Early Modern English

The change from Middle English to Early Modern English was not just a matter of changes of vocabulary or pronunciation; a new era in the history of English was beginning.

An era of linguistic change in a language with large variations in dialect was replaced by a new era of a more standardised language, with a richer lexicon and an established (and lasting) literature.

• 1476 – William Caxton starts printing in Westminster; however, the language that he uses reflects the variety of styles and dialects used by the authors who originally wrote the material.

• 1485 – Caxton publishes Thomas Malory's Le Morte d'Arthur, the first print bestseller in English. Malory's language, while archaic in some respects, is clearly Early Modern and is possibly a Yorkshire or Midlands dialect.
• 1491 or 1492 – Richard Pynson starts printing in London; his style tends to prefer Chancery Standard, the form of English used by the government.

• c. 1509 – Pynson becomes the King's official printer.
• From 1525 – Publication of William Tyndale's Bible translation, which was initially banned.
• 1539 – Publication of the Great Bible, the first officially-authorised Bible in English. Edited by Myles Coverdale, it is largely from the work of Tyndale. It is read to congregations regularly in churches, which familiarises much of the population of England with a standard form of the language.
• 1549 – Publication of the first Book of Common Prayer in English, under the supervision of Thomas Cranmer (revised 1552 and 1662), which standardises much of the wording of church services. Some have argued that since attendance at prayer book services was required by law for many years, the repetitive use of its language helped to standardise Modern English even more than the King James Bible (1611) did.[3]
• 1557 – Publication of Tottel's Miscellany.

Title page of Gorboduc (printed 1565). The Tragedie of Gorbodvc, whereof three Actes were written by Thomas Nortone, and the two laste by Thomas Sackuyle. Sett forthe as the same was shewed before the Qvenes most excellent Maiestie, in her highnes Court of Whitehall, the .xviii. day of January, Anno Domini .1561. By the Gentlemen of Thynner Temple in London.

Elizabethan era (1558–1603)

• 1582 – The Rheims and Douai Bible is completed, and the New Testament is released in Rheims, France, in 1582. It is the first complete English translation of the Bible that is officially sponsored and carried out by the Catholic Church (earlier translations into English, especially of the Psalms and Gospels existed as far back as the 9th century, but it is the first Catholic English translation of the full Bible). Though the Old Testament is ready complete, it is not published until 1609–1610, when it is released in two volumes. While it does not make a large impact on the English language at large, it certainly plays a role in the development of English, especially in the world's heavily-Catholic English-speaking areas.
• Christopher Marlowe, fl. 1586–1593
• 1592 – The Spanish Tragedy by Thomas Kyd
• c. 1590 to c. 1612 – Shakespeare's plays written.
  See also: Chronology of Shakespeare's plays and Shakespeare's influence

• 1609 – Shakespeare's sonnets published
• Other playwrights:
  • Ben Jonson
  • Thomas Dekker
  • Beaumont and Fletcher (Francis Beaumont and John Fletcher)
  • John Webster
• 1607 – The first successful permanent English colony in the New World, Jamestown, is established in Virginia. Early vocabulary specific to American English comes from indigenous languages (such as moose, racoon).
• 1611 – The King James Version is published, largely based on Tyndale's translation. It remains the standard Bible in the Church of England for many years.
• 1623 – Shakespeare's First Folio published

• 1630–1651 – William Bradford, Governor of Plymouth Colony, writes in his journal. It will become Of Plymouth Plantation, one of the earliest texts written in the American Colonies.
• 1647 – Publication of the first Beaumont and Fletcher folio.

The English Civil War and the Interregnum were times of social and political upheaval and instability. The dates for Restoration literature are a matter of convention and differ markedly from genre to genre. In drama, the "Restoration" may last until 1700, but in poetry, it may last only until 1666, the annus mirabilis (year of wonders), and prose, it last until 1688, with the increasing tensions over succession and the corresponding rise in journalism and periodicals, or until 1700, when those periodicals grew more stabilised.

• 1651 – Publication of Leviathan by Thomas Hobbes.
• 1660–1669 – Samuel Pepys writes in his diary, which will become an important eyewitness account of the Restoration Era.
• 1662 – New edition of the Book of Common Prayer, largely based on the 1549 and subsequent editions, which long remains a standard work in English.
• 1667 – Publication of Paradise Lost by John Milton and of Annus Mirabilis by John Dryden.

The 17th-century port towns and their forms of speech gain influence over the old county towns. From around the 1690s onwards, England experienced a new period of internal peace and relative stability, which encouraged the arts including literature.

Modern English can be taken to have emerged fully by the beginning of the Georgian era in 1714, but English orthography remained somewhat fluid until the publication of Johnson's A Dictionary of the English Language, in 1755.

The towering importance of William Shakespeare over the other Elizabethan authors was the result of his reception during the 17th and the 18th centuries, which directly contributes to the development of Standard English. Shakespeare's plays are therefore still familiar and comprehensible 400 years after they were written,[4] but the works of Geoffrey Chaucer and William Langland, which had been written only 200 years earlier, are considerably more difficult for the average modern reader.

Most consonant sounds of Early Modern English have survived into present-day English; however, there are still a few notable differences in pronunciation:

• Today's "silent" consonants found in the consonant clusters of such words as knot, gnat, sword were still fully pronounced up until the mid-to-late 16th century and thus possibly by Shakespeare, though they were fully reduced by the early 17th century.[12] The digraph <ght>, in words like night, thought, and daughter, originally pronounced [xt] in much older English, was probably reduced to simply [t] (as it is today) or at least heavily reduced in sound to something like [ht], [çt], or [ft]. It seems likely that much variation existed for many of these words.
• The now-silent l of would and should may have persisted in being pronounced as late as 1700 in Britain and perhaps several decades longer in the British American colonies.[13] The l in could, however, first appearing in the early 16th century, was presumably never pronounced.
• The modern phoneme /ʒ/ was not documented as occurring until the second half of the 17th century. Likely, that phoneme in a word like vision was pronounced as /zj/ and in measure as /z/.
• Most words with the spelling ⟨wh⟩, such as what, where, and whale, were still pronounced [ʍ] (listen), rather than [w] (listen). That means, for example, that wine and whine were still pronounced differently, unlike in most varieties of English today.[14]
• Early Modern English was rhotic. In other words, the r was always pronounced,[14] but the precise nature of the typical rhotic consonant remains unclear. It was, however, certainly one of the following:
  • The "R" of most varieties of English today: [ɹ̠] (listen)
  • The "trilled or rolled R": [r] (listen)
  • The "retroflex R": [ɻ] (listen).
• In Early Modern English, the precise nature of the light and dark variants of the l consonant, respectively [l] (listen) and [ɫ] (listen), remains unclear.
• Word-final ⟨ng⟩, as in sing, was still pronounced /ŋɡ/ until the late 16th century, when it began to coalesce into the usual modern pronunciation, [ŋ].
• H-dropping at the start of words was common, as it still is in informal English throughout most of England.[14] In loanwords taken from Latin, Greek, or any Romance language, a written h was usually mute well into modern English times, e.g. in heritage, history, hermit, hostage, and still today in heir, honor, hour etc.
• With words originating from or passed through ancient Greek, th was commonly pronounced as t, e.g. theme, theater, cathedral, anthem; this is still retained in some proper names as Thomas, Anthony and a few common nouns like thyme.

The following information primarily comes from studies of the Great Vowel Shift;[15][16] see the related chart.

• The modern English phoneme /aɪ/ (listen), as in glide, rhyme and eye, was [ɘi] and later [əi]. Early Modern rhymes indicate that [əi] was also the vowel that was used at the end of words like happy, melody and busy.
• /aʊ/ (listen), as in now, out and ploughed, was [əu ~ əʊ] (listen).
• /ɛ/ (listen), as in fed, elm and hen, was more or less the same as the phoneme represents today or perhaps a slightly higher [ɛ̝] (listen), sometimes approaching [ɪ] (listen) (as it still retains in the word pretty).[14]
• /eɪ/ (listen), as in name, case and sake, was a long monophthong. It shifted from [æː] (listen) to [ɛː] (listen) and finally to [eː] (listen). Earlier in Early Modern English, mat and mate were near-homophones, with a longer vowel in the second word. Thus, Shakespeare rhymed words like haste, taste and waste with last and shade with sad.[17] The more open pronunciation remains in some dialects, notably in Scotland, Northern England, and perhaps Ireland. During the 17th century, the phoneme variably merged with the phoneme [ɛi] (listen) as in day, weigh, and the merger survived into standard forms of Modern English, though a few dialects kept these vowels distinct at least to the 20th century (see pane–pain merger).
• /iː/ (listen) (typically spelled ⟨ee⟩ or ⟨ie⟩) as in see, bee and meet, was more or less the same as the phoneme represents today, but it had not yet merged with the phoneme represented by the spellings ⟨ea⟩ or ⟨ei⟩ (and perhaps ⟨ie⟩, particularly with fiend, field and friend), as in east, meal and feat, which were pronounced with [eː] (listen) or [ɛ̝ː].[18][17] However, words like breath, dead and head may have already split off towards /ɛ/ (listen)).
• /ɪ/ (listen), as in bib, pin and thick, was more or less the same as the phoneme represents today.
• /oʊ/ (listen), as in stone, bode and yolk, was [oː] (listen) or [o̞ː] (listen). The phoneme was probably just beginning the process of merging with the phoneme [ou], as in grow, know and mow, without yet achieving today's complete merger. The old pronunciation remains in some dialects, such as in Yorkshire and Scotland.
• /ɒ/ (listen), as in rod, top and pot, was [ɒ] or [ɔ] (listen).
• /ɔː/ (listen), as in taut, taught and law, was [ɔː] or [ɑː] (listen).
• /ɔɪ/ (listen), as in boy, choice and toy, is even less clear than other vowels. By the late-16th century, the similar but distinct phonemes /ɔɪ/, /ʊi/ and /əɪ/ all existed. By the late-17th century, only /ɔɪ/ remained.[19] Because those phonemes were in such a state of flux during the whole Early Modern period (with evidence of rhyming occurring among them as well as with the precursor to /aɪ/), scholars[12] often assume only the most neutral possibility for the pronunciation of /ɔɪ/ as well as its similar phonemes in Early Modern English: [əɪ] (which, if accurate, would constitute an early instance of the line–loin merger since /aɪ/ had not yet fully developed in English).
• /ʌ/ (listen) (as in drum, enough and love) and /ʊ/ (listen) (as in could, full, put) had not yet split and so were both pronounced in the vicinity of [ɤ] (listen).
• /uː/ (listen) was about the same as the phoneme represents today but occurred in not only words like food, moon and stool but also all other words spelled with ⟨oo⟩ like blood, cook and foot. The nature of the vowel sound in the latter group of words, however, is further complicated by the fact that the vowel for some of those words was shortened: either beginning or already in the process of approximating the Early Modern English [ɤ] (listen) and later [ʊ] (listen). For instance, at certain stages of the Early Modern period or in certain dialects (or both), doom and come rhymed; this is certainly true in Shakespeare's writing. That phonological split among the ⟨oo⟩ words was a catalyst for the later foot–strut split and is called "early shortening" by John C. Wells.[20] The ⟨oo⟩ words that were pronounced as something like [ɤ] (listen) seem to have included blood, brood, doom, good and noon.[21]
• /ɪʊ̯/ or /iu̯/ occurred in words spelled with ew or ue such as due and dew. In most dialects of Modern English, it became /juː/ and /uː/ by yod-dropping and so do, dew and due are now perfect homophones in most American pronunciations, but a distinction between the two phonemes remains in other versions of English.

The r sound (the phoneme /r/) was probably always pronounced with following vowel sounds (more in the style of today's General American, West Country English, Irish accents and Scottish accents; although in the case of the Scottish accent the R is rolled, and less like today's typical London or Received Pronunciation). Furthermore, /ɛ/, /ɪ/ and /ʌ/ were not necessarily merged before /r/, as they are in most modern English dialects. The stressed modern phoneme /ɜːr/, when it is spelled ⟨er⟩, ⟨ear⟩ and perhaps ⟨or⟩ (as in clerk, earth, or divert), had a vowel sound with an a-like quality, perhaps about [ɐɹ] or [äɹ].[17] With the spelling ⟨or⟩, the sound may have been backed, more toward [ɒɹ] in words like worth and word.[17] In some pronunciations, words like fair and fear, with the spellings ⟨air⟩ and ⟨ear⟩, rhymed with each other, and words with the spelling ⟨are⟩, such as prepare and compare, were sometimes pronounced with a more open vowel sound, like the verbs are and scar. See Great Vowel Shift § Later mergers for more information.

Nature was pronounced approximately as [ˈnɛːtəɹ][14] and may have rhymed with letter or, early on, even latter. One may have merged to the sound of own, with both one and other using the era's long GOAT vowel, rather than today's STRUT vowels.[14] Tongue merged to the sound of tong and rhymed with song.[17]

Beginning of the Epistle to the Hebrews in the 1611 King James Version. God who at sundry times, and in divers manners, spake in times past unto the Fathers by the Prophets, Hath in these last dayes spoken unto us by his Sonne, whom he hath appointed heire of all things, by whom also he made the worlds, who being the brightnesse of his glory, and the expresse image of his person, and upholding all things by the word of his power, when hee had by himselfe purged our sinnes, sate down on ye right hand of the Maiestie on high, Being made so much better then the Angels, as hee hath by inheritance obtained a more excellent Name then they.

Early Modern English had two-second-person personal pronouns: thou, the informal singular pronoun, and ye, the plural (both formal and informal) pronoun and the formal singular pronoun.

"Thou" and "ye" were both common in the early-16th century (they can be seen, for example, in the disputes over Tyndale's translation of the Bible in the 1520s and the 1530s) but by 1650, "thou" seems old-fashioned or literary. It has effectively completely disappeared from Modern Standard English.

The translators of the King James Version of the Bible (begun 1604 and published 1611, while Shakespeare was at the height of his popularity) had a particular reason for keeping the informal "thou/thee/thy/thine" forms that were slowly beginning to fall out of spoken use, as it enabled them to match the Hebrew and Ancient Greek distinction between second person singular ("thou") and plural ("ye"). It was not to denote reverence (in the King James Version, God addresses individual people and even Satan as "thou") but only to denote the singular. Over the centuries, however, the very fact that "thou" was dropping out of normal use gave it a special aura and so it gradually and ironically came to be used to express reverence in hymns and in prayers.

Like other personal pronouns, thou and ye have different forms dependent on their grammatical case; specifically, the objective form of thou is thee, its possessive forms are thy and thine, and its reflexive or emphatic form is thyself.

The objective form of ye was you, its possessive forms are your and yours and its reflexive or emphatic forms are yourself and yourselves.

The older forms "mine" and "thine" had become "my" and "thy" before words beginning with a consonant other than h, and "mine" and "thine" were retained before words beginning with a vowel or an h, as in mine eyes or thine hand.

During the Early Modern period, the verb inflections became simplified as they evolved towards their modern forms:

• The third-person singular present lost its alternate inflections: -eth and -th became obsolete, and -s survived. (Both forms can be seen together in Shakespeare: "With her, that hateth thee and hates us all".)[22]
• The plural present form became uninflected. Present plurals had been marked with -en and singulars with -th or -s (-th and -s survived the longest, especially with the singular use of is, hath and doth).[23] Marked present plurals were rare throughout the Early Modern period and -en was probably used only as a stylistic affectation to indicate rural or old-fashioned speech.[24]
• The second-person singular indicative was marked in both the present and past tenses with -st or -est (for example, in the past tense, walkedst or gav'st).[25] Since the indicative past was not and still is not otherwise marked for person or number,[26] the loss of thou made the past subjunctive indistinguishable from the indicative past for all verbs except to be.

The modal auxiliaries cemented their distinctive syntactical characteristics during the Early Modern period. Thus, the use of modals without an infinitive became rare (as in "I must to Coventry"; "I'll none of that"). The use of modals' present participles to indicate aspect (as in "Maeyinge suffer no more the loue & deathe of Aurelio" from 1556), and of their preterite forms to indicate tense (as in "he follow'd Horace so very close, that of necessity he must fall with him") also became uncommon.[27]

Some verbs ceased to function as modals during the Early Modern period. The present form of must, mot, became obsolete. Dare also lost the syntactical characteristics of a modal auxiliary and evolved a new past form (dared), distinct from the modal durst.[28]

The perfect of the verbs had not yet been standardised to use only the auxiliary verb "to have". Some took as their auxiliary verb "to be", such as this example from the King James Version: "But which of you... will say unto him... when he is come from the field, Go and sit down..." [Luke XVII:7]. The rules for the auxiliaries for different verbs were similar to those that are still observed in German and French (see unaccusative verb).

The modern syntax used for the progressive aspect ("I am walking") became dominant by the end of the Early Modern period, but other forms were also common such as the prefix a- ("I am a-walking") and the infinitive paired with "do" ("I do walk"). Moreover, the to be + -ing verb form could be used to express a passive meaning without any additional markers: "The house is building" could mean "The house is being built".[29]