Simon Schama

Sir Simon Michael Schama CBE FBA FRSL (/ˈʃæmə/; born 13 February 1945) is an English historian specialising in art history, Dutch history, Jewish history and French history.[1] He is a University Professor of History and Art History at Columbia University, New York.[2]

Sir Simon Schama

CBE, FBA, FRSL
At the Financial Times and Goldman Sachs Business Book of the Year Award presentation in 2013
Born (1945-02-13) 13 February 1945
Marylebone, London, England
OccupationAcademic, art historian
EducationHaberdashers' Aske's Boys' School
Alma materChrist's College, Cambridge
Notable awardsWolfson History Prize
Leo Gershoy Award
Fellow of the Royal Society of Literature
SpouseVirginia Papaioannou
Children2

He first came to public attention with his history of the French Revolution titled Citizens, published in 1989.[1] In the United Kingdom, he is perhaps best known for writing and hosting the 15-part BBC television documentary series A History of Britain broadcast between 2000 and 2002.[3][4] Schama was knighted in the 2018 Queen's Birthday Honours List.[5]

Early life and education

Schama was born in Marylebone, London.[1][6] His mother, Gertie (née Steinberg), was from an Ashkenazi Jewish family (from Kaunas, present-day Lithuania), and his father, Arthur Schama, was of Sephardi Jewish background (from Smyrna, present-day İzmir in Turkey), later moving through Moldova and Romania.[7][8]

In the mid-1940s, the family moved to Southend-on-Sea in Essex before moving back to London. In 1956, Schama won a scholarship to the private Haberdashers' Aske's Boys' School in Cricklewood, (from 1961 Elstree, Hertfordshire). He then studied history at Christ's College, Cambridge, where he was taught by John H. Plumb. He graduated from the University of Cambridge with a Starred First in 1966.[1]

Career

Schama worked for short periods as a lecturer in history at Cambridge, where he was a Fellow and Director of Studies in History at Christ's College. He then taught for some time at Oxford, where he was made a Fellow of Brasenose College in 1976, specialising in the French Revolution.[1]

At this time, Schama wrote his first book, Patriots and Liberators, which won the Wolfson History Prize. The book was originally intended as a study of the French Revolution, but as published in 1977, it focused on the effect of the Patriottentijd revolution of the 1780s in the Netherlands, and its aftermath.[9][10]

His second book, Two Rothschilds and the Land of Israel (1978), is a study of the Zionist aims of Edmond and James Rothschild.

In the United States

Schama at New York City's Strand Bookstore in 2006.

In 1980, Schama took up a chair at Harvard University. His next book, The Embarrassment of Riches (1987), again focused on Dutch history.[11] Schama interpreted the ambivalences that informed the Dutch Golden Age of the 17th century, held in balance between the conflicting imperatives, to live richly and with power, or to live a godly life. The iconographic evidence that Schama draws upon, in 317 illustrations, of emblems and propaganda that defined Dutch character, prefigured his expansion in the 1990s as a commentator on art and visual culture.[12]

Citizens (1989), written at speed to a publisher's commission, saw the publication of his long-awaited study of the French Revolution, and won the 1990 NCR Book Award. Its view that the violence of the Terror was inherent from the start of the Revolution, however, has received serious negative criticism.[1][13]

Schama appeared as an on-screen expert in Michael Wood's 1989 PBS series Art of the Western World as a presenting art historian, commenting on paintings by Diego Velázquez, Rembrandt, and Johannes Vermeer.[14]

In 1991, he published Dead Certainties (Unwarranted Speculations),[15] a relatively slender work of unusual structure and point-of-view in that it looked at two widely reported deaths a hundred years apart, that of British Army General James Wolfe in 1759 – and the famous 1770 painting depicting the event by Benjamin West – and that of George Parkman, murdered uncle of the better known 19th-century American historian Francis Parkman.[16][17]

Schama mooted some possible (invented) connections between the two cases, exploring the historian's inability "ever to reconstruct a dead world in its completeness however thorough or revealing the documentation", and speculatively bridging "the teasing gap separating a lived event and its subsequent narration." Not all readers absorbed the nuance of the title: it received a very mixed critical and academic reception. Traditional historians in particular denounced Schama's integration of fact and conjecture to produce a seamless narrative,[18] but later assessments took a more relaxed view of the experiment.[19]

It was an approach soon taken up by such historical writers as Peter Ackroyd, David Taylor, and Richard Holmes.[20]

Sales in hardback exceeded those of Schama's earlier works.

Schama's next book, Landscape and Memory (1995), focused on the relationship between physical environment and folk memory, separating the components of landscape as wood, water and rock, enmeshed in the cultural consciousness of collective "memory" embodied in myths, which Schama finds to be expressed outwardly in ceremony and text. More personal and idiosyncratic than Dead Certainties, this book was more traditionally structured and better-defined in its approach. Despite mixed reviews, the book was a commercial success and won numerous prizes.[21][22]

Plaudits came from the art world rather than from traditional academia. Schama became art critic for The New Yorker in 1995. He held the position for three years, dovetailing his regular column with professorial duties at Columbia University; a selection of his essays on art for the magazine, chosen by Schama himself, was published in 2005 under the title Hang Ups.[23] During this time, Schama also produced a lavishly illustrated Rembrandt's Eyes, another critical and commercial success. Despite the book's title, it contrasts the biographies of Rembrandt van Rijn and Peter Paul Rubens.[24]

BBC

In 1995, Schama wrote and presented a series called Landscape and Memory to accompany his book of the same name.

Schama returned to the UK in 2000, having been commissioned by the BBC to produce a series of television documentary programmes on British history as part of their Millennium celebrations, under the title A History of Britain. Schama wrote and presented the episodes himself, in a friendly and often jocular style with his highly characteristic delivery, and was rewarded with excellent reviews and unexpectedly high ratings. There has been, however, some irritation and criticism expressed by a group of historians about Schama's condensed recounting of the British Isles' history on this occasion, particularly by those specialising in the pre-Anglo-Saxon history of Insular Celtic civilisation.[25] Three series were made, totalling 15 episodes,[26][27] covering the complete span of British history up until 1965;[27] it went on to become one of the BBC's best-selling documentary series on DVD. Schama also wrote a trilogy of tie-in books for the show, which took the story up to the year 2000; there is some debate as to whether the books are the tie-in product for the TV series, or the other way around. The series also had some popularity in the United States when it was first shown on the History Channel.[27]

In 2001, Schama received a CBE. In 2003, he signed a new contract with the BBC and HarperCollins to produce three new books and two accompanying TV series. Worth £3 million (around US$5.3m), it represents the biggest advance deal ever for a TV historian. The first result of the deal was a book and TV show entitled Rough Crossings: Britain, the Slaves and the American Revolution,[28] dealing in particular with the proclamation issued during the Revolutionary War by Lord Dunmore offering slaves from rebel plantations freedom in return for service to the crown.[29]

In 2006 the BBC broadcast a new TV series, Simon Schama's Power of Art which, with an accompanying book, was presented and written by Schama. It marks a return to art history for him, treating eight artists through eight key works: Caravaggio's David with the Head of Goliath, Bernini's Ecstasy of St Theresa, Rembrandt's Conspiracy of Claudius Civilis, Jacques-Louis David's The Death of Marat, J. M. W. Turner's The Slave Ship, Vincent van Gogh's Wheat Field with Crows, Picasso's Guernica and Mark Rothko's Seagram murals.[30] It was also shown on PBS in the United States.[31]

In October 2008, on the eve of the presidential election won by Barack Obama, the BBC broadcast a four-part television series called The American Future: A History presented and written by Schama. In March 2009, Schama presented a BBC Radio 4 show entitled Baseball and Me, both exploring the history of the game and describing his own personal support of the Boston Red Sox.[32]

In 2010, Schama presented a series of ten talks for the BBC Radio 4 series A Point of View:

  • Why We Like Tough Guys in Politics: When times are hard people seem to prefer tough leaders.
  • Singing in the Rain: Schama looks forward to spring with personal reflections on the changing seasons.
  • At the Heart of the Matter: The politics surrounding President Barack Obama's healthcare reforms.
  • The Gift of the Gab: The history of political rhetoric and the power during election campaigns of televised debates.
  • Behold, Newstralia!: Celebrates the distinctive history and culture of New Zealand and regrets any renewed talk of joining forces with Australia.
  • A Welcome Slice of American Pie: Reflection on the quality of American food and eating habits.
  • The Drama of Politics: The timeless drama of British politics.
  • When Money is Just an Illusion: Reflection on the meaning of money as represented by coins and notes and in art.
  • Hearts of Oak: Reflection on the significance of one of the sights that will greet new MPs in the chamber of the House of Commons – the panelling made of solid oak.
  • Britain's New Politics: Reflection on the 2010 United Kingdom general election, favourably comparing the British system for a swift handover of power to the cumbersome American one.[33]

In 2011 the BBC commissioned Simon Schama to write and present a five-part series called A History of the Jews for BBC Two for transmission in 2012,[34] The title became The Story of the Jews and broadcast was delayed until September 2013.[35] Writing in The Observer, Andrew Anthony called it "an astonishing achievement, a TV landmark."[36]

In 2018, Simon Schama wrote and presented five of the nine episodes of Civilisations, a reboot of the 1969 series by Kenneth Clark.[37]

Personal life

Schama is Jewish. He is married to Virginia Papaioannou, a geneticist from California; they have two children, Chloe and Gabriel.[38] As of 2014, he resides in Briarcliff Manor, New York.[39] Schama is a Tottenham Hotspur supporter.[40]

Politics

In 2010, Schama was a financial donor to Oona King's unsuccessful campaign to become Mayor of London.[41]

In August 2014, Schama was one of 200 public figures who were signatories to a letter to The Guardian expressing their hope that Scotland would vote to remain part of the United Kingdom in September's referendum on that issue.[42]

In November 2017, Schama joined Simon Sebag Montefiore and Howard Jacobson in writing a letter to The Times about their concern over antisemitism in the Labour Party under Jeremy Corbyn's leadership, with particular reference to a growth in Anti-Zionism and its "antisemitic characteristics". Schama and Sebag Montefiore have both written historical works about Israel, while Jacobson has written regularly about Israel and the UK Jewish community in his newspaper columns.[43] Schama made a further criticism of the party in July 2019, when he joined other leading Jewish figures in saying, in a letter to The Guardian, that the crisis was "a taint of international and historic shame" and that trust in the party was "fractured beyond repair".[44]

Israel

Schama was critical of a call by British novelist John Berger for an academic boycott of Israel over its policies towards the Palestinians. Writing in The Guardian in an article co-authored with Anthony Julius, Schama compared Berger's academic boycott to policies adopted by Nazi Germany, saying: "This is not the first boycott call directed at Jews. On 1 April 1933, only weeks after he came to power, Hitler ordered a boycott of Jewish shops, banks, offices and department stores."[45]

In 2006 on the BBC, Schama debated with Vivienne Westwood the morality of Israel's actions in the Israel-Lebanon War.[46] He described Israel's bombing of Lebanese city centres as unhelpful to Israel's attempt to "get rid of" Hezbollah.[46] He said: "Of course the spectacle and suffering makes us grieve. Who wouldn't grieve? But it's not enough to do that. We've got to understand. You've even got to understand Israel's point of view."[46]

United States

Schama was a supporter of President Barack Obama[47] and a critic of George W. Bush.[48] He appeared on the BBC's coverage of the 2008 US presidential election, clashing with John Bolton.[49]

Prizes and other honours

Honours

Commonwealth honours

Commonwealth honours
Country Date Appointment Post-nominal letters
 United Kingdom2001  PresentCommander of the Order of the British EmpireCBE
 United Kingdom2018  PresentKnight BachelorKt

Scholastic

University degrees
Location Date School Degree
 England1966Christ's College, CambridgeStarred First Bachelor of Arts (BA) in History
Chancellor, visitor, governor, rector and fellowships
Location Date School Position
 England1995  PresentChrist's College, CambridgeHonorary Fellow[59]
 England12 December 2012PresentQueen Mary University of LondonHonorary Fellow[60][61]
 England2015  2016Trinity College, OxfordVisiting Professor of Historiography[62]
 EnglandBrasenose College, OxfordFellow[63]
Honorary degrees
Location Date School Degree Gave Commencement Address
 New York20 May 1990Adelphi UniversityDoctor of Humane Letters (DHL)[64]
 England5 November 1999University of GreenwichDoctor of Letters (D.Litt)[65]
 Newfoundland and LabradorOctober 2002Memorial University of NewfoundlandDoctor of Letters (D.Litt)[66]
 New York24 May 2003Bard CollegeDoctorate[67]
 England21 July 2006University of EssexDoctor of the University (D.Univ)[68]
 England2007Anglia Ruskin UniversityDoctor of the University (D.Univ)[69]
 Pennsylvania2009Gettysburg CollegeDoctorate[70]
 England2010Royal College of ArtDoctorate[71]
 England19 May 2011Royal Holloway, University of LondonDoctor of Literature (D.Litt)[72][73]
 Israel29 March 2015Weizmann Institute of ScienceDoctor of Philosophy (Ph.D)[74]Yes [74]

Memberships and Fellowships

Location Date Organisation Position
 United Kingdom2015  PresentBritish AcademyFellow (FBA)[75]
 United Kingdom2017  PresentRoyal Society of LiteratureFellow (FRSL)[58]

Awards

Location Date Institution Award
 District of Columbia1977The American Historical AssociationThe Leo Gershoy Award
  • For his Book "Patriots and Liberators: Revolution in the Netherlands 1780–1813"
  • [76]
 England1977The Wolfson FoundationThe Wolfson History Prize
  • For his Book "Patriots and Liberators: Revolution in the Netherlands 1780–1813"
  • [77]
 New York1992The American Academy of Arts and LettersAward in Literature
 England2002The Historical AssociationThe Medlicott Medal
 Italy2015The Accademia dei LinceiThe Feltrinelli Prize for History

Bibliography

Books
  • Patriots and Liberators: Revolution in the Netherlands 1780–1813 (1977)
  • Two Rothschilds and the Land of Israel (1978)
  • The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age (1987)
  • Citizens: A Chronicle of the French Revolution (1989)[1]
  • Dead Certainties: Unwarranted Speculations (1991, ISBN 0394222202)
  • Landscape and Memory (1995, ISBN 0679402551)[21][80]
  • Rembrandt's Eyes (1999, ISBN 0676593925)[80]
  • A History of Britain Vol. I (2000, ISBN 0-563-48714-3)
  • A History of Britain Vol. II (2001, ISBN 0-563-48718-6)
  • A History of Britain Vol. III (2002, ISBN 0-563-48719-4)
  • Hang Ups: Essays on Art (2004, ISBN 0563521732)
  • Rough Crossings (2005, ISBN 0-06-053916-X)
  • Simon Schama's Power of Art (2006, ISBN 0-06-117610-9)[31]
  • The American Future: A History (2009, ISBN 0-06-053923-2)
  • Scribble, Scribble, Scribble: Writing on Politics, Ice Cream, Churchill and My Mother (2011, ISBN 978-0062009869)
  • The Story of the Jews, Volume I: Finding the Words, 1000 BCE–1492 CE (2013, Bodley Head, ISBN 9781847921321)[81]
  • The Face of Britain: The Nation through Its Portraits (2015, ISBN 9780241963715)
  • Belonging: The Story of the Jews 1492–1900, Volume II of the trilogy (2017, Bodley Head, ISBN 9781847922809)[82]
Television documentaries

References

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  2. "Columbia student reviews of Schama's teaching". CULPA. 2005.
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  4. McCrum, Robert (30 September 2000). "Observer review: A History of Britain by Simon Schama". The Guardian. Retrieved 16 September 2018.
  5. "Honours list". www.thegazette.co.uk. 2018.
  6. Silverstone, Ben. "Schama's art of making history". The Jewish Chronicle. Archived from the original on 5 October 2011. Retrieved 23 July 2006.
  7. Wachmann, Doreen (2013). "Profile: Biblical Tales Gave Schama his First Taste for History". Jewish Telegraph. Jewishtelegraph.com. Retrieved 26 August 2014.
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  12. Adams, Julia; Stoler, Ann (November 1988). "The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, by Simon Schama" (review). Contemporary Sociology. 17.6: 760–62. "He provides a reading of cultural tints and social textures at a level of visual detail that is usually reserved for art history." doi:10.2307/2073570
  13. Notably in Timothy Tackett, "Interpreting the Terror" French Historical Studies 24.4 (Autumn 2001:569–578); Tackett's view of swiftly evolving revolution in his prosopography of the deputies, Becoming a Revolutionary: The Deputies of the French National Assembly and the Emergence of a Revolutionary Culture, 1789–1790 (Princeton University Press) 1996, was not fundamentally at variance with Schama.
  14. Art of the Western World (TV Series 1989– ), retrieved 16 September 2018
  15. Halttunen, Karen (September 1992). "Review of "Dead Certainties (Unwarranted Speculations) by Simon Schama". The Journal of American History. 79 (2): 631. doi:10.2307/2080071. JSTOR 2080071.
  16. Schama, Simon (12 April 2013). "Simon Schama on Dead Certainties: 'Historians shouldn't make it up, but I did'". The Independent. Retrieved 16 September 2018.
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  18. Windschuttle, Keith (2000). The Killing of History: How Literary Critics and Social Theorists are Murdering Our Past. San Francisco: Encounter Books. p. 252. ISBN 1-893554-12-0. [...] drawing absolute conclusions from [...] fragments of evidence
  19. Toplin, Robert Brent (1996). History by Hollywood: the use and abuse of the American past. Urbana: University of Illinois Press. p. 7. ISBN 0-252-06536-0. "a fascinating experiment in historical writing".
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  37. "Civilisations: Masterworks of beauty and ingenuity". BBC. Retrieved 16 June 2018.
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  39. Lombroso, Linda (24 March 2014). "Briarcliff historian tells PBS' 'The Story of the Jews'". The Journal News. Retrieved 2 September 2014.
  40. Schama, Simon. "The Yid Army's chants turn anti-semitism into kitsch banter". Financial Times.
  41. White, Michael (13 August 2010). "David Miliband hits it rich in leadership race as stars back Burnham and Balls". The Guardian. London.
  42. "Celebrities' open letter to Scotland – full text and list of signatories". The Guardian. London. 7 August 2014. Retrieved 26 August 2014.
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  48. Schama, Simon (3 November 2008). "Nowhere man: a farewell to Dubya, all-time loser in presidential history". The Guardian. London. pp. 1–2. Retrieved 5 November 2008.
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