Psalm 147

Following is the Hebrew text of Psalm 147:

1. Praise ye the LORD: for it is good to sing praises unto our God; for it is pleasant; and praise is comely.
2. The LORD doth build up Jerusalem: he gathereth together the outcasts of Israel.
3. He healeth the broken in heart, and bindeth up their wounds.
4. He telleth the number of the stars; he calleth them all by their names.
5. Great is our Lord, and of great power: his understanding is infinite.
6. The LORD lifteth up the meek: he casteth the wicked down to the ground.
7. Sing unto the LORD with thanksgiving; sing praise upon the harp unto our God:
8. Who covereth the heaven with clouds, who prepareth rain for the earth, who maketh grass to grow upon the mountains.
9. He giveth to the beast his food, and to the young ravens which cry.
10. He delighteth not in the strength of the horse: he taketh not pleasure in the legs of a man.
11. The LORD taketh pleasure in them that fear him, in those that hope in his mercy.
12. Praise the LORD, O Jerusalem; praise thy God, O Zion.
13. For he hath strengthened the bars of thy gates; he hath blessed thy children within thee.
14. He maketh peace in thy borders, and filleth thee with the finest of the wheat.
15. He sendeth forth his commandment upon earth: his word runneth very swiftly.
16. He giveth snow like wool: he scattereth the hoarfrost like ashes.
17. He casteth forth his ice like morsels: who can stand before his cold?
18. He sendeth out his word, and melteth them: he causeth his wind to blow, and the waters flow.
19. He sheweth his word unto Jacob, his statutes and his judgments unto Israel.
20. He hath not dealt so with any nation: and as for his judgments, they have not known them. Praise ye the LORD.

Psalm 147 is recited in its entirety in Pesukei Dezimra in the daily morning prayer service.[11][12] It is recited as the Psalm of the Day on Simchat Torah in the Siddur Avodas Yisroel.[11]

Since the Middle Ages, this psalm was recited or sung at the office of Vespers on Saturday, according to the Rule of St. Benedict of 530 AD.

In the Liturgy of the Hours today, the first part (verses 1–11), numbered as Psalm 146 in the Septuagint and Vulgate, is recited or sung at Lauds on Thursday of the fourth week, and the second part (verses 12–20), numbered as Psalm 147 in the Septuagint and Vulgate, is recited or sung on Friday of the second and fourth week of the four-week cycle of the psalter. In the liturgy of the Mass, the first part (Psalm 146) is sung or read on the fifth Sunday in Ordinary Time of Year B of the three-year Sundays cycle and on the first Saturday in Advent in the two-year weekday cycle, and the second part (Psalm 147) is used on the feast of the Most Holy Body and Blood of Christ in year A of the Sundays cycle, and on several weekdays.

In 1610, Monteverdi published his Vespro della Beata Vergine, setting five Latin psalms to music. The last of these, Lauda Jerusalem, is arranged for two choirs of three voices each, soprano, alto and bass, while the tenors sing the cantus firmus. Marc-Antoine Charpentier set 3 "Lauda Jerusalem Dominum", H.158 (1670), H.191 (1684) and H.210 (1690). Michel Richard Delalande set Lauda Jerusalem Dominum for the celebration of daily Mass for King Louis XIV at Versailles. Henry Desmarest, a contemporary of Delalande, wrote a grand motet on this psalm. Antonio Vivaldi composed a setting of Lauda Jerusalem as his RV 609, scored for two choirs, each with a solo soprano, four vocal parts and strings.[13]

In 1568 Antonio Scandello published the first volume of his Geistliche Deutsche Lieder, which contained, as fifth item, a four-part setting of "Lobet den Herren, denn er ist sehr freundlich", a German version of Psalm 147.[14] A rhymed translation of the Psalm, "Zu Lob und Ehr mit Freuden singt" (To praise and honour sing with joy), was published in the Becker Psalter (1602), to be sung to the tune of Es woll uns Gott genädig sein (Zahn No. 7247), a text version for which Heinrich Schütz, quarter of a century later, composed an entirely new four-part setting (SWV 252, Zahn No. 7260).[15][16][17]

Scandello's setting was reprinted in hymnals such as Johann Hermann Schein's 1627 Cantional, and Gottfried Vopelius's 1682 Neu Leipziger Gesangbuch, where the German text is attributed to Nikolaus Selnecker.[18][19] Johann Sebastian Bach based one of his four-part chorales, "Lobet den Herren, denn er ist sehr freundlich", BWV 374, on a hymn tune derived from Scandello's setting.[20][21] The lyrics of the opening chorus of Bach's 1723 cantata Preise, Jerusalem, den Herrn, BWV 119 ("Praise the Lord, Jerusalem"), for the inauguration of a new town council in Leipzig, are a dictum taken from a prose translation of verses 12–14 of Psalm 147.[22][23]

After Scandello's setting, and the hymn tune derived from it in the early 18th century (Zahn No. 975), five more melodies for the "Lobet den Herren, denn er ist sehr freundlich" translation of Psalm 147 were composed and published from the 1730s to the 1830s (Zahn Nos. 976–980).[24] Around 1856, Anton Bruckner set verses 1 to 11 of the Psalm (i.e. the entire Psalm 146 in the Vulgate numbering) as Alleluja! Lobet den Herrn; denn lobsingen ist gut, WAB 37, for soloists, double mixed choir, and orchestra.[25]