Thomas Gruber – 2002–2011
• Ulrich Wilhelm; since 2011

In the 1970s, Bayerischer Rundfunk was notorious for opting out of national ARD television broadcasts when certain broadcast programmes were deemed too controversial or otherwise inappropriate.

The best-known opt outs include:

• Sesamstraße (the German version of Sesame Street) was deemed "too fast and too American" by Bavarian broadcasting authorities when it started on German TV in 1973.[9] However, the exclusion did not last long.
• Rosa von Praunheim's 1970 movie Nicht der Homosexuelle ist pervers, sondern die Situation in der er lebt was not broadcast through BR's transmitters, as the subject matter was deemed inappropriate for a Bavarian audience.
• Die Konsequenz – a Wolfgang Petersen made-for-TV movie about a homosexual love affair. Bayerischer Rundfunk boycotted the network premiere on ARD on 8 November 1977.
• The last opt-outs took place in 1982 when the political cabaret (satire) program Scheibenwischer criticized the construction of the Rhine–Main–Danube Canal and in 1986, when the program commented on the Chernobyl disaster. Both programs was performed on a Munich theatre stage (Kammerspiele) or shown as videos to small audiences (e.g. at local SPD groups) a few days after the broadcast. And both programs are now constantly available in the BR Mediathek[10] – as the leader of the Scheibenwischer cast, Dieter Hildebrand, is deemed a legend in his field.

Except for "Scheibenwischer" (these programs have never been rebroadcast in full), all opt-outs have since been shown on BR's TV channel, Bayerisches Fernsehen, and after the introduction of satellite and internet TV Bayerischer Rundfunk no longer opts out of national broadcasts.

• Bit, byte, gebissen (radio program)
• BR-Radltour
• Thomas Gaitanides
• Rainer Maria Schießler, talk show Pfarrer Schießler
• Television in Germany
• Do Not Track, a 2015 BR co-produced web documentary

• Eichler, Antje (2005). Protest im Radio: die Berichterstattung des Bayerischen Rundfunks über die Studentenbewegung 1967/1968. Frankfurt am Main; New York: Peter Lang. ISBN 3-631-52126-X.

Media related to Bayerischer Rundfunk at Wikimedia Commons

• Bayerischer Rundfunk Homepage (in German)