National Museum of Natural History, France

The museum was formally founded on 10 June 1793, during the French Revolution. Its origins lie, however, in the Jardin royal des plantes médicinales (royal garden of medicinal plants) created by King Louis XIII in 1635, which was directed and run by the royal physicians. The royal proclamation of the boy-king Louis XV on 31 March 1718, however, removed the purely medical function, enabling the garden—which became known simply as the Jardin du Roi (King's garden)—to focus on natural history.

For much of the 18th century (1739–1788), the garden was under the direction of Georges-Louis Leclerc, Comte de Buffon, one of the leading naturalists of the Enlightenment, bringing international fame and prestige to the establishment. The royal institution remarkably survived the French Revolution by being reorganized in 1793 as a republican Muséum national d'histoire naturelle with twelve professorships of equal rank. Some of its early professors included eminent comparative anatomist Georges Cuvier and evolutionary pioneers Jean-Baptiste de Lamarck and Étienne Geoffroy Saint-Hilaire. The museum's aims were to instruct the public, put together collections and conduct scientific research. It continued to flourish during the 19th century, and, particularly under the direction of chemist Michel Eugène Chevreul, became a rival to the University of Paris in scientific research. For example, during the period that Henri Becquerel held the chair for Applied Physics at the Muséum (1892–1908) he discovered the radiation properties of uranium. (Four generations of Becquerels held this chairmanship, from 1838 to 1948.)[2]

A decree of 12 December 1891 ended this phase, returning the museum to an emphasis on natural history. After receiving financial autonomy in 1907, it began a new phase of growth, opening facilities throughout France during the interwar years. In recent decades, it has directed its research and education efforts at the effects on the environment of human exploitation. In French public administration, the Muséum is classed as a grand établissement of higher education.

In the 19th century Argentine naturalist Francisco Javier Muñiz developed a collection that he intended to be used to create a natural history museum. The artifacts were sent (donated or possibly donated by force) to Juan Manuel de Rosas,[3][4] the dictator of the Argentine Federation, whose support was required to establish a museum.[5] Rosas, in an attempt to build alliances overseas, sent collected fossils to Jean Henri Dupotet, Rear Admiral of the French Navy. Dupotet then sent them to Paris.[5] In France, the Muñiz collection ended up in the National Museum of Natural History where they were studied by Paul Gervais.[4]

In 1762 Jean Baptiste Christophore Fusée Aublet was sent to Cayenne in French Guiana, where he assembled a vast herbarium which allowed him to prepare his Histoire des plantes de la Guiane françoise, published in 1775 and including almost 400 copperplate engravings. When Fusée Aublet died at Paris in 1778, he left his herbarium to Jean-Jacques Rousseau, though the latter possessed it for only two months before he too died. It was eventually acquired by the Muséum national d'histoire naturelle in 1953.

During the French Revolution the Museum expanded its collection substantially by claiming objects from the cabinets of the aristocracy and from other institutions, such as the Royal Academy of Sciences and the École Royale Vétérinaire d'Alfort.[6]

The museum has as its mission both research (fundamental and applied) and public diffusion of knowledge. It is organized into seven research and three diffusion departments.[7]

The research departments are:

• Classification and Evolution
• Regulation, Development, and Molecular Diversity
• Aquatic Environments and Populations
• Ecology and Biodiversity Management
• History of Earth
• Men, Nature, and Societies, and
• Prehistory

The diffusion departments are:

• The Galleries of the Jardin des Plantes
• Botanical Parks and Zoos, and
• The Museum of Man (Musée de l'Homme)

The museum also developed higher education, and now delivers a master's degree.[8]

Main façade of the Gallery of Paleontology and Comparative Anatomy.

The museum comprises fourteen sites[9] throughout France with four in Paris, including the original location at the Jardin des Plantes in the 5th arrondissement (métro Place Monge). The galleries open to the public are the Gallery of Mineralogy and Geology, the Gallery of Paleontology and Comparative Anatomy, the Gallery of Botany, and the famous Gallery of Evolution (grande galerie de l'Évolution). The Paleontology and comparative Anatomy Gallery is a 540 million year journey and one of the highlights of the museum. It starts with the famous fossils from the Paleozoic Era from 540 to 250 million years ago, such as the gigantic Dunkleosteus. The Mesozoic Era, 250 to 65 million years ago, marks the golden age of the dinosaurs such as the Diplodocus, Iguanodon, Carnotaurus, Triceratops. One contemporary of these animals was Sarcosuchus, a giant crocodile with terrifying teeth.[10] The Muséum's Menagerie is also located in the Jardin des plantes.

The current Gallery of Botany, erected in 1935, is intended to preserve the vast herbarium of the museum. Referred to by code P, the herbarium includes a large number of important collections amongst its 8 million plant specimens. The historical collections incorporated into the herbarium, each with its P prefix, include those of Jean-Baptiste de Lamarck (P-LA) René Louiche Desfontaines (P-Desf.), Joseph Pitton de Tournefort and Charles Plumier (P-TRF). The bryophyte collection contains 900,000 specimens collected by notable bryologists including Sébastien Vaillant, Jean-Baptiste Mougeot, Camille Montagne, Wilhelm Philippe Schimper, Émile Bescherelle, Irénée Thériot, and Pierre Allorge.[11] The designation at CITES is FR 75A. It publishes the botanical periodical Adansonia and journals on the flora of New Caledonia, Madagascar, and Comoro Islands, Cambodia, Laos, and Vietnam, Cameroon, and Gabon.[12]

The musée de l'Homme is also in Paris, in the 16th arrondissement (métro Trocadéro). It houses displays in ethnography and physical anthropology, including artifacts, fossils, and other objects.

Allée of palms in the Jardin botanique exotique de Menton

Also part of the museum are:

• Three zoos, the Paris Zoological Park (Parc zoologique de Paris, also known as the Zoo de Vincennes), at the Bois de Vincennes in the 12th arrondissement, the Cleres Zoological Park (Parc zoologique de Clères), at a medieval manor in Clères (Seine-Maritime), and the Réserve de la Haute Touche in Obterre (Indre), the largest in France.
• Three botanical parks, the Arboretum de Chèvreloup in Rocquencourt next to the Château de Versailles, the Jardin botanique exotique de Menton and the Jardin alpin de La Jaÿsinia in Samoëns.
• Two museums, the Musée de l'abri Pataud in Les Eyzies-de-Tayac and the Harmas de Fabre in Sérignan-du-Comtat,
• Four scientific sites, the Institut de Paléontologie humaine in Paris, the Centre d'Écologie générale de Brunoy, the Station de Biologie marine et Marinarium de Concarneau, and the CRESCO (Centre de Recherche et d'Enseignement sur les Systèmes Côtiers) in Dinard.

Dreamlike paintings of Henri "Douanier" Rousseau were inspired by visits to the Jardin des Plantes

The transformation of the Jardin from the medicinal garden of the King to a national public museum of natural history required the creation of twelve chaired positions. Over the ensuing years the number of Chairs and their subject areas evolved, some being subdivided into two positions and others removed. The list of Chairs of the Muséum national d'histoire naturelle includes major figures in the history of the Natural sciences. Early chaired positions were held by Jean-Baptiste Lamarck, René Desfontaines and Georges Cuvier, and later occupied by Paul Rivet, Léon Vaillant and others.

The Gallery of Paleontology and Comparative Anatomy and other parts of Jardin des Plantes was a source of inspiration for French graphic novelist Jacques Tardi. The gallery appears on the first page and several subsequent pages of Adèle et la bête (Adèle and the Beast; 1976), the first album in the series of Les Aventures extraordinaires d'Adèle Blanc-Sec. The story opens with a 136-million-year-old pterodactyl egg hatching, and a live pterodactyl escaping through the gallery glass roof, wreaking havoc and killing people in Paris (the Gallery of Paleontology and Comparative Anatomy returned the favor by placing a life size cardboard cutout of Adèle and the hatching pterodactyl in a glass cabinet outside the main entrance on the top floor balcony).

Alphonse Milne-Edwards, director of the museum at the end of the 19th century.

Directors elected for one year:

Directors elected for two years:

Directors elected for five years:

Presidents elected for five years:

The Friends of the Natural History Museum Paris is a private organization that provides financial support for the museum, its branches and the Jardin des Plantes. Membership includes free entry to all galleries of the museum and the botanical garden. The Friends have assisted the museum with many purchases for its collections over the years, as well as funds for scientific and structural development.

• List of museums in Paris
• Cabinet d'Histoire naturelle (history)
• People of the National Museum of Natural History

Wikidata has the property: MNHN taxon ID (P6046) (see uses)

• Media related to Muséum national d'histoire naturelle at Wikimedia Commons
• Official website