Music of Belize

After many centuries of Maya habitation, British colonizers arrived in the area in the 17th century. Belize was Britain's only colony in Spanish-dominated Central America until self-government in 1964 and gaining full Independence in 1981. Belize is still part of the Commonwealth of Nations. Far more influential than this presence, however, was the importation of African slaves.

Europeans brought polkas, waltzes, schottisches and quadrilles, while Africans brought numerous instruments and percussion-based musics, including marimba.[1][2] African culture resulted in the creation of brukdown music in interior logging camps, played using banjo, guitar, drums, dingaling bell, accordion and an ass' jaw bone played by running a stick up and down the teeth.[2]

Maya Mestizo culture in north and west Belize, and also Guatemala, is characterised by marimba, a xylophone-like instrument descended from an African instrument. Marimba bands use drum sets, double bass and sometimes other instruments. Famous performers included Alma Belicena and the Los Angeles Marimba Band.[3] In Benque Viejo Del Carmen, the Los Angeles Marimbas were owned by the Castellanos family, whose patriarch, Ernesto Castellanos was both musician and master marimba maker. They gave scheduled weekend performances at the Los Angeles Club (also owned by the Castellanos Family) on Church Street in Benque Viejo Del Carmen. Well known bands in Northern Belize in the old days were Los Beliceños, Los Cañeros, Los Atlanticos, Lucio y su nueva Generacion and Mauro y sus Profetas. One of the popular contemporary marimba bands is the Benque Marimba Youth Academy.[4] In the villages of northern Belize you will also find Maya Pax bands which mostly play for traditional Maya dances like the Hoghead dance like La banda de San Jose in Orange Walk district.[5]

Cumbia music is mostly performed by bands in the northern region of the country where Mestizos and Maya (Yucatec Maya) are abundant. Cumbia is a genre of music with similar qualities to the salsa and merengue.

Among the most popular styles created by Kriol musicians is brukdown. Brukdown evolved out of the music and dance of loggers, especially a form called buru.[6] Buru was often satirical in nature, and eventually grew more urban, accompanied by a donkey's jawbone, drums and a banjo. The word brukdown may come from broken down calypso, referring to the similarities between brukdown and Trinidadian calypso music; the presence of large numbers of Jamaicans in Belize also led to an influence from mento music.[6]

In modern forms, new instruments have been added to brukdown. The "boom and chime groups" use bass guitar, electric guitar and congas, for example. Popular brukdown groups include The Tigers, The Mahogany Chips, Mimi Female Duet and Brad Pattico. Brukdown remains a rural, rarely recorded genre.

The Garifuna (also called Garinagu) are descended from escaped Island Caribs who were deported from St. Vincent to Central America (especially Honduras and also Belize) in 1802 by the British when they conquered St. Vincent. The Garifunas kept themselves apart from the social system then dominant, leading to a distinctive culture that developed throughout the 20th century.

Forms of Garifuna folk music and dance encompass many styles including: punta, hungu-hungu, combination, wanaragua, abaimahani, matamuerte, laremuna wadaguman, gunjai, charikanari, sambai, charikanari, eremuna egi, paranda, berusu, punta rock, teremuna ligilisi, arumahani, and Mali-amalihani. Punta and Punta rock are the most popular forms of dance music in Garifuna culture. Punta is performed around holidays and at parties, and other social events. Punta lyrics are usually composed by the women. Chumba and hunguhungu are circular dances in a three beat rhythm, which are often combined with punta. There are other songs typical to each gender, women having eremwu eu and abaimajani, rhythmic a cappella songs, and laremuna wadaguman, men's work songs.

Drums play an important role in Garifuna music. These drums are typically made of hollowed-out hardwood such as mahogany or mayflower, with the skins coming from the peccary (wild bush pig), deer, or sheep. Also used in combination with the drums are the sisera. These shakers are made from the dried fruit of the gourd tree, filled with seeds, then fitted with hardwood handles.

In contemporary Belize there has been a resurgence of Garifuna music, popularized by musicians such as Andy Palacio, Mohobub Flores, & Adrian Martinez. These musicians have taken many aspects from traditional Garifuna music forms and fused them with more modern sounds in a style described as a mixture of punta rock and paranda. One great example is Andy Palacio's album Watina released on the Belizean record label "Stone Tree Records."

Belize's musical base has expanded considerably in recent years with the addition of local reggae, reggaeton, punta, soca, dancehall, hip hop, rock, and metal acts. The latter genre includes bands like Death Suppressor Lasher Zombie, Verge of umbra, and Ascenthium.

However, despite growing local scenes, modern music from other Caribbean nations (primarily Jamaican dancehall and Trinidadian soca ), as well as commercial pop music from the United States and United Kingdom still remain the most popular genres of music among young Belizeans.

Notable Belizean artists and performers include:

• Andy Palacio
• Lova Boy
• Paul Nabor
• Pen Cayetano
• Wilfred Peters

• Belize Music Blog – Contains news, articles and updates about belizean music and artists
• BBC Radio 3 Audio (60 minutes): Andy Palacio and the Garifuna. Accessed November 25, 2010.
• BBC Radio 3 Audio (60 minutes): Son Jarocho and the Malinto choir. Accessed November 25, 2010. * www.myspace.com/lasherzombie :Lasher Zombie