Kagyu

In his 1970 article Golden Rosaries of the Bka' brgyud schools, E. Gene Smith discusses the two forms of the name, Wylie: bka' brgyud and Wylie: dkar brgyud :

A note is in order regarding the two forms Dkar brgyud pa and Bka' brgyud pa. The term Bka' brgyud pa simply applies to any line of transmission of an esoteric teaching from teacher to disciple. We can properly speak of a Jo nang Bka' brgyud pa or Dge ldan Bka' brgyud pa for the Jo nang pa and Dge lugs pa sects. The adherents of the sects that practice the teachings centering around the Phyag rgya chen po and the Nā ro chos drug are properly referred to as the Dwags po Bka' brgyud pa because these teachings were all transmitted through Sgam po pa. Similar teachings and practices centering around the Ni gu chos drug are distinctive of the Shangs pa Bka' brgyud pa. These two traditions with their offshoots are often incorrectly referred to simply as Bka' brgyud pa. Some of the more careful Tibetan scholars suggested that the term Dkar brgyud pa be used to refer to the Dwags po Bka' brgyud pa, Shangs pa Bka' brgyud pa and a few minor traditions transmitted by Nā ro pa, Mar pa, Mi la ras pa, or Ras chung pa but did not pass through Sgam po pa. The term Dkar brgyud pa refers to the use of the white cotton meditation garment by all these lineages. This complex is what is normally known, inaccuratly, as the Bka' brgyud pa. Thu'u kwan Blo bzang chos kyi nyi ma sums up the matter: "In some later 'Brug pa texts the written form 'Dkar brgyud' indeed appears, because Mar pa, Mi la, Gling ras, and others wore only white cotton cloth. Nevertheless, it is fine if [they] are all called Bka' brgyud." At Thu'u kwan's suggestion, then, we will side with convention and use the term "Bka' brgyud."[4]

One source indicates:

[T]he term "Kagyu" derives from the Tibetan phrase meaning "Lineage of the Four Commissioners" (ka-bab-shi'i-gyu-pa). This four-fold lineage is

1. the illusory body and transference yogas of the Guhyasamaja and Chatushpitha Tantra, transmitted through Tilopa, Nagarjuna, Indrabhuti, and Saraha;
2. the dream yoga practice of the Mahamaya from Tilopa, Charyapa, and Kukuripa;
3. the clear-light yoga of the Chakrasamvara, Hevajra, and other Mother Tantras, as transmitted from Hevajra, Dombipa, and Lavapa; and
4. the inner-heat yoga, Kamadevavajra, Padmavajra, Dakini, Kalpabhadra, and Tilopa.[5]

Marpa's guru Nāropa (1016–1100) was the principal disciple of Tilopa (988-1089) from East Bengal. From his own teachers Tilopa received the Four Lineages of Instructions (Wylie: bka' babs bzhi ),[7] which he passed on to Nāropa who codified them into what became known as the Six Doctrines or Six Dharmas of Naropa. These instructions consist a combination of the completion stage (Skt. sampannakrama; Tib. rdzogs rim) practices of different Buddhist highest yoga tantras (Skt. Anuttarayoga Tantra; Wylie: bla med rgyud ), which use the energy-winds (Skt. vāyu, Wylie: rlung ), energy-channels (Skt. nāḍi, Wylie: rtsa ) and energy-drops of the subtle vajra-body in order to achieve the four types of bliss, the clear-light mind and realize the state of Mahāmudrā.

The Mahāmudrā lineage of Tilopa and Nāropa is called the "direct lineage" or "close lineage" as it is said that Tilopa received this Mahāmudrā realisation directly from the Dharmakāya Buddha Vajradhara and this was transmitted only through Nāropa to Marpa.

The "distant lineage" of Mahāmudrā is said to have come from the Buddha in the form of Vajradara through incarnations of the bodhisattvas Avalokiteśvara and Mañjuśrī to Saraha, then from him through Nagarjuna, Shavaripa, and Maitripada to Marpa. The Mahāmudrā teachings from Saraha that Maitripa transmitted to Marpa include the "Essence Mahāmudrā" (Wylie: snying po'i phyag chen ) where Mahāmudrā is introduced directly without relying on philosophical reasoning or yogic practices.

According to some accounts, on his third journey to India Marpa also met Atiśa (982–1054) who later came to Tibet and helped found the Kadam lineage[8]

Lotsawa Marpa Chokyi Lodro

Milarepa

Gampopa

Marpa established his "seat" at Drowolung (Wylie: gro bo lung ) in Lhodrak in southern Tibet just north of Bhutan. Marpa married the Lady Dagmema, and took eight other concubines as mudras. Collectively they embodied the main consort and eight wisdom dakini in the mandala of his Yidam, Hevajra. Marpa wanted to entrust the transmission lineage to his oldest son, Darma Dode, following the usual Tibetan practice of the time to transmit of lineages of esoteric teachings via hereditary lineage (father-son or uncle-nephew), but his son died at an early age and consequently he passed his main lineage on through Milarepa. Darma Dode's incarnation as Indian master Tiphupa became important for the future development of Kagyu in Tibet.

Marpa's four most outstanding students were known as the "Four Great Pillars" (Wylie: ka chen bzhi ):[9]

1. Milarepa (1040–1123), born in Gungthang province of western Tibet, the most celebrated and accomplished of Tibet's yogis, who achieved the ultimate goal of enlightenment in one lifetime became the holder of Marpa's meditation or practice lineage. Among Milarepa's many students were Gampopa (1079–1153), a great scholar, and the great yogi Rechung Dorje Drakpa (1088–1158), also known as Rechungpa.[2]
2. Ngok Choku Dorje (Wylie: rngog chos sku rdo rje )[10] (1036–1102) - was the principal recipient of Marpa's explanatory lineages and particularly important in Marpa's transmission of the Hevajra Tantra. Ngok Choku Dorje founded the Langmalung temple in the Tang valley of Bumthang district, Bhutan—which stands today.[11] The Ngok branch of the Marpa Kagyu was an independent lineage carried on by his descendants at least up to the time of the Second Drukchen Gyalwang Kunga Paljor (Wylie: 'brug chen kun dga' dpal 'byor , 1428-1476) who received this transmission, and 1476 when Go Lotsawa composed the Blue Annals.[12]
3. Tshurton Wangi Dorje (Wylie: mtshur ston dbang gi rdo rje )[13] - (or Tshurton Wangdor) was the principal recipient of Marpa's transmission of the teachings of the Guhyasamāja Tantra. Tshurton's lineage eventually merged with the Shalu Monastery tradition and subsequently passed this down to the Gelug founder Je Tsongkhapa, who wrote extensive commentaries on the Guhyasamāja Tantra.
4. Meton Tsonpo (Wylie: mes ston tshon po )

Other important students of Marpa include:

• Marpa Dowa Chokyi Wangchuck (Wylie: mar pa do ba chos kyi dbang phyug ).
• Marpa Goleg (Wylie: mar pa mgo legs ) who along with Tshurton Wangdor received the Guhyasamāja Tantra.
• Barang Bawacen (Wylie: ba rang lba ba can ) - who received lineage of the explanatory teachings of the Mahāmāyā Tantra.

Jamgon Kongtrul (1813–1899) collected the initiations and sadhanas of surviving transmissions of Marpa's teachings together in the collection known as the Kagyu Ngak Dzö (Tibetan: བཀའ་བརྒྱུད་སྔགས་མཛོད་, Wylie: bka' brgyud sngags mdzod , "Treasury of Kagyu Tantras").

Gampopa (1079–1153), who was a Kadampa monk, is an influential figure in the history of the Kagyu tradition. He combined the monastic tradition and the stages of the path (Lamrim) teachings of the Kadam order with teaching and practice of the Mahāmudrā and the Six Yogas of Naropa he received from Milarepa synthesizing them into one lineage. This monastic tradition came to be known as Dagpo Kagyu—the main lineage of the Kagyu tradition passed down via Naropa as we know it today. The other main lineage of the Kagyu is the Shangpa Kagyu, passed down via Niguma. Gampopa's main contribution was the establishment of a celibate and cenobitic monastic Kagyu order. This was in sharp contrast to the tradition of Marpa and Milarepa which mainly consisted of non-monastic householder or hermit yogis practicing in solitary locations or hermitages. According to John Powers, Marpa "saw the monastic life as appropriate only for people of limited capacities." Gampopa on the other hand, founded Daklha Gampo Monastery (Dwags lha sgam po) and thus allowed the Kagyu teachings to have established training centers and study curricula in an structured monastic setting which was well suited to the preservation of tradition.[14]

Most of the major Kagyu lineages in existence today can be traced through Gampopa.

Following Gampopa's teachings, there evolved the so-called "Four Major and Eight Minor" lineages of the Dagpo (sometimes rendered "Tagpo" or "Dakpo") Kagyu School. This phrase is descriptive of the generation or order in which the schools were founded, not of their importance.

Karma Kagyu refuge tree (note the black hats of the Karmapas)

The Drubgyu Karma Kamtsang, often known simply as Karma Kagyu, was founded by one of Gampopa's main disciples Düsum Khyenpa, 1st Karmapa Lama (1110–1193). The figure of Karma Pakshi (1204/6–1283), a student of one of Düsum Khyenpa's main disciples, was actually the first person recognized as a "Karmapa", i.e. a reincarnation of Düsum Khyenpa.[16]

Rangjung Dorje, 3rd Karmapa Lama, was an important figure because he received and preserved Dzogchen teachings from Rigdzin Kumaradza and taught this along with Kagyu Mahamudra.[17] He also influenced Dolpopa Sherab Gyaltsen, the founder of the Jonang school who systematized the shentong teachings.[18]

The Karmapas continue to be the heads of the Karma Kagyu order today and remain very influential figures. According to Reginald Ray:

Although in the diaspora the sixteenth Karmapa was considered the “head” of the Kagyu lineage, in Tibet the situation was more decentralized. In spite of the titular role of the Karmapa, even in exile the various surviving Kagyu subschools maintain a high degree of independence and autonomy.

Following the death of Rangjung Rigpe Dorje, 16th Karmapa in 1981, followers came to disagree over the identity of his successor. The disagreement of who holds the current title of Karmapa is an ongoing controversy termed the "Karmapa controversy".

The Karma Kagyu school itself has three sub-schools in addition to the main branch:[19]

• Surmang, founded by Trungmase, 1st Zurmang Gharwang Rinpoche, a student of Deshin Shekpa, 5th Karmapa Lama, this sub-sect was centered on Surmang Monastery, in what is now Qinghai
• Nédo Kagyu (Wylie: gnas mdo ), founded by Karma Chagme (Wylie: kar ma chags med , 1613–1678), a disciple of the 6th Shamarpa (Wylie: zhwa dmar chos kyi dbang phyug , 1584–1630)
• Gyaltön Kagyu

The Barom Kagyu was founded by Gampopa's disciple Barompa Darma Wangchuk (Wylie: 'ba' rom pa dar ma dbang phyug , 1127–1199/1200), who established the Nak River Barom Riwoche Monastery (Wylie: nag chu 'ba' rom ri bo che ) in 1160. This school was popular in the Principality of Nangchen in Kham (modern Nangqên County, Yushu Tibetan Autonomous Prefecture, southern Qinghai) where it has survived in one or two pockets to the present day.

An important early master of this school was Tishri Repa Sherab Senge (Wylie: 'gro mgon ti shri ras pa rab seng ge , 1164–1236).

Tulku Urgyen Rinpoche (1920–1996) was a holder of the Barom Kagyu Lineage.

The Tshalpa Kagyu was established by Zhang Yudrakpa Tsöndru Drakpa (Wylie: zhang g.yu brag pa brtson 'gru brags pa , 1123–1193), who founded Tsel Gungtang Monastery (Wylie: tshal gung thang ).[20] Lama Zhang was a disciple of Gampopa's nephew Dagpo Gomtsul Tsultim Nyingpo (Wylie: dwags sgom tshul khrims snying po , 1116–1169).

The Tshalpa Kagyu tradition continued to function independently until the 15th century when it was absorbed by the Gelug, who still maintain many of its transmissions.[21] All of the former Tshelpa properties became Gelug possessions under the administration of Sera monastery.

Phagmodrupa with His Previous Incarnations and Episodes from His Life, 14th-century painting from the Rubin Museum of Art

The Phagmo Drupa Kagyu (Tibetan: ཕག་མོ་གྲུ་པ་བཀའ་བརྒྱུད, Wylie: phag mo gru pa bka' brgyud ) or Phagdru Kagyu (ཕག་གྲུ་བཀའ་བརྒྱུད) was founded by Phagmo Drupa Dorje Gyalpo (Tibetan: ཕག་མོ་གྲུ་པ་རྡོ་རྗེ་རྒྱལ་པོ, Wylie: phag mo gru pa rdo rje rgyal po , 1110–1170) who was the elder brother of the famous Nyingma lama Ka Dampa Deshek (1122–1192) founder of Katok Monastery. Before meeting Gampopa, Dorje Gyalpo studied with Sachen Kunga Nyingpo (sa chen kun dga' snying po) (1092–1158) from whom he received lamdre transmission.[22]

From 1435 to 1481 the power of the Phagmodrupa declined and they were eclipsed by the Rinpungpa (Wylie: rin spungs pa ) of Tsang, who patronized the Karma Kagyu. The Phagmo Drupa monastery of Dentsa Thel "was completely destroyed during the Cultural Revolution in 1966-1978"[23]

The eight secondary lineages (zung bzhi ya brgyad or chung brgyad) of the Dagpo Kagyu all trace themselves to disciples of Phagmo Drupa. Some of these secondary schools, notably the Drikung Kagyu and Drukpa Kagyu, became more important and influential than others.

Drikung Kagyu Lineage Tree

One of the most important of the Kagyu sects still remaining today, the Drikung Kagyu (འབྲི་གུང་བཀའ་པརྒྱུད་པ) takes its name from Drigung Monastery founded by Jigten Sumgön, also known as Drikung Kyopa.

The special Kagyu teachings of the Drikung tradition include the "Single Intention" (Wylie: dgongs gcig ), "The Essence of Mahāyāna Teachings" (Wylie: theg chen bstan pa'i snying po ), and the "Fivefold Profound Path of Mahāmudrā" (Wylie: lam zab mo phyag chen lnga ldan ).

Since the 15th century the Drikung Kagyupa received influence from the "northern terma" (Wylie: byang gter ) teachings of the Nyingma tradition.

Lingre Kagyu refers to the lineages founded by Lingrepa Pema Dorje (Wylie: gling ras pa padma rdo rje ) [1128-1188][24] also known as Nephupa after Nephu monastery (sna phu dgon) he founded near Dorje Drak (rdo rje brag) in Central Tibet (dbus). Lingrepa's teachers were Gampopa's disciple Phagmo Drupa Dorje Gyalpo; Rechungpa's disciple Sumpa Repa; and Ra Yeshe Senge, a lineage holder of Ra Lotsawa.

Tsangpa Gyare (1161–1211)

The Drukpa Lineage was established by Ling Repa's main disciple, Tsangpa Gyare (1161–1211), who established monasteries at Longbol (Wylie: klong rbol ) and Ralung Monastery (Wylie: rwa lung ). Later, Tsangpa Gyare went to a place called Nam Phu where, legend has it, nine roaring dragons rose from the ground and soared into the sky. The Tibetan word for dragon is Druk (Wylie: 'brug ), so Tsangpa Gyare's lineage and the monastery he established at the place became known as the Drukpa and he became known as the Gyalwang Drukpa. This school became widespread in Tibet and in surrounding regions. Today the Southern Drukpa Lineage is the state religion of Bhutan, and in the western Himalayas, Drukpa Lineage monasteries are found in Ladakh, Zanskar, Lahaul and Kinnaur.

Along with the Mahamudra teachings inherited from Gampopa and Phagmo Drupa Dorje Gyalpo, particular teachings of the Drukpa Lineage include the "Six Cycles of Equal Taste" (Wylie: ro snyom skor drug ), a cycle of instructions said to have been hidden by Rechung Dorje Drakpa and discovered by Tsangpa Gyare, and the "Seven Auspicious Teachings" (Wylie: rten 'brel rab bdun ) revealed to Tsangpa Gyare by seven Buddhas who appeared to him in a vision at Tsari.

The Shuksep Kagyu (Wylie: shug gseb bka' brgyud ) was established by Gyergom Chenpo Zhönnu Drakpa (Wylie: gyer sgom chen po gzhon nu grags pa , 1090–1171), who founded the Shuksep Monastery in Nyiphu.[25] The Shuksep Kagyu emphasized the Mahamudra teachings of the dohas, spiritual songs of realization by Indian masters such as Saraha, Shavaripa, Tilopa, Naropa and Maitripa. A notable member of this lineage was the nun Shukseb Jetsun Chönyi Zangmo.

Tibetan Thanka Painting of Taklung Thangpa Tashi Pal

The Taklung Kagyu (Wylie: stag lungs bka' brgyud ), named after Taklung Monastery established in 1180 by Taklung Thangpa Tashi Pal (1142–1210).

The Trophu Kagyu (Wylie: khro phu bka' brgyud ) was established by Gyeltsa Rinchen Gön (Wylie: rgyal tsha rin chen mgon , 1118–1195) and Künden Repa (Wylie: kun ldan ras pa , 1148–1217). The tradition was developed by their nephew, Thropu Lotsawa, who invited Pandit Shakyasri of Kashmir, Buddhasri and Mitrayogin to Tibet.

The most renowned adherent of this lineage was Buton Rinchen Drub (1290–1364) of Zhalu,[26] who was a student of Trophupa Sonam Sengge (Wylie: khro phu ba bsod nams sengge )[27] and Trophu Khenchen Rinchen Senge (Wylie: khro phu mkhan chen rin chen sengge ).[28] Other notable teachers of this tradition include Chegompa Sherab Dorje (1130?-1200)[29]

The Yazang Kagyu (Wylie: g.ya' bzang bka' brgyud ) founded by Sharawa Kalden Yeshe Sengge (d. 1207). His foremost disciple was Yazang Chöje Chö Mönlam (1169–1233) who in 1206 established the monastery of Yabzang, also known as Nedong Dzong, in Yarlung. The Yazang Kagyu survived as an independent school at least until the 16th century.

The Yelpa Kagyu (Wylie: yel pa bka' rgyud ) was established by Druptop Yéshé Tsekpa (Wylie: drub thob ye shes brtsegs pa , b. 1134).[30] He established two monasteries, Shar Yelphuk (Wylie: shar yel phug )[31] and Jang Tana (Wylie: byang rta rna dgon ).

There are various Kagyu presentations of the right philosophical view depending on the specific lineage.

Some Kagyu lineages follow the Shentong (empty of other) presentations which was influenced by the work of Dolpopa. This view was defended by the influential Rime philosopher Jamgön Kongtrül Lodrö Thayé (1813–1899). Shentong views the two truths doctrine as distinguishing between relative and absolute reality, agreeing that relative reality is empty of self-nature, but stating that absolute reality is "empty" (Wylie: stong ) only of "other" (Wylie: gzhan ) relative phenomena, but is itself not empty.[34] In Shentong, this absolute reality (i.e. Buddha nature) is the "ground or substratum" which is "uncreated and indestructible, noncomposite and beyond the chain of dependent origination."[35] According to Jamgon Kontrul, this ultimate reality which is "nondual, self-aware primordial wisdom" can be said to "always exists in its own nature and never changes, so it is never empty of its own nature and it is there all the time."[36] However, this wisdom is also free of conceptual elaborations and also "free of the two extremes of nihilism and eternalism." This Shentong view has been upheld by various modern Kagyu masters such as Kalu Rinpoche and Khenpo Tsultrim Gyamtso Rinpoche.

However, as noted by Karl Brunnholzl, several important Kagyu figures have disagreed with the view of "Shentong Madhyamaka", such as Mikyö Dorje, the 8th Karmapa Lama (1507–1554) and Second Pawo Rinpoche Tsugla Trengwa, both of whom see "Shentong" as another name for Yogacara and as a separate system to Madhyamaka.[37] In his Chariot of the Takpo Kagyü Siddhas, Mikyö Dorje attacks the shentong view of Dolpopa as being against the sutras of ultimate meaning which state that all phenomena are emptiness as well as being against the treatises of the Indian masters.[38] He argued that the rangtong shentong distinction is inaccurate and not in line with the teachings of the Indian masters.[39] As noted by Brunnholzl, he also argues that "teachings on Buddha nature being a self, permanent, substantial, really existent, indestructible, and so on are of expedient meaning."[40] The writings of the Ninth Karmapa, Wangchuk Dorje, particularly his Feast for the Fortunate, also follow this view in critiquing the Shentong Madhyamaka position and arguing that "the Buddha taught buddha nature as provisional meaning".[41]

A section of the Northern wall mural at the Lukhang Temple depicting both Tummo (Skt. Candali) and Phowa (transference of consciousness), two of the Six Dharmas of Naropa

With regards to presentations of the path, the surviving Dagpo Kagyu schools rely on the Lamrim (stages of the path) format outlined by Gampopa in his Jewel Ornament of Liberation. The practice of Lojong (Mind training) which derives from the Kadam school is also important.[42]

The central meditative practice in Kagyu is Mahamudra, "the Great Seal". This doctrine focuses on four principal stages (the Four Yogas of Mahamudra), namely:

1. The development of single-pointedness of mind
2. The transcendence of all conceptual elaboration
3. The cultivation of the perspective that all phenomena are of a "single taste"
4. The fruition of the path, which is beyond any contrived acts of meditation

The central tantric deities of the Kagyu schools are Cakrasaṃvara and his consort Vajravārāhī.[43]

A central set of practices maintained in the Kagyu schools are the Six Dharmas of Naropa.[44] The Six Dharmas consists of the following yogic practices:

• tummo – the yoga of inner heat (or mystic heat).[45]
• gyulü – the yoga of the illusory body.
• ösel – the yoga of the clear light or radiant light.
• milam – the yoga of the dream state.
• bardo – the yoga of the in-between.
• phowa – the yoga of the transference of consciousness

Other practices which are taught in the Kagyu schools include:[42]

• Chöd lineage
• Kalacakra (derived from the Jonang lineage)
• White Tara (derived from the Kadam school)
• Practices of deities such as Green Tara, Avalokiteshvara, Vajrakilaya and Padmasambhava (derived from the Nyingma school)

• Barom Kagyu Chodrak Pende Ling

• The Drikung Kagyu Official Site

• Site of His Holiness Gyalwang Drukpa
• Drukpa Kagyu Lineage - Dorzong Rinpoche
• Drukpa Mila Center ~ a Bhutanese Drukpa Kagyu Center

• Karmapa the Black Hat Lama of Tibet - official homepage
• Karma Kagyu Tradition - official website

• Kagyu Office
• Karma Triyana Dharmachakra Monastery, Woodstock, NY, USA

(Note: Karma Kagyu related sites that apparently do not take sides on the so-called "Karmapa controversy").

• Khenkong Tharjay Buddhist Charitable Society
• Karma Thinley Rinpoche

• Riwoche Tibetan Buddhist Temple

• Samdrup Dhargay Chuling Monastery
• Shangpa Kagyu Network
• Kagyu Dzamling Kunchab (Founded by Kyabje Kalu Rinpoche), New York, NY, USA