Chachapoya culture

The name Chachapoya was given to this culture by the Inca; the name that these people may have actually used to refer to themselves is not known. The meaning of the word Chachapoyas may be derived from the Quechua sach'a phuyu (sach'a = tree,[1] phuyu = cloud[2]) meaning "cloud forest", another alternative is that it may have been from sach'a-p-qulla (sach'a = tree, p = of the, qulla = the name of a pre-Inca kingdom from Puno that the Incas used as a collective term for the many kingdoms around the Titicaca) the equivalent of "qulla people who live in the woods".

Valley of the Marañón River between Chachapoyas, Peru (Leimebamba District) and Celendín

The Chachapoyas' territory was located on the eastern slopes of the Andes, in present-day northern Peru.[3] It encompassed the triangular region formed by the confluence of the Marañón River and the Utcubamba in Bagua Province, up to the basin of the Abiseo River where the Gran Pajáten is located. This territory also included land to the south up to the Chuntayaku River, exceeding the limits of the current Amazonas Region towards the south. But the center of the Chachapoyas culture was the basin of the Utcubamba river. Due to the great size of the Marañón river and the surrounding mountainous terrain, the region was relatively isolated from the coast and other areas of Peru, although there is archaeological evidence of some interaction between the Chachapoyas and other cultures.

The contemporary Peruvian city of Chachapoyas, Peru derives its name from the word for this ancient culture as does the defined architectural style. Inca Garcilaso de la Vega noted that the Chachapoyas territory was extensive:

"Their territory, which measured fifty by twenty leagues, without counting the Muyupampa region, where it was thirty leagues wider still, might well be called a kingdom, rather than a province." [4]

The area of the Chachapoyas is sometimes referred to as the "Amazonian Andes" due to it being part of a mountain range covered by dense tropical forest. The Amazonian Andes constitute the eastern flank of the Andes, which were once covered by dense Amazon vegetation. The region extended from the cordillera spurs up to altitudes where primary forests still stand, usually above 3,500 metres (11,500 ft). The cultural realm of the Amazonian Andes occupied land situated between 2,000–3,000 metres (6,600–9,800 ft).

Excavations at Manachaqui Cave, in Pataz District, recovered evidence of very early human occupation,

Two AMS dates calibrated to approximately 12,200 and 11,900 BP (dates calibrated using McCormac et al. 2004; OxCal v.3.10, Bronk Ramsey 2005 unless otherwise noted) accompany scrapers, gravers, burins, and stemmed projectile points (see Figure 45.2a-g) resembling north coastal Peruvian Paiján (Chauchat 1988) and highland Ecuadorian El Inga styles (Bell 2000).[5]

The finds at Manachaqui’s late Pre-ceramic Period levels also yield radiocarbon dates averaging 2700 BC.[5]

Around 1400 BC, the Initial Period Manachaqui phase witnessed the adoption of ceramic technology and the appearance of a “Chachapoya ceramic tradition”. Ceramics found at the central Chachapoyas site of Huepón were given a later date.[5]

Despite the archaeological evidence that people began settling as early as 200 AD or before, the Chachapoyas culture is thought to have developed around 750-800 AD.

The major urban centers, such as the great fortress of Kuelap, with more than four hundred interior buildings and massive exterior stone walls reaching upwards of 60 feet (18 m) in height, and Gran Pajatén possibly served to defend against the Wari culture around 800, a Middle Horizon culture that covered much of the coast and highlands. Referred to as the 'Machu Picchu of the north,' Kuélap receives few visitors due to its remote location.

Other archaeological sites in the region include the settlement of Gran Saposoa, the Atumpucro complex, and the burial sites at Revash and Laguna de las Momias ("Mummy Lake"), among others. It is estimated that only 5% of sites of the Chachapoyas have been excavated according to a BBC documentary from January 2013.

Cieza de León remarked that, among the indigenous Peruvians, the Chachapoyas were unusually fair-skinned and famously beautiful:

They are the whitest and most handsome of all the people that I have seen in Indies, and their wives were so beautiful that because of their gentleness, many of them deserved to be the Incas' wives and to also be taken to the Sun Temple (...) The women and their husbands always dressed in woolen clothes and in their heads they wear their llautos, which are a sign they wear to be known everywhere.

— "The Incas", Pedro de Cieza de Leon, Chapter 27

[11]

However, there is no other account at the time from other travelers to the region that mentions the particular "whiteness'' of the Natives in Chachapoya. These comments have led to claims, not supported by Cieza de León's chronicle, that the Chachapoyas were blond-haired and European in appearance. The chronicle's use of the term "white" here predates its emergence as a racial classification. Another Spanish author, Pedro Pizarro, described all indigenous Peruvians as "white." Although some authors have quoted Pizarro saying that Chachapoyas were blond, these authors do not quote him directly; instead they quote remarks attributed to him and others by race scientist Jacques de Mahieu in support of his thesis that Vikings had brought civilization to the Americas.[12][13] Following up on these claims, anthropologist Inge Schjellerup examined the remains of Chachapoyans and found them consistent with other ancient Peruvians. She found, for example, a universal occurrence of shovel-shaped upper incisors and a near-complete absence of the cusp of Carabelli on upper molars — characteristics consistent with other indigneous peoples and inconsistent with Europeans.[14]

Sarcophagi of Carajía. Chachapoyas culture.

According to the analysis of the Chachapoyas objects made by the Antisuyo expeditions of the Instituto de Arqueología Amazónica, the Chachapoyas do not exhibit Amazon cultural tradition but one more closely resembling an Andean one. Given that the terrain facilitates peripatric speciation, as evidenced by the high biodiversity of the Andean region, the physical attributes of the Chachapoyas are most likely reflecting founder effects, assortative mating, and/or related phenomena in an initially small population sharing a relatively recent common ancestor with other indigenous groups.

The anthropomorphous sarcophagi resemble imitations of funeral bundles provided with wooden masks typical of the "Middle Horizon", a dominant culture on the coast and highlands, also known as the Tiwanaku–Wari culture. The "mausoleums" may be modified forms of the chullpa or pucullo, elements of funeral architecture observed throughout the Andes, especially in the Tiwanaku and Wari cultures.

Population expansion into the Amazonian Andes seems to have been driven by the desire to expand agrarian land, as evidenced by extensive terracing throughout the region. The agricultural environments of both the Andes and the coastal region, characterized by its extensive desert areas and limited soil suitable for farming, became insufficient for sustaining a population like the ancestral Peruvians, which had grown for 3000 years.

This theory has been described as "mountainization of the rain forest" for both geographical and cultural reasons: first, after the fall of the tropical forests, the scenery of the Amazonian Andes changed to resemble the barren mountains of the Andes; second, the people who settled there brought their Andean culture with them. This phenomenon, which still occurs today, was repeated in the southern Amazonian Andes during the Inca Empire, which projected into the mountainous zone of Vilcabamba, raising examples of Inca architecture such as Machu Picchu.

Painted textile, Chachapoyas Area, Abisco or Pajaten culture, AD 900–1400

The architectural model of the Chachapoyas is characterized by circular stone constructions as well as raised platforms constructed on slopes. Their walls were sometimes decorated with symbolic figures. Some structures such as the monumental fortress of Kuelap and the ruins of Cerro Olán are prime examples of this architectural style.

Chachapoyan constructions may date to the 9th or 10th century; this architectural tradition still thrived at the time of the Spanish conquest of the Inca Empire until the latter part of the 16th century. To be sure, the Incas introduced their own style after conquering the Chachapoyas, such as in the case of the ruins of Quchapampa in Leimebamba District.

The presence of two funeral patterns is also typical of the Chachapoyas culture. One is represented by sarcophagi, placed vertically and located in caves that were excavated at the highest point of precipices. The other funeral pattern was groups of mausoleums constructed like tiny houses located in caves worked into cliffs.

Chachapoyan handmade ceramics did not reach the technological level of the Moche or Nazca cultures. Their small pitchers are frequently decorated by cordoned motifs. As for textile art, clothes were generally colored in red. A monumental textile from the precincts of Gran Pajatén had been painted with figures of birds. The Chachapoyas also used to paint their walls, as an extant sample in the tunnels of San Antonio in Luya Province reveals. These walls represent stages of a ritual dance of couples holding hands.

The Chachapoyan culture indicated an egalitarian non-hierarchical society through a lack of archaeological evidence and a lack of power expressing architecture that would be expected for societal leaders such as royalty or aristocracy.[15]

The Chachapoyan culture plays a significant role in the archaeological novel Inca Gold by Clive Cussler.

In the Indiana Jones franchise, the Golden Idol of the Chachapoyans is the artifact of the opening section seen in the film Raiders of the Lost Ark.[16][17] Later, Indiana Jones encounters the fictional Hovitos tribe which are the modern descendants of the Chachapoyan region.[16] While the temple and idol are entirely fictionalized, screenwriter Lawrence Kasdan describes a "Temple of the Chachapoyan Warriors [which is] 2000 years old."[18]

The Chachapoya feature as a playable faction in the PC game Europa Universalis IV, including a faction idea called "Warriors of the Clouds".

• Amazonas before the Inca Empire
• Extinct languages of the Marañón River basin#Chacha
• Machu Pirqa
• Purum Llaqta, Cheto

• von Hagen, Adriana. An Overview of Chachapoya Archaeology and History from the Museo Leymebamba website.
• Hemming, John. Conquest of the Incas. Harcourt, 1970.
• Muscutt, Keith. Warriors of the Clouds. University of New Mexico Press, Albuquerque, 1998.
• Savoy, Gene. Antisuyo: The Search for the Lost Cities of the Andes. Simon & Schuster, 1970.
• Schjellerup, Inge R. Incas and Spaniards in the Conquest of the Chachapoyas. Göteborg University, 1997.
• New Chachapoyan archaeological site discovered, September 16, 2010
• Giffhorn, Hans. Was America Discovered in Ancient Times?. C. H. Beck, 2013, 2nd revised edition March 2014. Published in the German Language as Wurde Amerika in der Antike entdeckt? Karthager, Kelten und das Rätsel der Chachapoya
• PBS TV Program Secrets of the Dead: Carthage's Lost Warriors. Single DVD, in English language.

• Ethnography and Archaeology of Chachapoyas
• Chachapoyas: Cultural Development at a Cloud Forest Crossroads
• Tomb Raiders of El Dorado: Archaeological conservation dilemmas in Chachapoyas
• Peru North map including Chachapoyas
• The Second Part of the Chronicle of Peru by Pedro de Cieza de Leon