Charles Laughton

Laughton was born in Scarborough, North Riding of Yorkshire, the son of Robert Laughton (1869–1924) and Eliza (née Conlon; 1869–1953), Yorkshire hotel keepers. A blue plaque marks his birthplace.[3] His mother was a devout Roman Catholic of Irish descent, and she sent him to briefly attend a local boys' school, Scarborough College,[4] before sending him to Stonyhurst College, the pre-eminent English Jesuit school.[5] Laughton served in World War I, during which he was gassed, serving first with the 2/1st Battalion of the Huntingdonshire Cyclist Battalion,[6] and then with the 7th Battalion of the Northamptonshire Regiment.

He started work in the family hotel, though also participating in amateur theatricals in Scarborough. He was allowed by his family to become a drama student at RADA in 1925, where actor Claude Rains was one of his teachers. Laughton made his first professional appearance on 28 April 1926 at the Barnes Theatre, as Osip in the comedy The Government Inspector, which he also appeared in at London's Gaiety Theatre in May. He impressed audiences with his talent and had classical roles in two Chekov plays, The Cherry Orchard and The Three Sisters. Laughton played the lead role as Harry Hegan in the world premiere of Seán O'Casey's The Silver Tassie in 1928 in London. He played the title roles in Arnold Bennett's Mr Prohack (Elsa Lanchester was also in the cast) and as Samuel Pickwick in Mr Pickwick at the Theatre Royal (1928–29) in London.[7][8]

He played Tony Perelli in Edgar Wallace's On the Spot and William Marble in Payment Deferred. He took the last role across the Atlantic and made his United States debut on 24 September 1931, at the Lyceum Theatre. He returned to London for the 1933–34 Old Vic season and was engaged in four Shakespeare roles (as Macbeth, Henry VIII, Angelo in Measure for Measure and Prospero in The Tempest) and also as Lopakhin in The Cherry Orchard, Canon Chasuble in The Importance of Being Earnest, and Tattle in Love for Love. In 1936, he went to Paris and on 9 May appeared at the Comédie-Française as Sganarelle in the second act of Molière's Le Médecin malgré lui, the first English actor to appear at that theatre, where he acted the part in French and received an ovation.

Laughton commenced his film career in Britain while still acting on the London stage. He also took small roles in three short silent comedies starring his wife Elsa Lanchester, Daydreams, Blue Bottles and The Tonic (all 1928) which had been specially written for her by H.G. Wells and were directed by Ivor Montagu. He made a brief appearance as a disgruntled diner in another silent film Piccadilly with Anna May Wong in 1929. He appeared with Lanchester again in a "film revue", featuring assorted British variety acts, called Comets (1930) in which they sang a duet, "The Ballad of Frankie and Johnnie". He made two other early British talkies: Wolves with Dorothy Gish (1930) from a play set in a whaling camp in the frozen north, and Down River (1931), in which he played a drug-smuggling ship's captain.

His New York stage debut in 1931 immediately led to film offers and Laughton's first Hollywood film, The Old Dark House (1932) with Boris Karloff, in which he played a bluff Yorkshire businessman marooned during a storm with other travelers in a creepy remote Welsh manor. He then played a demented submarine commander in Devil and the Deep with Tallulah Bankhead, Gary Cooper and Cary Grant, and followed this with his best-remembered film role of that year as Nero in Cecil B. DeMille's The Sign of the Cross. Laughton turned out other memorable performances during that first Hollywood trip, repeating his stage role as a murderer in Payment Deferred, playing H.G. Wells' mad vivisectionist Dr. Moreau in Island of Lost Souls, and the meek raspberry-blowing clerk in the brief segment of If I Had A Million, directed by Ernst Lubitsch. He appeared in six Hollywood films in 1932. His association with director Alexander Korda began in 1933 with the hugely successful The Private Life of Henry VIII (loosely based on the life of King Henry VIII), for which Laughton won the Academy Award for Best Actor. He also continued to act occasionally on stage, including a US production of The Life of Galileo by (and with) Bertolt Brecht.

Laughton made his London stage debut in Gogol's The Government Inspector (1926). He appeared in many West End plays in the following few years and his earliest successes on the stage were as Hercule Poirot in Alibi (1928); he was the first actor to portray the Belgian detective in this stage adaptation of The Murder of Roger Ackroyd, and as William Marble in Payment Deferred, making his Lyceum Theatre (New York) debut in 1931.

Charles Laughton in 1940

In 1926, he played the role of the criminal Ficsur in the original London production of Ferenc Molnár's Liliom (The play became a musical in 1945 by Rodgers and Hammerstein as Carousel, where Ficsur became Jigger Craigin, but Laughton never appeared in the musical version). While Laughton is most remembered for his film career, he continued to work in the theatre, as when, after the success of The Private Life of Henry VIII he appeared at the Old Vic Theatre in 1933 as Macbeth, Lopakin in The Cherry Orchard, Prospero in The Tempest and Angelo in Measure for Measure. In the US, Laughton worked with Bertolt Brecht on a new English version of Brecht's play Galileo. Laughton played the title role at the play's premiere in Los Angeles on 30 July 1947 and later that year in New York. This staging was directed by Joseph Losey. The processes by which Laughton painstakingly, over many weeks, created his Galileo—and incidentally, edited and translated the play along with Brecht—are detailed in an essay by Brecht, "Building Up A Part: Laughton's Galileo."[16]

Laughton had one of his most notable successes in the theatre by directing and playing the Devil in Don Juan in Hell beginning in 1950. The piece is actually the third act sequence from George Bernard Shaw's play Man and Superman, frequently cut from productions to reduce its playing time, consisting of a philosophical debate between Don Juan and the Devil with contributions from Doña Ana and the statue of Ana's father. Laughton conceived the piece as a staged reading and cast Charles Boyer, Cedric Hardwicke and Agnes Moorehead (billed as "The First Drama Quartette") in the other roles. Boyer won a special Tony Award for his performance.

He directed several plays on Broadway, mostly under the production of his friend and Broadway producer Paul Gregory. His most notable box-office success as a director came in 1954, with The Caine Mutiny Court-Martial, a full-length stage dramatisation by Herman Wouk of the court-martial scene in Wouk's novel The Caine Mutiny. The play, starring Henry Fonda as defence attorney Barney Greenwald, opened the same year as the film starring Humphrey Bogart as Captain Queeg and José Ferrer as Greenwald based on the original novel, but did not affect that film's box-office performance. Laughton also directed a staged reading in 1953 of Stephen Vincent Benét's John Brown's Body, a full-length poem about the American Civil War and its aftermath. The production starred Tyrone Power, Raymond Massey (re-creating his film characterisations of Abraham Lincoln and John Brown), and Judith Anderson. Laughton did not appear himself in either production, but John Brown's Body was recorded complete by Columbia Masterworks. He directed and starred in George Bernard Shaw's, Major Barbara which ran on Broadway from approximately November 1, 1956, to May 18, 1957. Others in the cast were Glynis Johns, Burgess Meredith, Cornelia Otis Skinner, and Eli Wallach.[17]

Laughton returned to the London stage in May 1958 to direct and star in Jane Arden's The Party at the New Theatre which also had Elsa Lanchester and Albert Finney in the cast. He made his final appearances on stage as Nick Bottom in A Midsummer Night's Dream, and as King Lear at the Shakespeare Memorial Theatre in 1959, although failing health resulted in both performances being disappointing, according to some British critics. His performance as King Lear was lambasted by critics, and Kenneth Tynan wrote that Laughton's Nick Bottom "... behaves in a manner that has nothing to do with acting, although it perfectly hits off the demeanor of a rapscallion uncle dressed up to entertain the children at a Christmas party". Although he did not appear in any later plays, Laughton toured the US with staged readings, including a successful appearance on the Stanford University campus in 1960.

Laughton's voice, equally capable of a penetrating, theatre-filling shout and a soft, velvety tone, first appeared on 78-rpm records with the release of five British Regal Zonophone 10-inch discs entitled Voice of the Stars issued annually from 1934 to 1938. These featured short soundtrack snippets from the year's top films. He is heard on all five records in, respectively, The Private Life of Henry VIII, The Barretts of Wimpole Street, Mutiny on the Bounty, I, Claudius (curiously, since this film was unfinished and thus never released), and Vessel of Wrath. In 1937 he recorded Lincoln's Gettysburg Address on a 10-inch Columbia 78, having made a strong impression with it in Ruggles of Red Gap.

He made several other spoken-word recordings, one of his most famous being his one-man album of Charles Dickens's Mr. Pickwick's Christmas, a twenty-minute version of the Christmas chapter from Dickens's The Pickwick Papers. It was first released by American Decca in 1944 as a four-record 78-rpm set, but was afterward transferred to LP. It frequently appeared on LP with a companion piece, Decca's 1941 adaptation of Dickens's A Christmas Carol, starring Ronald Colman as Scrooge. Both stories were released together on a Deutsche Grammophon CD for Christmas 2005.

In 1943, Laughton recorded a reading of the Nativity story from St. Luke's Gospel, and this was released in 1995 on CD on a Nimbus Records collection entitled Prima Voce: The Spirit of Christmas Past. A Brunswick/American Decca LP entitled Readings from the Bible featured Laughton reading Garden of Eden, The Fiery Furnace, Noah's Ark, and David and Goliath. It was released in 1958. Laughton had previously included several Bible readings when he played the title role in the film Rembrandt. Laughton also narrated the story on the soundtrack album of the film that he directed, Night of the Hunter, accompanied by the film's score. This album has also been released on CD. Also, and derived from the film they made together, a complete radio show (18 June 1945) of The Canterville Ghost was broadcast which featured Laughton and Margaret O'Brien. It has been issued on a Pelican LP.

A two-LP Capitol Records album was released in 1962, the year of Laughton's death, entitled The Story Teller: A Session with Charles Laughton. Taken from Laughton's one-man stage shows, it compiles dramatic readings from several sources. Three of the excerpts are broadcast annually on a Minnesota Public Radio Thanksgiving program entitled Giving Thanks. The Story Teller won a Grammy in 1962 for Best Spoken Word Recording. Although the album has yet to be released on compact disc, it can now be heard in its entirety online.[18]

With Tennessee Ernie Ford in a guest appearance on The Ford Show (1961)

Laughton was the fill-in host on 9 September 1956, when Elvis Presley made his first of three appearances on CBS's The Ed Sullivan Show, which garnered 60.7 million viewers (Ed Sullivan was recuperating from a car accident). That same year, Laughton hosted the first of two programmes devoted to classical music entitled "Festival of Music", and telecast on the NBC television anthology series Producers' Showcase. One of his last performances was on Checkmate, in which he played a missionary recently returned from China. He threw himself into the role, travelling to China for several months to better understand his character.[19]

In 1927, Laughton began a relationship with Elsa Lanchester, at the time a castmate in a stage play. The two were married in 1929, became US citizens in 1950, and remained together until Laughton's death. Over the years, they appeared together in several films, including Rembrandt (1936), Tales of Manhattan (1942) and The Big Clock (1948). Lanchester portrayed Anne of Cleves, Henry VIII's fourth wife, opposite Laughton in The Private Life of Henry VIII. They both received Academy Award nominations for their performances in Witness for the Prosecution (1957)—Laughton for Best Actor, and Lanchester for Best Supporting Actress—but neither won.

Laughton's bisexuality was corroborated by several of his contemporaries and is generally accepted by Hollywood historians.[20][21][22][23] Actress Maureen O'Hara, a friend and co-star of Laughton, disputed the contention that his sexuality was the reason Laughton and Lanchester did not have children, claiming Laughton told her he had wanted children but that it had not been possible because of a botched abortion that Lanchester had early in her career of performing burlesque.[24] In her autobiography, Lanchester acknowledged two abortions in her youth – one of the pregnancies purportedly by Laughton – but did not mention infertility. According to her biographer, Charles Higham, the reason she did not have children was that she did not want any.[25]

Laughton owned an estate on the bluffs above Pacific Coast Highway at 14954 Corona Del Mar in Pacific Palisades.[26] The property suffered a landslide in 1944, alluded to by Bertolt Brecht in his poem "Garden in Progress".[27]

Laughton was a Democrat and supported the campaign of Adlai Stevenson during the 1952 presidential election.[28]

English Heritage blue plaque erected in 1992 at 15 Percy Street, London commemorating Charles Laughton.

Laughton checked in to Cedars of Lebanon Hospital in July 1962 with what was described as a ruptured disc.[29] He had surgery for the collapse of a vetebra and it was revealed he had cancer of the spine.[30] He left the hospital at the end of November.[30] He was in a coma for some time and died at home on 15 December 1962 from renal cancer.[31][30][32][33] His body was buried at Forest Lawn Memorial Park (Hollywood Hills).[34]

Laughton won the New York Film Critics' Circle Awards for Mutiny on the Bounty and Ruggles of Red Gap in 1935.

Academy Awards

• 1933: Won Best Actor in a Leading Role, The Private Life of Henry VIII
• 1935: Nominated Best Actor in a Leading Role, Mutiny on the Bounty
• 1957: Nominated Best Actor in a Leading Role, Witness for the Prosecution

For his contributions to the motion picture industry, Laughton has a star on the Hollywood Walk of Fame at 7021 Hollywood Boulevard.[35]

• List of actors with Academy Award nominations

• Brown, William (1970). Charles Laughton A Pictorial Treasury of his Films. New York: Falcon Enterprises.
• Callow, Simon (1988). Charles Laughton: A Difficult Actor. New York: Grove Press. ISBN 0-8021-1047-9.
• Crowe, Cameron (2001). Conversations With Wilder. New York: Knopf. ISBN 0-375-70967-3.
• Higham, Charles (1976). Charles Laughton: An Intimate Biography. New York: Doubleday. ISBN 0-385-09403-5.
• Jones, Preston Neal (2004). Heaven and Hell to Play With: The Filming of The Night of the Hunter. New York: Limelight Editions. ISBN 0-87910-974-2.
• Lanchester, Elsa (1938). Charles Laughton and I. London: Faber and Faber. p. 271.
• Lanchester, Elsa (1983). Elsa Lanchester Herself. London: Michael Joseph. ISBN 0-7181-2309-3.
• Lyon, James K. (1980). Bertolt Brecht in America. Princeton: Princeton University Press. ISBN 0-19-502639-X.
• O'Hara, Maureen (2005). 'Tis Herself. New York: Simon & Schuster. ISBN 0-7432-4693-4.
• Parker, John (ed) (1947). Who's Who in the Theatre 10th revised edition. London. pp. 892–3.CS1 maint: extra text: authors list (link)
• Singer, Kurt (1954). The Charles Laughton Story. London: John C. Winston Company.
• Tell Me a Story (1957) and The Fabulous Country (1962). Two literary anthologies selected by Charles Laughton. They contain pieces which were presented by him in his reading tours across America, with written introductions which give some insight about Laughton's thoughts. This selection presents texts from the Bible, Charles Dickens, Thomas Wolfe, Ray Bradbury, and James Thurber to name just a few.
• Diverse authors, articles in The Stonyhurst magazine: Charles Laughton at Stonyhurst by David Knight (Volume LIV, No. 501, 2005), Charles Laughton. A Talent in Bloom (1899–1931), by Gloria Porta (Volume LIV, No. 502, 2006)

Wikimedia Commons has media related to Charles Laughton.

• Official website
• Charles Laughton at IMDb
• Charles Laughton at the TCM Movie Database
• Charles Laughton at the Internet Broadway Database
• Charles Laughton at the BFI's Screenonline
• Charles Laughton at Find a Grave
• Rooting for Laughton: Laughtonians of the world, unite! (Weblog)
• Gay Greats
• Call him Jack...Thank you for introducing me to Charles Laughton and to Life with a capital L!