Persian Film
Persian Film, also known as Filmfarsi (Persian: فیلمفارسی), is a cinematic term used in Iranian cinema criticism. It was coined by Iranian film critic, Hushang Kavusi. It was coined to describe low-quality films mostly copied from the Bollywood cinema and with poor plots, mostly arranged with dance and singing.[1][2] The major focus for Iranian films prior to the Iranian revolution were thrillers, melodrama, music, and introducing unrealistic heroes. This kind of filmmaking was suppressed after revolution by more strict laws on relations between men and women. The suppression of the Filmfarsi genre encouraged the Iranian New Wave of modern films in Iranian cinema.
Gallery
- Lady Shabaji (1958)
- Pretty Foe (1962)
- King of Hearts (1968)
- Shining Star (1969)
- Reza Motorcyclist (1970)
- Nikah Halala (1971)
- The Dagger (1972)
- Torkaman (1974)
- Mashti Mamdali's Car (1974)
- The Beehive (1975)
- The Crookes (1974)
References
- "مولفههای سینمای فیلمفارسی".
- Talattof, Kamran (2011). Modernity, Sexuality, and Ideology in Iran: The Life and Legacy of a Popular Female Artist. Syracuse University Press. p. 12. ISBN 9780815651390. Retrieved 13 December 2017.
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