Modulation

In electronics and telecommunications, modulation is the process of varying one or more properties of a periodic waveform, called the carrier signal, with a separate signal called the modulation signal that typically contains information to be transmitted. For example, the modulation signal might be an audio signal representing sound from a microphone, a video signal representing moving images from a video camera, or a digital signal representing a sequence of binary digits, a bitstream from a computer. The carrier is higher in frequency than the modulation signal. The purpose of modulation is to impress the information on the carrier wave, which is used to carry the information to another location. In radio communication the modulated carrier is transmitted through space as a radio wave to a radio receiver. Another purpose is to transmit multiple channels of information through a single communication medium, using frequency division multiplexing (FDM). For example in cable television which uses FDM, many carrier signals carrying different television channels are transported through a single cable to customers. Since each carrier occupies a different frequency, the channels do not interfere with each other. At the destination end, the carrier signal is demodulated to extract the information bearing modulation signal.

For other uses, see Modulation (disambiguation).
Passband modulation
Analog modulation
Digital modulation
Hierarchical modulation
Spread spectrum
See also

A modulator is a device or circuit that performs modulation. A demodulator (sometimes detector) is a circuit that performs demodulation, the inverse of modulation. A modem (from modulator–demodulator) can perform both operations. The frequency band occupied by the modulation signal is called the baseband, while the higher frequency band occupied by the modulated carrier is called the passband.

In analog modulation an analog modulation signal is impressed on the carrier. Examples are amplitude modulation (AM) in which the amplitude (strength) of the carrier wave is varied by the modulation signal, and frequency modulation (FM) in which the frequency of the carrier wave is varied by the modulation signal. These were the earliest types of modulation, and are used to transmit an audio signal representing sound, in AM and FM radio broadcasting. More recent systems use digital modulation, which impresses a digital signal consisting of a sequence of binary digits (bits), a bitstream, on the carrier. In frequency shift keying (FSK) modulation, used in computer buses and telemetry, the carrier signal is periodically shifted between two frequencies that represent the two binary digits. In digital baseband modulation (line coding) used to transmit data in serial computer bus cables and wired LAN computer networks such as Ethernet, the voltage on the line is switched between two amplitudes (voltage levels) representing the two binary digits, 0 and 1, and the carrier (clock) frequency is combined with the data. A more complicated digital modulation method that employs multiple carriers, orthogonal frequency division multiplexing (OFDM), is used in WiFi networks, digital radio stations and digital cable television transmission.

In music production, the term modulation has a different meaning: it is the process of gradually changing sound properties in order to reproduce a sense of movement and depth in audio recordings. It involves the use of a source signal (known as a modulator) to control another signal (a carrier) through a variety of sound effects and methods of synthesis.[1] With singers and other vocalists, modulation means to modify characteristics of their voices during a performance, such as loudness or pitch.

Analog modulation methods
A low-frequency message signal (top) may be carried by an AM or FM radio wave.
Waterfall plot of a 146.52 MHz radio carrier, with amplitude modulation by a 1,000 Hz sinusoid. Two strong sidebands at + and - 1 kHz from the carrier frequency are shown.
A carrier, frequency modulated by a 1,000 Hz sinusoid. The modulation index has been adjusted to around 2.4, so the carrier frequency has small amplitude. Several strong sidebands are apparent; in principle an infinite number are produced in FM but the higher-order sidebands are of negligible magnitude.

In analog modulation, the modulation is applied continuously in response to the analog information signal. Common analog modulation techniques include:

Digital modulation methods

In digital modulation, an analog carrier signal is modulated by a discrete signal. Digital modulation methods can be considered as digital-to-analog conversion and the corresponding demodulation or detection as analog-to-digital conversion. The changes in the carrier signal are chosen from a finite number of M alternative symbols (the modulation alphabet).

Schematic of 4 baud, 8 bit/s data link containing arbitrarily chosen values.

A simple example: A telephone line is designed for transferring audible sounds, for example, tones, and not digital bits (zeros and ones). Computers may, however, communicate over a telephone line by means of modems, which are representing the digital bits by tones, called symbols. If there are four alternative symbols (corresponding to a musical instrument that can generate four different tones, one at a time), the first symbol may represent the bit sequence 00, the second 01, the third 10 and the fourth 11. If the modem plays a melody consisting of 1000 tones per second, the symbol rate is 1000 symbols/second, or 1000 baud. Since each tone (i.e., symbol) represents a message consisting of two digital bits in this example, the bit rate is twice the symbol rate, i.e. 2000 bits per second.

According to one definition of digital signal,[2] the modulated signal is a digital signal. According to another definition, the modulation is a form of digital-to-analog conversion. Most textbooks would consider digital modulation schemes as a form of digital transmission, synonymous to data transmission; very few would consider it as analog transmission.

Fundamental digital modulation methods

The most fundamental digital modulation techniques are based on keying:

In QAM, an in-phase signal (or I, with one example being a cosine waveform) and a quadrature phase signal (or Q, with an example being a sine wave) are amplitude modulated with a finite number of amplitudes and then summed. It can be seen as a two-channel system, each channel using ASK. The resulting signal is equivalent to a combination of PSK and ASK.

In all of the above methods, each of these phases, frequencies or amplitudes are assigned a unique pattern of binary bits. Usually, each phase, frequency or amplitude encodes an equal number of bits. This number of bits comprises the symbol that is represented by the particular phase, frequency or amplitude.

If the alphabet consists of alternative symbols, each symbol represents a message consisting of N bits. If the symbol rate (also known as the baud rate) is symbols/second (or baud), the data rate is bit/second.

For example, with an alphabet consisting of 16 alternative symbols, each symbol represents 4 bits. Thus, the data rate is four times the baud rate.

In the case of PSK, ASK or QAM, where the carrier frequency of the modulated signal is constant, the modulation alphabet is often conveniently represented on a constellation diagram, showing the amplitude of the I signal at the x-axis, and the amplitude of the Q signal at the y-axis, for each symbol.

Modulator and detector principles of operation

PSK and ASK, and sometimes also FSK, are often generated and detected using the principle of QAM. The I and Q signals can be combined into a complex-valued signal I+jQ (where j is the imaginary unit). The resulting so called equivalent lowpass signal or equivalent baseband signal is a complex-valued representation of the real-valued modulated physical signal (the so-called passband signal or RF signal).

These are the general steps used by the modulator to transmit data:

  1. Group the incoming data bits into codewords, one for each symbol that will be transmitted.
  2. Map the codewords to attributes, for example, amplitudes of the I and Q signals (the equivalent low pass signal), or frequency or phase values.
  3. Adapt pulse shaping or some other filtering to limit the bandwidth and form the spectrum of the equivalent low pass signal, typically using digital signal processing.
  4. Perform digital to analog conversion (DAC) of the I and Q signals (since today all of the above is normally achieved using digital signal processing, DSP).
  5. Generate a high-frequency sine carrier waveform, and perhaps also a cosine quadrature component. Carry out the modulation, for example by multiplying the sine and cosine waveform with the I and Q signals, resulting in the equivalent low pass signal being frequency shifted to the modulated passband signal or RF signal. Sometimes this is achieved using DSP technology, for example direct digital synthesis using a waveform table, instead of analog signal processing. In that case, the above DAC step should be done after this step.
  6. Amplification and analog bandpass filtering to avoid harmonic distortion and periodic spectrum.

At the receiver side, the demodulator typically performs:

  1. Bandpass filtering.
  2. Automatic gain control, AGC (to compensate for attenuation, for example fading).
  3. Frequency shifting of the RF signal to the equivalent baseband I and Q signals, or to an intermediate frequency (IF) signal, by multiplying the RF signal with a local oscillator sine wave and cosine wave frequency (see the superheterodyne receiver principle).
  4. Sampling and analog-to-digital conversion (ADC) (sometimes before or instead of the above point, for example by means of undersampling).
  5. Equalization filtering, for example, a matched filter, compensation for multipath propagation, time spreading, phase distortion and frequency selective fading, to avoid intersymbol interference and symbol distortion.
  6. Detection of the amplitudes of the I and Q signals, or the frequency or phase of the IF signal.
  7. Quantization of the amplitudes, frequencies or phases to the nearest allowed symbol values.
  8. Mapping of the quantized amplitudes, frequencies or phases to codewords (bit groups).
  9. Parallel-to-serial conversion of the codewords into a bit stream.
  10. Pass the resultant bit stream on for further processing such as removal of any error-correcting codes.

As is common to all digital communication systems, the design of both the modulator and demodulator must be done simultaneously. Digital modulation schemes are possible because the transmitter-receiver pair has prior knowledge of how data is encoded and represented in the communications system. In all digital communication systems, both the modulator at the transmitter and the demodulator at the receiver are structured so that they perform inverse operations.

Asynchronous methods do not require a receiver reference clock signal that is phase synchronized with the sender carrier signal. In this case, modulation symbols (rather than bits, characters, or data packets) are asynchronously transferred. The opposite is synchronous modulation.

List of common digital modulation techniques

The most common digital modulation techniques are:

MSK and GMSK are particular cases of continuous phase modulation. Indeed, MSK is a particular case of the sub-family of CPM known as continuous-phase frequency shift keying (CPFSK) which is defined by a rectangular frequency pulse (i.e. a linearly increasing phase pulse) of one-symbol-time duration (total response signaling).

OFDM is based on the idea of frequency-division multiplexing (FDM), but the multiplexed streams are all parts of a single original stream. The bit stream is split into several parallel data streams, each transferred over its own sub-carrier using some conventional digital modulation scheme. The modulated sub-carriers are summed to form an OFDM signal. This dividing and recombining help with handling channel impairments. OFDM is considered as a modulation technique rather than a multiplex technique since it transfers one bit stream over one communication channel using one sequence of so-called OFDM symbols. OFDM can be extended to multi-user channel access method in the orthogonal frequency-division multiple access (OFDMA) and multi-carrier code division multiple access (MC-CDMA) schemes, allowing several users to share the same physical medium by giving different sub-carriers or spreading codes to different users.

Of the two kinds of RF power amplifier, switching amplifiers (Class D amplifiers) cost less and use less battery power than linear amplifiers of the same output power. However, they only work with relatively constant-amplitude-modulation signals such as angle modulation (FSK or PSK) and CDMA, but not with QAM and OFDM. Nevertheless, even though switching amplifiers are completely unsuitable for normal QAM constellations, often the QAM modulation principle are used to drive switching amplifiers with these FM and other waveforms, and sometimes QAM demodulators are used to receive the signals put out by these switching amplifiers.

Automatic digital modulation recognition (ADMR)

Automatic digital modulation recognition in intelligent communication systems is one of the most important issues in software defined radio and cognitive radio. According to incremental expanse of intelligent receivers, automatic modulation recognition becomes a challenging topic in telecommunication systems and computer engineering. Such systems have many civil and military applications. Moreover, blind recognition of modulation type is an important problem in commercial systems, especially in software defined radio. Usually in such systems, there are some extra information for system configuration, but considering blind approaches in intelligent receivers, we can reduce information overload and increase transmission performance.[3] Obviously, with no knowledge of the transmitted data and many unknown parameters at the receiver, such as the signal power, carrier frequency and phase offsets, timing information, etc., blind identification of the modulation is made fairly difficult. This becomes even more challenging in real-world scenarios with multipath fading, frequency-selective and time-varying channels.[4]

There are two main approaches to automatic modulation recognition. The first approach uses likelihood-based methods to assign an input signal to a proper class. Another recent approach is based on feature extraction.

Digital baseband modulation or line coding
Main article: Line code

The term digital baseband modulation (or digital baseband transmission) is synonymous to line codes. These are methods to transfer a digital bit stream over an analog baseband channel (a.k.a. lowpass channel) using a pulse train, i.e. a discrete number of signal levels, by directly modulating the voltage or current on a cable or serial bus. Common examples are unipolar, non-return-to-zero (NRZ), Manchester and alternate mark inversion (AMI) codings.[5]

Pulse modulation methods

Pulse modulation schemes aim at transferring a narrowband analog signal over an analog baseband channel as a two-level signal by modulating a pulse wave. Some pulse modulation schemes also allow the narrowband analog signal to be transferred as a digital signal (i.e., as a quantized discrete-time signal) with a fixed bit rate, which can be transferred over an underlying digital transmission system, for example, some line code. These are not modulation schemes in the conventional sense since they are not channel coding schemes, but should be considered as source coding schemes, and in some cases analog-to-digital conversion techniques.

Analog-over-analog methods

Analog-over-digital methods

Miscellaneous modulation techniques

See also

References
  1. Rory PQ (May 8, 2019). "What Is Modulation and How Does It Improve Your Music". Icon Collective. Retrieved August 23, 2020.
  2. "Modulation Methods | Electronics Basics | ROHM". www.rohm.com. Retrieved 2020-05-15.
  3. Valipour, M. Hadi; Homayounpour, M. Mehdi; Mehralian, M. Amin (2012). "Automatic digital modulation recognition in presence of noise using SVM and PSO". 6th International Symposium on Telecommunications (IST). pp. 378–382. doi:10.1109/ISTEL.2012.6483016. ISBN 978-1-4673-2073-3. S2CID 9456048.
  4. Dobre, Octavia A., Ali Abdi, Yeheskel Bar-Ness, and Wei Su. Communications, IET 1, no. 2 (2007): 137–156. (2007). "Survey of automatic modulation classification techniques: classical approaches and new trends" (PDF). IET Communications. 1 (2): 137–156. doi:10.1049/iet-com:20050176.CS1 maint: multiple names: authors list (link)
  5. Ke-Lin Du & M. N. S. Swamy (2010). Wireless Communication Systems: From RF Subsystems to 4G Enabling Technologies. Cambridge University Press. p. 188. ISBN 978-0-521-11403-5.

Further reading
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