It's a Wonderful Life

Director Frank Capra

The original story, The Greatest Gift, was written by Philip Van Doren Stern in November 1939. After it was rejected by several publishers, he had it printed as a 24-page pamphlet and mailed to 200 family members and friends for Christmas 1943.[12][N 2][14] The story came to the attention of either Cary Grant or RKO producer David Hempstead, who showed it to Grant's agent. In April 1944, RKO Pictures bought the rights to the story for $10,000, hoping to turn it into a vehicle for Grant.[15] Dalton Trumbo, Clifford Odets, and Marc Connelly each worked on versions of the screenplay before the RKO shelved the project. In Trumbo's draft, George Bailey is an idealistic politician who slowly grows more cynical as the story progresses, then tries to commit suicide after losing an election. The angel shows him Bedford Falls not as it would be if he had never been born, but if he had gone into business instead of politics.[16] Grant went on to make another Christmas movie staple, The Bishop's Wife.[N 3][18]

RKO studio chief Charles Koerner urged Frank Capra to read "The Greatest Gift". Capra's new production company, Liberty Films, had a nine-film distribution agreement with RKO. Capra immediately saw its potential, and wanted it for his first Hollywood film after making documentaries and training films during the war. RKO sold him the rights for $10,000 and threw in the three earlier scripts for free. (Capra claimed the rights and the scripts cost him $50,000.)[19][12] Capra salvaged a few scenes from Odets' earlier screenplay[20] and worked with writers Frances Goodrich and Albert Hackett, Jo Swerling, Michael Wilson, and Dorothy Parker (brought in to "polish" the script),[21] on many drafts of the screenplay.

It was not a harmonious collaboration. Goodrich called Capra "that horrid man" and recalled, "He couldn't wait to get writing it himself." Her husband, Albert Hackett, said, "We told him what we were going to do, and he said 'That sounds fine.' We were trying to move the story along and work it out, and then somebody told us that [Capra] and Jo Swerling were working on it together, and that sort of took the guts out of it. Jo Swerling was a very close friend of ours, and when we heard he was doing this we felt rather bad about it. We were getting near the end and word came that Capra wanted to know how soon we'd be finished. So my wife said, 'We're finished right now.' We quickly wrote out the last scene and we never saw him again after that. He's a very arrogant son of a bitch."[22]

Later, a dispute ensued over the writing credits. Capra said, "The Screen Writers' Arbitration committee decided that Hackett and Goodrich, a married writing team, and I should get the credit for the writing. Jo Swerling hasn't talked to me since. That was five years ago."[22] The final screenplay, renamed by Capra It's a Wonderful Life,[12][23] was credited to Goodrich, Hackett, and Capra, with "additional scenes" by Jo Swerling.

Seneca Falls, New York, claims that Frank Capra was inspired to model Bedford Falls after the town after a visit in 1945. The town has an annual "It's a Wonderful Life Festival" in December.[24] In mid-2009, The Hotel Clarence opened in Seneca Falls, named after George Bailey's guardian angel. On December 10, 2010, the "It's a Wonderful Life" Museum opened in Seneca Falls, with Karolyn Grimes, who played Zuzu in the movie, cutting the ribbon.[25] However, film historian Jeanine Basinger, curator of the Frank Capra archives at Wesleyan University and author of The 'It's A Wonderful Life' Book, has said no evidence exists for Seneca Falls' claim. "I have been through every piece of paper in Frank Capra's diaries, his archives, everything. There's no evidence of any sort whatsoever to support this. That doesn't mean it isn't true, but no one is ever going to prove it." Basinger said that Capra always described Bedford Falls as an "Everytown".[26]

Philip Van Doren Stern said in a 1946 interview, "Incidentally, the movie takes place in Westchester County. Actually, the town I had in mind was Califon, N.J." The historic iron bridge in Califon is similar to the bridge that George Bailey considered jumping from in the movie.[14]

Both James Stewart (from Indiana, Pennsylvania) and Donna Reed (from Denison, Iowa) came from small towns. Stewart's father ran a small hardware store where James worked for years. Reed demonstrated her rural roots by winning an impromptu bet with Lionel Barrymore when he challenged her to milk a cow on set.[27]

In his autobiography, Capra recalled, "Of all actors' roles I believe the most difficult is the role of a Good Sam who doesn't know that he is a Good Sam. I knew one man who could play it ... James Stewart. ... I spoke to Lew Wasserman, the MCA agent who handled Jimmy, told him I wanted to tell Jimmy the story. Wasserman said Stewart would gladly play the part without hearing the story."[28] Stewart and Capra had previously collaborated on You Can't Take It with You (1938) and Mr. Smith Goes to Washington (1939).

Henry Fonda, arguably Stewart's best friend, was also considered.[29][30] Both actors had returned from the war with no employment prospects. Fonda, however, was cast in John Ford's My Darling Clementine (1946), which was filmed at the same time that Capra shot It's a Wonderful Life. For 17 supporting roles[31] in the film, Capra considered over 170 established actors.

Jean Arthur, Stewart's co-star in You Can't Take It With You and Mr. Smith Goes to Washington, was first offered the role of Mary, but had recently dropped out of the Broadway show "Born Yesterday" from exhaustion. Capra next considered Olivia de Havilland, Martha Scott, Ann Dvorak, and Ginger Rogers before borrowing Donna Reed from MGM. Rogers turned it down because she considered it "too bland". In chapter 26 of her autobiography Ginger: My Story, she questioned her decision by asking her readers: "Foolish, you say?"

George Bailey (James Stewart), Mary Bailey (Donna Reed), and their youngest daughter Zuzu (Karolyn Grimes)

A long list of actors was considered for the role of Potter (originally named Herbert Potter): Edward Arnold, Charles Bickford, Edgar Buchanan, Louis Calhern, Victor Jory, Raymond Massey, Thomas Mitchell, and Vincent Price.[30] Lionel Barrymore, who eventually won the role, was a famous Ebenezer Scrooge in radio dramatizations of A Christmas Carol at the time, and was a natural choice for the role. Barrymore had also worked with Capra and Stewart on Capra's 1938 Best Picture Oscar winner, You Can't Take It with You.

Before Capra decided on Ward Bond as Bert,[31] he also considered Sam Levene, Barton MacLane, Robert Mitchum, John Alexander and Irving Bacon for the role.

H.B. Warner, who was cast as the drugstore owner Mr. Gower, had studied medicine before going into acting. He was also in some of Capra's other films, including Mr. Deeds Goes to Town, Lost Horizon, You Can't Take It with You, and Mr. Smith Goes to Washington.[32] In the silent era, he had played the role of Jesus Christ in Cecil B. DeMille's The King of Kings (1927). The name Gower came from Capra's employer Columbia Pictures, which had been located on Gower Street for many years. Also on Gower Street was a drugstore that was a favorite for the studio's employees.[33]

Charles Williams, who was cast as Eustace Bailey, and Mary Treen, who was cast as Matilda "Tilly" Bailey, were both B-list actors, having appeared in 90 films each before It's a Wonderful Life.[34]

Jimmy the raven (Uncle Billy's pet) appeared in You Can't Take It with You and each subsequent Capra film.[29][35]

James Stewart and Gloria Grahame as George Bailey and Violet Bick

It's a Wonderful Life was shot at RKO Radio Pictures Studios in Culver City, California, and the 89-acre RKO movie ranch in Encino,[36] where "Bedford Falls" was adapted from Oscar-winning sets originally designed by art director Max Ree for the 1931 epic film Cimarron. Covering 4 acres (1.6 ha), the town consisted of a main street stretching 300 yards (three city blocks) with 75 stores and buildings, and a residential neighborhood.[37] Capra added a tree-lined center parkway, built a working bank set, and planted 20 full-grown oak trees.[38] Pigeons, cats, and dogs were allowed to roam the mammoth set to give the "town" a lived-in feel.[35]

Due to the requirements of filming in an "alternate reality", as well as different seasons, the exterior set was extremely adaptable. RKO studio's head of special effects, Russell Shearman, developed a new compound using water, soap flakes, foamite, and sugar to create "chemical snow" for the film. Before then, movie snow was usually made from untoasted cornflakes, which were so loud when stepped on that dialogue had to be redubbed afterwards.[39][40]

Filming started on April 15, 1946, and wrapped on July 27, 1946, exactly on deadline for the 90-day principal photography schedule.[17]

Only two locations from the film survive. The first, the swimming pool that was unveiled during the high-school dance sequence, is located in the gymnasium at Beverly Hills High School and is still in use as of 2013. The second is the "Martini home" in La Cañada Flintridge, California.[41] RKO's movie ranch in Encino was razed in 1954.[N 4]

The scene where young George saves his brother Harry from drowning was different in an early draft of the script. The boys play ice hockey on the river (which is on Potter's property) as Potter watches with disdain. George shoots the puck, but it goes astray and breaks the "No Trespassing" sign and lands in Potter's yard. Potter becomes irate and the gardener releases the attack dogs, which cause the boys to flee. Harry falls in the ice and George saves him with the same results.[43]

In another draft, after he unsuccessfully attempts to consult his father about his drugstore dilemma, George considers asking Uncle Billy, but Billy is on the phone with the bank examiner. Billy lights his cigar and throws his match in the wastebasket. George turns to Tilly (who, along with Eustace, are his cousins, although not Billy's kids), but she is on the phone with her friend, Martha. She says, "Potter's here, the bank examiner's coming. It's a day of judgment." The wastebasket suddenly catches fire and Billy cries for help. Tilly runs in and puts the fire out with a pot of coffee. George decides to deal with the situation by himself.[44]

According to Bobby Anderson, in the confrontation between Mr. Gower and young George, H.B. Warner slapped him for real and made his ear bleed, reducing him to tears. Warner hugged him after the scene was shot.[45]

Young George (Bobby Anderson) with Violet and Mary in Mr. Gower's drugstore

Composer Dimitri Tiomkin had written "Death Telegram" and "Gower's Deliverance" for the drugstore sequence, but Capra elected to forgo music in those scenes. Tiomkin had worked on many of Capra's previous films, but those changes, and others, led to a falling out between the two men. Tiomkin felt as though his work was being seen as a mere suggestion. In his autobiography Please Don't Hate Me, he said of the incident, "an all around scissors job".[44]

In the scene where Uncle Billy gets drunk at Harry and Ruth's welcome home/newlyweds' party and staggers away off camera, a crash is heard off screen. Mitchell, as Uncle Billy, yells, "I'm all right! I'm all right!". A technician had actually knocked over some equipment; Capra left in Mitchell's impromptu ad lib and rewarded the technician with $10, thanking him for his 'sound improvement'.

According to rare stills that have been unearthed, several sequences were filmed but subsequently cut.[46] Alternative endings were also considered. Capra's first script had Bailey fall to his knees to recite "The Lord's Prayer" (the script also called for an opening scene with the townspeople in prayer). Feeling that an overly religious tone undermined the emotional impact of the family and friends rushing to George's rescue, the closing scenes were rewritten.[47][48][49]

Capra found the film's original cinematographer Victor Milner slow and pretentious, and hired Joseph Walker. When Harry Cohn demanded that Walker return to Columbia Pictures to shoot a film for one of the studio's female stars, Walker trained Joseph Biroc to be his replacement. Although working with three cinematographers was difficult for Capra, it turned out very well in Walker's opinion because the scenes each cinematographer shot were so different that they did not have to match each other's visual styles.[50]

George and Mary dancing near the opening in the floor in the high school gym

According to a 2006 book, "A spate of movies appeared just after the ending of the Second World War, including It's a Wonderful Life (1946) and Stairway to Heaven (1946), perhaps tapping into so many people's experience of loss of loved ones and offering a kind of consolation."[51] It's a Wonderful Life premiered at the Globe Theatre in New York on December 20, 1946, to mixed reviews.[17] While Capra thought the contemporary critical reviews were either universally negative, or at best dismissive,[52] Time said, "It's a Wonderful Life is a pretty wonderful movie. It has only one formidable rival (Goldwyn's The Best Years of Our Lives) as Hollywood's best picture of the year. Director Capra's inventiveness, humor, and affection for human beings keep it glowing with life and excitement."[53]

Bosley Crowther, writing for The New York Times, complimented some of the actors, including Stewart and Reed, but concluded, "the weakness of this picture, from this reviewer's point of view, is the sentimentality of it—its illusory concept of life. Mr. Capra's nice people are charming, his small town is a quite beguiling place and his pattern for solving problems is most optimistic and facile. But somehow, they all resemble theatrical attitudes, rather than average realities."[54]

The film, which went into general release on January 7, 1947, placed 26th ($3.3 million) in box-office revenues for 1947[3] (out of more than 400 features released),[55] one place ahead of another Christmas film, Miracle on 34th Street. The film was supposed to be released in January 1947, but was moved up to December 1946 to make it eligible for the 1946 Academy Awards. This move was seen as worse for the film, as 1947 did not have quite the stiff competition as 1946. If it had entered the 1947 awards, its strongest competitor would have been Miracle on 34th Street. The number-one grossing movie of 1947, The Best Years of Our Lives, made $11.5 million.[3]

The film recorded a loss of $525,000 at the box office for RKO.[56]

On May 26, 1947, the Federal Bureau of Investigation issued a memo stating, "With regard to the picture 'It's a Wonderful Life', [redacted] stated in substance that the film represented rather obvious attempts to discredit bankers by casting Lionel Barrymore as a 'scrooge-type' so that he would be the most hated man in the picture. This, according to these sources, is a common trick used by Communists. [In] addition, [redacted] stated that, in his opinion, this picture deliberately maligned the upper class, attempting to show the people who had money were mean and despicable characters."[57] Film historian Andrew Sarris points out as "curious" that "the censors never noticed that the villainous Mr. Potter gets away with robbery without being caught or punished in any way".[58]

Henry Potter (Lionel Barrymore) was placed in AFI's 100 Years ... 100 Heroes & Villains as number six of villains, while George Bailey was voted number 9 of heroes.

In 1990, It's a Wonderful Life was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry.[59][60][61]

In 2002, Channel 4 in the United Kingdom ranked It's a Wonderful Life as the seventh-greatest film ever made in its poll "The 100 Greatest Films". The network airs the film to British viewers annually on Christmas Eve.[62]

In June 2008, AFI revealed its 10 Top 10, the best 10 films in 10 "classic" American film genres, after polling over 1,500 people from the creative community. It's a Wonderful Life was acknowledged as the third-best film in the fantasy genre.[63][64]

Somewhat more iconoclastic views of the film and its contents are occasionally expressed. In his review for The New Republic in 1947, film critic Manny Farber wrote, "To make his points, [Capra] always takes an easy, simple-minded path that doesn't give much credit to the intelligence of the audience", and adds that it has only a "few unsentimental moments here and there".[65][N 5] Wendell Jamieson, in a 2008 article for The New York Times which was generally positive in its analysis of the film, noted that far from being simply a sweetly sentimental tale, it "is a terrifying, asphyxiating story about growing up and relinquishing your dreams, of seeing your father driven to the grave before his time, of living among bitter, small-minded people. It is a story of being trapped, of compromising, of watching others move ahead and away, of becoming so filled with rage that you verbally abuse your children, their teacher, and your oppressively perfect wife."[66]

In a 2010 essay for Salon, Richard Cohen described It's a Wonderful Life as "the most terrifying Hollywood film ever made". In the "Pottersville" sequence, he wrote, George Bailey is not seeing the world that would exist had he never been born, but rather "the world as it does exist, in his time and also in our own".[67] Nine years earlier, another Salon writer, Gary Kamiya, had expressed the opposing view that "Pottersville rocks!", adding: "The gauzy, Currier-and-Ives veil Capra drapes over Bedford Falls has prevented viewers from grasping what a tiresome and, frankly, toxic environment it is ... We all live in Pottersville now."[68]

Mary Hatch (Donna Reed), spinster librarian, in the world where George Bailey was never born.

The film's elevation to the status of a beloved classic came three decades after its initial release, when it became a television staple during Christmas season in 1976.[69] This came as a welcome surprise to Frank Capra and others involved with its production. "It's the damnedest thing I've ever seen", Capra told The Wall Street Journal in 1984. "The film has a life of its own now, and I can look at it like I had nothing to do with it. I'm like a parent whose kid grows up to be President. I'm proud ... but it's the kid who did the work. I didn't even think of it as a Christmas story when I first ran across it. I just liked the idea."[70] In a 1946 interview, Capra described the film's theme as "the individual's belief in himself" and that he made it "to combat a modern trend toward atheism".[70] It ranked 283rd among critics, and 107th among directors, in the 2012 Sight & Sound polls of the greatest films ever made.[71]

The film's positive reception has continued into the present. On review aggregator Rotten Tomatoes, the film holds an approval rating of 94% based on 85 reviews, with an average rating of 9.00/10. The website's critical consensus reads, "The holiday classic to define all holiday classics, It's a Wonderful Life is one of a handful of films worth an annual viewing."[72] On Metacritic, which assigns a normalized rating to reviews, the film has a score 89 out of 100, based on 17 critics, indicating "universal acclaim".[73]

"What is it you want, Mary? What do you want? You want the Moon? Just say the word and I'll throw a lasso around it and pull it down. Hey. That's a pretty good idea. I'll give you the Moon, Mary." [78]

Liberty Films was purchased by Paramount Pictures, and remained a subsidiary until 1951. In 1955, M. & A. Alexander purchased the movie. This included key rights to the original television syndication, the original nitrate film elements, the music score, and the film rights to the story on which the film is based, "The Greatest Gift".[N 6] National Telefilm Associates took over the rights to the film soon thereafter.

A clerical error at NTA prevented the copyright from being renewed properly in 1974.[80][81] Despite the lapsed copyright, television stations that aired it still had to pay royalties because—though the film's images had entered the public domain—the film's story was still restricted as a derivative work of the published story The Greatest Gift, whose copyright Philip Van Doren Stern had renewed in 1971.[82][83][N 7] The film became a perennial holiday favorite in the 1980s, possibly due to its repeated showings each holiday season on hundreds of local television stations. It was mentioned during the deliberations on the Copyright Term Extension Act of 1998.[82][84]

In 1993, Republic Pictures, which was the successor to NTA, relied on the 1990 U.S. Supreme Court ruling in Stewart v. Abend (which involved another Stewart film, Rear Window) to enforce its claim to the copyright. While the film's copyright had not been renewed, Republic still owned the film rights to "The Greatest Gift"; thus, the plaintiffs were able to argue its status as a derivative work of a work still under copyright.[82][85] That year, Republic made a deal with Turner Broadcasting System, authorizing only three airings of the movie, all on cable's TNT and TBS. However, the studio's attempt to reassert control was widely ignored since there were still some existing distribution deals that Republic had to honor.

In 1994, the studio sold exclusive television rights to NBC. "We're thrilled that we will have the opportunity to broadcast this picture," said NBC Entertainment President Warren Littlefield at the time. "We will broadcast the original director's cut in black and white, full-length, the way Frank Capra intended this picture to be seen."

NBC traditionally shows it during the holidays after Thanksgiving and on Christmas Eve. Paramount (via parent company Viacom's 1998 acquisition of Republic's then-parent, Spelling Entertainment) once again has distribution rights for the first time since 1955.[82][86]

Due to all the above actions, this is one of the few RKO films not controlled by Turner Entertainment/Warner Bros. in the US. It is also one of two Capra films Paramount owns despite not having originally released it—the other is Broadway Bill (originally from Columbia, remade by Paramount as Riding High in 1950).[82]

Director Capra met with Wilson Markle about having Colorization Inc. colorize It's a Wonderful Life based on an enthusiastic response to the colorization of Topper from actor Cary Grant.[87] The company's art director, Brian Holmes, prepared 10 minutes of colorized footage from It's a Wonderful Life for Capra to view, which resulted in Capra signing a contract with Colorization Inc., and his "enthusiastic agree[ment] to pay half the $260,000 cost of colorizing the movie and to share any profits" and giving "preliminary approval to making similar color versions of two of his other black-and-white films, Meet John Doe (1941) and Lady for a Day (1933)".[87]

However, the film was believed to be in the public domain at the time, and as a result, Markle and Holmes responded by returning Capra's initial investment, eliminating his financial participation, and refusing outright to allow the director to exercise artistic control over the colorization of his films, leading Capra to join in the campaign against the process.[87]

Three colorized versions have been produced. The first was released by Hal Roach Studios in 1986. The second was authorized and produced by the film's permanent owner, Republic Pictures, in 1989. Both Capra and Stewart took a critical stand on the colorized editions.[88] The Hal Roach color version was re-released in 1989 to VHS via Video Treasures. A third, computer-colorized version was produced by Legend Films in 2007 and has been released on DVD, Blu-ray, and streaming services.

Throughout the 1980s and early 1990s, when the film was still under public domain status, It's a Wonderful Life was released on VHS by a variety of home video companies. Among the companies that released the film on home video before Republic Pictures stepped in were Meda Video (which would later become Media Home Entertainment), Kartes Video Communications (under its Video Film Classics label), GoodTimes Home Video, and Video Treasures (now Anchor Bay Entertainment). After Republic reclaimed the rights to the film, all unofficial VHS copies of the film still in the hands of video distributors were supposed to have been destroyed.[85] Artisan Entertainment (under license from Republic) took over home video rights in the mid-1990s. Artisan was later sold to Lions Gate Entertainment, which continued to hold US home video rights until late 2005, when they reverted to Paramount, which also owns video rights throughout Region 4 (Latin America and Australia) and in France. Video rights in the rest of the world are held by different companies; for example, the UK rights were once with Universal Studios, but have since reverted to Paramount.

In 1993, due in part to the confusion of the ownership and copyright issues, Kinesoft Development, with the support of Republic Pictures, released It's a Wonderful Life as one of the first commercial feature-length films on CD-ROM for the Windows PC (Windows 3.1). Antedating commercial DVDs by several years, it included such features as the ability to follow along with the complete shooting script as the film was playing.[89][90][N 8]

Given the state of video playback on the PC at the time of its release, It's a Wonderful Life for Windows represented another milestone, being as the longest-running video on a computer. Prior to its release, Windows could only play back about 32,000 frames of video, or about 35 minutes at 15 frames per second. Working with Microsoft, Kinesoft was able to enhance the video features of Windows to allow for the complete playback of the entire film—all of this on a PC with a 486SX processor and 8 MB of RAM.[91]

Computer Gaming World said in April 1994, "The picture quality still has a way to go before it reaches television standards", but was "a noble effort" that would "please fans of the film".[92]

The film has seen multiple DVD releases since the availability of the format. In the autumn of 2001, Republic issued the movie twice, once in August, and again with different packaging in September of that same year. On October 31, 2006, Paramount released a newly remastered "60th Anniversary Edition". On November 13, 2007, Paramount released a two-disc "special edition" DVD of the film that contained both the original theatrical black-and-white version, and a new, third colorized version, produced by Legend Films using the latest colorization technology. On November 3, 2009, Paramount re-released the previous DVD set as a "Collector's Edition" and debuted a Blu-ray edition, also containing both versions of the film.

In 2017, the film was restored in 4K resolution, available via streaming services and DCP.[93]

On October 29, 2019, the film was released for the first time on 4K Ultra HD Blu-ray, along with Digital copy featuring a new Dolby Vision transfer. The original black-and-white version is not featured on the Blu-ray, only the colorized version is on the Blu-ray.[94]

• It Happened One Christmas was a 1977 television movie remake of the classic film, whose screenplay Lionel Chetwynd based on both the original Van Doren Stern short story and the 1946 screenplay. This remake employed gender-reversal, with Marlo Thomas as the protagonist Mary Bailey, Wayne Rogers as George Hatch, and Cloris Leachman as the angel Clara Oddbody.[N 9] Leachman received her second Emmy nomination for this role. In a significant departure from his earlier roles, Orson Welles was cast as Mr. Potter.[N 10] Following initial positive reviews, the made-for-television film was rebroadcast twice in 1978 and 1979, but has not been shown since on national re-broadcasts or issued to home media.[N 11][103]
• Merry Christmas, George Bailey was a 1997 PBS television movie adaptation of the film directed by Matthew Diamond and starring Bill Pullman as George Bailey, Penelope Ann Miller as Mary, Nathan Lane as Clarence and Martin Landau as Potter.[104][105][106][107]
• The Christmas Spirit was a retelling of the movie starring Nicollette Sheridan as Charlotte Hart. This was a made-for-TV film aired on December 1, 2013 on the Hallmark Channel executive produced by Sheridan under her company, Wyke Lane Productions, and Brad Krevoy Television. The film was directed and written by Jack Angelo. Spirit was set in the present day, with the Hart character working to save a "quiet New England town from a ruthless real estate developer". The film was planned to kick off a film series about the Hart character.[108] The film had 3.372 million viewers overall.[109]
• Click, though not entirely a remake, "borrows shamelessly" from the plot of It's a Wonderful Life.[110] This movie follows a similar plotline, in that the main character gets to experience what life would be like if he was not present for his family.
• "The Greatest Gift", Warehouse 13 season 3 Christmas episode tells a similar story after agent Pete Lattimer touches Stern's brush.[111][112]

Karolyn Grimes as Zuzu Bailey

In 1990, the made-for-television film Clarence stars Robert Carradine in a new tale of the helpful angel.[113][114]

A purported sequel was in development for a 2015 release, and was to be called It's a Wonderful Life: The Rest of the Story. It was to be written by Bob Farnsworth and Martha Bolton and follow the angel of George Bailey's daughter Zuzu (played once again by Karolyn Grimes), as she teaches Bailey's evil grandson how different the world would have been if he had never been born. Producers were considering directors and hoped to shoot the film with a $25–$35 million budget in Louisiana early in 2014.[115]

The film had been announced as being produced by Star Partners and Hummingbird Productions, neither of which are affiliated with Paramount, owners of the original film (Farnsworth claimed that It's a Wonderful Life was in the public domain). Later, a Paramount spokesperson claimed that they were not granting permission to make the film, "To date, these individuals have not obtained any of the necessary rights, and we would take all appropriate steps to protect those rights", the spokesperson said.[116] No further developmental plans have since arisen.