Lemonade (Beyoncé album)

Lemonade is the sixth solo studio album by American singer Beyoncé. It was released on April 23, 2016 by Parkwood Entertainment and Columbia Records, accompanied by a sixty-five-minute film of the same title on HBO. It is Beyoncé's second "visual album", following her self-titled fifth studio album (2013), and a concept album with a song cycle that relates Beyoncé's emotional journey after her husband's infidelity in a generational and racial context. Primarily an R&B album, Lemonade encompasses a variety of genres, including reggae, blues, rock, hip hop, soul, funk, Americana, country, gospel, electronic, and trap. It features guest vocals from James Blake, Kendrick Lamar, The Weeknd, and Jack White, and contains samples and interpolations of a number of hip hop and rock songs.[3]

Lemonade
Studio album by
ReleasedApril 23, 2016 (2016-04-23)
RecordedJune 2014 – July 2015
Studio
Genre
Length45:42
Label
Director
Producer
Beyoncé chronology
Beyoncé: Platinum Edition/More Only
(2014)
Lemonade
(2016)
Everything Is Love
(2018)
Singles from Lemonade
  1. "Formation"
    Released: February 6, 2016
  2. "Sorry"
    Released: May 3, 2016
  3. "Hold Up"
    Released: August 16, 2016
  4. "Freedom"
    Released: September 9, 2016
  5. "All Night"
    Released: December 6, 2016

Lemonade received widespread critical acclaim, and is the most acclaimed studio album of Beyoncé's career. The album was music critics' top album of 2016,[4] and was named the greatest album of the decade in 2019 by publications such as the Associated Press.[5] It debuted at number one on the US Billboard 200, earning 653,000 with additional album-equivalent units, including 485,000 copies in its first week of sales. It has since been certified triple platinum by the Recording Industry Association of America (RIAA).[6] By the end of 2016, Lemonade had sold over 1.5 million copies in the United States, making it the third-best-selling album of the year in the US,[7] and it was the best-selling album of 2016, according to the International Federation of the Phonographic Industry (IFPI), with 2.5 million copies sold worldwide.[8]

The album was supported by five singles: "Formation", which was a top-ten hit on the US Billboard Hot 100, "Sorry", "Hold Up", "Freedom", and "All Night". In April 2016, Beyoncé embarked on The Formation World Tour to promote the album, an all-stadium tour visiting North America and Europe. The tour was included in Rolling Stone's 50 Greatest Concerts of the Last 50 Years list in 2017,[9] and was named the best tour of the decade (2010s) by Consequence of Sound in 2019.[10]

Lemonade was nominated for nine Grammy Awards at the 59th Annual Grammy Awards (2017), including Album of the Year, Record of the Year and Song of the Year. It won Best Urban Contemporary Album and Best Music Video, but lost Album of the Year to Adele's 25. The album's visuals received 11 nominations and won eight of those at the 2016 MTV Video Music Awards, including Breakthrough Long Form Video and Video of the Year. The album also won a Peabody Award in Entertainment. Based on critical ratings and appraisals, Lemonade is widely regarded as one of the best albums of the 21st century.

Background

On February 6, 2016, Beyoncé released "Formation" free on the music streaming service Tidal and its accompanying music video on her official YouTube account.[11] The following day, Beyoncé performed "Formation" during her performance at the Super Bowl 50 halftime show.[12] Immediately after the performance, a commercial aired announcing The Formation World Tour, which kicked off in Miami, Florida on April 27, 2016, with the first pre-sales going on sale just two days after the announcement on February 9, 2016.[13] Beyoncé was both praised[14] and criticized[15] over her "Formation" and the Black Panther-influenced costume for her Super Bowl halftime performance.[16] As a result of this, the hashtags "#BoycottBeyonce" and "#IStandWithBeyonce" began trending on social media platforms such as Twitter and Beyoncé faced boycotts from police unions.[17] A group of protesters planned to stage an "anti-Beyoncé" rally outside of the NFL's headquarters in New York City, New York on the day general sale of tickets went for sale,[18] but no protesters showed up; instead, dozens of Beyoncé supporters held a rally for her.[19]

When asked what she wanted to accomplish with the next phase of her career in an interview with Elle, published on April 4, 2016, Beyoncé said: "I hope I can create art that helps people heal. Art that makes people feel proud of their struggle. Everyone experiences pain, but sometimes you need to be uncomfortable to transform."[20]

Recording and production

Lemonade was recorded between June 2014 and July 2015 across 11 studios in the United States.[21] The album was written in stages, with Beyoncé retreating to her home to work on the recordings with recording and mixing engineer Stuart White, as well as to take care of her daughter.[22] Beyoncé had the idea to write each song corresponding to the eleven chapters that can be seen in the Lemonade film, and posted moodboards around the studio representing each chapter to provide direction to her collaborators.[23][24] Beyoncé and her collaborators also played music in the studio to inspire each other.[25]

Jay-Z recounted how he and Beyoncé were in the studio to record music, both separately and together, describing it as "using our art almost like a therapy session" after his infidelity. The music that Beyoncé recorded separately was what became Lemonade and was released first.[26] Lemonade was produced through Beyoncé's synthesis of the work of many collaborators, including both popular and lesser known artists.[27] MNEK relayed how "Hold Up" was written, saying "The way Beyoncé works, the song is a jigsaw piece and then she will piece various elements. It could be a bit that she's written, a bit that someone else has written and she’ll make that the bridge; a bit I've written she’ll make the middle eight".[24] MNEK also explains that Beyoncé was "overlooking everything, saying "I like this, I like that, this is how this should sound, this is how that should sound.""[28]

"Don't Hurt Yourself" collaborator Jack White describes how "she took just sort of a sketch of a lyrical outline and turned into the most bodacious, vicious, incredible song... I'm so amazed at what she did with it."[29] "Hold Up" and "Sorry" co-writer and co-producer MeLo-X explains that "she has a way of creating that I’ve never seen before as an artist. She produces, alters and arranges tracks in ways I wouldn’t think of."[27] When talking about how he scored the Lemonade film as well, MeLo-X explains "She's hands on with everything. She gives direction on everything and is very involved with the whole process. It's inspiring to see an artist on that level be able to just still have an eye for certain things and an ear... We would just sit down and go over with different things and different scenes and sounds and kind of put it together piece by piece."[25]

Concept and themes

We all experience pain and loss, and often we become inaudible. My intention for the film and album was to create a body of work that would give a voice to our pain, our struggles, our darkness and our history. To confront issues that make us uncomfortable. It’s important to me to show images to my children that reflect their beauty, so they can grow up in a world where they look in the mirror, first through their own families — as well as the news, the Super Bowl, the Olympics, the White House and the Grammys — and see themselves, and have no doubt that they’re beautiful, intelligent and capable. This is something I want for every child of every race. And I feel it’s vital that we learn from the past and recognize our tendencies to repeat our mistakes.

—Beyoncé during her acceptance speech for the 2017 Grammy Award for Best Urban Contemporary Album[30]

Infidelity and trauma in Black relationships

As a multimedia audiovisual artwork, Lemonade relates the emotional journey of Beyoncé after her husband Jay-Z's infidelity in a generational and racial context through its music, lyrics, visuals and poetry.[31] The Lemonade album is a song cycle (referencing the classical compositional genre defined in German Lieder by Robert Schumann, Franz Schubert and Johannes Brahms) that is performed as an elaboration of the Kübler-Ross model, with the tracks (excluding "Formation") corresponding to the eleven chapters of the Lemonade film: "Intuition", "Denial", "Anger", "Apathy", "Emptiness", "Accountability", "Reformation", "Forgiveness", "Resurrection", "Hope", and "Redemption".[32]

Melina Matsoukas, the director of the "Formation" music video, said that Beyoncé explained to her the concept behind Lemonade, stating: "She wanted to show the historical impact of slavery on black love, and what it has done to the black family, and black men and women—how we're almost socialized not to be together."[33] Beyoncé wrote on this in a 2018 Vogue article about the "generational curses" in her family, explaining that she comes "from a lineage of broken male-female relationships, abuse of power, and mistrust", including a slave owner who married a slave. Beyoncé continues, writing "Only when I saw that clearly was I able to resolve those conflicts in my own relationship. Connecting to the past and knowing our history makes us both bruised and beautiful."[34]

This theme is repeated throughout Lemonade, with Beyoncé's grief, trauma and struggle being connected to that of her family's ancestors.[35] The fifth track "Daddy Lessons" acts as a turning point for the album, with Beyoncé linking Jay-Z cheating on her with her father Mathew Knowles cheating on her mother Tina.[36] Towards the end of Lemonade, Beyoncé reveals the meaning behind the album title, showing Jay-Z's grandmother Hattie White saying "I had my ups and downs, but I always find the inner strength to pull myself up. I was served lemons, but I made lemonade", and describing her own grandmother, Agnez Deréon, as an "alchemist" who "spun gold out of this hard life" with the instructions to overcome these challenges passed down through generations like a lemonade recipe.[37]

Black feminism

Miriam Bale for Billboard called Lemonade "a revolutionary work of Black feminism" as "a movie made by a black woman, starring Black women, and for Black women", in which Beyoncé is seen gathering, uniting and leading Black women throughout the film.[38] As well as relating the story of Beyoncé's relationship with her husband, Lemonade also chronicles the relationship between Black women and American society. The includes how the United States betrayed and continually mistreats Black women, with society needing to solve its problems in order to enable reformation and the rehabilitation of Black women.[39][40] As part of reverting the societal oppression and silencing of Black women, Lemonade centralizes the experiences of Black women in a way that is not often seen in the media, and celebrates their achievements despite the adversity they face.[41][42]

"Don't Hurt Yourself" contains a quote from Malcolm X in which he said "The most disrespected person in America is the Black woman. The most unprotected person in America is the Black woman. The most neglected person in America is the Black woman". The Black female public figures that Beyoncé featured in the film all have successful careers despite experiencing misogynoir and racism in the media.[43] The film also contains clips of everyday Black women from working class communities, bringing visibility to Black women who are often ignored and undermined by society.[42] The film envisions a space where there was never oppression of Black women, whereby Beyoncé and other Black women form a self-sufficient community in which they can heal together.[44][45] Lemonade also defies and dismantles stereotypical representations of Black women as monolithic and angry Black women, instead attributing them complexity, agency, strength and vulnerability.[43]

To create Lemonade, Beyoncé drew from the work of a wide variety of Black women who are often overlooked or forgotten. The music draws inspiration from Black female blues musicians such as Shug Avery, Bessie Smith and Sister Rosetta Tharpe, who also used their personal trauma to empower Black women, as well as samples songs originally recorded by Black women, namely Memphis Minnie and Dionne Warwick, but whose most famous recordings are by male or white artists.[46][47] The visuals drew inspiration from works by Black feminists such as Julie Dash's Daughters Of The Dust, Alice Walker's In Search Of Our Mothers' Gardens, and Toni Morrison's The Bluest Eye.[48] Other influences for Lemonade include literary work by Black women focusing on themes including African-American folklore (such as Zora Neale Hurston's Their Eyes Were Watching God) and Afrofuturism (such as Octavia Butler's Kindred).[49]

African-American history and culture

Beyoncé also uses Lemonade as a form of recognition, commemoration and celebration of the culture and history of Black people in the Deep South and in the United States as a whole. The film contains allusions to slavery, such as the House of Slaves' Door of No Return in Senegal and the dungeons of Elmina Castle in Ghana, where slaves were taken before being shipped to the Americas.[50][51] In "Love Drought", Beyoncé walks with her dancers into the sea, alluding to the Igbo Landing of 1803, where Igbo slaves took control of their slave ship, and rather than submit to slavery, marched into the sea while singing in Igbo, drowning themselves.[52] Beyoncé appears wearing a tignon, in reference to Louisiana's tignon laws implemented in 1786 that limited African-American women's dress in order to maintain the state's racist social hierarchies.[53] The film also contains references to African religion and spirituality, such as Yoruba ori body paint in "Sorry", allusions to the loa Erzulie Red-Eyes in "Don't Hurt Yourself", and Beyoncé's initiation into the Santería religion and embodiment of the Yoruba orisha Oshun in "Hold Up".[39][54] Allusions to New Orleans culture include "Queen of Creole cuisine" Leah Chase, the Edna Karr Marching Band, jazz funerals, Mardi Gras Indians and the Superdome.[55]

Beyoncé is seen with other Black women on plantations in Lemonade. In the "Formation" video, the walls of the plantation houses are covered with French Renaissance-style portraits of Black subjects; director Melina Matsoukas states that "films about slavery traditionally feature white people in these roles of power and position. I wanted to turn those images on their head."[33] Towards the end of Lemonade, Beyoncé and several Black women are on a plantation, with Chris Kelly for Fact writing "Instead of an antebellum memory, these scenes portray a dream: the fantasy of an all-Black, matriarchal utopia when women dress up, prepare meals, take photographs and perform shows, not for a master but for themselves."[55] Throughout the film, Beyoncé can be seen in Fort Macomb, a Confederate States Army stronghold that was taken over by one of the first all-Black Union Army units - the 1st Louisiana Native Guard - and eventually destroyed by Hurricane Katrina.[56] On the central track "Daddy Lessons", Beyoncé is seen standing in a hideaway in the fort, alluding to the Underground Railroad.[55] However, on the closer "All Night", Beyoncé is seen above ground, walking on top of the ruins of the fort in an antebellum-style dress made in West African material, possibly inspired by artist Yinka Shonibare who is known for reappropriating "European import — the cloth — to remake symbols of European cultural dominance in the spirit of Africa".[57]

On "Don't Hurt Yourself", Beyoncé samples Led Zeppelin’s "When the Levee Breaks". However, the classic rock song was originally written by black Delta blues artists Kansas Joe McCoy and Memphis Minnie, with the song referring to the Great Mississippi Flood of 1927 which displaced hundreds of thousands of African Americans.[58] With the sample, Beyoncé reappropriates the song that was written by Black people about black history.[59] In general, Beyoncé also reappropriates genres that were influenced by African Americans that are now seen as predominantly white genres on Lemonade, such as rock in "Don't Hurt Yourself" and country in "Daddy Lessons".[60]

Music and lyrics

The album features musicians Jack White, Kendrick Lamar, and bassist Marcus Miller, and sampling from folk music collectors[61] John Lomax, Sr. and his son Alan Lomax on "Freedom". Beyoncé and her team reference the musical memories of all those periods,[61] including a brass band, stomping blues rock, ultraslow avant-R&B, preaching, a prison song (both collected by John and Alan Lomax), and the sound of the 1960s fuzz-tone guitar psychedelia (sampling the Puerto Rican band Kaleidoscope).[62] The Washington Post called the album a "surprisingly furious song cycle about infidelity and revenge".[63] The Chicago Tribune described the album as not just a mere grab for popular music dominance, rather it is a retrospective that allows the listener to explore Beyoncé's personal circumstances, with musical tones from the southern United States, a harkening back towards her formative years spent in Texas.[64] AllMusic wrote that Beyoncé "delights in her Blackness, femininity, and Southern origin with supreme wordplay."[65]

According to The A.V. Club, the tracks "encompass and interpolate the entire continuum of R&B, rock, soul, hip hop, pop, and blues", accomplished by a deft precision "blurring eras and references with determined impunity."[66] The Guardian and Entertainment Weekly both noted that the album touches on country,[67][68] and Entertainment Weekly noticed the use of avant-garde musical elements. Consequence of Sound wrote that the album's genres span "from gospel to rock to R&B to trap";[69] On the album, Isaac Hayes and Andy Williams are among the sampled artists.[67] PopMatters noticed how the album was nuanced in its theme of anger and betrayal with vast swathes of the album bathed in political context; however, it is still a pop album at its essence with darker and praiseworthy tones.[70] In 2020, Marc Hogan from Pitchfork considered Lemonade among the great art pop albums of the last 20 years to "have filled the void of full-length statements with both artistic seriousness and mass appeal that was formerly largely occupied by [rock] guitar bands".[2]

Film

The film samples work by Malcolm X.

Lemonade was accompanied by the release of a sixty-five-minute film of the same title, produced by Good Company and Jonathan Lia, which premiered on HBO on April 23, 2016,[71] logging 787,000 viewers.[72] It is divided into eleven chapters, titled "Intuition", "Denial", "Anger", "Apathy", "Emptiness", "Accountability", "Reformation", "Forgiveness", "Resurrection", "Hope", and "Redemption".[73] The film uses poetry and prose written by British-Somali poet Warsan Shire; the poems adapted were "The Unbearable Weight of Staying", "Dear Moon", "How to Wear Your Mother's Lipstick", "Nail Technician as Palm Reader", and "For Women Who Are Difficult to Love".[74][75]

The film's cast features Ibeyi, Laolu Senbanjo, Amandla Stenberg, Quvenzhané Wallis, Chloe x Halle, Zendaya and Serena Williams.[76] In "Forward", the mothers of Trayvon Martin (Sybrina Fulton), Michael Brown (Lesley McFadden), and Eric Garner (Gwen Carr) are featured holding pictures of their deceased sons.[77][78] Jay-Z and Beyoncé's daughter Blue Ivy appears in home video footage at one point, as does Jay-Z's grandmother Hattie White, and Beyoncé's mother Tina Knowles, who is shown with her second husband Richard Lawson on their wedding day in 2015.[79] The film also samples work by Malcolm X, specifically an excerpt from his speech "Who Taught You to Hate Yourself", which is featured on the track "Don't Hurt Yourself".[80]

In June 2016, Matthew Fulks sued Beyoncé, Sony Music, Columbia Records and Parkwood Entertainment for allegedly lifting nine visual elements of his short film Palinoia for the trailer for Lemonade. The lawsuit was subsequently dismissed by New York federal judge Jed S. Rakoff, siding with the defendant.[81]

Title and artwork

The album title was inspired by Beyoncé's husband Jay-Z's grandmother, Hattie White, as well as her grandmother Agnéz Deréon. At the end of the song "Freedom", an audio recording of Hattie White speaking to a crowd at her ninetieth birthday party in December 2015 is played. During the speech, Hattie says: "I had my ups and downs, but I always find the inner strength to pull myself up. I was served lemons, but I made lemonade", referencing the proverb "when life gives you lemons, make lemonade" that encourages turning sourness and difficulty to something positive. Beyoncé also draws a connection to her own grandmother, Agnez Deréon, using her lemonade recipe that was passed down through the generations as a metaphor for the mechanisms for healing passed through generations.[37]

The cover artwork for Lemonade is a still frame from the music video for "Don't Hurt Yourself" and features Beyoncé wearing cornrows and a fur coat, leaning against a minivan and covering her face with her arm.[82]

Release and promotion

Lemonade was first made available for online streaming via Tidal on April 23, 2016 through Parkwood Entertainment and Columbia Records, and for digital download the following day. It was released for CD and DVD on May 6, 2016. A limited edition box set titled How to Make Lemonade was made available for pre-order on August 18, 2017, containing a six-hundred-page coffee table book, featuring a set of pictures and behind-the-scenes content showcasing the making of the album, and a double vinyl LP of Lemonade. Standalone vinyl was released on September 15, 2017.[83] Upon its release, Lemonade was only available to stream on Tidal; however the album was eventually released to all other streaming platforms on April 23, 2019, exactly three years after its release. The version of the album that was made available on other streaming services contains the original audio part of Lemonade as well as the original demo of "Sorry".[84]

Beyoncé had a goal to perform the entire Lemonade album live.[85] Beyoncé performed "Formation" at the Super Bowl 50 halftime show as part of her guest appearance at the event, with critics lauding the performance and stating that she stole the show from headliners Coldplay.[86][87][88] The political symbolism in the performance also inspired many thinkpieces and discussions on their history and significance.[89][90][91] Beyoncé performed "Freedom" with Kendrick Lamar as the surprise opening number at the 2016 BET Awards on June 27.[92] The performance began with an audio clip of Martin Luther King Jr.'s "I Have a Dream" speech.[93][94] The performance was met with acclaim by critics.[95] At the 2016 MTV Video Music Awards on August 28, Beyoncé performed a sixteen-minute medley of "Pray You Catch Me", "Hold Up", "Sorry", "Don't Hurt Yourself", and "Formation", and included interludes of the poetry as heard in the Lemonade film.[96] Critics noted that Beyoncé used political symbolism during "Pray You Catch Me", which included angel-like dancers in historical black hairstyles (such as Bantu knots, braids and dreadlocks) successively falling to the ground as though shot, alluding to police brutality, and a black man in a black hoodie catching, uplifting and pushing Beyoncé forward, alluding to Trayvon Martin, who was killed when wearing a black hoodie.[97][98]

Beyoncé performing during The Formation World Tour at Carter–Finley Stadium in Raleigh, North Carolina on May 3, 2016

On October 19, Beyoncé performed "6 Inch" and "All Night" at the TIDAL X benefit concert at Barclays Center in Brooklyn, New York City.[99] On November 2, Beyoncé performed "Daddy Lessons" with the Dixie Chicks at the 50th Annual Country Music Association Awards (2016).[100] The performance (which was the first featuring the Dixie Chicks in a decade after being blacklisted for their criticism of George W Bush in 2003) was widely praised by critics,[101][102] but was met with criticism and racism by conservative country fans; this sparked conversations about the identity of country music and black people's place in it.[103][104][105] Subsequently, a remix of "Daddy Lessons" featuring the Dixie Chicks was released.[106][107] At the 59th Annual Grammy Awards on February 12, 2017 Beyoncé performed "Love Drought" and "Sandcastles".[108] Themed around motherhood, the five-months pregnant Beyoncé's performance is recognised by commentators to evoke various female deities and Renaissance European Christian art (such as Tintoretto's Last Supper, Simone Martini's Maestà and depictions of the Virgin of Guadalupe) and various non-European allusions such as Fulani facepainting, Ethiopian icons, Byzantine jewelry and Latin American Baroque painting.[109][110][111]

In order to promote the album, Beyoncé embarked on The Formation World Tour which visited countries in North America and Europe from April to October 2016.[112] The stage featured the Es Devlin-designed 'Monolith', a revolving seven-storey-tall box made with video screen walls that could shoot out fire and fireworks and split open, and which revolved during the show to represent a new chapter in line with the Lemonade film.[113][114] The Formation World Tour was met with rave reviews from critics, such as Kat Bein for Rolling Stone who described the show as "a prime example of entertainment and a vision of an artist at her apex" and "a visual feast as well as an emotional tour de force, packed with fireworks, confetti, rearranging stage designs and aerial dancers."[112] The Formation World Tour won Tour of the Year at the 2016 American Music Awards,[115] was included in Rolling Stone's 50 Greatest Concerts of the Last 50 Years list in 2017,[9] and was named the best tour of the decade (2010s) by Consequence of Sound in 2019.[10]

The Formation World Tour was ranked at number one and number two on Pollstar's 2016 mid-year Top 100 Tours chart both in North America and worldwide respectively, with a total mid-year worldwide gross of $137.3 million from the first twenty-five shows (including $126.3 million from the first North American leg of the tour). In total, the tour grossed $256 million from forty-nine sold-out shows according to Billboard box score, and ranked at number two on Pollstar's 2016 Year-End Tours chart.

Singles

Lemonade consisted of five singles, three of which would become major hits. "Formation" was released as the album's first single exclusively on Tidal on February 6, 2016, along with its accompanying music video. The song was part of the set Beyoncé performed the following day at the Super Bowl 50 halftime show.[116] "Formation" peaked at number ten on the US Billboard Hot 100. The music video for the song was uploaded onto Vevo in December 2016.[117]

"Sorry" was released as the second single and serviced to rhythmic adult contemporary radio in the United States on May 3, 2016,[118] and its music video was uploaded onto Vevo on June 22, 2016.[119] The single debuted and peaked at number eleven on the US Billboard Hot 100.[120]

"Hold Up" was the third single and was first released to contemporary hit radio stations in Germany and the United Kingdom on May 12, 2016,[121][122] and was later serviced to radio in the United States on August 16, 2016.[123] It debuted and peaked at number thirteen on the US Billboard Hot 100.[120] The music video for "Hold Up" was uploaded onto Vevo on September 4, 2016.[124]

The fourth and fifth singles released were "Freedom" and "All Night", respectively. Both became moderate hits with the former (released September 2016) peaking at US number thirty-five, and the latter (released December 2016) peaking at US number thirty-eight.

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?8.7/10[125]
Metacritic92/100[126]
Review scores
SourceRating
AllMusic[65]
The Daily Telegraph[127]
Entertainment WeeklyA+[67]
The Guardian[68]
The Independent[128]
NME4/5[129]
Pitchfork8.5/10[130]
Rolling Stone[131]
Spin9/10[132]
Vice (Expert Witness)A−[133]

Lemonade received widespread acclaim from music critics and is also the most critically acclaimed studio album of Beyoncé's career to date. In Spin, Greg Tate calls Lemonade "a triumph of marketing and musicality, spectacle and song, vision and collaboration, Borg-like assimilation, and — as of 2013 — the element of surprise". Lauding both the film and album, Tate writes "Visually, literarily, choreographically, cinematically, this full accessing of her Southern bona fides shows up in the HBO project as ritual evidence that Bey’s spent her downtime delving into the avant-garde mysticism of black-feminist poetry, novel writing, dance, gallery art, and film... The album, however, is out to sonorously suck you into its gully gravitational orbit the old fashioned way, placing the burden of conjuration on its steamy witches' brew of beats, melodies, and heavy-hearted-to-merry-pranksterish vocal seductions. In her mastery of carnal and esoteric mysteries, Queen Bey raises the spirits, sizzles the flesh, and rallies her troops."[132] AllMusic writer Andy Kellman called Lemonade "culturally seismic" through its "layers of meaning and references, and experienced en masse through its televised premiere", adding that "the cathartic and wounded moments here resonate in a manner matched by few, if any, of Beyoncé's contemporaries."[65]

In a five-star review for Rolling Stone, Rob Sheffield calls Lemonade "a welcome reminder that giants still walk among us", describing it as an "album of emotional discord and marital meltdown... from the most respected and creative artist in the pop game". Sheffield writes "Lemonade is her most emotionally extreme music, but also her most sonically adventurous... Yet the most astounding sound is always Bey’s voice", which is described as "her wildest, rawest vocals ever". Sheffield also compares Lemonade to Aretha Franklin’s Spirit in the Dark and Nina Simone’s Silk and Soul in the way that the album "reach[es] out historically, connecting her personal pain to the trauma of American blackness".[131] Ray Rahman for Entertainment Weekly agrees, writing that Lemonade is "a raw and intensely personal plunge into the heart of marital darkness" as well as "a feminist blueprint, a tribute to women, African-Americans, and, especially, African-American women". Rahman further praises the diversity of the album: "[Beyoncé] can do rock, blues, country, avant-garde, whatever. Lemonade stands as Bey’s most diverse album to date. Sinister strip-club-in-the-future R&B... sits right next to a slab of Texas twang. Led Zeppelin and Soulja Boy become bedfellows."[67]

Alexis Petridis of The Guardian wrote that the album "feels like a success" and that Beyoncé sounded "genuinely imperious". Petridis praises the musical arc of the album, commenting on how the music "slowly works itself up into a righteous frenzy of anger, shifting from the becalmed misery of opener "Pray You Catch Me" via the sparse simmer of "Hold Up"... before finally boiling over on the fantastic "Don't Hurt Yourself": a ferocious, distorted vocal as commanding as anything she’s recorded".[68] The Daily Telegraph writer Jonathan Bernstein felt it was her strongest work to date and "proves there's a thin line between love and hate."[127] Nekesa Moody and Mohamad Soliman from The Washington Post called the album a "deeply personal, yet ... a bold social and political statement as well".[134] Writing for The New York Times, Jon Pareles praised Beyoncé's vocals and her courage to talk about subjects that affect so many people, and noted that "the album is not beholden to radio formats or presold by a single".[135] Greg Kot from the Chicago Tribune felt that "artistic advances" seem "slight" in context towards the record's "more personal, raw and relatable" aspects, where it came out as a "clearly conceived" piece of music, meaning it had a "unifying vision" for what may have lent itself to being "a prettily packaged hodgepodge".[64]

Reviewing the album in The Independent, Everett True wrote that it "is fiery, insurgent, fiercely proud, sprawling and sharply focused in its dissatisfaction", with Beyoncé "pick[ing] up the mantles of both" Prince and Nina Simone.[128] Writing for Slate, Carl Wilson describes Lemonade as "a spectacle to rival Thriller" and "a beautiful and often disturbing kaleidoscope of poetry, feminism, racial politics, history, mythology, emotional upheaval, family, and romance that can be watched again and again and will be for years to come".[136] Kitty Empire of The Observer writes that "female endurance and pragmatism are celebrated with warmth, anger and wit on this astounding visual album" and that "it’s unlikely there will be many more albums this year that will unite high art and low in the same way as Beyoncé’s jaw-slackening latest".[137] Jillian Mapes of Pitchfork wrote that "The increasingly signature cadence, patois, and all-around attitude on Lemonade speaks to her status as the hip-hop pop star—but this being Bey, she doesn’t stop there... Lemonade proves Beyoncé to also be a new kind of post-genre pop star".[130] In The A.V. Club Annie Zaleski wrote that it was "yet another seismic step forward for Beyoncé as a musician" that "pushes pop music into smarter, deeper places".[66]

Shahzaib Hussain, writing for Clash, stated: "Lemonade is Beyoncé at her most benevolent, and her most unadulterated. Treating her blackness not as an affliction but a celebratory beacon, Lemonade is a long overdue, cathartic retribution."[138] Sal Cinquemani of Slant Magazine wrote that the album "is her most lyrically and thematically coherent effort to date."[139] Maura Johnston of Time wrote that its tracks were "fresh yet instantly familiar" with an "over-the-top but intimate" sound.[140] Jamie Milton of DIY wrote that "there's so much more than an enthralling story to draw out of this all-slaying work", where "Beyoncé can count herself as a risk-taker breaking new ground, up there with the bravest."[141] Exclaim!'s Erin Lowers wrote that "If you've ever been handed lemons, you need Lemonade", calling it "an album in which millions will find their own struggles reflected back to them, as therapeutic as it is utterly dazzling".[142] Britt Julious of Consequence of Sound describes how "With nods to Voudou and Southern Black gothic storytelling, Lemonade, the visual album, wove chapters of emotional grief into a piece of art about the black woman... Separated from the visual, the album itself acts as dexterously as the film, exposing the rawest elements of Beyoncé’s personal life while framing it against the universal — the machinations of internal paranoia, the all-consuming well of fury and anger, and the bottomless depths of sadness." Julious continues by praising the song cycle nature of the album: "Taken as a whole, we hear the threads of this from song to song on the record. If Lemonade is a record about dismantling the cycles of abuse, ripping open the secrets we keep hidden (especially within the closely guarded black community), and finding healing, purpose, and even greatness in the process, then it is personified in the arcs of each track... The songs stand as joined entities, two dichotomous halves of the grief process".[69] PopMatters writer Evan Sawdey felt few albums could ever be considered "as bold, complex, or resolute as Lemonade,"[70] and the BBC's Mark Savage, describing Lemonade as "an album with a complex narrative arc... that demands to be heard in one sitting", noted that Beyoncé had become an albums artist with a range extending beyond that of radio play.[143]

Accolades

Publications

At the end of 2016, Lemonade appeared on a number of critics' lists ranking the year's top albums. According to the BBC, it was the critics' top album of 2016,[144] while according to Metacritic, it was the second most prominently ranked record of 2016, and the album that was listed at number one by the most publications (37 publications).[145] Lemonade was ranked as the best album of the year by such publications as Rolling Stone,[146] Billboard,[147] Entertainment Weekly,[148] The Guardian,[149] Digital Spy,[150] The Independent,[151] The Associated Press,[152] The New York Times (Jon Pareles list),[153] Los Angeles Times (Mikael Wood list),[154] Pop Matters,[155] Pretty Much Amazing,[156] Idolator,[157] Stereogum,[158] Complex,[159] Consequence of Sound,[160] Wired,[161] and US Weekly.[162] Paste,[163] USA Today,[164] NPR also included the release on their list of best albums of 2016.[165]

On the annual Village Voice's Pazz & Jop mass critics poll of the year's best in music in 2016, Lemonade was ranked at number two.[166] For Slant it was the third best,[167] while Exclaim! listed the album at number four on their list of the Top 20 Pop & Rock Albums of 2016.[168] According to Spin, it was the sixth best album of 2016.[169] NME listed Lemonade at number eleven on their list of best albums of the year,[170] FACT at number fifteen,[171] Drowned in Sound at number twelve,[172] Uncut at number ten,[173] Mojo at number twelve,[174] Q at number thirteen,[175] while Tiny Mix Tapes at number thirty-two.[176] Esquire magazine included Lemonade among the twenty best releases of 2016.[177] Pitchfork listed Lemonade as the third best album of the same year.[178]

The Lemonade film also appeared on a number of critics' lists. Pitchfork listed Lemonade at number one on their list of best music videos of 2016.[179] It was also included on Sight & Sound's best films of 2016 list at number twenty-six.[180][181] David Ehrlich, a film critic for IndieWire, placed Lemonade at number twenty-three on his Best Films of 2016 list.[182] Jen Yamato from The Daily Beast ranked it at number nine on her list of the Top 10 Best Films of 2016.[183]

Lemonade was named the best album of the decade (2010s) by Consequence of Sound,[184] The Associated Press[185] and Spex.[186] Lemonade was also named the best music video of the decade by The Daily Beast,[187] as well as one of the best movies of the 2010s by Vox[188] and the eleventh greatest film of the decade by Hyperallergic.[189] Rolling Stone[190] The Independent,[191] New York Post,[192] Billboard,[193] Paste Magazine,[194] The A.V. Club,[195] WXPN The Key,[196] and Refinery29[197] declared Lemonade the second best album of the 2010s. Lemonade was named the third best album of the decade by Tampa Bay Times,[198] Insider,[199] and The Young Folks,[200] while the Genius community[201] and Chris Willman for Variety[202] named it the fourth best one. Uproxx,[203] Noisey,[204] The Independent,[205] and The Wild Honey Pie[206] named Lemonade the fifth best album of the decade. Pitchfork listed Lemonade as the 41st greatest album of the decade.[207] Time,[208] Paper,[209] Stuff,[210] and The Sydney Morning Herald[211] included the album in their lists of the best 10 albums of the decade. Lemonade was included in The Atlantic's "Time Capsule of the 2010s".[212] Lemonade was included in Triple J's top 15 biggest music moments of the decade list.[213]

Lemonade is the 20th best album of all time by Metacritic score.[214] In 2020, Parade named Lemonade the best music video of all time.[215] On Rolling Stone's 500 Greatest Albums of All Time list, Lemonade was placed at number 32, citing the album's exploration of "the betrayals of American blackness" and "all of the country's music traditions".[216] BBC Radio 4's named Lemonade the eighth greatest risk in 21st century art, with the judges saying that Beyoncé "resisted the commercial pressure not to be political in order to stand up for what she believed in and let audiences into her personal life as never before".[217] The Guardian listed it at number 25 on their ranking of the 100 best albums of the 21st century.[218] On their list of the top 100 albums of the publication's existence, The Quietus named the project at number 9.[219] In 2017, the album was ranked at number 6 on NPR's list of the 150 Greatest Albums Made By Women.[220]

Awards

"Formation" won in three categories at the 2016 BET Awards for Video of the Year, the Centric Award, and the Viewers Choice Award.[221] At the 2017 BET Awards Beyoncé was nominated in 7 categories and won 5, including Album of the Year, Video of the Year for "Sorry" and Best Female R&B/Pop Artist.[222] The Lemonade film was nominated for four Primetime Emmy Awards, including Outstanding Variety Special and Outstanding Directing for a Variety Special. From the four categories, Beyoncé was nominated in the two mentioned.[223] The album's visuals received 11 nominations at the 2016 MTV Video Music Awards. They included Breakthrough Long Form Video for Lemonade, Video of the Year, Best Pop Video, Best Direction, Best Editing, and Best Cinematography for "Formation", Best Female Video and Best Art Direction for "Hold Up", and Best Choreography for "Sorry" and "Formation".[224] Beyoncé went on to win eight of her nominations, including Video of the Year and Breakthrough Long Form Video.[225]

She received two nominations at the 2016 MTV Video Music Awards Japan for Best Album of the Year for Lemonade and Best Female Video International for "Formation", eventually winning for Best Album of the Year.[226][227] At the 2016 Soul Train Music Awards, Beyoncé was nominated for eight awards including Best Female Artist, Lemonade for Album of the Year, and "Formation" for Song and Video of the Year. Beyoncé went on to win all four awards. Lemonade won Best TV Show – Special or Limited Series at the African American Film Critics Association.[228] At the 2017 NAACP Image Awards, Lemonade was nominated for Outstanding Album and Outstanding Variety – Series or Special, "Formation" was nominated for Outstanding Song and Outstanding Music Video, and "Freedom", featuring Kendrick Lamar, was nominated for Outstanding Duo, Group or Collaboration and Outstanding Song. The album received four awards, including Outstanding Album, Outstanding Song and Outstanding Duo, Group or Collaboration for "Freedom" and Outstanding Music Video for "Formation".[229] At the 2016 ADG Excellence in Production Design Awards, Lemonade received the award for Best Awards or Event Special, as well as "Hold Up", "6 Inch" and "Denial" all being nominated for Best Short Format: Web Series, Music Video or Commercial.[230]

At the 59th Annual Grammy Awards, Lemonade received three nominations: Album of the Year, Best Urban Contemporary Album and Best Music Film. "Formation" received three as well: Record of the Year, Song of the Year and Best Music Video. "Hold Up" was nominated for Best Pop Solo Performance, "Don't Hurt Yourself" for Best Rock Performance and "Freedom" for Best Rap/Sung Performance.[231] Beyoncé went on to win two awards, Best Urban Contemporary Album and Best Music Video for "Formation".[232] Lemonade won Outstanding Television Documentary or Special at the 2017 Black Reel Awards.[233]

Lemonade won a Peabody Award in Entertainment, along with the following description by the board of jurors:[234]

Adroitly bringing together stories about betrayal, renewal, and hope, Lemonade draws from the prolific literary, musical, cinematic, and aesthetic sensibilities of black cultural producers to create a rich tapestry of poetic innovation. Defying genre and convention, Lemonade immerses viewers in the sublime worlds of black women, family, and community where we experience poignant and compelling stories about the lives of women of color and the bonds of friendship seldom seen or heard in American popular culture. This innovative and stunningly beautiful masterpiece challenges us to readjust our visual and sonic antennae and invites a reckoning with taken for granted ideas about who we are. For the audacity of its reach and the fierceness of its vision in challenging our cultural imagination about the intimacies and complexities of women of color, we recognize Lemonade as a Peabody Award winner. —The George Foster Peabody Awards Board of Jurors

Commercial performance

In the United States, Lemonade debuted at number one on the Billboard 200, with 653,000 album-equivalent units, out of which 485,000 were pure album sales. This made the highest opening-week sales for a female act of the year. Subsequently, she broke the record she previously tied with DMX, by becoming the first artist in the chart's history to have their first six studio albums debut at number one.[235] In the same week, Beyoncé became the first female artist to chart twelve or more songs on the US Billboard Hot 100 at the same time, with every song on the album debuting on the chart.[236] Additionally, Lemonade was streamed 115 million times via Tidal, setting a record for the most-streamed album in a single week by a female artist.[237]

The album slipped from number one to number two in its second week, selling 321,000 album-equivalent units, out of which 196,000 were pure album sales. It remained at number two in its third week selling 201,000 album-equivalent units, out of which 153,000 were pure album sales. Lemonade was certified platinum by the Recording Industry Association of America (RIAA) in June 2016. According to Nielsen's 2016 year-end report, it had sold 1,554,000 copies and 2,187,000 album-equivalent units in the United States.[238] Following its April 23, 2019 release on all streaming services, Lemonade returned to the top ten on the Billboard 200 at number nine,[239] while its only added song, the original demo of "Sorry", debuted at number four on the US R&B Songs.[240] On May 20, 2019, the album was certified double platinum for shipments of two million copies, and triple platinum on June 13, 2019, for shipments of three million copies. On December 23, 2020 it was reported that Lemonade had reached sales of 2 million pure copies in the US.[241] In Canada, the album debuted at number one with sales of 33,000 copies.[242]

The album debuted at number one on the UK Albums Chart selling 73,000 copies in its first week of release, with 10,000 equivalent sales (14% of the total sales) accounting for streaming, marking the largest ever for a number-one album since the chart began including streaming.[243] The album marked the singer's third number-one album on the chart and was certified platinum by the British Phonographic Industry (BPI) on September 9, 2016 for shipments of 300,000 copies.[243] All of the album's tracks also debuted within the top hundred of the UK Singles Chart.[244] As in the US, 2020 is the first year since release that the album has not appeared on the UK Chart. In Australia, Lemonade sold 20,490 digital copies in its first week, debuting atop the Australian Albums Chart and becoming Beyoncé's second consecutive number-one album in the country.[245] It received a platinum certification from the Australian Recording Industry Association (ARIA) for shipments of 70,000 copies.[246]

Impact and legacy

Music industry

Lemonade has been credited with reviving the album format in an era dominated by singles and streaming,[247] with Myf Warhurst on Double J's "Lunch With Myf" explaining that Beyoncé "changed [the album] to a narrative with an arc and a story and you have to listen to the entire thing to get the concept".[248] Jamieson Cox for The Verge called Lemonade "an evolutionary step forward", writing that "it’s setting a new standard for pop storytelling at the highest possible scale".[249] The New York Times' Katherine Schulten agrees, adding "How do you talk about the ongoing evolution of the music video and the autobiographical album without holding up Lemonade as an exemplar of both forms".[250] Joe Coscarelli of The New York Times describes how "some brand-name acts are following Beyoncé’s blueprint with high-concept mini-movies that can add artistic heft to projects," with Frank Ocean's Endless and Drake's Please Forgive Me cited as examples of artists' projects inspired by Lemonade.[251] Other projects said to have followed the precedent that Lemonade set include Lonely Island's The Unauthorized Bash Brothers Experience, Thom Yorke's Anima, Sturgill Simpson's Sound & Fury, and Kid Cudi's Entergalactic, which were all albums released with complementary film projects.[252]

Several musicians were inspired by Lemonade. American rapper Snoop Dogg named his fourteenth studio album Coolaid (2016) after Lemonade.[253] British girl group Little Mix cited Lemonade as an inspiration for their album Glory Days (2016).[254] American singer The-Dream wrote a response to Lemonade titled "Lemon Lean" in his EP Love You To Death, saying that the album changed the way people think about their relationships.[255][256] American singer Lauren Jenkins used Lemonade as the inspiration for her album and long-form music video No Saint.[257] American comedian Lahna Turner released a visual album entitled Limeade in homage to Lemonade.[258] American singer Matt Palmer was inspired by Lemonade to create his visual EP Get Lost.[259] American musician Todrick Hall's second studio album Straight Outta Oz was made as a visual album due to Lemonade.[260] British singer-songwriter Arrow Benjamin was also inspired by Lemonade for his 2016 EP W.A.R. (We All Rise), saying "Every piece on this project was created from a visual, so that's why I was extremely inspired when I saw Lemonade".[261] Cardi B was inspired by Lemonade for her upcoming album, which she says is "going to have my Lemonade moments".[262]

Ann Powers for NPR opined that Fiona Apple was influenced by Lemonade when implementing black musical traditions on her 2020 album Fetch the Bolt Cutters,[263] while Jenna Wortham for The New York Times drew a parallel between both albums as "blueprints for how to take in all that emotion and kind of how to push it back out in a way that’s cathartic and constructive".[264] Billboard writes that Shania Twain's Now "couldn't have existed without" Lemonade, as an album that "completely changed the course of breakup album history" in which the artist is "someone at their full creative peak pushing herself into new niches, dominating new musical territories."[265] Kadeen Griffiths from Bustle states that Lemonade, as an album that deals with issues related to black women, "paved the way" for Alicia Keys' Here and Solange's A Seat At The Table.[266] Danielle Koku for The Guardian stated that Lemonade aided the return of African mysticism to pop music, writing "By taking African mysticism to the world stage, Beyoncé stripped it of its ancient pagan labels."[267] Many critics have noted that Jay-Z's thirteenth studio album 4:44 (2017) is a response to Lemonade, with Jay-Z referencing lines from Lemonade, such as the "You better call Becky with the good hair" line on Beyoncé's "Sorry", with Jay-Z retorting: "Let me alone, Becky" in "Family Feud".[268]

At the 59th Annual Grammy Awards (2017), Adele dedicated her Album of the Year award to Beyoncé and said: "The artist of my life is Beyoncé... the Lemonade album, is just so monumental."[269] American musician Stevie Wonder called Lemonade "a great work, a great art piece".[270] U2's Bono included "Freedom" in his "60 Songs That Saved My Life" project to celebrate his 60th birthday, writing "In my 60 years, I was served many platters but rarely one like the Queen Bey’s album Lemonade."[271]

Beyoncé's use of various genres on Lemonade has been credited with setting the precedent for music to transcend genre, with NPR writing that the album "leads us to this moment where post-genre becomes a thing".[272][273] The use of various genres has also been credited with kickstarting the reclamation of certain genres by black people. "Daddy Lessons" has been credited as starting a trend of "pop stars toying with American West and Southern aesthetics,"[274] as well as setting the precedent for "The Yeehaw Agenda," the trend of reclaiming black cowboy culture through music and fashion.[275][276] "Don't Hurt Yourself" has been credited with the reclaiming of rock by black women, with Brittany Spanos for Rolling Stone writing that "the re-imagination of what rock can be and who can sing it by Beyoncé and her superstar peers is giving the genre a second life – and may be what can save it."[277]

Lemonade has also inspired artists in media other than music, including art, literature, film, television and theatre. Misha Green, creator of the 2020 television series Lovecraft Country, described how Lemonade inspired the direction and flow of the show's score, saying: "What Beyoncé did on Lemonade, with bringing in the poems and taking us on this collage of a journey, that wasn’t just music and visuals. [It was] also words and really using those words as a score."[278] Bill Condon, director of the film Beauty and the Beast (2017) says the visuals behind Lemonade inspired him for the movie: "You look at Beyoncé's brilliant movie Lemonade, this genre is taking on so many different forms… I do think that this very old-school break-out-into-song traditional musical is something that people understand again and really want."[279] The Royal National Theatre's 2018 production of Shakespeare's Antony and Cleopatra featured a costume inspired by Lemonade, with costume designer Evie Gurney describing how she wanted to draw a parallel between Cleopatra and Beyoncé, as the latter is "a woman in the public eye who was subject to a lot of scrutiny [and] actually created a platform for herself to take back the narrative of her own story, and it was an extraordinary act of power."[280] The character of Catherine of Aragon in the West End and Broadway musical Six was inspired by "Lemonade-era Beyoncé".[281][282] Ellie Kenrick's 2018 play Hole at the Royal Court was described by its directors as "a stage version of Beyoncé’s Lemonade album", as an artwork about feminism and historical oppression of women that consists of song, dance and spoken word.[283]

Fashion stylist Salvador Camarena paid homage to Lemonade by designing a room dedicated to the album during Modernism Week, saying "That album is such a visually stunning album. There are so many iconic looks from the video, I kind of wanted to implement that world into that room."[284] The young adult anthology A Phoenix First Must Burn edited by Patrice Caldwell, which explores "the Black experience through fantasy, science fiction, and magic", has the aim of "evoking Beyoncé’s Lemonade for a teen audience".[285] A 2017 video game titled "Lemonade Rage" was created in homage to Lemonade and the "Hold Up" music video.[286] The cover of Marvel's 2017 America comic book paid homage to the "Formation" music video, with its illustrator saying "America is a comic that is all about representation, feminism and fighting for what’s right... I could think of no better parallel than Beyoncé."[287]

Sales for Warsan Shire's chapbook "Teaching My Mother How to Give Birth" increased by 700 to 800% after her poetry was included in the Lemonade film.[288] Beyoncé's mention of Red Lobster in "Formation" increased sales at the restaurant chain by 33%, which made employees rename popular menu items after Beyoncé and call the effect the "Beyoncé Bounce".[289] Designers of the costumes that Beyoncé wore in the Lemonade film spoke with Complex about the impact that this had on their careers; for example, Natalia Fedner, who designed Beyoncé's dress for "Hold Up", stated that because of the dress's inclusion in Lemonade, "I was on 'Entertainment Tonight' being hailed as a 'designer to watch'."[290] The inclusion of imagery from the 1991 film Daughters of the Dust in the visuals for Lemonade helped bring the film back to theatres, with director Julie Dash stating that Lemonade "just took me places that I had not been seeing in a long, long time. It just re-confirmed a lot of things that I know to be true about visual style and visual metaphors. And the use of visual metaphors in creating, redefining, and re-framing a Creole culture within this new world."[291] The MTV Video Music Award for Breakthrough Long Form Video, which Beyoncé ultimately won at the 2016 MTV Video Music Awards, was reintroduced after 25 years due to the Lemonade film.[292]

The popular "Lemonade braids" hairstyle worn by black women is named after a hairstyle that Beyoncé wore in Lemonade.[293][294] Georgia Murray for Refinery29 sourced the 2020 fashion trend of wearing yellow to Lemonade, writing that Beyoncé's yellow dress in "Hold Up" "kickstarted an obsession with yellow that we’re still seeing the effects of today".[295] The use of the lemon and bee emojis increased due to the release of Lemonade, with a Twitter spokesperson telling Time: "Before Lemonade, the lemon emoji had no meaning. Since the launch of Lemonade, the emoji has taken on a meaning of its own".[296]

Lemonade was parodied and was paid homage to in various media. In an episode of Unbreakable Kimmy Schmidt titled "Kimmy's Roommate Lemonades!", character Titus Andromedon parodied the videos for "Hold Up", "Sorry" and "All Night" after he suspects his boyfriend of infidelity, coining the term "Lemonading".[297] This episode was subsequently nominated for two Emmy Awards: Outstanding Original Music And Lyrics for the "Hold Up" parody "Hell No", and Outstanding Supporting Actor In A Comedy Series for Tituss Burgess.[298] The "Hold Up" music video was also paid homage to in The Simpsons,[299] Making a Scene with James Franco,[300] The Ellen DeGeneres Show,[301] The Late Show with Stephen Colbert,[302] and The Daily Show.[303] SNL produced two sketches on Lemonade: one entitled "The Day Beyoncé Turned Black" after Beyoncé released the "unapologetically black" "Formation",[304] and the other entitled "Melanianade" which parodied the "Sorry" music video featuring impersonations of Donald Trump's female family members and aides.[305] In a Late Night with Seth Meyers sketch titled "Beyoncé Lemonade Late Night Aftermath", females staffers empowered by Lemonade paid homage to the visuals, costumes, songs and poetry featured in the film.[306] The Late Late Show with James Corden produced a parody entitled "Lemonjames: A Visual Monologue", where James Corden gave his monologue by recreating parts of the Lemonade film such as the "Pray You Catch Me", "Don't Hurt Yourself" and "6 Inch" music videos.[307] Actress Goldie Hawn and comedian Amy Schumer produced a parody of "Formation".[308] The Season 2 premiere of Crazy Ex-Girlfriend featured a musical number that was an homage to Lemonade, including parodies of "Formation" and "Pray You Catch Me".[309]

Former FBI director James Comey sang "Sandcastles" during an FBI brief.[310] For Beyoncé's 36th birthday, various black female public figures recreated a costume that Beyoncé wore in the "Formation" music video, including Michelle Obama and Serena Williams.[311] The first episode of British comedian James Acaster's 2020 podcast titled Perfect Sounds (in which Acaster discusses why 2016 was the greatest year in music with various comedians) featured Romesh Ranganathan and focused on "the genius of Lemonade".[312][313]

Race and identity

In a 2020 New York Times article titled "The African-American Art Shaping the 21st Century", which contained 35 prominent black artists talking about the work that inspires them most, American actress Kerry Washington relayed about Lemonade:

I think Lemonade really was so culture-shifting in terms of gender roles, in terms of fidelity, in terms of how we think about marriage today, how we think about hip-hop today, how we think about feminism, how we think about power. Visually, musically, but also sociopolitically, anthropologically, Lemonade is a game changer. It’s just so big. — Kerry Washington, "The African-American Art Shaping the 21st Century", The New York Times[314]

The release of "Formation" and the consequent performance at the Super Bowl 50 halftime show caused both conversation and controversy due to its "unapologetic Blackness". Many articles and think pieces were produced discussing the importance and meaning of the song and performance, such as the BBC, who produced an article entitled "Beyoncé's Super Bowl performance: Why was it so significant?",[315] and TheWrap, who produced an article entitled "Why Beyoncé's Formation’ Matters So Much: A Perfectly Choreographed Political Debut Before 112 Million."[316] A rally held against Beyoncé and her Super Bowl performance was called "the worst-attended protest ever" by the New York Post.[317] Lemonade as a whole also inspired many think pieces, particularly written by black women, that analyze the messages and significance of the album,[318][319][320] such as Miriam Bale for Billboard who named Lemonade "a revolutionary work of black feminism".[318]

Megan Carpentier of The Guardian named the album "a pop culture phenomenon" and wrote: "It is not an exaggeration to say that there is no other living musical artist who could ignite such a broad and unavoidable conversation just by releasing a new album – even a visual one."[321] Writing in the same publication, Syreeta McFadden notes that the "Formation" video depicts archetypal southern Black women "in ways that we haven't seen frequently represented in popular art or culture".[322] Melissa Harris-Perry of Time magazine said that "Beyoncé publicly embraced explicitly feminist Blackness at a politically risky moment."[323]

The Lemonade song "Freedom" became an anthem for the 2020 George Floyd protests and saw a subsequent 625% rise in streams, with the track being sung at protests including by actress and singer Amber Riley.[324][325][326]

Academic study and intellectual response

Lemonade has also received notable attention from scholars and authors outside the music industry. Since its release, the album has become the subject of scholarship within academic and literary circles. The University of Texas at San Antonio offered a class in the Fall of 2016 based on the album. The course, titled "Black Women, Beyoncé and Popular Culture", explored how the visual album "is a meditation on contemporary Black womanhood," before advancing and diving into the "theoretical, historical, and literary frameworks of Black feminism," according to the syllabus.[327] The University of Tennessee at Chattanooga hosted a "Lemonade Week" in April 2017, which featured discussions on feminism, theatrical performances, celebrations of African-American women writers and poets, and choreography tutorials.[328] Harvard University hosted "The Lemon Drop": a discussion that explored the nuances of Lemonade.[329] University of Arkansas offered a course that analysed the influence of Black feminism on Beyoncé and Lemonade.[330] University of Pennsylvania ran two courses that explored politics, race and gender through the study of Lemonade.[331][332]

Michigan State University hosted a discussion on Lemonade as part of their series for "exchanging ideas and exploring the lived experiences of underrepresented and marginalized communities".[333] Chatham University based a writing class on Lemonade, where "students get to examine how they fit into the power systems around them".[334] Valdosta State University offered a course on Lemonade, "unpacking the many themes found in "Lemonade," including Black identity, feminism, marital infidelity, sisterhood, and faith."[335] The College of Charleston hosted a discussion by Black feminist scholars, exploring "Beyoncé's use of southern landscape, Black women, music, and African-based spirituality".[336] University of North Georgia offered a class entitled "Okay, Ladies, Now Let’s Get in Formation: Intersectional Feminism in Beyoncé’s Lemonade" that explored the music, lyrics and visuals of Lemonade.[337]

In partnership with the Zora Neale Hurston Festival of the Arts and Humanities, a talk at Seminole State College "discussed how Beyoncé embodies the conjure woman in her iconic audiovisual work Lemonade as a contemporary revision of Zora Neale Hurston’s groundbreaking study of conjure and its place in Black women’s spirit work."[338] Museum of Design Atlanta (MODA) announced "The Lemonade Project", a twelve-month series of conversations centered around the visual album. The series will explore the themes of race, gender and class addressed by the album.[339]

Kinitra Brooks and Kameelah Martin have produced "The Lemonade Reader", described as "an educational tool to support and guide discussions of the visual album at postgraduate and undergraduate levels, [which] critiques Lemonade’s multiple Afrodiasporic influences, visual aesthetics, narrative arc of grief and healing, and ethnomusicological reach."[340] University of Texas at Austin professor Omise’eke Tinsley wrote a book entitled "Beyoncé in Formation: Remixing Black Feminism" that was released in 2018, which "analyzes Beyoncé’s visual album, Lemonade, in relation to the sexuality and gender of Black women".[341] University of Albany professor Janell Hobson produced a lesson plan based on her class on Lemonade, saying "Beyoncé’s Lemonade stimulates class discussions and assignments as a highly visible pop project striving to create deeper conversations on the meanings of Blackness, womanhood, and feminism."[342]

Dissect Podcast have since dedicated their sixth season to "Beyoncé’s masterwork Lemonade."[343] The host, Cole Cuchna and cohost Titi Shodiya, "make leaps of interpretative wonder, fusing insights, music theory, instrumentation, and lyric interpretation with social analysis to empower fans to build deeper connections with Beyoncé’s artistry."[344]

Track listing

Lemonade — Standard edition / Disc one[345][346]
No.TitleWriter(s)Producer(s)Length
1."Pray You Catch Me"
3:15
2."Hold Up"3:41
3."Don't Hurt Yourself" (featuring Jack White)
3:53
4."Sorry"
  • Gordon
  • Rhoden
  • Beyoncé
3:52
5."6 Inch" (featuring the Weeknd)
4:20
6."Daddy Lessons"
  • Beyoncé
  • Dixie[a]
  • Alex Delicata[a]
4:47
7."Love Drought"
3:57
8."Sandcastles"
  • Beyoncé
  • Vincent Berry II
3:02
9."Forward" (featuring James Blake)
1:19
10."Freedom" (featuring Kendrick Lamar)4:49
11."All Night"
5:21
12."Formation"3:26
Total length:45:42
Lemonade — Digital edition (bonus track)[347]
No.TitleWriter(s)Length
13."Sorry" (original demo)
  • Beyoncé
  • Gordon
  • Daniel Jones
3:24
Total length:49:06
Lemonade — Tidal edition (bonus videos)[348]
No.TitleDirector(s)Length
14."Formation" (choreography version)Melina Matsoukas4:22
15."Lemonade Film"
65:51
Total length:119:26
Lemonade — Disc two (bonus DVD) / iTunes Store edition (bonus video)[346][347]
No.TitleLength
1."Lemonade Film"65:22

Notes

Sample credits

Personnel

Credits from the album's liner notes,[345] Beyoncé's official website,[346] and Spotify[349]

Musicians

  • Beyoncé – vocals (all tracks)
  • Jack White – vocals & bass guitar (track 3)
  • The Weeknd – vocals (track 5)
  • James Blake – vocals & piano (track 9); jupiter bass (track 1)
  • Kendrick Lamar – vocals (track 10)
  • MeLo-X – background vocals (track 2)
  • Ruby Amanfu – background vocals (track 3)
  • Chrissy Collins – background vocals (track 4)
  • Belly – additional vocals (track 5)
  • Arrow Benjamin – background vocals (track 10)
  • Diplo – background vocals (track 11); drum programming (tracks 2, 11)
  • King Henry – background vocals, drum programming & guitar (track 11)
  • Jr Blender – drum programming & guitar (track 2)
  • Derek Dixie – drum programming (tracks 3, 6, 11); additional instrumentation (track 5, 11); drums & band session leading (track 6); horns arrangement (tracks 11, 12)
  • Mike Dean – drum programming & keyboards (track 7)
  • Patrick Keeler – drums (track 3)
  • Jon Brion – string arrangements (tracks 1, 3, 11)
  • Eric Gorfain – strings & orchestrations (tracks 1, 3, 11)
  • Daphne Chen – strings (tracks 1, 3, 11)
  • Charlie Bisharat – strings (tracks 1, 3, 11)
  • Josefina Vergara – strings (tracks 1, 3, 11)
  • Songa Lee – strings (tracks 1, 3, 11)
  • Marisa Kuney – strings (tracks 1, 3, 11)
  • Neel Hammond – strings (tracks 1, 3, 11)
  • Susan Chatman – strings (tracks 1, 3, 11)
  • Katie Sloan – strings (tracks 1, 3, 11)
  • Amy Wickman – strings (tracks 1, 3, 11)
  • Lisa Dondlinger – strings (tracks 1, 3, 11)
  • Terry Glenny – strings (tracks 1, 3, 11)
  • Ina Veli – strings (tracks 1, 3, 11)
  • Gina Kronstadt – strings (tracks 1, 3, 11)
  • Yelena Yegoryan – strings (tracks 1, 3, 11)
  • Radu Pieptea – strings (tracks 1, 3, 11)
  • Crystal Alforque – strings (tracks 1, 3, 11)
  • Serena McKinney – strings (tracks 1, 3, 11)
  • Leah Katz – strings (tracks 1, 3, 11)
  • Alma Fernandez – strings (tracks 1, 3, 11)
  • Rodney Wirtz – strings (tracks 1, 3, 11)
  • Briana Bandy – strings (tracks 1, 3, 11)
  • Anna Bulbrook – strings (tracks 1, 3, 11)
  • Grace Park – strings (tracks 1, 3, 11)
  • Richard Dodd – strings (tracks 1, 3, 11)
  • John Krovoza – strings (tracks 1, 3, 11)
  • Ira Glansbeek – strings (tracks 1, 3, 11)
  • Vanessa Fairbairn-Smith – strings (tracks 1, 3, 11)
  • Ginger Murphy – strings (tracks 1, 3, 11)
  • Adrienne Woods – strings (tracks 1, 3, 11)
  • Denise Briese – strings (tracks 1, 3, 11)
  • Ryan Cross – strings (tracks 1, 3, 11)
  • Geoff Osika – strings (tracks 1, 3, 11)
  • Fats Kaplan – strings (track 3)
  • Lindsey Smith-Trestle – strings (track 3)
  • Mark Watrous – strings & hammond organ (track 3)
  • Randolph Ellis – horns (tracks 6, 11)
  • Peter Ortega – horns (tracks 6, 11)
  • Christopher Gray – horns (tracks 6, 11)
  • Richard Lucchese – horns (tracks 6, 11)
  • Patrick Williams – harmonica (track 6)
  • Eric Walls – guitar (track 6)
  • Courtney Leonard – bass (track 6)
  • Marcus Miller – bass (tracks 10, 11)
  • Jack Chambazyan – synths (track 8)
  • Boots – synth arrangement (track 8); additional programming (track 10)
  • B. Carr – additional programming (track 4)
  • Too Many Zooz – additional instrumentation (track 6)
  • Myles William – additional programming (track 10)
  • Matt Doe – trumpet (track 12)
  • Swae Leead-libs (track 12)
  • Big Freedia – additional background ad-libs (track 12)
  • Kevin Garrett – piano (track 1)
  • Vincent Berry II – piano (track 8)
  • Canei Finch – additional piano (track 10)

Technical

  • Beyoncé – vocal production (all tracks); executive production
  • Greg Koller – string engineering (tracks 1, 3, 11); keyboard engineering (tracks 1, 11); bass engineering (track 11)
  • Stuart White – recording & engineering (all tracks); mixing (tracks 1-4, 6, 7, 9, 10, 12, 13); additional production (track 4)
  • Vance Powell – recording (track 3)
  • Joshua V. Smith – recording, additional overdubs & Pro Tools editing recording (track 3)
  • Ramon Rivas – second engineering (tracks 1-7, 9-11)
  • Mike Dean – engineering (track 7)
  • Derek Dixie – assistant recording engineering (track 6)
  • Eric Caudieux – Pro Tools editing recording (tracks 1, 3, 11); keyboard recording (tracks 1, 11)
  • Jon Shacter – engineering assistance (track 2)
  • Lester Mendoza – additional instrumentation recording (track 3); band recording engineering (track 6); horn recording (track 11)
  • Ed Spear – additional studio assistance (track 3)
  • Tony Maserati – mixing (tracks 5, 8, 11)
  • Jaycen Joshua – mixing (track 12)
  • John Cranfield – assistant recording engineering (track 1, 9, 11), assistant mix engineering (tracks 2–4, 6, 7, 10)
  • Tyler Scott – assistant mix engineering (tracks 5, 11)
  • James Krausse – assistant mix engineering (track 5)
  • Miles Comaskey – assistant mix engineering (track 8)
  • Arthur Chambazyan – assistant mix engineering (track 12); studio assistance (tracks 1-4, 6, 7, 9, 10, 12)
  • David Nakaji – assistant mix engineering (track 12)
  • Maddox Chhim – assistant mix engineering (track 12)
  • Dave Kutch – mastering (all tracks)
  • Teresa LaBarbera Whites – A&R executive

Charts

Certifications and sales

Region CertificationCertified units/sales
Australia (ARIA)[246] Platinum 70,000^
Belgium (BEA)[416] Gold 15,000*
Brazil (Pro-Música Brasil)[417] Platinum 40,000
Canada (Music Canada)[418] 2× Platinum 101,000[419]
Denmark (IFPI Denmark)[420] Gold 10,000
Italy (FIMI)[421] Gold 25,000
Netherlands (NVPI)[422] Platinum 40,000
New Zealand (RMNZ)[423] Gold 7,500^
Poland (ZPAV)[424] Platinum 20,000
South Korea 2,861[425]
Switzerland (IFPI Switzerland)[426] Gold 10,000^
United Kingdom (BPI)[427] Platinum 387,000[428]
United States (RIAA)[429] 3× Platinum 1,554,000[430]
Summaries
Worldwide 2,500,000[431]

*sales figures based on certification alone
^shipments figures based on certification alone
sales+streaming figures based on certification alone

Release history

Release dates and formats for Lemonade
Region Date Formats Labels Ref.
Various April 23, 2016 (2016-04-23) Streaming (Tidal exclusive) [432]
April 24, 2016 (2016-04-24) Digital download [433][434]
May 6, 2016 (2016-05-06) CD+DVD [435][436][437]
South Korea May 18, 2016 (2016-05-18) Sony Music [438]
Japan July 6, 2016 (2016-07-06) [439]
Various September 15, 2017 (2017-09-15) LP
  • Parkwood
  • Columbia
[440]
April 23, 2019 (2019-04-23) Streaming [84][441]

See also

References

  1. Wilson, Carl (April 25, 2016). "Beyoncé's "Lemonade" is incredible as a visual album. But how is it as just music?". Slate. Retrieved October 2, 2016. ...contemporary R&B album
  2. Hogan, Marc. "Exit Music: How Radiohead's OK Computer Destroyed the Art-Pop Album in Order to Save It". Pitchfork. Retrieved May 9, 2020. There were still great art-pop albums, but, increasingly, they weren’t necessarily rock albums. Across the last 20 years, monumental rap, R&B, and pop records like D’Angelo’s Voodoo, Kanye West’s My Beautiful Dark Twisted Fantasy, and Beyoncé’s Lemonade have filled the void of full-length statements with both artistic seriousness and mass appeal that was formerly largely occupied by guitar bands
  3. Drake, David (April 26, 2016). "Beyoncé's 'Lemonade': A Guide to Samples and Interpolations". Rolling Stone. Retrieved June 25, 2016.
  4. Savage, Mark (December 22, 2016). "Beyonce tops 2016 album 'poll of polls'". BBC News. Retrieved May 28, 2020.
  5. "'Lemonade' by Beyoncé is named the AP's album of the decade". AP NEWS. December 12, 2019. Retrieved May 28, 2020.
  6. "Gold & Platinum". RIAA. Retrieved July 4, 2019.
  7. "Drake's 'Views' Is Nielsen Music's Top Album of 2016 in the U.S." Billboard. January 5, 2017. Retrieved June 17, 2019.
  8. "Global Music Report 2017 (page 9)" (PDF). IFPI. April 25, 2017. Retrieved April 25, 2017.
  9. Weingarten, Christopher R.; et al. (June 12, 2017). "The 50 Greatest Concerts of the Last 50 Years". Rolling Stone. Retrieved April 14, 2020.
  10. "Top 25 Tours of the 2010s". Consequence of Sound. November 8, 2019. Retrieved March 22, 2020.
  11. Bartleet, Larry (February 6, 2016). "Listen to Beyoncé's new surprise single 'Formation'". NME. Archived from the original on February 7, 2016. Retrieved February 8, 2016.
  12. "Beyoncé unleashes Black Panthers homage at Super Bowl 50". The Guardian. February 8, 2016. Retrieved February 8, 2016.
  13. Scott, Ellen (February 8, 2016). "Beyoncé announced a new world tour after her Super Bowl halftime performance". Cosmopolitan. Retrieved February 8, 2016.
  14. "People have actually organised an Anti-Beyoncé protest rally". The Independent. February 10, 2016. Retrieved May 19, 2020.
  15. "Beyonce's Super Bowl Halftime Show Criticized by Rudy Giuliani as "Attack" on Police". The Hollywood Reporter. Retrieved May 19, 2020.
  16. "Why was Beyonce's Super Bowl show significant?". BBC News. February 8, 2016. Retrieved May 19, 2020.
  17. "People are trying to boycott Beyoncé after her 'Formation' video". The Independent. February 8, 2016. Retrieved June 2, 2020.
  18. "Anger: Anti-Beyoncé Rally Planned For Next Week At NFL Headquarters". CBS New York. February 9, 2016. Retrieved February 15, 2016.
  19. France, Lisa Respers (February 16, 2016). "Only fans in 'Formation' at planned anti-Beyoncé rally". CNN. Retrieved February 16, 2016.
  20. Gottesman, Tamar (April 4, 2016). "Beyoncé Wants to Change the Conversation". ELLE. Retrieved April 12, 2020.
  21. "Engineering the Sound: Beyoncé's 'Lemonade'". Retrieved March 8, 2020.
  22. Tingen, Paul (September 22, 2016). "MIX MASTERS: MAKING LEMONADE WITH BEYONCE'S RIGHT-HAND MAN, STUART WHITE". AudioTechnology. Retrieved March 8, 2020.
  23. Wass, Mike (November 27, 2018). "MNEK On 'Language,' Representation & Working With Beyoncé: Interview". Idolator. Archived from the original on April 22, 2020. Retrieved April 22, 2020.
  24. Tencic, Nat (April 26, 2018). "MNEK unpacks three of his biggest hits". triple j. Retrieved March 8, 2020.
  25. Strauss, Matthew (April 25, 2016). "Beyoncé's Lemonade Collaborator MeLo-X Gives First Interview on Making of the Album". Pitchfork. Archived from the original on February 29, 2020. Retrieved April 22, 2020.
  26. "Jay-Z admits to cheating on Beyonce and says music was their 'therapy'". BBC Newsbeat. November 30, 2017. Retrieved April 5, 2020.
  27. Peisner, David (April 28, 2016). "Making 'Lemonade': Inside Beyonce's New Masterpiece". Rolling Stone. Retrieved March 8, 2020.
  28. Hogan, Mark (April 28, 2016). "Beyoncé's Lemonade Collaborator MNEK Talks Lending "Hold Up" a Key Line". Pitchfork. Archived from the original on April 6, 2018. Retrieved April 22, 2020.
  29. "Jack White On Detroit, Beyoncé And Where Songs Come From". NPR. September 10, 2016. Archived from the original on February 5, 2019. Retrieved April 22, 2020.
  30. Russonello, Giovanni (February 12, 2017). "Beyoncé's and Adele's Grammy Speeches: Transcripts". New York Times. Retrieved April 12, 2020.
  31. Cox, Jamieson (April 25, 2016). "Beyoncé's 'visual album' Lemonade sets a new standard for pop storytelling". The Verge. Retrieved June 2, 2020.
  32. Richards, Chris (April 24, 2016). "Beyoncé's 'Lemonade' turns life's lemons into furious pop". The Washington Post. ISSN 0190-8286. Retrieved April 25, 2016.
  33. Okeowo, Alexis (February 27, 2017). "The Provocateur Behind Beyoncé, Rihanna, and Issa Rae". The New Yorker. Retrieved February 18, 2017.
  34. Mitchell, Tyler (August 6, 2018). "Beyoncé in Her Own Words: Her Life, Her Body, Her Heritage". Vogue. Retrieved April 18, 2020.
  35. Solway, Diane (September 21, 2016). "The Secret to Being a Modern Pop Star? A Creative Director Pulling the Strings". W. Retrieved May 29, 2017.
  36. Kim, Michelle (April 25, 2016). "A Brief History Of Beyoncé And Her Father, Mathew Knowles". FADER. Retrieved April 18, 2020.
  37. Hawkes, Rebecca (April 24, 2016). "Beyoncé's new album: why is it called Lemonade, what do the lyrics mean, plus all you need to know". The Telegraph. ISSN 0307-1235. Retrieved April 19, 2020.
  38. "Beyonce's 'Lemonade' Is a Revolutionary Work of Black Feminism: Critic's Notebook". Billboard. April 25, 2016. Retrieved June 9, 2020.
  39. The Lemonade reader : Beyoncé, black feminism and spirituality. Brooks, Kinitra Dechaun., Martin, Kameelah L., 1978-. London. ISBN 978-0-429-48745-3. OCLC 1102593084.CS1 maint: others (link)
  40. "Examining Lemonade with a Beyoncé studies professor". Dazed. April 26, 2016. Retrieved June 9, 2020.
  41. Webster, Sina H. (2018). "When Life Gives You Lemons, "Get In Formation:" A Black Feminist Analysis of Beyonce's Visual Album, Lemonade". Senior Honors Theses.
  42. McFadden, Syreeta (April 24, 2016). "Beyoncé's Lemonade is #blackgirlmagic at its most potent". The Guardian. ISSN 0261-3077. Retrieved June 9, 2020.
  43. McFarland, Melanie (May 4, 2016). "Beyoncé's Lemonade tears apart the most demeaning stereotype of black women". Vox. Retrieved June 9, 2020.
  44. "Creator of UT's Famous 'Beyoncé Class' Combines Memoir and Study in New Book". The Alcalde. September 1, 2018. Retrieved June 9, 2020.
  45. Lindsey, Treva (April 27, 2016). "Beyoncé's "Lemonade" Isn't Just About Cheating, It's About Black Sisterhood". Cosmopolitan. Retrieved June 9, 2020.
  46. "Close To Home: A Conversation About Beyoncé's 'Lemonade'". NPR.org. Retrieved June 9, 2020.
  47. Horowitz, Steven J. "Breaking Down Beyoncé's Lemonade Samples". Pitchfork. Retrieved June 9, 2020.
  48. Gaines, Zeffie (2017). "A Black Girl's Song Misogynoir, Love, and Beyoncé's Lemonade". Taboo: The Journal of Culture and Education.
  49. Moore, Jamie (May 5, 2016). "Beyonce's Lemonade is Made for Readers". BOOK RIOT. Retrieved June 9, 2020.
  50. "Ch. 5 – Emptiness (6 Inch) – Dissect". Retrieved June 2, 2020.
  51. "What Beyoncé teaches us about the African diaspora in 'Lemonade'". PBS NewsHour. April 29, 2016. Retrieved April 18, 2020.
  52. "Beyoncé's "Love Drought" Video, Slavery and the Story of Igbo Landing". Retrieved April 18, 2020.
  53. Okwodu, Janelle. "Beyoncé Just Released the Most Stylish 600-Page Coffee Table Book". Vogue. Retrieved April 18, 2020.
  54. "Beyoncé's Lemonade Is Black Woman Magic". Time. Retrieved June 9, 2020.
  55. "Lemonade: The hidden meanings buried in Beyoncé's visual album". FACT Magazine. April 27, 2016. Retrieved April 18, 2020.
  56. Collection, Nick Weldon | The Historic New Orleans. "The story behind the haunting ruins of Fort Macomb, featured in 'True Detective,' Beyoncé's 'Lemonade,' and more". NOLA.com. Retrieved June 2, 2020.
  57. Rosenbaum, S. I. (April 28, 2016). "Let's talk about Beyoncé's 'Lemonade' dress". The Boston Globe. Retrieved April 18, 2020.
  58. "The Great Mississippi River Flood of 1927". National Museum of African American History and Culture. July 5, 2019. Retrieved April 18, 2020.
  59. Spanos, Brittany (April 26, 2016). "How Beyonce's 'Lemonade' Reclaims Rock's Black Female Legacy". Rolling Stone. Retrieved April 18, 2020.
  60. Hartmann, Johanna (December 22, 2017). "Sound, Vision, and Embodied Performativity in Beyoncé Knowles' Visual Album Lemonade (2016)". European Journal of American Studies. 12 (12–4). doi:10.4000/ejas.12415. ISSN 1991-9336.
  61. Aswad, Jem (April 24, 2016). "Beyoncé's 'Lemonade': A Deep Dive Into the Star-Studded Album's Credits". Billboard. Retrieved December 1, 2016.
  62. Pareles, Jon (April 24, 2016). "Review: Beyoncé Makes 'Lemonade' Out of Marital Strife". The New York Times. ISSN 0362-4331. Retrieved April 25, 2016.
  63. Richards, Chris (April 24, 2016). "Beyoncé's 'Lemonade' turns life's lemons into furious pop". The Washington Post. ISSN 0190-8286. Retrieved April 25, 2016.
  64. Kot, Greg (April 24, 2016). "Beyoncé's 'Lemonade' contains singer's most fully realized music yet". Chicago Tribune. Retrieved April 25, 2016.
  65. Kellman, Andy. "Lemonade – Beyoncé". AllMusic. Retrieved April 20, 2019.
  66. Zaleski, Annie (April 25, 2016). "Beyoncé's Lemonade pushes pop music into smarter, deeper places". The A.V. Club. Retrieved April 25, 2016.
  67. Rahman, Ray (April 27, 2016). "Beyoncé's Lemonade: EW Review". Entertainment Weekly. Retrieved April 27, 2016.
  68. Petridis, Alexis (April 24, 2016). "Beyoncé – Lemonade review: 'A woman not to be messed with'". The Guardian. Retrieved April 24, 2016.
  69. Julious, Britt (April 29, 2016). "Beyoncé – Lemonade". Consequence of Sound. Retrieved April 30, 2016.
  70. Sawdey, Evan (April 28, 2016). "Beyoncé: Lemonade". PopMatters. Retrieved April 30, 2016.
  71. "Beyoncé Releases New Album Lemonade Featuring Kendrick Lamar, Jack White, the Weeknd, James Blake". Pitchfork. April 23, 2016. Retrieved April 23, 2016.
  72. "'Game of Thrones' Premiere Draws 8 Million TV Viewers — Just Shy of Series High". Variety. April 26, 2016. Retrieved August 22, 2016.
  73. Hall, Gerrad (April 23, 2016). "Lemonade: Best moments from Beyoncé's HBO event". Entertainment Weekly. Retrieved August 7, 2016.
  74. Garcia, Patricia (April 25, 2016). "Warsan Shire Is the Next Beyoncé-Backed Literary Sensation". Vogue. Retrieved April 27, 2016.
  75. Leaf, Aaron (April 23, 2016). "Ibeyi, Laolu Senbanjo, Warsan Shire Featured In Beyoncé's 'Lemonade'". Okay Africa. Archived from the original on April 25, 2016. Retrieved April 23, 2016.
  76. Price, S.L. "Serena Williams is SI's Sportsperson of the Year". Sports Illustrated. Retrieved April 25, 2016.
  77. "Trayvon Martin, Michael Brown, and Eric Garner's Mothers Appear in Beyoncé's 'Lemonade' Video". Essence. April 24, 2016. Archived from the original on April 25, 2016. Retrieved April 25, 2016.
  78. Tinsley, Omise'eke Natasha. "Beyoncé's Lemonade Is Black Woman Magic". Time. Retrieved April 25, 2016.
  79. "Beyoncé's new album: why is it called Lemonade, what do the lyrics mean, plus all you need to know". Telegraph. May 4, 2016. Retrieved November 6, 2016.
  80. "Here's the Malcolm X Speech About Black Women Beyoncé Sampled in Lemonade". Mic.com. Retrieved November 6, 2016.
  81. Legaspi, Althea (September 1, 2016). "Judge Dismisses Lawsuit Against Beyoncé's 'Lemonade'". Rolling Stone. Retrieved September 18, 2016.
  82. "Beyoncé ft Jack White – Don't Hurt Yourself ( Official Music Video ) Pre Promo". YouTube. Retrieved May 27, 2020.
  83. "Beyoncé Just Released the Most Stylish 600-Page Coffee Table Book". Vogue. Retrieved August 29, 2017.
  84. "Beyonce to Release Audio of 'Lemonade' Film across All Music Streaming Platforms (EXCLUSIVE)". Variety. Retrieved April 17, 2019.
  85. "Beyoncé's Choreographer Talks Grammys, Why Being a 'Great Mom' Informs Her Art — and If She'll 'Rock' Coachella". PEOPLE.com. Retrieved March 22, 2020.
  86. Caramanica, Jon (February 7, 2016). "Review: It's Coldplay, Starring Beyoncé, at Super Bowl Halftime Show". The New York Times. ISSN 0362-4331. Retrieved January 29, 2017.
  87. Needham, Alex (February 8, 2016). "Super Bowl half-time show review – Beyoncé easily steals the show from Coldplay". The Guardian. ISSN 0261-3077. Retrieved April 19, 2020.
  88. Bianco, Robert. "Review: Beyonce upstages Coldplay in Super Bowl halftime show". USA TODAY. Retrieved April 19, 2020.
  89. Josephs, Brian (February 9, 2016). "The Revolutionary Politics Behind Beyoncé's Super Bowl Halftime Show". Vice. Retrieved April 19, 2020.
  90. "Why was Beyonce's Super Bowl show significant?". BBC News. February 8, 2016. Retrieved April 19, 2020.
  91. Morrison, Aaron (February 7, 2016). "Beyoncé 'Formation' Super Bowl Performance: 5 Think Pieces About Blackness And Singer's New Video". International Business Times. Retrieved April 19, 2020.
  92. Jankins, Nash (June 26, 2016). "Watch Beyoncé and Kendrick Lamar Destroy 'Freedom' At The BET Awards". Time. Retrieved June 27, 2016.
  93. Syfret, Wendy (June 27, 2016). "beyoncé and kendrick lamar opened the bet awards with a surprise performance". i-D. Retrieved April 19, 2020.
  94. Jones, Jaleesa M. "Beyoncé, Kendrick Lamar open BET Awards with blazing rendition of 'Freedom'". USA TODAY. Retrieved April 19, 2020.
  95. "Beyoncé Makes Epic Freedom Statement At The BET Awards". Grazia. Retrieved April 17, 2020.
  96. Rosen, Christopher (August 28, 2016). "VMAs 2016: Beyoncé performs Lemonade tracks". Entertainment Weekly. Retrieved September 1, 2016.
  97. "Beyoncé's VMA performance of "Pray You Catch Me" was an earth-shattering nod to BLM". Mic. Retrieved April 16, 2020.
  98. De Maria, Meghan. "Beyoncé's VMAs Performance Included A Tribute To Trayvon Martin". www.refinery29.com. Retrieved April 16, 2020.
  99. "Relive Beyoncé's "6 Inch" Performance from the TidalX: 1015 Concert Right Here". Harper's BAZAAR. October 19, 2016. Retrieved January 29, 2017.
  100. "Beyoncé's 'Daddy Lessons' Tops Billboard + Twitter Trending 140 Chart After CMA Awards Performance". Retrieved February 20, 2017.
  101. Paulson, Dave. "Beyonce, Dixie Chicks wow CMA audience despite backlash". The Tennessean. Retrieved April 19, 2020.
  102. "Beyoncé And The Dixie Chicks Offer Up Lessons On Country Music's Past (And Future)". NPR. Retrieved April 19, 2020.
  103. Kornhaber, Spencer (November 3, 2016). "Beyonce's CMAs Performance Was a Musical and Racial Olive Branch". The Atlantic. Retrieved April 19, 2020.
  104. Abad-Santos, Alex (November 4, 2016). "Beyoncé, the CMAs, and the fight over country music's politics, explained". Vox. Retrieved April 19, 2020.
  105. Coscarelli, Joe (November 3, 2016). "Beyoncé's C.M.A. Awards Performance Becomes the Target of Backlash". The New York Times. ISSN 0362-4331. Retrieved April 19, 2020.
  106. "Daddy Lessons (feat. Dixie Chicks) – Single". iTunes (US).
  107. "Daddy Lessons – Beyoncé". Spotify.
  108. "Grammys 2017: Watch Beyoncé's Incredible Performance | Pitchfork". Pitchfork. Retrieved February 13, 2017.
  109. Raiss, Liz. "3 Art History Experts Explain Beyoncé's Epic Grammys Performance". MTV News. Retrieved April 14, 2020.
  110. Todd, Morgan Baila,Carolyn L. "This Is Where You've Seen Beyoncé's Golden Goddess Performance Before". www.refinery29.com. Retrieved April 14, 2020.
  111. "Beyonce's Grammy Performance: The Cultural References Behind It". Billboard. February 14, 2017. Retrieved April 14, 2020.
  112. Bein, Kat (April 28, 2016). "Beyoncé Stuns With 'Lemonade' Debuts, Rousing Hits at Tour Kickoff". Rolling Stone. Retrieved May 16, 2016.
  113. "Live Design Magazine July 2016". Issuu. Retrieved April 14, 2020.
  114. "BEYONCE Sells Out Dodger Stadium on The Formation World Tour! | All Access Music". Retrieved April 14, 2020.
  115. "AMAs 2016: Complete Winners List". Billboard. November 20, 2016. Retrieved April 14, 2020.
  116. Caramanica, Jon (February 7, 2016). "Review: It's Coldplay, Starring Beyoncé, at Super Bowl Halftime Show". The New York Times. Retrieved May 16, 2016.
  117. Trust, Gary (May 2, 2016). "Desiigner Holds Off Drake Atop Hot 100, Prince & Beyoncé Hit Top 10". Billboard. Retrieved August 23, 2016.
  118. "Top 40 Rhythmic: Future Releases". All Access. Archived from the original on May 2, 2016. Retrieved May 2, 2016.
  119. Beyoncé – Sorry. Vevo on YouTube. June 22, 2016. Retrieved August 9, 2016.
  120. Mendizabal, Amaya (May 2, 2016). "All 12 of Beyoncé's 'Lemonade' Tracks Debut on Hot 100". Billboard. Retrieved August 23, 2016.
  121. "Neu in Funkhaus Europa Beyoncé: "Hold Up"". Westdeutscher Rundfunk (in German). Archived from the original on July 21, 2016. Retrieved August 5, 2016.
  122. "BBC – Radio 1 – Playlist". BBC Radio 1. BBC. Archived from the original on May 16, 2016. Retrieved August 20, 2016.
  123. "FMQB: Radio Industry News, Music Industry Updates, Nielsen Ratings, Music News and more!". FMQB. Archived from the original on August 4, 2016. Retrieved August 4, 2016.
  124. Beyoncé – Hold Up. Vevo on YouTube. September 4, 2016. Retrieved September 4, 2016.
  125. "Lemonade by Beyoncé reviews". AnyDecentMusic?. Retrieved October 31, 2016.
  126. "Reviews for Lemonade by Beyoncé". Metacritic. Retrieved April 25, 2016.
  127. Bernstein, Jonathan (April 24, 2016). "Lemonade is Beyoncé at her most profane, political and personal — review". The Daily Telegraph. Retrieved April 24, 2016.
  128. True, Everett (April 26, 2016). "Beyoncé, Lemonade review: Fiery, insurgent, fiercely proud, sprawling and sharply focused". The Independent. Retrieved April 26, 2016.
  129. Bartleet, Larry (April 25, 2016). "Beyoncé – 'Lemonade' Review". NME. Archived from the original on April 26, 2016. Retrieved April 25, 2016.
  130. Mapes, Jillian (April 26, 2016). "Beyoncé: Lemonade". Pitchfork. Retrieved April 26, 2016.
  131. Sheffield, Rob (April 25, 2016). "Lemonade". Rolling Stone. Archived from the original on May 31, 2016. Retrieved April 26, 2016.
  132. Tate, Greg (April 28, 2016). "Review: Beyoncé Is the Rightful Heir to Michael Jackson and Prince on 'Lemonade'". Spin. Retrieved April 28, 2016.
  133. Christgau, Robert (May 20, 2016). "Baton Rouge, Big Beats, and Beyoncé: Expert Witness with Robert Christgau". Vice. Retrieved July 17, 2016.
  134. Moody, Nekesa (April 24, 2016). "Review: Beyoncé again proves to be center of pop universe". The Washington Post. Retrieved April 24, 2016.
  135. Pareles, Jon (April 24, 2016). "Review: Beyoncé Makes 'Lemonade' Out of Marital Strife". The New York Times. Retrieved April 24, 2016.
  136. Wilson, Carl (April 25, 2016). "Beyoncé's Lemonade Is a Spectacle to Rival "Thriller." But How Is It as Strictly Music?". Slate Magazine. Retrieved March 26, 2020.
  137. Empire, Kitty (May 1, 2016). "Beyoncé: Lemonade review – furious glory of a woman scorned". The Observer. ISSN 0029-7712. Retrieved March 22, 2020.
  138. Hussain, Shahzaib (April 26, 2016). "Beyoncé – Lemonade". Clash. Retrieved April 26, 2016.
  139. Cinquemani, Sal (April 25, 2016). "Beyoncé: Lemonade". Slant Magazine. Retrieved April 26, 2016.
  140. Johnston, Maura (April 24, 2016). "Review: Beyoncé Makes Lemonade From Romantic Strife on Her New Album". Time. Retrieved April 26, 2016.
  141. Milton, Jamie (April 27, 2016). "Album Review: Beyoncé – Lemonade". DIY. Retrieved April 27, 2016.
  142. Lowers, Erin (April 28, 2016). "Beyoncé: Lemonade". Exclaim!. Retrieved April 27, 2016.
  143. "How Beyonce became an 'albums artist' – and what radio is doing about it". BBC. Retrieved May 4, 2016.
  144. Savage, Mark (December 22, 2016). "Beyonce tops 2016 album 'poll of polls'". BBC News. Retrieved June 2, 2020.
  145. Dietz, Jason (November 28, 2016). "Best of 2016: Music Critic Top Ten Lists". Metacritic. Retrieved December 11, 2016.
  146. Weingarten, Christopher R.; et al. (November 28, 2016). "50 Best Albums of 2016". Rolling Stone. Retrieved November 28, 2016.
  147. "Billboard's 50 Best Albums of 2016: Critics' Picks". Billboard. December 12, 2016. Archived from the original on September 13, 2019. Retrieved April 22, 2020.
  148. "The 50 best albums of 2016". Entertainment Weekly. December 8, 2016. Retrieved December 8, 2016.
  149. "The best albums of 2016: the full list". The Guardian. November 30, 2016. ISSN 0261-3077. Retrieved April 22, 2020.
  150. Corner, Lewis (December 29, 2016). "20 best albums of 2016: Who have we crowned No.1?". Digital Spy. Archived from the original on March 27, 2019. Retrieved February 20, 2017.
  151. O'Connor, Roisin (November 30, 2016). "Best albums of 2016: Our 20 favourite releases from an incredible year of music". The Independent. Retrieved December 1, 2016.
  152. "AP's top albums of 2016: Beyoncé, Rihanna, Solange, Bruno". Associated Press. Retrieved February 20, 2017.
  153. "The Best Albums of 2016". The New York Times. December 7, 2016. Retrieved February 20, 2017.
  154. Wood, Mikael (December 15, 2016). "The 10 best albums of a year defined by loss". Los Angeles Times. Archived from the original on February 14, 2020. Retrieved April 22, 2020.
  155. "The 70 Best Albums of 2016". PopMatters. Retrieved February 20, 2017.
  156. "The 60 Best Albums of 2016". prettymuchamazing.com. Retrieved February 20, 2017.
  157. "The 10 Best Albums Of 2016". Idolator. December 6, 2016. Retrieved December 6, 2016.
  158. "The 50 Best Albums Of 2016". stereogum.com. December 1, 2016. Retrieved February 20, 2017.
  159. "The 50 Best Albums of 2016". Complex. December 5, 2016. Retrieved December 5, 2016.
  160. "Top 50 Albums of 2016". Consequence of Sound. November 28, 2016. Retrieved November 28, 2016.
  161. Lott-Lavigna, Ruby (December 17, 2016). "WIRED's top 16 albums of 2016". Wired. Retrieved December 17, 2016.
  162. "Beyoncé's 'Lemonade' Is Us' Best Album of 2016: Read the Full List!". Us Weekly. Retrieved February 20, 2017.
  163. Saunders, Hilary (November 30, 2016). "The 50 Best Albums of 2016". Paste. Retrieved November 30, 2016.
  164. "The 50 best albums of 2016". USA Today. December 6, 2016. Retrieved February 20, 2017.
  165. "Best 50 Albums of 2016". NPR. Retrieved February 20, 2017.
  166. "PAZZ+JOP 2016". The Village Voice. January 25, 2017. Archived from the original on February 3, 2017. Retrieved February 13, 2017.
  167. "The 25 Best Albums of 2016". Slant. December 8, 2016. Archived from the original on April 22, 2020. Retrieved April 22, 2020.
  168. "Exclaim!'s Top 20 Pop & Rock Albums, Part Two Best of 2016 - Page 8 of 11". Exclaim!. December 1, 2016. Retrieved February 20, 2017.
  169. "The 50 Best Albums of 2016". Spin. December 12, 2016. Retrieved December 12, 2016.
  170. Bartleet, Larry (November 24, 2016). "NME's Albums of the Year 2016". NME. Retrieved November 24, 2016.
  171. "The 50 best albums of 2016". FACT. December 13, 2016. Retrieved December 13, 2016.
  172. "Drowned in Sound's 16 Favourite Albums of 2016". Drowned in Sound. Retrieved February 20, 2017.
  173. "The Best Albums Of 2016 – The Uncut Top 50 – Uncut". Uncut. December 20, 2016. Retrieved February 20, 2017.
  174. "Rocklist.net...Mojo End Of year Lists..." rocklistmusic.co.uk. Retrieved February 20, 2017.
  175. "Rocklist.net...Q magazine Recordings Of The Year". rocklistmusic.co.uk. Retrieved February 20, 2017.
  176. "2016: Favorite 50 Music Releases". tinymixtapes.com. Retrieved February 20, 2017.
  177. "The 20 Best Albums Of 2016". Esquire. Hearst. Retrieved November 24, 2016.
  178. "The 50 Best Albums of 2016". Pitchfork. December 13, 2016. Retrieved December 13, 2016.
  179. "The Best Music Videos of 2016". Pitchfork. November 28, 2016. Retrieved December 1, 2016.
  180. "The best films of 2016". Sight & Sound. British Film Institute. December 2, 2016. Retrieved December 2, 2016.
  181. Adams, Sam (December 2, 2016). "Beyoncé's Lemonade Makes Sight & Sound's Best Films of 2016". Slate. The Slate Group. Retrieved December 2, 2016.
  182. Ehrlich, David. "The Best Movies Of 2016, According To IndieWire Critic David Ehrlich – IndieWire". indiewire.com. Retrieved February 20, 2017.
  183. Yamato, Jen (December 14, 2016). "The 10 Best Films of 2016: Beyoncé, Killer Neo-Nazis, and a Modern-Day Masterpiece". thedailybeast.com. Retrieved February 20, 2017.
  184. "Top 100 Albums of the 2010s". Consequence of Sound. November 4, 2019. Retrieved November 4, 2019.
  185. "'Lemonade' by Beyoncé is named the AP's album of the decade". Associated Press. December 12, 2019. Retrieved December 13, 2019.
  186. "Die besten Alben 2010-2019: Platz 3-1". Spex. December 20, 2019. Retrieved December 20, 2019.
  187. da Costa, Cassie (December 29, 2019). "The 10 Best Music Videos of the Decade". Retrieved December 30, 2019.
  188. Wilkinson, Alissa (December 17, 2019). "Beyoncé's Lemonade is one of the best movies of the 2010s". Vox. Retrieved December 30, 2019.
  189. "The Best Films of the Decade". Hyperallergic. December 23, 2019. Retrieved December 30, 2019.
  190. "The 100 Best Albums of the 2010s". Rolling Stone. December 3, 2019. Retrieved December 3, 2019.
  191. "The 50 best albums of the decade, from Frank Ocean's 'Blond' to Adele's '21'". The Independent. November 18, 2019. Retrieved December 3, 2019.
  192. Arnold, Chuck (December 27, 2019). "Best albums of the decade: Kanye West, Beyoncé top the list". New York Post. Retrieved December 30, 2019.
  193. "The 100 Greatest Albums of the 2010s: Staff Picks". Billboard. November 19, 2019. Retrieved December 3, 2019.
  194. "The 100 Best Albums of the Decade". Paste Magazine. October 9, 2019. Retrieved October 9, 2019.
  195. "The 50 best albums of the 2010s". The A.V. Club. November 20, 2019. Retrieved December 3, 2019.
  196. "The 25 Best Albums of the Decade, 2010-2019". The Key. December 2, 2019. Retrieved December 23, 2019.
  197. Smith, Courtney E. "Women Ruled Music In The 2010s & The 10 Best Albums Of The Decade Prove It". www.refinery29.com. Retrieved December 23, 2019.
  198. "The 10 best albums of the 2010s: Kanye, Kendrick, Beyonce and more". Tampa Bay Times. Retrieved December 30, 2019.
  199. Larocca, Courteney. "15 of the best albums of the decade, ranked". Insider. Retrieved December 31, 2019.
  200. "The Young Folks' Top 50 Albums of the 2010s | The Young Folks". November 5, 2019. Retrieved December 23, 2019.
  201. "The Genius Community's 100 Best Albums of the 2010s". Genius. Retrieved December 23, 2019.
  202. Willman, Andrew Barker,Jem Aswad,Chris; Barker, Andrew; Aswad, Jem; Willman, Chris (December 20, 2019). "The Best Albums of the Decade". Variety. Retrieved December 30, 2019.
  203. "The 100 Best Albums Of The 2010s, Ranked". UPROXX. October 7, 2019. Retrieved December 23, 2019.
  204. Jenkins, Alex (November 6, 2019). "The 100 Best Albums of the 2010s". Vice. Retrieved December 23, 2019.
  205. "The 50 best albums of the decade". The Independent. November 18, 2019. Retrieved December 23, 2019.
  206. P22.studio. "Top 50 Albums of the 2010s". The Wild Honey Pie. Retrieved December 23, 2019.
  207. "The 200 Best Albums of the 2010s". Pitchfork. October 8, 2019. Retrieved October 8, 2019.
  208. "The 10 Best Albums of the 2010s". Time. Retrieved December 23, 2019.
  209. "PAPER's Top 10 Albums of the '10s". PAPER. December 21, 2019. Retrieved December 23, 2019.
  210. "From Lorde to Kanye, via Billie Eilish - the 10 best albums of the decade". Stuff. Retrieved December 23, 2019.
  211. Mathieson, Craig (December 7, 2019). "Kanye, Beyonce, Taylor, Billie: The albums of the decade". The Sydney Morning Herald. Retrieved December 23, 2019.
  212. "A Time Capsule of the 2010s". The Atlantic. December 31, 2019. Retrieved March 5, 2020.
  213. Newstead, Al (February 15, 2020). "Biggest music moments of the 2010s". triple j. Retrieved March 19, 2020.
  214. "Best Music and Albums of All Time". Metacritic. Retrieved December 23, 2019.
  215. Sager, Jessica (July 6, 2020). "Stop, Look and Listen—These Are the 71 Best Music Videos Of All Time". Parade. Retrieved July 14, 2020.
  216. Rolling Stone (September 22, 2020). "The 500 Greatest Albums of All Time". Rolling Stone. Retrieved September 22, 2020.
  217. "BBC Radio 4 - Front Row - The 10 Biggest Risks in 21st Century Art". BBC. Archived from the original on March 18, 2020. Retrieved April 22, 2020.
  218. "The 100 best albums of the 21st century". The Guardian. September 13, 2019. Retrieved October 9, 2019.
  219. Clarke, Patrick (October 3, 2018). "The Top 100 Albums Of The Quietus' Existence, As Picked By tQ's Writers". The Quietus. Archived from the original on October 27, 2018. Retrieved October 9, 2019.
  220. "The 150 Greatest Albums Made By Women". NPR. July 24, 2017. Retrieved July 25, 2017.
  221. "BET Awards 2016: Full BET Winners List". Variety. June 26, 2016. Retrieved September 1, 2016.
  222. "Best Male R&B/Pop Artist - BET Awards: Beyonce Tops Winners With 5". hollywoodreporter.com. Retrieved June 28, 2017.
  223. "68th Emmy Awards Nominations For Programs Airing June 1, 2015 including 2016" (PDF). The Television Academy. July 14, 2016. Retrieved July 14, 2016.
  224. "Beyoncé, Adele Lead Nominees for 2016 MTV Video Music Awards". Billboard. Retrieved July 26, 2016.
  225. "VMAs 2016 Winners List". Billboard. August 28, 2016. Retrieved September 1, 2016.
  226. "Beyoncé – Best Album of the Year". MTV Japan. Retrieved September 2, 2016.
  227. "Beyoncé – Best Female Video". MTV Japan. Retrieved September 2, 2016.
  228. "'Moonlight' Named Best Picture by the African American Film Critics Association". The Hollywood Reporter. Retrieved February 20, 2017.
  229. Lewis, Hilary; Washington, Arlene (February 10, 2017). "2017 NAACP Image Award Winners: Complete List". The Hollywood Reporter. Eldridge Industries. Retrieved March 31, 2017.
  230. Hipes, Patrick. "Art Directors Guild Awards Nominations: 'Rogue One', 'Game Of Thrones' & More". Deadline. Retrieved January 5, 2017.
  231. "Beyoncé leads 59th GRAMMY nominations with nine". National Academy of Recording Arts and Sciences. December 6, 2016. Retrieved April 6, 2017.
  232. "Beyoncé". National Academy of Recording Arts and Sciences. March 22, 2013. Retrieved April 6, 2017.
  233. ""Moonlight" Shines Bright!". Black Reel Awards. February 17, 2017. Retrieved April 6, 2017.
  234. Blanchard, Margaret, "Entertainment winners named for Peabody 30", Peabody, April 20, 2017.
  235. "Beyoncé Earns Sixth No. 1 Album on Billboard 200 Chart With 'Lemonade'". Billboard. May 1, 2016. Retrieved May 1, 2016.
  236. "All 12 of Beyoncé's 'Lemonade' Tracks Debut on Hot 100". Billboard. May 2, 2016. Retrieved May 2, 2016.
  237. Coscarelli, Joe (May 3, 2016). "Beyoncé's 'Lemonade' Debuts at No. 1 With Huge Streaming Numbers". The New York Times. Retrieved May 16, 2016.
  238. "Drake's 'Views' Is Nielsen Music's Top Album of 2016 in the U.S." Billboard. January 5, 2017. Retrieved August 29, 2019.
  239. https://www.billboard.com/music/beyonce/chart-history/catalog-albums
  240. https://www.billboard.com/music/beyonce/chart-history/r-and-b-songs
  241. chartdata (December 23, 2020). ""@Beyoncé's Lemonade has now sold over 2 million pure copies in the US."". twitter.com/chartdata. Retrieved December 24, 2020.
  242. Caulfield, Keith (May 8, 2016). "Drake's 'Views' Debuts at No. 1 on Billboard 200 Chart, Sets Streaming Record". Billboard. Retrieved May 16, 2016.
  243. White, Justin (April 29, 2016). "Beyoncé's 'Lemonade' fizzes to Official Albums Chart Number 1". Official Charts Company. Retrieved May 2, 2016.
  244. "Official Singles Chart Top 100 – 29 April 2016 – 05 May 2016". Official Charts Company. Retrieved May 16, 2016.
  245. "Beyoncé's 'Lemonade' beats Prince on Australian music charts". News.com.au. May 1, 2016. Retrieved May 2, 2016.
  246. "ARIA Charts – Accreditations – 2016 Albums". Australian Recording Industry Association. Archived from the original on August 10, 2020. Retrieved June 25, 2016.
  247. Carpentier, Megan (April 26, 2016). "How Beyoncé's Lemonade became a pop culture phenomenon". The Guardian. ISSN 0261-3077. Retrieved June 7, 2020.
  248. "Why Beyoncé's Lemonade is having such a powerful impact". Double J. May 3, 2016. Retrieved June 18, 2019.
  249. Cox, Jamieson (April 25, 2016). "Beyoncé's 'visual album' Lemonade sets a new standard for pop storytelling". The Verge. Retrieved June 7, 2020.
  250. Schulten, Katherine (March 5, 2020). "Annotated by the Author: 'The Cultural Canon Is Better Than Ever'". The New York Times. ISSN 0362-4331. Retrieved June 7, 2020.
  251. Coscarelli, Joe (September 28, 2016). "Beyoncé Raised the Bar With 'Lemonade.' Now Others Are Leaping, Too". The New York Times. ISSN 0362-4331. Retrieved April 19, 2019.
  252. "Some Thoughts On Beyoncé, Music Trendsetter, And Netflix, Music Trend". Stereogum. July 25, 2019. Retrieved August 6, 2019.
  253. "Snoop Dogg Named His Coolaid Album After Beyoncé's Lemonade". Pitchfork. Retrieved January 28, 2017.
  254. Interview. "Little Mix Explain Admiration of Beyoncé, How 'Lemonade' Inspired Their New Album". Fuse. Retrieved April 19, 2019.
  255. "The-Dream on 'Love You To Death' EP: 'I'm Trying to Find the Rest of the Things That Make Me Whole'". Billboard. Retrieved August 18, 2019.
  256. Leight, Elias (December 15, 2016). "The-Dream Talks Love After 'Lemonade,' Why He Deserves Legendary Status". Rolling Stone. Retrieved August 18, 2019.
  257. Moss, Marissa R. (March 20, 2019). "How Lauren Jenkins Embraced Imperfection (and Beyonce) on Her Debut Album". Rolling Stone. Retrieved August 18, 2019.
  258. Stamato, Philip (December 9, 2016). "Making 'Limeade' with Lahna Turner". Vulture. Retrieved June 7, 2020.
  259. "Matt Palmer Debuts Video for "Comfortable," Talks 'Moonlight' & Queer RepresentationBillboard". Billboard. March 9, 2018. Retrieved June 7, 2020.
  260. Daw, Stephen (July 22, 2016). "Todrick Hall on His Inspired 'Lemonade'-Meets-'Wizard of Oz' Mash-Up". Rolling Stone. Retrieved June 7, 2020.
  261. Merida, Shante' (June 8, 2016). "Arrow Benjamin Talks Beyoncé And The Empowerment Of "Freedom"". REVOLT. Retrieved June 7, 2020.
  262. Carter, Kollin (August 11, 2020). "The Politics of Being Cardi B". ELLE. Retrieved August 11, 2020.
  263. "The Wit, Wisdom And Awe Of Fiona Apple's 'Fetch The Bolt Cutters'". NPR.org. Retrieved June 7, 2020.
  264. Morris, Wesley; Wortham, Jenna (May 1, 2020). "Fiona Ex Machina". The New York Times. ISSN 0362-4331. Retrieved June 7, 2020.
  265. "Shania Twain's 'Now': Not Quite Her 'Lemonade,' But Her First Album in 15 Years Couldn't Have Existed Without It (Critic's Take)". Billboard. Retrieved August 18, 2019.
  266. "Why We All Wanted Beyoncé To Win At The Grammys". Bustle. Retrieved June 18, 2019.
  267. Koku, Danielle (February 20, 2020). "That not-so-old black magic: how African mysticism returned to pop". The Guardian. ISSN 0261-3077. Retrieved June 7, 2020.
  268. "JAY-Z Swears Off Alleged Mistress 'Becky' for Good: 'Let Me Alone'". EW.com. June 30, 2017. Retrieved July 1, 2017.
  269. "Beyoncé Cries After Emotional Adele Dedicates Her Album of the Year GRAMMY to Lemonade". Entertainment Tonight. Retrieved February 13, 2017.
  270. "Stevie Wonder Talks Beyonce and Why 'Lemonade' is 'A Great Art Piece' at BottleRock 2016". Billboard. Retrieved August 18, 2019.
  271. "Bono shares thank you notes to Beyoncé, Kendrick Lamar, Nick Cave and more". NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM. May 16, 2020. Retrieved June 7, 2020.
  272. In-Depth. "What Does Beyoncé's 'Lemonade' Tell Us About Genre?". Fuse. Retrieved April 14, 2020.
  273. "The 2010s: 5 Ways Beyoncé Defined The Decade In Music". NPR. Retrieved April 14, 2020.
  274. "Giddy Up! Here's What You Need to Know About the Yeehaw Agenda". Rolling Stone.
  275. "How the 'Yeehaw Agenda' Disrupted Texas Country Culture for Good". Texas Monthly. September 6, 2019. Retrieved March 26, 2020.
  276. "This Year's Grammys Were the Ultimate Tribute to Yeehaw Culture". Observer. February 11, 2019. Retrieved March 26, 2020.
  277. Spanos, Brittany (April 26, 2016). "How Beyonce's 'Lemonade' Reclaims Rock's Black Female Legacy". Rolling Stone. Retrieved April 14, 2020.
  278. "'Lovecraft Country': How Beyoncé Inspired the Stunning Soundtrack". Entertainment Tonight. Retrieved September 23, 2020.
  279. "How La La Land Helped Live-Action Beauty and the Beast Remake". Screen Rant. March 18, 2017. Retrieved March 27, 2017.
  280. "Cleopatra | Dressing a Queen". YouTube. National Theatre. December 5, 2018.
  281. Wright, Catherine (December 23, 2019). "'Six' Creators Reveal Which Modern-Day Pop Star Influenced Each of Henry VIII's Wives in the Musical". Showbiz Cheat Sheet. Retrieved March 7, 2020.
  282. McHenry, Jackson (March 4, 2020). "How Six Created Its 16th-Century Pop-Star Queens". Vulture. Retrieved March 7, 2020.
  283. "Challenging people's thinking: Cécile Trémolières on Hole at the Royal Court". www.culturecalling.com. Retrieved June 7, 2020.
  284. Pena, Xochitl. "Visuals from Beyoncé's 'Lemonade' inspire Modernism Week show house stylist". Desert Sun. Retrieved August 18, 2019.
  285. "A Phoenix First Must Burn". www.goodreads.com. Retrieved March 7, 2020.
  286. "Dodge Beyoncé's haterz in the 8-bit game 'Lemonade Rage'". Engadget. Retrieved June 7, 2020.
  287. "This Marvel Comic Book Cover Was Inspired by Beyoncé". Time. Retrieved April 19, 2019.
  288. Publishers Weekly (May 17, 2016). "Warshan Shire's sales spike after 'Lemonade' shoutout". Retrieved June 16, 2019.
  289. Whitten, Sarah (February 8, 2016). "A Beyonce mention sends Red Lobster sales higher". CNBC. Retrieved June 18, 2019.
  290. "Six 'Lemonade' Designers Talk About the Impact of Beyoncé's Project". Complex. Retrieved June 18, 2019.
  291. "How Beyoncé's Lemonade Helped Bring a Groundbreaking Film Back to Theaters". Vanity Fair. Retrieved April 19, 2019.
  292. Grebey, James. "MTV brought back a VMA award that hasn't been given out in 25 years for Beyoncé". INSIDER. Retrieved April 19, 2019.
  293. "What Does Lemonade braids Mean? | Fashion by Dictionary.com". Dictionary.com. Retrieved June 7, 2020.
  294. Harris, Stasha (May 1, 2018). "Prepare to Heat Up Summer With These Lemonade Braids". Cosmopolitan. Retrieved June 7, 2020.
  295. Murray, Georgia. "The Irresistible Appeal Of A Yellow Dress". www.refinery29.com. Retrieved June 7, 2020.
  296. "See the Far-reaching Impact of Beyoncé's Lemonade". Time. Retrieved June 18, 2019.
  297. "Titus Makes 'Lemonade' Out Of His Heartbreak On 'Kimmy Schmidt'". Bustle. Retrieved June 11, 2019.
  298. Hipes, Pete Hammond,Patrick; Hammond, Pete; Hipes, Patrick (July 13, 2017). "Emmy Awards Nominations: 'Westworld', 'This Is Us', 'Stranger Things', 'Atlanta' Lead Diverse List". Deadline. Retrieved July 16, 2020.
  299. Jones, Damian (January 16, 2017). "Beyoncé and Public Enemy's Flavor Fav make cameos in The Simpsons hip-hop special". NME. Retrieved June 11, 2019.
  300. "James Franco's 'Making A Scene' Is Back With Parodies of Beyonce, 'Pineapple Express' and Nicki Minaj (Video)". Toofab. Retrieved August 11, 2020.
  301. "Ellen DeGeneres Wants to Make Sure You Saw Her Part in Beyonce's 'Lemonade'". The Hollywood Reporter. Retrieved June 11, 2019.
  302. Bradley, Laura. "Watch the Men of Late Night Grapple With Beyoncé's Lemonade". Vanity Fair. Retrieved April 14, 2020.
  303. "Late Night Hosts Mock Beyonce's 'Lemonade'". The Hollywood Reporter. Retrieved April 14, 2020.
  304. Anderson, Tre'vell. "'The Day Beyoncé Turned Black' is the best 'SNL' skit ever". latimes.com. Retrieved June 11, 2019.
  305. Politi, Daniel (October 16, 2016). "Melanianade: SNL Gives Trump Women a Beyoncé-Themed Revenge Anthem". Slate Magazine. Retrieved June 11, 2019.
  306. "Seth Meyers Shares The 'Beyonce Lemonade Late Night Aftermath,' Teaches Iggy Azalea Teen Slang". Billboard. Retrieved June 11, 2019.
  307. "Watch: James Corden spoofs Beyoncé's 'Lemonade' video". Acclaim Magazine. April 28, 2016. Retrieved June 11, 2019.
  308. "Amy Schumer & Goldie Hawn Get in 'Formation' for Beyonce Parody Video". Billboard. October 21, 2016. Retrieved September 23, 2020.
  309. Mallenbaum, Carly. "Behind 'Crazy Ex-Girlfriend's 'Lemonade'-inspired premiere". USA TODAY. Retrieved April 14, 2020.
  310. "James Comey sang a Beyonce song during an FBI briefing". The Independent. May 3, 2018. Retrieved August 18, 2019.
  311. Fitzmaurice, Rosie. "Michelle Obama and Serena Williams dressed up as Beyoncé to celebrate her birthday". Business Insider. Retrieved June 11, 2019.
  312. "BBC Sounds - James Acaster's Perfect Sounds, James Acaster's Perfect Sounds, Romesh Ranganathan on Beyonce's Lemonade". BBC. Retrieved June 7, 2020.
  313. Bennett, Steve. "Who needs Eurovision? : News 2020 : Chortle : The UK Comedy Guide". www.chortle.co.uk. Retrieved June 7, 2020.
  314. "35 Top African-American Artists on the Work That Inspires Them". The New York Times. ISSN 0362-4331. Retrieved March 19, 2020.
  315. "Why was Beyonce's Super Bowl show significant?". BBC News. February 8, 2016. Retrieved June 18, 2019.
  316. "Why Beyonce's 'Formation' Matters So Much". TheWrap. February 11, 2016. Retrieved June 18, 2019.
  317. O'Neill, Natalie (February 16, 2016). "Anti-Beyonce rally is the worst-attended protest ever". New York Post. Retrieved June 18, 2019.
  318. "Beyonce and Lemonade Inspire Think Pieces". Essence. Retrieved June 18, 2019.
  319. Robinson, Zandria F. (April 28, 2016). "How Beyonce's 'Lemonade' Exposes Inner Lives of Black Women". Rolling Stone. Retrieved June 18, 2019.
  320. "All The Best Pieces About Beyoncé's Lemonade". BuzzFeed News. Retrieved June 18, 2019.
  321. Carpentier, Megan (April 26, 2016). "How Beyoncé's Lemonade became a pop culture phenomenon". The Guardian. ISSN 0261-3077. Retrieved January 28, 2017.
  322. McFadden, Syreeta (February 8, 2016). "Beyoncé's Formation reclaims black America's narrative from the margins". The Guardian. ISSN 0261-3077. Retrieved January 28, 2017.
  323. Harris-Perry, Melissa. "TIME Person of the Year Runner Up: Beyoncé". Time. Retrieved January 28, 2017.
  324. Exposito, Suzy (June 6, 2020). "Music at Home: Songs of Resistance". Rolling Stone. Retrieved June 7, 2020.
  325. "Streams of NWA's 'F*** Tha Police' are up 270%". The Independent. June 4, 2020. Retrieved June 7, 2020.
  326. "Amber Riley Sings Beyoncé's 'Freedom' During Protest at LA Mayor's House". Billboard. June 3, 2020. Retrieved June 7, 2020.
  327. Diep, Eric (September 30, 2016). "UTSA to Offer "Black Women, Beyoncé & Popular Culture" Course on Lemonade". Complex. Retrieved February 17, 2017.
  328. "Beyonce's music inspires UTC's Lemonade Week". Chattanooga Times Free Press. March 30, 2017. Retrieved April 19, 2019.
  329. "Kinitra D. Brooks and Kameelah L. Martin present 'The Lemonade Reader: Beyoncé, Black Feminism and Spirituality'". hutchinscenter.fas.harvard.edu. Retrieved March 5, 2020.
  330. "Faculty Spotlight: "Beyoncé and Black Feminism" – Designing and Developing Your Dream Course | Teaching Innovation and Pedagogical Support". tips.uark.edu. Retrieved March 5, 2020.
  331. "Family Feuds: Beyoncé, Jay-Z, and Solange and the Meaning of American Music". Department of English UPenn. Retrieved March 26, 2020.
  332. "Beyoncé, Protest, and Popular Music". Department of English UPenn. Retrieved March 26, 2020.
  333. "Encompass Series: A Discussion of Beyonce's Lemonade".
  334. "Hold up: There's a Chatham University class all about Beyoncé's 'Lemonade'". The Incline. Retrieved March 5, 2020.
  335. "VSU Explores the Black Female Experience Through Beyoncé's "Lemonade" - Valdosta State University". www.valdosta.edu. Retrieved March 5, 2020.
  336. "The Lemonade Reader--Black Feminist Scholars discuss Beyoncé". www.facebook.com. Retrieved March 5, 2020.
  337. Parker, Rachel (March 23, 2018). "Okay, Ladies, Now Let's Get in Formation: Intersectional Feminism in Beyoncé's Lemonade". University of North Georgia Annual Research Conference.
  338. "Author Dr. Kinitra Brooks discusses how Beyoncé embodies the conjure woman". Seminole State College. Retrieved March 5, 2020.
  339. "The Lemonade Project". MODA. Retrieved February 15, 2017.
  340. "The Lemonade Reader". CRC Press. Retrieved June 18, 2019.
  341. "UT Professor celebrates new book discussing Beyoncé and black feminism - The Daily Texan". www.dailytexanonline.com. Retrieved March 5, 2020.
  342. "Films for the Feminist Classroom - Issue 8.1". ffc.twu.edu. Retrieved March 5, 2020.
  343. Spotify, Cole Cuchna | (April 23, 2020). "Dissect - S6E1 - Beyoncé: LEMONADE". Google Podcasts. Retrieved April 29, 2020.
  344. "Beyoncé's 'Lemonade' Gets a Fresh Take on Season 6 of Spotify's 'Dissect' Podcast". Spotify. April 23, 2020. Retrieved April 29, 2020.
  345. Lemonade (booklet). Beyoncé. Parkwood. 2016.CS1 maint: others (link)
  346. "Lemonade (credits)". Beyonce.com.
  347. "Lemonade by Beyoncé". iTunes Store. Retrieved November 30, 2020.
  348. "Lemonade by Beyoncé". Tidal. Retrieved November 30, 2020.
  349. "Lemonade". Spotify.
  350. "Australiancharts.com – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  351. "ARIA Urban Albums Chart". ARIA Charts. May 15, 2016. Archived from the original on May 16, 2016. Retrieved May 16, 2016.
  352. "Austriancharts.at – Beyoncé – Lemonade" (in German). Hung Medien. Retrieved November 7, 2016.
  353. "Ultratop.be – Beyoncé – Lemonade" (in Dutch). Hung Medien. Retrieved November 7, 2016.
  354. "Ultratop.be – Beyoncé – Lemonade" (in French). Hung Medien. Retrieved November 7, 2016.
  355. "Top DVD – 09/05/2016 a 15/05/2016". Portal Sucesso! (in Portuguese). Archived from the original on June 4, 2016. Retrieved May 29, 2016.
  356. "Beyoncé Chart History (Canadian Albums)". Billboard. Retrieved June 4, 2016.
  357. "Top Stranih [Top Foreign]" (in Croatian). Top Foreign Albums. Hrvatska diskografska udruga. Retrieved June 4, 2016.
  358. "Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select 201619 on the field besides the word "Zobrazit", and then click over the word to retrieve the correct chart data. Retrieved May 16, 2016.
  359. "Danishcharts.dk – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  360. "Dutchcharts.nl – Beyoncé – Lemonade" (in Dutch). Hung Medien. Retrieved November 7, 2016.
  361. "Beyoncé: Lemonade" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved November 7, 2016.
  362. "Lescharts.com – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  363. "Longplay-Chartverfolgung at Musicline" (in German). Musicline.de. Phononet GmbH. Retrieved April 29, 2016.
  364. "Official IFPI Charts – Top-75 Albums Sales Chart (Week: 20/2016)". IFPI Greece. Archived from the original on June 1, 2016. Retrieved May 31, 2016.
  365. "Album Top 40 slágerlista – 2016. 17. hét" (in Hungarian). MAHASZ. Retrieved May 6, 2016.
  366. "GFK Chart-Track Albums: Week 17, 2016". Chart-Track. IRMA. Retrieved April 29, 2016.
  367. "Italiancharts.com – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  368. 23, 2016/ "Oricon Top 50 Albums: May 23, 2016" (in Japanese). Oricon. Retrieved May 23, 2016.
  369. "Top Album – Semanal (del 13 al 19 de Mayo)". Amprofon. Archived from the original on June 12, 2016. Retrieved June 14, 2016.
  370. "Charts.nz – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  371. "Norwegiancharts.com – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  372. "Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved May 19, 2016.
  373. "Portuguesecharts.com – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  374. 29, 2016/40/ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved May 16, 2016.
  375. "2016년 20주차 Album Chart" (in Korean). Gaon Music Chart. Retrieved June 4, 2016.
  376. "South Korea Gaon International Album Chart". On the page, select "2016.05.08", then "국외", to obtain the corresponding chart. Gaon Chart Retrieved February 9, 2018.
  377. "Spanishcharts.com – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  378. "Swedishcharts.com – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  379. "Swisscharts.com – Beyoncé – Lemonade". Hung Medien. Retrieved November 7, 2016.
  380. 29, 2016/7502/ "Official Albums Chart Top 100". Official Charts Company. Retrieved May 16, 2016.
  381. 29, 2016/115/ "Official R&B Albums Chart Top 40". Official Charts Company. Retrieved May 1, 2016.
  382. "Beyoncé Chart History (Billboard 200)". Billboard. Retrieved May 16, 2016.
  383. "Beyoncé Chart History (Top R&B/Hip-Hop Albums)". Billboard. Retrieved May 16, 2016.
  384. "ARIA Top 100 Urban Albums 2017". Australian Recording Industry Association. Retrieved January 6, 2017.
  385. "ARIA Top 100 Urban Albums 2016". Australian Recording Industry Association. Retrieved January 6, 2017.
  386. "Jaaroverzichten 2016" (in Dutch). Ultratop. Retrieved December 27, 2016.
  387. "Rapports Annuels 2016" (in French). Ultratop. Retrieved December 27, 2016.
  388. "Mercado Fonográfico Mundial E Brasileiro Em 2016" (PDF). May 22, 2017. Retrieved June 28, 2017.
  389. "Top Canadian Albums Year End 2016". Billboard. Retrieved December 7, 2016.
  390. "Album Top-100 2016" (in Danish). Hitlisten.NU. IFPI Denmark. Archived from the original on December 30, 2016. Retrieved December 31, 2016.
  391. "Jaaroverzichten – Album 2016" (in Dutch). dutchcharts.nl. Hung Medien. Retrieved December 23, 2016.
  392. "Classement des 200 meilleures ventes d'albums de 2016". Syndicat National de l'Édition Phonographique (in French). snepmusique.fr. Retrieved January 14, 2017.
  393. "Top 100 Album-Jahrescharts". GfK Entertainment (in German). offiziellecharts.de. Retrieved January 3, 2017.
  394. "Összesített album- és válogatáslemez-lista – eladási darabszám alapján – 2016". Mahasz. Retrieved February 16, 2017.
  395. "Top of the Music – FIMI/GfK: Le uniche classifiche annuali complete" (in Italian). Federazione Industria Musicale Italiana. Retrieved January 29, 2017.
  396. "W 2016 roku najlepiej sprzedającym się albumem było "Życie po śmierci" O.S.T.R." 2016. Retrieved January 13, 2016.
  397. "Top Selling Albums of 2016". Recorded Music NZ. Retrieved December 23, 2016.
  398. "2016년 Album Chart" (in Korean). Gaon Music Chart. Retrieved January 13, 2017.
  399. "Top 100 Albumes 2016" (in Spanish). PROMUSICAE. Retrieved February 1, 2017.
  400. "Årslista Albums – År 2016". Swedish Recording Industry Association. Retrieved January 22, 2017.
  401. "Swiss Year-End Charts 2016". Hung Medien. 2016. Retrieved January 1, 2016.
  402. White, Jack (December 30, 2016). "The Official Top 40 Biggest Albums of 2016". Official Charts Company. Retrieved December 31, 2016.
  403. "Top 200 Albums Chart Year End 2016". Billboard. Retrieved December 8, 2016.
  404. "Top R&B/Hip-Hip Albums Year End 2016". Billboard. Retrieved January 9, 2018.
  405. "Top R&B/Hip-Hip Albums Year End 2016". Billboard. Retrieved December 8, 2016.
  406. "ARIA End of Year Albums 2017". Australian Recording Industry Association. Retrieved January 5, 2018.
  407. "ARIA End of Year Urban Albums 2017". Australian Recording Industry Association. Retrieved January 8, 2018.
  408. "Jaaroverzichten 2017" (in Dutch). Ultratop. Retrieved December 29, 2017.
  409. "Top Billboard 200 Albums – Year-End 2017". Billboard. Retrieved December 12, 2017.
  410. "Top R&B/Hip-Hip Albums Year End 2017". Billboard. Retrieved January 9, 2018.
  411. "Top R&B/Hip-Hip Albums Year End 2017". Billboard. Retrieved January 9, 2018.
  412. "ARIA Year End Charts 2019". ARIA Charts. Retrieved January 10, 2020.
  413. "Jaaroverzichten 2019". Ultratop. Retrieved December 20, 2019.
  414. "Jaaroverzichten – Album 2019". dutchcharts.nl. Retrieved January 5, 2020.
  415. "Decade-End Charts: Billboard 200". Billboard. Retrieved November 15, 2019.
  416. "Ultratop − Goud en Platina – albums 2016". Ultratop. Hung Medien. Retrieved November 27, 2016.
  417. "Brazilian album certifications – Beyonce – Lemonade" (in Portuguese). Pro-Música Brasil. Retrieved October 11, 2019.
  418. "Canadian album certifications – Beyoncé – Lemonade". Music Canada. Retrieved June 15, 2016.
  419. "Nielsen Music Releases 2016 Canada Year-End Report" (PDF). Nielsen. January 6, 2017. Retrieved January 6, 2017.
  420. "Danish album certifications – Beyoncé – Lemonade". IFPI Denmark. Retrieved June 4, 2019.
  421. "Italian album certifications – Beyoncé – Lemonade" (in Italian). Federazione Industria Musicale Italiana. Retrieved April 20, 2020. Select "2020" in the "Anno" drop-down menu. Select "Lemonade" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
  422. "Dutch album certifications – Beyoncé – Lemonade" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved December 31, 2016. Enter Lemonade in the "Artiest of titel" box.
  423. "New Zealand album certifications – Beyoncé – Lemonade". Recorded Music NZ. Retrieved June 10, 2016.
  424. "Polish album certifications – Beyoncé – Lemonade" (in Polish). Polish Society of the Phonographic Industry. Retrieved July 7, 2018.
  425. "2016 International Albums Chart" (in Korean). Gaon Music Chart. Retrieved April 28, 2016.
  426. "The Official Swiss Charts and Music Community: Awards (Beyoncé; 'Lemonade')". IFPI Switzerland. Hung Medien. Retrieved November 30, 2016.
  427. "British album certifications – Beyoncé – Lemonade". British Phonographic Industry. Select albums in the Format field. Select Platinum in the Certification field. Type Lemonade in the "Search BPI Awards" field and then press Enter.
  428. Myers, Justin (April 18, 2019). "Beyonce's Number 1 album Lemonade will finally get a wider streaming release on April 23". Official Charts Company. Retrieved April 19, 2019.
  429. "American album certifications – Beyoncé – Lemonade". Recording Industry Association of America. June 12, 2019. Retrieved July 8, 2019. If necessary, click Advanced, then click Format, then select Album, then click SEARCH. 
  430. "Drake's 'Views' Is Nielsen Music's Top Album of 2016 in the U.S." Billboard. January 5, 2017. Retrieved June 17, 2019.
  431. "Global Music Report 2017" (PDF). IFPI. April 25, 2017. Retrieved July 8, 2019.
  432. "Lemonade / Beyoncé". Tidal. April 23, 2016. Retrieved April 23, 2016.
  433. Ryan, Patrick (April 24, 2016). "Beyoncé's 'Lemonade' hits music retailers tonight". USA Today. Retrieved April 24, 2016.
  434. "Lemonade [Explicit] by Beyoncé on Amazon Music". Amazon.com. Retrieved May 27, 2020.
  435. "Beyoncé – "Lemonade"" (in Polish). Sony Music Entertainment Poland. Retrieved May 14, 2016.
  436. "Lemonade (CD/DVD)". Amazon.com. Retrieved May 23, 2016.
  437. "LEMONADE: Amazon.co.uk: Music". Amazon.co.uk. May 6, 2016. Retrieved May 27, 2020.
  438. "YESASIA: Beyonce Vol. 6 – Lemonade (CD + DVD) (Korea Version) CD – Beyonce Knowles, Sony Music (KR) – Western / World Music – Free Shipping". YesAsia. May 18, 2016. Retrieved February 25, 2018.
  439. "レモネード(DVD付)". Amazon.co.jp. July 6, 2016. Retrieved February 25, 2018.
  440. "Lemonade". Columbia Records. July 28, 2017. Retrieved May 3, 2017.
  441. "Lemonade by Beyoncé on Spotify". Spotify. Retrieved May 27, 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.