Maykop culture

In the early 20th century, researchers established the existence of a local Maykop animal style in the artifacts found. This style was seen as the prototype for animal styles of later archaeological cultures: the Maykop animal style is more than a thousand years older than the Scythian, Sarmatian and Celtic animal styles.

Attributed to the Maykop culture are petroglyphs which have yet to be deciphered.[6]

The Maykop people lived sedentary lives, and horses formed a very low percentage of their livestock, which mostly consisted of pigs and cattle.

Archaeologists have discovered a unique form of bronze cheek-piece, which consists of a bronze rod with a twisted loop in the middle that threads through the nodes and connects to the bridle, halter strap, and headband. Notches and bumps on the edges of the cheek-pieces were, apparently, to attach nose and under-lip straps.[7]

Some of the earliest wagon wheels in the world are found in Maykop culture area. The two solid wooden wheels from the kurgan of Novokorsunskaya in the Kuban region have been dated to the second half of the fourth millennium.[8]

The construction of artificial terrace complexes in the mountains is evidence of their sedentary living, high population density, and high levels of agricultural and technical skills. The terraces were built around the fourth millennium BC. and all subsequent cultures used them for agricultural purposes. The vast majority of pottery found on the terraces are from the Maykop period, the rest from the Scythian and Alan period. The Maykop terraces are among the most ancient in the world, but they are little studied. The longevity of the terraces (more than 5000 years) allows us to consider their builders unsurpassed engineers and craftsmen.

Recent discoveries by archaeologist Alexei Rezepkin include (in his view):

• The most ancient bronze sword on record, dating from the second or third century of the 4th millennium BC. It was found in a stone tomb near Novosvobodnaya, and is now on display in the Hermitage in St. Petersburg. It has a total length of 63 cm and a hilt length of 11 cm.
• The most ancient column.
• The most ancient stringed instrument, resembling the modern Adyghian shichepshin, dating from the late 4th millennium B.C., now also in the Hermitage Museum.

Its burial practices resemble the burial practices described in the Kurgan hypothesis of Marija Gimbutas, has been regarded by some as an Indo-European intrusion from the Pontic steppe into the Caucasus. However, according to J.P. Mallory,

... where the evidence for barrows is found, it is precisely in regions which later demonstrate the presence of non-Indo-European populations.[9]

The culture has been described as, at the very least, a "kurganized" local culture with strong ethnic and linguistic links to the descendants of the Proto-Indo-Europeans. It has been linked to the Lower Mikhaylovka group and Kemi Oba culture, and more distantly, to the Globular Amphora and Corded Ware cultures, if only in an economic sense. Yet, according to Mallory,

Such a theory, it must be emphasized, is highly speculative and controversial although there is a recognition that this culture may be a product of at least two traditions: the local steppe tradition embraced in the Novosvobodna culture and foreign elements from south of the Caucasus which can be charted through imports in both regions.[10]

According to Mariya Ivanova the Maikop origins were on the Iranian Plateau:

Graves and settlements of the 5th millennium BC in North Caucasus attest to a material culture that was related to contemporaneous archaeological complexes in the northern and western Black Sea region. Yet it was replaced, suddenly as it seems, around the middle of the 4th millennium BC by a “high culture” whose origin is still quite unclear. This archaeological culture named after the great Maikop kurgan showed innovations in all areas which have no local archetypes and which cannot be assigned to the tradition of the Balkan-Anatolian Copper Age. The favoured theory of Russian researchers is a migration from the south originating in the Syro-Anatolian area, which is often mentioned in connection with the so-called “Uruk expansion”. However, serious doubts have arisen about a connection between Maikop and the Syro-Anatolian region. The foreign objects in the North Caucasus reveal no connection to the upper reaches of the Euphrates and Tigris or to the floodplains of Mesopotamia, but rather seem to have ties to the Iranian plateau and to South Central Asia. Recent excavations in the Southwest Caspian Sea region are enabling a new perspective about the interactions between the “Orient” and Continental Europe. On the one hand, it is becoming gradually apparent that a gigantic area of interaction evolved already in the early 4th millennium BC which extended far beyond Mesopotamia; on the other hand, these findings relativise the traditional importance given to Mesopotamia, because innovations originating in Iran and Central Asia obviously spread throughout the Syro-Anatolian region independently thereof.[11]

More recently, some very ancient kurgans have been discovered at Soyuqbulaq in Azerbaijan. These kurgans date to the beginning of the 4th millennium BC, and belong to Leylatepe Culture. According to the excavators of these kurgans, there are some significant parallels between Soyugbulaq kurgans and the Maikop kurgans:

"Discovery of Soyugbulaq in 2004 and subsequent excavations provided substantial proof that the practice of kurgan burial was well established in the South Caucasus during the late Eneolithic [...] The Leylatepe Culture tribes migrated to the north in the mid-fourth millennium, B.C. and played an important part in the rise of the Maikop Culture of the North Caucasus."[12]