Kim Possible

A crossover episode of Lilo & Stitch: The Series and Kim Possible aired on August 26, 2005 as part of the former show's second season. Entitled "Rufus", Season 2, episode 20 features Lilo contacting Kim and Ron to help her rescue Stitch, who has been captured by Drakken and Shego in a partnership with Dr. Hamsterviel to clone Stitch for an army of obedient monsters. Meanwhile, Jumba mistakes Rufus for one of his missing experiments.[20]

Long-time collaborators and veteran Disney writers, Bob Schooley and Mark McCorkle had already been writing for Disney Channel for several years, contributing to the network's male-led animated series Aladdin, Hercules and Buzz Lightyear of Star Command, each one spin-offs of their respective feature-length animated films.[10][31] Although they had enjoyed working on those projects, Schooley and McCorkle were becoming interested in contributing to "something original".[31] At the same time, the writers learned that Disney Channel had become interested in developing a show featuring ordinary children in extraordinary circumstances.[10] Thus, the network commissioned Schooley and McCorkle to create an animated series geared towards the nine to 14 year-old demographic that was also capable of entertaining older audiences at the same time.[2] While traveling in an elevator on their way back to their office from their lunch break,[21] McCorkle said to Schooley, "Kim Possible. She can do anything", to which Schooley responded, "Ron Stoppable, he can't", and nearly the entire premise of Kim Possible naturally unfolded thereafter.[10] According to Schooley and McCorkle, both lead characters' names indicate that Kim Possible "is going to be an arched show that is a little bit over the top, but also that the girl is going to be the action lead and the guy is going to be funny."[10] Conceiving all main characters themselves,[4] Rufus and Wade were eventually created and added to the roster, but the series essentially remains about Kim "who is incredibly competent in the action world but challenged in the real world" while "Ron would be challenged everywhere."[21]

With its main duo finally established, Kim Possible became the easiest show Schooley and McCorkle had ever developed.[21] One of Disney Channel's earliest forays into developing an entirely original animated series "from scratch",[31] Kim Possible was born out of the creators' realization that there were few animated series starring strong female characters at the time and created Kim as "a character that ... girls can look up to", inspired by their own young daughters.[32] The creators were also influenced by their own childhood heroes James Bond and Captain Kirk from Star Trek, and wanted Kim to resemble a character their daughters could idolise similarly.[10] Despite being a "strong female role model", Schooley maintained that heroism "doesn't help [Kim] a bit when she comes face-to-face with her latest school crush."[17] Unlike traditional superheroes, Kim is entirely devoid of both superpowers and a secret identity; the creators avoided making the character "impervious" like most comic book superheroes tend to be because they wanted both her and Ron to remain relatable to younger viewers.[10] Working completely independently from government spy organizations,[33] Kim's crime-fighting abilities are drawn from real-life activities such as cheerleading and gymnastics, "something that any kid…in the world could do", according to the creators.[10]

Christy Carlson Romano, voice of Kim Possible.

Much of Kim Possible's cast consists of Disney Channel and ABC alumnae,[21][34] as well as actors known for their roles on other popular animated and comedy series.[22][35] After auditioning several actresses to voice the title character,[29] then-16 year-old Christy Carlson Romano was finally cast as Kim after first being introduced to Schooley and McCorkle by Disney Channel executives.[29][31] Romano had already been well known to Disney Channel audiences for her portrayal of Ren Stevens on the series Even Stevens, and began voicing Kim while completing her stint on the show.[36][37] Her first voice acting role,[25] Romano immediately identified with her character because both were "dealing with teenage issues" at the same time, comparing Kim's challenge of battling both her personal life and villains to herself balancing schoolwork with her budding acting career;[21][25] the actress was forced to forfeit her own senior prom due to Kim Possible commitments.[7] Describing her character as "very ambitious, very skilled, very smart," Romano told The New York Times "I've tried to make her a good role model. Her confidence and her sincerity really shine through."[7] One episode in particular, "Blush", was inspired by Romano's modesty and tendency to blush at the slightest compliment.[37][38] Romano's performance as Kim was nominated for an Emmy Award.[39] Recognized for his ability to play "over-the-top characters",[27] Will Friedle, best remembered for his performance as Eric Matthews on the sitcom Boy Meets World, was cast as Ron.[21] Actor Neil Patrick Harris had auditioned for the role, as did actor John Cena before he decided to pursue a professional wrestling career.[40] Schooley attributes much of the show's success to Romano and Friedle's chemistry, explaining, "they add something to this that makes it more than a typical gag-oriented cartoon."[31]

The role of Shego was created for Nicole Sullivan, with whom Schooley and McCorkle had previously worked.

To prepare herself for the role of Rufus, Nancy Cartwright, best known for her long-running voice work as Bart Simpson on The Simpsons,[41] researched naked mole rats extensively to the point of which she became "a font of useless trivia" and knowledge. Cartwright cites Rufus among her two most difficult characters to voice due to the constant use of her diaphragm required to produce 18 mole rat sound effects. Her performance earned her a Daytime Emmy Award nomination for Outstanding Performer in an Animated Program. John DiMaggio was cast as Drakken based on his vocal performance as Bender on the animated sitcom Futurama. The creators mused, "Drakken is as funny as he is because of how funny John is. Like any of the great voiceover guys, he can do multiple voices. He also just has a terrific comedic sense",[29] while director and animator Steve Loter described both Friedle and DiMaggio as "experts in ad-libbing."[42] Schooley and McCorkle had previously worked with Nicole Sullivan on Buzz Lightyear of Star Command and thus created the role of Shego with her in mind.[10] Sullivan's first recording session opposite DiMaggio established a chemistry between the two voice actors and their respective characters, out of which Shego's signature sarcasm was introduced and eventually expanded upon.[10] During the show's inaugural season, the actors generally recorded separate from each other, but Friedle, DiMaggio and Sullivan experienced opportunities to record together during the second season.[27] Having been attending high school in New York at the time, Romano would mostly work remotely and usually be "phone patched in" whenever necessary; there is only one occasion during which the entire main cast recorded together.[27]

The Simpsons' Nancy Cartwright, voice of Rufus.

Tahj Mowry, who plays T.J. Henderson on the sitcom Smart Guy, voices Wade.[21] In terms of recurring and guest roles, Designing Women's Jean Smart voices Kim's mother Ann.[7][35] Kirsten Storms voiced Kim's high school rival Bonnie while portraying Belle on the soap opera Days of Our Lives.[43] Prior to Kim Possible, Storms had starred in Disney Channel's Zenon film series.[44] That's So Raven's Raven-Symoné voices Kim's female best friend Monique,[45] cast based on her reputation as a comedic actress and ability to deliver a punchline.[29] Señor Senior, Sr. and Señor Senior, Jr. are voiced by Ricardo Montalban and Nestor Carbonell, respectively.[7] Friedle's Boy Meets World co-star Rider Strong voices Brick Flag, Bonnie's boyfriend.[21] Ashley Tisdale of Disney Channel's High School Musical film series and sitcom The Suite Life of Zack and Cody was offered the role of Season 4 villain Camille Leon.[29][42] That's So Raven's Anneliese van der Pol voiced a guest role in the episode "And The Mole Rat Will Be CGI" as Heather, an actress hired to play Kim in a film adaptation of her life, serving as her first voice-acting role.[40] Loter had always been interested in working with the cast of the television series Buffy the Vampire Slayer but this idea never came to fruition; one particularly famous actor refused a villainous guest role in Season 4 because he was insulted to have been asked to voice an animated character on a television series.[42]

Serving as executive producers in addition to writers throughout the entire series, Schooley and McCorkle oversaw the show for its entire duration to maintain consistency.[10] As executive producers, Schooley and McCorkle were mostly involved in the writing process, focusing mainly on plot and dialogue, while storyboarding was chiefly handled by Loter.[31] The writing staff consisted of both Disney Channel employees and freelance writers.[42] Much of the series is based on both Schooley and McCorkle's own experiences growing up as teenagers in high school.[32] Although essentially a comedy series, Schooley and McCorkle also combined elements of adventure, relationships, and humor in order to appeal to both boys, who are primarily interested in action, and girls, who are more-so attracted to relationships and character development, aware of "ancient truisms" surrounding the belief that boys are generally less likely to watch a series starring a female lead,[10] while girls seldom exhibit such reservations when the casting situation is reversed.[46] Without alienating younger viewers, to whom the show refuses to "talk down",[47] the writing in Kim Possible is "a little older than" that of traditional Disney animated series.[21] While avoiding adult references, Schooley and McCorkle opted for a fast-paced sitcom-style dialogue and rhythm that attracted adult viewers instead, ultimately resulting in teleplays that were typically five pages longer than traditional Disney Channel scripts.[31] Additionally, the show heavily parodies the popular James Bond films.[10] Kim Possible's showrunners were heavily influenced by Marvel Comics, particularly the Spider-Man, Fantastic Four, and X-Men comic book series.[40] One particularly strong influence is found in Dr. Drakken and James Possible's former friendship, whose relationship closely mirrors that of the Fantastic Four's Victor von Doom/Doctor Doom and Reed Richards/Mr. Fantastic, respectively.[40]

Some of the show's plots and ideas are drawn from the lives of both creators' daughters; the decision to have Ron eventually join his school's football team was inspired by Schooley's daughter being involved in her high school band, which resulted in them attending several school football matches.[32] Citing Ron as his favorite character, McCorkle admitted that he reminds him of his high school self.[32] Although not as strong an action hero as Kim, at the same time the creators were careful to highlight Ron's courage and attributes by emphasizing the fact that he constantly finds himself in dangerous situations.[10] By the fourth and final season, the writers had taken into consideration male fans' requests to see Ron succeed more often than he had in earlier seasons,[10] developing him into a more confident character as he gradually "come[s] into his own" and becomes more of a partner than a sidekick.[29][42] Drakken and Shego's relationship "weirdly" mirrors Kim and Ron's to some extent, with the female character remaining smarter and more competent than her fumbling male teammate.[10] Initially envisioned as a "standard sidekick", Sullivan's sarcastic interpretation of Shego ultimately inspired Schooley and McCorkle to expand upon the humor revolving around the fact that Shego is barely able to tolerate Drakken.[10] The creators had always intended for Kim and Ron to eventually become romantically involved but avoided this storyline in fear of "paint[ing] ourselves in a corner", citing Sam and Diane's ill-fated relationship in the sitcom Cheers as an example.[48] Throughout the first three seasons, the idea of Ron having feelings for Kim is alluded to, but he never pursues them for various reasons.[48] Production on new episodes of Kim Possible had virtually ceased by the end of Season 3 when Kim and Ron finally become a couple, which McCorkle felt had ended the series perfectly in the film Kim Possible: So the Drama, thus initially eliminating any need to determine how they were to proceed with them as a new couple.[48] However, when the series was surprisingly renewed for a fourth season, Schooley and McCorkle were forced to confronted the challenge of writing for Kim and Ron as a couple for the first time but eventually grew to appreciate their "new dynamic", which provided the show with "new life" while allowing the writers to explore previously uncharted comedic territory.[29][48] In fact, fans' interest in the new power couple's relationship was one of the main reasons the show was renewed.[40] Schooley and McCorkle returned from other projects they had begun working on to complete the series.[40]

Schooley and McCorkle approached the challenge of portraying dating in a way that would appeal to both younger and older children by having the villains, particularly Shego,[42] react to news of Kim and Ron's relationship with disbelief since "Ron is painfully aware that he is the luckiest man in the world ... for landing Kim", according to Schooley.[48] Approaching their romantic relationship much like they did their friendship, the writers refused to treat the storyline like a soap opera in which the couple constantly breaks up and reunites, keeping their romance realistic by quickly abandoning "the lovey-dovey phase".[48] To avoid alienating younger audiences, Schooley and McCorkle only slightly acknowledged the relationship, maintaining that Kim "still saves the world. We still have the villains, and we have the comedy with the villains and their bizarre schemes and how they get foiled."[48] The fourth season introduces new villains such as Camille Léon, a shapeshifting celebrity heiress, and Warmonga, a more serious villain who possesses "No funny clownish behavior, just evil."[29][42] The villains also work together against Kim in different combinations.[29] Kim is also given her own car while her brothers, having skipped several grades due to their intelligence, join her in high school despite being only 12 years-old,[48] much to Kim's chagrin.[29] Wade ventures outside his bedroom more often,[29] occasionally assisting Kim and Ron in person.[49] The recurring character Monique, who was created because Schooley and McCorkle felt that Kim would be more realistic if she were to have a female best friend in addition to Ron,[29] is expanded from that of simply an observer of Kim and Ron's lives to a more involved member of Team Possible, broadening the ensemble.[29] Ron's home life is also explored as he welcomes a younger sibling.[49] The series ends with Kim and Ron graduating.[5] Several Season 4 episodes were edited and shortened for time because they would run up to five minutes too long, forcing Loter to eliminate some sub plots and characters.[42] Steve Loter documented the production of the final episode of season four, and thus the completion of the Kim Possible franchise, in a blog titled "So the Finale" hosted on Blogger. It included behind-the-scenes and production information from the perspective of the crew as well as production sketches from one of several alternative endings that had been scripted. "So the Finale" maintained an open comment system allowing fans to express their views on the franchise and its closure.[50]

Creating the Kim Possible universe and environment was very much a collaborative process between Schooley and McCorkle, Disney Channel, the character designers, and the cast, who were also encouraged to contribute their own ideas.[10] Although Schooley and McCorkle participated in designing Kim, the majority of that particular task was the combined efforts of Loter, inaugural season director Chris Bailey, art director Alan Bodner and character designer Stephen Silver,[10] each of whom had worked together on previous animated projects.[42] Due to their extensive animation experience, Schooley and McCorkle were aware that "Kim had to be an appealing character", while Ron would be more-so "goofy-appealing".[10] Evolving dramatically over the course of three months, Kim, who had originally been designed to resemble a "standard" athletic-looking blonde heroine, underwent several changes.[10] At one point, the character's appearance was based on that of video game character Lara Croft from the Tomb Raider franchise until Disney Channel abandoned this concept in favor of one more akin to that of a 14 year-old girl as opposed to a bombshell.[10] Admitting that Kim would have been their dream girl in high school, the creators joked, "She would have been way out of our class though."[10] A super suit designed for the character was introduced in early Season 4 but quickly abandoned once the writers realized that the costume would detract from the character's established "she can do anything" reputation.[42] However, her original mission outfit consisting of a crop top and cargo pants is permanently replaced by a T-shirt and pants.[51] Meanwhile, the outfits of Team Impossible were influenced by the X-Men's "classic" blue and gold uniforms.[40]

Loter typically visualized whatever script he was provided with after they had been written.[42] With characters drawn with large heads and eyes,[6] the show's colorful, "hip and retro" style is reminiscent of "campy" spy films released during the 1960s and 1970s.[52] The New York Times observed that the show's retro setting is more similar to that of The Jetsons than The Simpsons.[53] Using a limited animation style,[54] the characters wear a wide variety of costumes and hairstyles.[13] Opting for a "simplicity that was the hallmark of" the 1960s, some of the architecture in Kim Possible is reminiscent of lairs owned by James Bond villains, while Bodner was inspired by the graphic design of posters Disney used during the same decade, as well a Chuck Jones and Maurice Noble.[29] In Season 4, some episodes were intentionally filmed in multiplane to achieve a more cinematic image.[42] Additionally, Disney Channel's animated series American Dragon: Jake Long inspired the animators and artists to approach Kim Possible's final season with an "edgier" design.[42] Director Steve Loter declared that Season 4 was the "most international season" because Kim and Ron travel to more exotic countries.[42]

Four different animation studios animated the series: Rough Draft Korea, Starburst Animation Studios, Toon City and Hanho Heung-Up Co., Ltd.[42]

R&B singer Christina Milian recorded the show's theme song "Call Me, Beep Me", which she also credits with benefiting her own career as a recording artist.

Written by musicians Cory Lerios and George Gabriel, the show's theme song "Call Me, Beep Me" (also known as "Call Me, Beep Me! (The Kim Possible Song)" or simply "The Kim Possible Song")[55] is performed by American recording artist Christina Milian.[56] Having already been working for Disney Channel at the time, appearing as a correspondent on the network's miniseries Movie Surfers after declining an offer to appear on their variety show The Mickey Mouse Club,[57][58] Milian learned about Kim Possible from Disney when the studio called her in recruitment of an artist to record the new show's theme song.[59] After meeting with the songwriters, who then proceeded to write the song, for the first time, Milian returned to the studio to record "Call Me, Beep Me" one week later.[59] Romano also contributed vocals to the song.[60] Described as a Motown-influenced R&B and teen pop track,[56][61] "Call Me, Beep Me" is heard during the show's opening title sequence, encouraging viewers and listeners to contact Kim for assistance should they ever find themselves in difficult situations,[56] featuring the lyrics "Danger or trouble, I'm there on the double."[25] The sounds of mobile devices and modern-day technology are incorporated throughout the song.[55] Although "Call Me, Beep Me" begins "I'm your basic, average girl" in reference to Kim, these lyrics are paradoxical because there is little basic or average about its protagonist.[62] A music video was released for "Call Me, Beep Me", which features Milian and Romano recording the song in the recording studio interspersed with short scenes from the series.[60]

"Call Me, Beep Me" became a Radio Disney hit, remaining at number one for 12 weeks.[63] The song's success ultimately benefited Milian's career as a performer; she explained, "I never realized that show would give me so much exposure. It's great because people have grown with me, even with that damn song. Didn't know so many people were watching Kim Possible like that. Because of that song, it actually inspired me to do my own musical animated artist because a lot of people thought I was Kim Possible."[64] Milian has yet to perform the song live in concert but has expressed interest in recording a remix for fans.[59] "Call Me, Beep Me" was the first song Lerios and Gabriel wrote together, and the songwriting duo has since gone on to collaborate on both scoring and writing songs for several other major television networks and programs.[65] "Call Me, Beep Me" became so popular among fans of both the show that several of them proceeded to download it as their own cell phone ringtones, including Milian herself.[64]

Composer Adam Berry was responsible for scoring the entire series. Berry was also responsible for creating music for the first three seasons of Comedy Central's South Park. While the music in Kim Possible is mostly guitar-driven, Berry's scoring experience prior to the show had been exclusively orchestral, composing scores using only a keyboard.[61] A guitarist since the age of six, Berry himself provided all the guitar and bass musical cues in Kim Possible.[61] Although discussing whether or not popular music featured in the series should be stylistically similar to the score, Disney decided to avoid limiting the show to then-current musical trends because, according to Berry, "trying to be current is one of the best ways to sound dated."[61] While themes of electronic music are heard during the scene's fight sequences, guitar riffs of "Call Me, Beep Me" are reprised throughout episodes.[13] Smash Mouth lead singer Steve Harwell made a guest appearance in the Season 2 episode "Queen BeBe" in December 2003.[66] The third season introduced several character-specific songs.[13] The title sequence was almost entirely updated with the premiere of the fourth season, though "Call Me, Beep Me" remained unchanged.[67]

An official Kim Possible soundtrack was released by Walt Disney Records on July 1, 2003, featuring "Call Me, Beep Me" and "Could it Be",[68] in addition to other musical contributions from the cast of Kim Possible in addition to various Disney recording artists, including Aaron Carter.[61] Romano also recorded a new song entitled "Say the Word" for the album.[69] A combination of teen pop, pop rock, power pop and R&B music,[69][70][71] the soundtrack also features appearances by musical groups A-Teens, Jump5 (performing a cover of Kool & the Gang's "Celebration"), LMNT and Smash Mouth, and Will Friedle and Nancy Cartwright's "Naked Mole Rap",[70] a rapped tribute to Ron's pet Rufus,[72] ultimately concluding with a "work-you-up remix" of the theme song by Tony Phillip.[69][72] Aimed primarily at the show's young fan base,[71] AllMusic writer Heather Phares reviewed the album as "a better than average children's soundtrack."[70]

In the days leading up to Kim Possible's premiere, television critics speculated whether or not the show would attract a large enough male audience despite its female lead to prove successful.[46][97][98] Ultimately, Kim Possible premiered to both widespread acclaim and strong viewership.[88][98][99] The first season currently holds a perfect 100% score on review aggregator Rotten Tomatoes.[100] The series continued to garner critical acclaim throughout its run,[26][40][101][102] earning particular praise for its dialogue, humor and animation,[67][98] as well as appeal towards both younger and older viewers.[48] Describing the show as "infectious", Rob Owen of the Pittsburgh Post-Gazette wrote, "Blessed with a modern sense of humor and hip -- but not too hip -- vocabulary, Kim Possible should appeal to the tweens ... it clearly targets", believing that its animation, "speed with which stories unfold and especially the dialogue makes Kim Possible an early summer TV treat."[12] Writing for The New York Times, television critic Julie Salamon enjoyed Rufus' role, penning, "I probably would have liked Kim Impossible even if one of its lead characters hadn't been a naked mole rat. But the cheerful presence of Rufus ... in this new animated series from Disney signals that the show's executive producer and director, Chris Bailey, doesn't mind getting cute in obvious ways."[53] Similarly, USA Today's Alex Kane wrote that the show "is ultimately made memorable by its charming cast of characters, including a naked mole rat named Rufus".[14] In his book The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present, television historian Tim Brooks appreciated the show's "marvelous sense of humor about itself."[23]

Scott D. Pierce of the Deseret News praised Kim Possible for being "an entertaining show that should indeed appeal to tweens, younger kids and even their parents" that "plays with the superhero format in a way that doesn't take itself too seriously but doesn't play down to the viewers."[21] Tracy McLoone of PopMatters reviewed, "Kim Possible includes adult-friendly humor, in the event that parents feel the need to watch tv (sic) with their kids. But nobody in or watching the series will ever be offended or over-stimulated, or even surprised."[6] While accepting Kim as a positive role model and admitting that the series teaches "good lessons" at times, Besty Wallace of Common Sense Media expressed concern over the show's violent action sequences, explaining, "lessons may get muddled and nearly lost as the heroes shimmy up rope ladders dangling from helicopters and dodge spinning tops of doom."[52] Wallace concluded, "As long as you're not expecting too much in the way of educational value, you'll probably have plenty of fun with this one."[52] Writing for Bustle, Sarah Freymiller opined, "Ultimately, Kim Possible was just a solid show" that "didn't skimp on plot or dialogue in favor of Wile E. Coyote explosions, and its tongue-in-cheek humor allowed it to be self-aware and hip at the same time."[74]

Conversely, Girlfighting: Betrayal and Rejection Among Girls author Lyn Mikel Brown was less receptive towards Kim herself, criticizing the show for promoting the beautiful and thin heroine as "your basic average girl" and apparent reliance on Ron's intelligence, as well as the fact that her "biggest threat" is Bonnie as opposed to evil. According to Brown, "Being the kind of girl who's accepted or befriended by boys underscores a girl's power and sets her against other girls."[103]

In its first season, Kim Possible was nominated for its first and only Primetime Emmy Award in 2003, for Outstanding Animated Program.[104] In 2004, the series was nominated for two Daytime Emmy Awards in the categories Outstanding Children's Animated Program and Outstanding Performer in an Animated Program.[105] In 2005, Kim Possible was nominated for a record-breaking total of five Daytime Emmy Awards, the highest number of Emmy Award nominations ever received by the series.[106] The number of nominations was also the highest received by any animated series recognized that year.[107][40] Nominated for Outstanding Children's Animated Program, Outstanding Performer in an Animated Program (for Romano), Outstanding Achievement in Sound Editing and Outstanding Achievement in Sound Mixing - Live Action and Animation,[107] Kim Possible ultimately won award, for Outstanding Sound Mixing — Live Action and Animation.[67] Kim Possible's popularity at the Emmy Awards is credited with further proving that the show was popular among both children and adults.[40] In addition to one Emmy Award win and eight nominations,[101] Kim Possible has also won Parents' Choice Awards and Annie Awards for Best Program and Best TV Series for Children, respectively.[49]

Polygon writer Petrana Radulovic observed that the series "bears a weighty legacy" due to being "a staple of many childhoods ... Unlike many other action comedies at the time, Kim Possible centered around a capable heroine, and many boys and girls alike watched the show. Because it is such a beloved childhood show, the nostalgia value is high."[102] One of Disney Channel's most popular and successful original shows,[26][40][101] Kim Possible remains the project for which Schooley and McCorkle are best known.[31] Few anticipated Kim Possible would become as successful as it ultimately did,[28] proving popular among both male and female audiences.[32] Explaining Kim Possible's universal appeal, the creators said, "Whenever there's an action complement to a show, boys get excited, and when Kim does her martial arts and when she's doing one of these incredible stunts, boys love to watch it ... And one of the things that we've always found is that boys of any age ... love humour and characters that are a little goofy, sort of silly and weird. When we tested it, the kids were like: 'Oh, Ron's stupid funny' and that became sort of a buzz phrase."[32] Ron's role helped maintain a strong male audience and following both throughout and after the series.[40] Kim Possible was greeted with a level of enthusiasm that had not been experienced since the Disney Afternoon Lineup,[108] becoming Disney Channel's most successful post-1990s show.[87] Disney Channel Worldwide President Rich Ross extolled Kim Possible as a "stand-out" among both the network's live action and animated catalog.[106] The series maintains "legions" of devoted fans.[109] A poll conducted by Disney Channel revealed that Kim Possible viewers voted for Season 3's "Emotion Sickness" as their favorite episode of the series.[48]

Kim Possible is considered to be one of Disney Channel's most beloved programs.[75] Entertainment Weekly ranked Kim Possible the fourth on greatest Disney Channel Original Series, calling it an "animated gem".[110] Kim Possible was placed at number nine on TV Guide's ranking of "The Best Disney Channel Shows".[111] MTV ranked Kim Possible 13th in its article "15 Disney Channel Series We Wish We Could Watch Again".[34] According to a 2019 article by Screen Rant, Kim Possible is the sixth highest-ranked Disney Channel Original Series on IMDb, with a score of 7.2 at the time of publishing, praising its combination of "a strong female lead, a dude instead of a damsel in distress, and a slew of colorful villains to fight".[75]

The success of Kim Possible spawned two animated—as well as a live action—television films based on the series, becoming the first animated series to be adapted into a Disney Channel Original Movie.[105] The first, Kim Possible: A Sitch in Time, is science fiction-themed and premiered on Disney Channel on November 28, 2003, following Kim as she travels both back in time and into the future to save the world.[73] Dubbed an "extended episode",[86] the film also explores the character's origin, revealing how both she and Ron became crime fighters, and features an all-star cast.[42][73] The second, Kim Possible Movie: So the Drama, was released in 2005 and was originally going to be the series finale, but due to popular demand the series was renewed for the fourth season.

On February 7, 2018, Disney announced on Twitter that they were moving forward in making a live action Kim Possible Disney Channel Original Movie and were beginning casting.[112][113] On April 25, 2018, Disney Channel announced on its Public Relations Twitter account that the movie was set to premiere sometime in 2019 and that Sadie Stanley and Sean Giambrone would portray Kim Possible and Ron Stoppable respectively.[114] On May 25, 2018, TVLine revealed casting for six key roles in the movie including Alyson Hannigan as Dr. Ann Possible, Connie Ray as Nana Possible, Todd Stashwick as Drakken, Taylor Ortega as Shego, Ciara Wilson as Athena and Erika Tham as Bonnie.[115] On June 22, 2018, it was announced that Issac Ryan Brown will portray Wade.[116] In August 2018, it was announced Christy Carlson Romano had joined the cast of the film, with Patton Oswalt reprising his role as Professor Dementor.[117] A trailer released on December 7 revealed that the film was set to premiere on February 15, 2019.[118]

The success of Kim Possible spawned its own video game series; a total of six video games were released, supported by various gaming consoles and platforms:

• Disney's Kim Possible: Revenge of Monkey Fist (GBA) – released, November 13, 2002
• Disney's Kim Possible 2: Drakken's Demise (GBA) – released, September 15, 2004
• Disney's Kim Possible 3: Team Possible (GBA) – released, August 21, 2005
• Disney's Kim Possible: Kimmunicator (DS) – released, November 9, 2005
• Disney's Kim Possible: Legend of the Monkeys Eye (PC) – released, May 16, 2006
• Disney's Kim Possible: What's the Switch? (PS2) – released, October 19, 2006
• Disney's Kim Possible: Global Gemini (DS) – released, February 9, 2007

In 2003, Disney began using the popularity of both Disney Channel's Kim Possible and Lizzie McGuire in an attempt to revive the company's struggling merchandising division, which had been suffering from a declining interest in movie and television tie-ins.[119] In June 2004, McDonald's customers received Kim Possible memorabilia ranging from action figures to spy gear and accessories with their purchase of a Happy Meal.[105] Customers were given a choice of eight different interactive toys to choose from, including a magnetic drawing tablet designed to resemble the Kimminucator and action figures of Kim, Ron, Rufus, Shego, and Monkey Fist.[120]

Based on the series, the Kim Possible World Showcase Adventure was an interactive attraction that took place in several of Epcot's World Showcase pavilions in Walt Disney World. The attraction is an electronic scavenger hunt that has guests using special "Kimmunicators" (in actuality, modified cell phones) to help Kim Possible and Ron Stoppable solve a "crime" or disrupt an evil-doer's "plans for global domination." The "Kimmunicator" is able to trigger specific events within the pavilion grounds that provide clues to completing the adventure. Launched in January 2009 and presented by Verizon Wireless, the Adventure is included in park admission.[121]

The attraction was closed on May 18, 2012, to make way for a similar attraction themed around the character of "Agent P" from Disney Channel animated television show Phineas and Ferb. The new attraction, now called Disney's Phineas and Ferb's Agent P World Showcase Adventure, opened in June 2012.[122]