Elizabeth Keckley

Elizabeth Keckley was born into slavery in February 1818, in Dinwiddie County Court House, Dinwiddie, Virginia, just south of Petersburg. An only child, her mother Agnes was a light-skinned house slave, whose white ancestors were aristocrats.[3] Her mother, nicknamed "Aggy", had learned to read and write, even though it was illegal for enslaved people.[4] She made clothes for 82 people, 12 members of the Burwell family and 70 slaves.[5] Keckley learned that her father was Armistead Burwell from her mother just before she died.[6][7][lower-alpha 1] The nature of the relationship between Agnes and Burwell is unknown. He permitted Agnes to marry George Pleasant Hobbs, a literate enslaved man who lived and worked at a neighbor's house during Keckley's early childhood. When Hobbs' owner moved far away, Hobbs was separated from Agnes. Although they were never reunited, Agnes and George corresponded for many years. As an adult, Elizabeth Keckley noted "the most precious mementos of my existence are the faded old letters that he wrote, full of love, and always hoping that the future would bring brighter days."[9]

Keckley was owned by Burwell, who served as a colonel in the War of 1812, and his wife Mary.[4] She lived in the Burwell house with her mother and began working when she was four years old. The Burwells had four children under the age of 10, and Keckley was assigned to be the nursemaid for their infant Elizabeth Margaret.[10] Keckley was harshly punished if she failed to care properly for the baby. One day she accidentally tipped the cradle over too far, causing the infant to roll onto the floor, and Mary Burwell beat her severely.[11] As she grew up, Keckley helped her mother make clothes.[5]

Burwell School, Hillsborough, North Carolina

At the age of 14, in 1832, Keckley was sent "on generous loan" to live with and serve the eldest Burwell son Robert in Chesterfield County, Virginia, near Petersburg, when he married Margaret Anna Robertson. (He was Elizabeth's half-brother.)[12] She was their only servant.[5] The new bride expressed contempt for Keckley, perhaps because her obvious white ancestry made the older woman uneasy; perhaps Keckley resembled Robert. Margaret made home life unpleasant for the young slave for the next four years. The family moved to Hillsborough, North Carolina, where Robert was a minister and operated the Burwell School for girls from his house from 1837 to 1857. Keckley stated that Margaret seemed "desirous to wreak vengeance" upon her.[13]

Margaret enlisted neighbor William J. Bingham to help subdue the slave girl's "stubborn pride". When Keckley was 18, Bingham called her to his quarters and ordered her to undress so that he could beat her. Keckley refused, saying she was fully grown, and "you shall not whip me unless you prove the stronger. Nobody has a right to whip me but my own master, and nobody shall do so if I can prevent it."[14] Bingham bound her hands and beat her, then sent her back to her master with bleeding welts on her back. The next week, Bingham flogged her again until he was exhausted. Again Elizabeth was sent back to her master with bleeding welts upon her back. A week later, Bingham flogged her again until he was exhausted, while she suppressed her tears and cries. The next week, after yet another attempt to "break her", Bingham had a change of heart, "burst[ing] into tears, and declar[ing] that it would be a sin" to beat her anymore.[15] He asked for her forgiveness and said that he would not beat her again. Keckley claims that he kept his word.[16]

When she was 18 years of age, about 1836, Keckley was given to her owner's friend, Alexander M. Kirkland.[17] Also in Hillsborough, he was a prominent white man of the community. He forced a sexual relationship on Elizabeth for four years of what she called "suffering and deep mortification".[18] In 1839, she bore Kirkland's son and named him George after her stepfather.[19][17]

For four years, a white man—I will spare the world his name—had base designs upon me. I do not care to dwell upon the subject, for it is one that is fraught with pain. Suffice it to say that he persecuted me for four years, and I… I became a mother.

— Elizabeth Keckley[20]

Hugh Alfred Garland (1805 – 1854)

She was returned to Virginia where she served Mary and Armistead Burwell's daughter, Ann Burwell Garland and her husband, Hugh A. Garland. (She was Ann's half-sister.)[5] The Garlands moved several times and ended up in St. Louis, Missouri in 1847. Aggy, Elizabeth, and George were brought with them[17] for their child care and sewing skills.[21] Keckley became an accomplished seamstress and, by working long hours, all of the money earned from her labor supported the seventeen-member Garland family,[17] who suffered significant financial reverses by that time.[5] Nearly 12 years of living and working in St. Louis gave Keckley the chance to mingle with its large free black population. She also established connections with women in the white community, which she later drew on as a free dressmaker.[21]

Elizabeth Keckley, 1861, Moorland-Spingarn Research Center, Howard University

Keckley met her future husband James in St. Louis, but refused to marry him until she and her son were free, because she did not want to have another child born into slavery.[22] When she asked Hugh A. Garland to free them and he refused, she worked for two years to persuade him, agreeing to purchase her freedom. In 1852, he agreed to release them for $1,200 (equivalent to $32,927 in 2019).[23] His wife, Anne, put the conditions in writing in 1855.[17][lower-alpha 2] Elizabeth "Lizzie" Le Bourgeois, her patron, took up a collection among her friends to loan to Keckley, who was then able to buy her and her son's freedom and was manumitted on November 15, 1855. The papers indicate that she was married to James Keckley by that date.[26][27] She stayed in St. Louis until she repaid the $1,200 loan,[5] after which she intended to leave St. Louis and James Keckley.[22][28]

In 1860, she enrolled her son, George Kirkland, in the newly established Wilberforce University in Ohio.[5][20] That year, she moved to Baltimore, Maryland, where she stayed for six weeks.[5][29] She intended to teach young "colored women" her method of cutting and fitting dresses, but found that she would not be able to earn a sufficient living for herself and her son.[30][31]

Statue of Elizabeth Keckley included in the Virginia Women's Monument.

Keckley planned to work as a seamstress in Washington, but she could not afford the required license for a free black to remain in the city for more than 10[32] or 30 days. One of her patrons, a woman by the name of Miss Ringold, petitioned Mayor James G. Berret for a license for Keckley, which he granted to her free of charge.[33] Ringold, a member of General John Mason's family from Virginia, also vouched that Keckley was a free woman, another requirement for residence.[29][32]

Keckley steadily built a client base so that she had enough work to support herself. When she completed a silk dress for Mary Anna Custis Lee, the wife of Robert E. Lee, to wear to a dinner party for the Prince of Wales, the future King Edward VII, Lee was complimented roundly for her dress and Keckley's business grew rapidly.[34][32] She employed 20 seamstresses[5] at her 12th Street business.[35] It generally took two to three weeks to make each dress. As she began hiring seamstresses to make dresses for her clients, Keckley focused her attention on fitting garments and the seamstresses made most of the garments.[36] She had a talent for draping fabric and fitting garments. The Smithsonian Institution states: "She was known to be the dressmaker in D.C. because her garments had extraordinary fit."[36] Her dresses were considered to be expensive, yet she sometimes made much more money from the commission for manufacture of the fabric than for the actual construction of the article of clothing.[36]

The wife of Stephen A. Douglas, Adele Cutts Douglas was a client.[22] Keckley later became the favored family seamstress of Varina Davis,[34] the wife of then Senator Jefferson Davis, who with her husband discussed the prospects of war in her presence. She made clothing for Davis and her children.[32] Davis provided an introduction to Margaret McLean of Maryland, a daughter of General Edwin Vose Sumner.[29] Although Keckley said that she was unable to complete an urgent order for a dress due to her established commitments, McLean offered to introduce Keckley to the newly elected president Abraham Lincoln, and his wife.[37] Keckley hired seamstresses to finish the dress for McLean, who arranged a meeting the following week for her with Mary Todd Lincoln.[29][30]

Dress of Mary Lincoln by Elizabeth Keckley, 1861

Keckley met Mary Todd Lincoln on March 4, 1861, the day of Abraham Lincoln's first inauguration and had an interview the following day.[38] Lincoln chose her as her personal modiste[5] and personal dresser,[22] which began when Lincoln was quite upset and overwhelmed about getting ready in time for an event at the White House.[35]

Mary Todd Lincoln, 1860–1865

Keckley made clothing in a simplified style of Victorian fashion, which was sophisticated, with clean lines, and without a lot of ribbon or lace.[36] Lincoln was known for having clothes with floral patterns, bright colors, and youthful styling. The dresses made by Keckley for her were more sophisticated.[36]

There are few extant examples of Keckley's work, partly because people took material from existing dresses to create new ones, and also because there was no labeling or other means to definitively identify clothes as having been made by her. There is a purple velvet gown that Lincoln wore to Lincoln's second inauguration that is held in the Smithsonian Institution's National Museum of American History. The Chicago History Museum has a buffalo plaid green and white day dress with a cape. A black silk dress with a strawberry motif for strawberry parties may have been made by Keckley; It is located at the Abraham Lincoln Presidential Library and Museum in Illinois.[36]

In 1861, Lincoln went to Mathew Brady's Washington Photography Studio, where she had images taken while wearing an off-the-shoulder dress made by Keckley.[39]

Keckley, who was ladylike and had a regal bearing, became Lincoln's best friend.[40] She often visited the Lincoln's living quarters and was in attendance during private family conversations by 1862.[35][41]

In April 1862, the District of Columbia emancipated slaves. She was featured in a syndicated newspaper article about recently freed slaves who had made a success of their lives. As there was an influx of newly freed slaves in Washington, she established the Ladies' Freedmen and Soldier's Relief Association to assist people until they were able to establish a life for themselves. The Lincolns assisted her and visited the contrabands camps.[41] Keckley introduced Sojourner Truth to Abraham Lincoln. She was with the Lincolns when they visited Richmond, Virginia after the end of the Civil War.[41]

She had a calming manner and helped Lincoln navigate during periods of agitation and grief.[35] Keckley, who lost her son during a Civil War battle in August 1861, was a source of strength and comfort for Lincoln after Willie died of typhoid fever in February 1862 and after the President Lincoln's assassination.[41][42] Keckley was among the recipients of Lincoln's effects. She acquired Mary Lincoln's dress from the second inauguration, the blood-spattered cloak and bonnet from the night of the assassination, as well as some of the President's personal items.[43]

Keckley accompanied Lincoln and her children to Illinois after the assassination.[32] In late September 1867, Lincoln was deeply in debt and sought to sell her jewelry and clothing to raise money.[44] Keckley assisted her in disposing of articles of value by accompanying her to New York to find a broker to handle the sales.[41] Although Lincoln used an alias, the fund raising effort became publicly known, and Lincoln was severely criticized for selling clothes and other items associated with her husband's presidency.[44] In the end, the enterprise was a failure, they spent more money than they made.[41]

Elizabeth Keckley donated her Lincoln memorabilia to Wilberforce College for its sale in fundraising to rebuild after a fire in 1865,[43] which upset Lincoln.[35]

Behind the scenes, or, Thirty years a slave and four years in the White House (1868)

In 1868, Elizabeth Keckley published Behind the Scenes, which told her story of slavery and provided insight into the lives of the Lincolns.[22] Keckley described her own rise from slavery to life as a middle-class businesswoman who employed staff to help complete her projects. She placed herself in the educated, mixed-race middle class of the black community. She emphasized her ability to overcome difficulties and the development of her business sense. While acknowledging the brutalities under slavery and the sexual abuse that led to the birth of her son George, she spent little time on those events. Essentially she "veiled" her own past but, using alternating chapters, contrasted her life with that of Mary Todd Lincoln and "unveiled" the former First Lady, as she noted her debts.[45] Keckley wrote about the Lincolns, in a style of near hagiography for the president, but with a cool, analytical eye for Mary Lincoln.[46] It was written at a time when the public did not have great insight into the lives of the Lincolns, and it particularly shed light on Mary Todd Lincoln. The book portrayed Lincoln as a "loving wife and mother and an ambitious, strong willed, and loyal first lady, while also revealing her to be high tempered, full of fear and anxiety, self-centered and often self-pitying".[44] The editor, James Redpath, included letters from Mary Lincoln to Keckley in the book, and the seamstress was strongly criticized for violating Lincoln's privacy.[5][45]

By writing the book, it was her intention to improve Lincoln's reputation and to explain what led to Lincoln's old clothes scandal of 1867.[44][47] She also hoped that the income from the book would provide some financial support for Lincoln.[22] Advertisements labeled the book as a "literary thunderbolt" and the publisher, Carleton & Company, joined in by declaring it as a "great sensational disclosure".[46]

At a time when the white middle class struggled over "genteel performance", Keckley unveiled and revealed a white woman by the very title of her book, showing what went on behind the public scenes and revealing "private, domestic information involving, primarily, white women."[45][lower-alpha 3] By writing about Lincoln, Keckley transgressed the law of tact as well as the accepted norms of white supremacy. Her relationship with Lincoln was ambiguous, as it drew both from her work as an employee and from the friendship they developed, which did not meet the rules of gentility and the social separation of races. People felt as if Keckley, an African American and former slave, had transgressed the boundaries that the middle class tried to maintain between public and private life.[45]

Jennifer Fleischner writes of the reaction to Keckley's book,

Lizzy's intentions, like the spelling of her name, would thereafter be lost in history. At the age of fifty, she had violated Victorian codes not only of friendship and privacy, but of race, gender, and class.[48]

There was an immediate reaction when the book was published. Keckley has been seen by historians to have lost her friendship with Lincoln[5] while Keckley maintained that it did not ruin their friendship, that the women continued to correspond.[49] She lost many dressmaking clients. Robert Lincoln convinced the publisher to halt production of the book, which he felt was an embarrassment to his family.[5][lower-alpha 4][lower-alpha 5] The book was published again in the early 1900s.[32] First read for background information about the Lincolns, the book is now primarily appreciated for the narrative of Keckley's life as an enslaved girl and women.[5]

Keckley continued to attempt to earn a modest living until about 1890.[52] In 1892, she was offered a faculty position at Wilberforce University as head of the Department of Sewing and Domestic Science Arts and moved to Ohio.[20][52] The following year, held an exhibit at the Chicago World's Fair, representing Wilberforce.[52] Due to a mild stroke, she resigned in 1893.[22][41]