Pillars of Ashoka

Lion Capital of Ashoka from Sarnath. Ashokan capitals were highly realistic and used a characteristic polished finish, giving a shiny appearance to the stone surface. 3rd century BCE.

Ashoka ascended to the throne in 269 BC inheriting the Mauryan empire founded by his grandfather Chandragupta Maurya. Ashoka was reputedly a tyrant at the outset of his reign. Eight years after his accession he campaigned in Kalinga where in his own words, "a hundred and fifty thousand people were deported, a hundred thousand were killed and as many as that perished..." As he explains in his edicts, after this event Ashoka converted to Buddhism in remorse for the loss of life. Buddhism did not become a state religion but with Ashoka's support it spread rapidly. The inscriptions on the pillars set out edicts about morality based on Buddhist tenets.[11][12]

Possible sources of inspiration

Sphinx of the Naxians, Delphi, c. 6th BCE.[13]

Highly polished Achaemenid load-bearing column with lotus capital and animals, Persepolis, c. 5th-4th BCE.

The traditional idea that all were originally quarried at Chunar, just south of Varanasi and taken to their sites, before or after carving, "can no longer be confidently asserted",[14] and instead it seems that the columns were carved in two types of stone. Some were of the spotted red and white sandstone from the region of Mathura, the others of buff-colored fine grained hard sandstone usually with small black spots quarried in the Chunar near Varanasi. The uniformity of style in the pillar capitals suggests that they were all sculpted by craftsmen from the same region. It would therefore seem that stone was transported from Mathura and Chunar to the various sites where the pillars have been found, and there was cut and carved by craftsmen.[15]

The pillars have four component parts in two pieces: the three sections of the capitals are made in a single piece, often of a different stone to that of the monolithic shaft to which they are attached by a large metal dowel. The shafts are always plain and smooth, circular in cross-section, slightly tapering upwards and always chiselled out of a single piece of stone. There is no distinct base at the bottom of the shaft. The lower parts of the capitals have the shape and appearance of a gently arched bell formed of lotus petals. The abaci are of two types: square and plain and circular and decorated and these are of different proportions. The crowning animals are masterpieces of Mauryan art, shown either seated or standing, always in the round and chiselled as a single piece with the abaci.[16][17] Presumably all or most of the other columns that now lack them once had capitals and animals. They are also used to commemorate the events of the Buddha's life.

Lion designs

Left image: Vaishali lion of Ashoka. Right image: Assyrian relief of a lion at Nineveh (circa 640 BCE). Many stylistic elements (design of the whiskers, the eyes, the fur etc...) point to similarities.[18]

Currently seven animal sculptures from Ashoka pillars survive.[4][19] These form "the first important group of Indian stone sculpture", though it is thought they derive from an existing tradition of wooden columns topped by animal sculptures in copper, none of which have survived. It is also possible that some of the stone pillars predate Ashoka's reign.[20]

Floral designs

Top image: Abacus of the Allahabad pillar, with lotuses alternating with "flame palmettes" over a bead and reel pattern.
Bottom image: A quite similar frieze from Delphi, 525 BCE.

Western origin

There has been much discussion of the extent of influence from Achaemenid Persia,[21] where the column capitals supporting the roofs at Persepolis have similarities, and the "rather cold, hieratic style" of the Sarnath Lion Capital of Ashoka especially shows "obvious Achaemenid and Sargonid influence".[22] India and the Achaemenid Empire had been in close contact since the Achaemenid conquest of the Indus Valley, from circa 500 BCE to 330 BCE.

Hellenistic influence has also been suggested.[23] In particular the abaci of some of the pillars (especially the Rampurva bull, the Sankissa elephant and the Allahabad pillar capital) use bands of motifs, like the bead and reel pattern, the ovolo, the flame palmettes, lotuses, which likely originated from Greek and Near-Eastern arts.[18] Such examples can also be seen in the remains of the Mauryan capital city of Pataliputra.

It has also been suggested that 6th century Greek columns such as the Sphinx of Naxos, a 12.5m Ionic column crowned by a sitted animal in the religious center of Delphi, may have been an inspiration for the pillars of Ashoka.[13] Many similar columns crowned by sphinxes were discovered in ancient Greece, as in Sparta, Athens or Spata, and some were used as funerary steles.[13] The Greek sphinx, a lion with the face of a human female, was considered as having ferocious strength, and was thought of as a guardian, often flanking the entrances to temples or royal tombs.[24]

Pillar as Dhvaja, military standard

Heliodorus pillar in Vidisha, India, 2nd Century BCE

Shunga horseman carrying portable garuda standard, Bharhut 2nd Century BCE

Indian origin

Some scholars such as Jhon Irwin emphasized a reassessment from popular belief of Persian or Greek origin of Ashokan pillars. He makes the argument that ashokan pillars represent Dhvaja or standard which Indian soldiers carried with them during battle and it was believed that the destruction of the enemy's dhvaja brought misfortune to their opponents. A relief of Bharhut stupa railing portrays a queenly personage on horseback carrying a Garudadhvaja.[25] Heliodorus pillar has been called Garudadhvaja, literally Garuda-standard, the pillar dated to 2nd century BC is perhaps the earliest recorded stone pillar which has been declared a dhvaja.[26]

Ashokan edicts themselves state that his words should be carved on any stone slab or pillars available indicating that the tradition of carving stone pillars was present before the period of Ashoka.

Jhon Irwin also highlights the fact that carvings on pillars such as Allahabad pillar was done when it had already been erected indicating its pre Ashokan origins.[27]

Ashoka called his own pillars Silā Thabhe (𑀲𑀺𑀮𑀸𑀣𑀪𑁂, Stone Stambha, i.e. stone pillars). Lumbini inscription, Brahmi script.

Five of the pillars of Ashoka, two at Rampurva, one each at Vaishali, Lauriya-Araraj and Lauria Nandangarh possibly marked the course of the ancient Royal highway from Pataliputra to the Nepal valley. Several pillars were relocated by later Mughal Empire rulers, the animal capitals being removed.[6]

The two Chinese medieval pilgrim accounts record sightings of several columns that have now vanished: Faxian records six and Xuanzang fifteen, of which only five at most can be identified with surviving pillars.[32] All surviving pillars, listed with any crowning animal sculptures and the edicts inscribed, are as follows:[16][33]

Complete standing pillars, or pillars with Ashokan inscriptions

Geographical spread of known pillar capitals.

• Delhi-Topra, Feroz Shah Kotla, Delhi (Pillar Edicts I, II, III, IV, V, VI, VII; moved in 1356 CE from Topra Kalan in Yamunanagar district of Haryana to Delhi by Firuz Shah Tughluq.[1]
• Delhi-Meerut, Delhi ridge, Delhi (Pillar Edicts I, II, III, IV, V, VI; moved from Meerut to Delhi by Firuz Shah Tughluq in 1356.[1]
• Nigali Sagar (or Nigliva, Nigalihawa), near Lumbini, Nepal. Pillar missing capital, one Ashoka edict. Erected in the 20th regnal year of Ashoka (c. 249 BCE).[1]
• Rummindei, near Lumbini, Nepal. Also erected in the 20th regnal year of Ashoka (c. 249 BCE), to commemorate Ashoka's pilgrimage to Lumbini. Capital missing, but was apparently a horse.[1]
• Allahabad pillar, Uttar Pradesh (originally located at Kausambi and probable moved to Allahabad by Jahangir; Pillar Edicts I-VI, Queen's Edict, Schism Edict).[1]
• Rampurva, Champaran, Bihar. Two columns: a lion with Pillar Edicts I, II, III, IV, V, VI; a bull without inscriptions. The abacus of the bull capital features honeysuckle and palmette designs derived from Greek designs.[1]
• Sanchi, near Bhopal, Madhya Pradesh, four lions, Schism Edict.[1]
• Sarnath, near Varanasi, Uttar Pradesh, four lions, Pillar Inscription, Schism Edict.[1] This is the famous "Lion Capital of Ashoka" used in the national emblem of India.
• Lauriya-Nandangarth, Champaran, Bihar, single lion, Pillar Edicts I, II, III, IV, V, VI.[1]
• Lauriya Araraj, Champaran, Bihar (Pillar Edicts I, II, III, IV, V, VI).[1]
• Vaishali, Bihar, single lion, with no inscription.[1]

The Amaravati pillar fragment is rather problematic. It only consists in 6 lines in Brahmi which are hardly decipherable. Only the word vijaya (victory) can be made out, arguably a word also used by Ashoka.[34] Sircar, who provides a detailed study, considers it as probably belonging to an Ashokan pillar.[35]

Complete standing pillars, or pillars with Ashokan inscriptions

Vaishali Lauriya-Nandangarh Lauriya-Araraj Delhi-Meerut (originally from Meerut, broken in pieces during transportation). Delhi-Topra (originally from Topra Kalan). Allahabad (originally from Kosambi) Lumbini (broken in half). Capped for protection in the 20th century. Sarnath Sanchi Rampurva Nigali Sagar Fragment of pillar with inscription, Amaravati. Modern image 1, 2.[36]

Abacus of the Allahabad pillar of Ashoka, the only remaining portion of the capital of the Allahabad pillar.

There are altogether seven remaining complete capitals, five with lions, one with an elephant and one with a zebu bull. One of them, the four lions of Sarnath, has become the State Emblem of India. The animal capitals are composed of a lotiform base, with an abacus decorated with floral, symbolic or animal designs, topped by the realistic depiction of an animal, thought to each represent a traditional directions in India.

The horse motif on the Sarnath Lion Capital of Ashoka, is often described as an example of Hellenistic realism.[41]

Various foreign influences have been described in the design of these capitals.[42] The animal on top of a lotiform capital reminds of Achaemenid column shapes. The abacus also often seems to display some influence of Greek art: in the case of the Rampurva bull or the Sankassa elephant, it is composed of honeysuckles alternated with stylized palmettes and small rosettes.[43] A similar kind of design can be seen in the frieze of the lost capital of the Allahabad pillar. These designs likely originated in Greek and Near-Eastern arts.[44] They would probably have come from the neighboring Seleucid Empire, and specifically from a Hellenistic city such as Ai-Khanoum, located at the doorstep of India.[45] Most of these designs and motifs can also be seen in the Pataliputra capital.

The Diamond throne of Bodh Gaya is another example of Ashokan architecture circa 260 BCE, and displays a band of carvings with palmettes and geese, similar to those found on several of the Pillars of Ashoka.[46]

Chronological order

Based on stylistic and technical analysis, it is possible to establish a tentative chronological orders for the pillars. The earliest one seems to be the Vaishali pillar, with its stout and short column, the rigid lion and the undecorated square abacus. Next would follow the Sankissa elephant and the Rampurva bull, also not yet benefiting from Mauryan polish, and using a Hellenistic abacus of lotus and palmettes for decoration. The abacus would then adopt the Hamsa goose as an animal decorative symbol, in Lauria Nandangarh and the Rampurva lion. Sanchi and Sarnath would mark the culmination with four animals back-to-back instead of just one, and a new and sophisticated animal and symbolic abacus (the elephant, the bull, the lion, the horse alternating with the Dharma wheel) for the Sarnath lion.[47]

Other chronological orders have also been proposed, for example based on the style of the Ashokan inscriptions on the pillars, since the stylistically most sophisticated pillars actually have the engravings of the Edicts of Ashoka of the worst quality (namely, very poorly engraved Schism Edicts on the Sanchi and Sarnath pillars, their only inscriptions). This approach offers an almost reverse chronological order to the preceding one.[48] According to Irwin, the Sankissa elephant and Rampurva bull pillars with their Hellenistic abacus are pre-Ashokan. Ashoka would then have commissioned the Sarnath pillar with its famous Lion Capital of Ashoka to be built under the tutelage of craftsmen from the former Achaemenid Empire, trained in Perso-Hellenistic statuary, whereas the Brahmi engraving on the very same pillar (and on pillars of the same period such as Sanchi and Kosambi-Allahabad) was made by inexperienced Indian engravers at a time when stone engraving was still new in India.[48] After Ashoka sent back the foreign artists, style degraded over a short period of time, down to the time when the Major Pillar Edicts were engraved at the end of Ashoka's reign, which now displayed very good inscriptional craftsmanship but a much more solemn and less elegant style for the associated lion capitals, as for the Lauria Nandangarh lion and the Rampurva lion.[48]

Of the Allahabad pillar, only the abacus remains, the bottom bulb and the crowning animal having been lost. The remains are now located in the Allahabad Museum.

The elephant-crowned pillar of Ashoka at the Mahabodhi Temple, Gaya. Bharhut relief, 100 BCE.

A few more possibly Ashokan capitals were also found without their pillars:

• Kesariya (capital). Only the capital was found in the Kesaria stupa. It was discovered by Markham Kittoe in 1862, and said to be similar to the lion of the Lauriya Nandangarh pillar, except for the hind legs of the lion, which did not protrude beyond the abacus.[1] This capital is now lost.
• Udaigiri-Vidisha (capital only at the Udayagiri Caves, visible here).[1] Attribution to Ashoka however is disputed (ranging from the 2nd century BCE Sunga period,[50] to the Gupta period.[51]).

It is also known from various ancient sculptures (reliefs from Bharhut, 100 BCE), and later narrative account by Chinese pilgrims (5-6th century CE), that there was a pillar of Ashoka at the Mahabodhi Temple founded by Ashoka, that it was crowned by an elephant.[52]

The same Chinese pilgrims have reported that the capital of the Lumbini pillar was a horse (now lost), which, by their time had already fallen to the ground.[52]

Ashoka also called his pillars "Dhaṃma thaṃbhā" (𑀥𑀁𑀫𑀣𑀁𑀪𑀸, Dharma stambha), i.e. "pillars of the Dharma". 7th Major Pillar Edict. Brahmi script.[53]

The inscriptions on the columns include a fairly standard text. The inscriptions on the columns join other, more numerous, Ashokan inscriptions on natural rock faces to form the body of texts known as the Edicts of Ashoka. These inscriptions were dispersed throughout the areas of modern-day Bangladesh, India, Nepal, Afghanistan and Pakistan and represent the first tangible evidence of Buddhism. The edicts describe in detail Ashoka's policy of Dhamma, an earnest attempt to solve some of problems that a complex society faced.[54] In these inscriptions, Ashoka refers to himself as "Beloved servant of the Gods" (Devanampiyadasi). The inscriptions revolve around a few recurring themes: Ashoka's conversion to Buddhism, the description of his efforts to spread Buddhism, his moral and religious precepts, and his social and animal welfare program. The edicts were based on Ashoka's ideas on administration and behaviour of people towards one another and religion.

Alexander Cunningham, one of the first to study the inscriptions on the pillars, remarks that they are written in eastern, middle and western Prakrits which he calls "the Punjabi or north-western dialect, the Ujjeni or middle dialect, and the Magadhi or eastern dialect."[55] They are written in the Brahmi script.

Major Pillar Edicts

Fragment of the 6th Major Pillar Edict, from the Delhi-Meerut Pillar of Ashoka, British Museum.[56]

Main article: Major Pillar Edicts

Asoka's 6 Major Pillar Edicts have been found at Kausambhi (Allahabad), Topra (now Delhi), Meerut (now Delhi), Lauriya-Araraj, Lauriya-Nandangarh, Rampurva (Champaran), and a 7th one on the Delhi-Topra pillar.

These pillar edicts include:[57]

• I Asoka's principle of protection to people
• II Defines dhamma as minimum of sins, many virtues, compassion, liberality, truthfulness and purity
• III Abolishes sins of harshness, cruelty, anger, pride etc.
• IV Deals with duties of government officials
• V List of animals and birds which should not be killed on some days and another list of animals which cannot be killed on any occasion. Describes release of 25 prisoners by Asoka.
• VI Works done by Asoka for Dhamma Policy. He says that all sects desire both self-control and purity of mind.
• VII Testimental edict.

• 
  Major Pillar Edicts I, II, III (Delhi-Topra)
• 
  Major Pillar Edicts IV (Delhi-Topra)
• 
  Major Pillar Edicts V-VII (Delhi-Topra)
• 
  Major Pillar Edicts VII, second part (Delhi-Topra)

Rediscovery of the Ashoka pillar in Sarnath, 1905.

A number of the pillars were thrown down by either natural causes or iconoclasts, and gradually rediscovered. One was noticed in the 16th century by the English traveller Thomas Coryat in the ruins of Old Delhi. Initially he assumed that from the way it glowed that it was made of brass, but on closer examination he realized it was made of highly polished sandstone with upright script that resembled a form of Greek. In the 1830s James Prinsep began to decipher them with the help of Captain Edward Smith and George Turnour. They determined that the script referred to King Piyadasi which was also the epithet of an Indian ruler known as Ashoka who came to the throne 218 years after Buddha's enlightenment. Scholars have since found 150 of Ashoka's inscriptions, carved into the face of rocks or on stone pillars marking out a domain that stretched across northern India and south below the central plateau of the Deccan. These pillars were placed in strategic sites near border cities and trade routes.

The Sanchi pillar was found in 1851 in excavations led by Sir Alexander Cunningham, first head of the Archaeological Survey of India. There were no surviving traces above ground of the Sarnath pillar, mentioned in the accounts of medieval Chinese pilgrims, when the Indian Civil Service engineer F.O. Oertel, with no real experience in archaeology, was allowed to excavate there in the winter of 1904–05. He first uncovered the remains of a Gupta shrine west of the main stupa, overlying an Ashokan structure. To the west of that he found the lowest section of the pillar, upright but broken off near ground level. Most of the rest of the pillar was found in three sections nearby, and then, since the Sanchi capital had been excavated in 1851, the search for an equivalent was continued, and the Lion Capital of Ashoka, the most famous of the group, was found close by. It was both finer in execution and in much better condition than that at Sanchi. The pillar appeared to have been deliberately destroyed at some point. The finds were recognised as so important that the first onsite museum in India (and one of the few then in the world) was set up to house them.[65]

The Buddha's Diamond Throne and the Pillars of Ashoka

Discovery of Ashoka's Diamond throne in Bodh Gaya, near the spot of the Buddha's illumination and the Boddhi tree.

Side decorative bands of the Diamond Throne (top) and the Sanchi pillar capital (bottom), both featuring geese and flame palmettes.

Front decorative friezes of the Diamond Throne (top) and the Sankissa pillar capital (bottom), both alternating flame palmettes, rosettes and lotuses.

Stupas

Legend has it that Ashoka built 84,000 stupas commemorating the events and relics of Buddha's life. Some of these stupas contained networks of walls containing the hub, spokes and rim of a wheel, while others contained interior walls in a swastika (卐) shape. The wheel represents the sun, time, and Buddhist law (the wheel of law, or dharmachakra), while the swastika stands for the cosmic dance around a fixed center and guards against evil.[66][67]

"Diamond throne" in Bodh Gaya

Ashoka also built the Diamond Throne in Bodh Gaya, at the location where the Buddha had reached enlightenment some 200 years earlier.[68][69] This purely Buddhist monument to the Buddha is a thick slab of polished grey sandstone with Mauryan polish[70]

The sculpted decorations on the Diamond Throne clearly echoe the decorations found on the Pillars of Ashoka.[71] The Diamond Throne has a decorative band made of honeysuckles and geese, which can also be found on several of the Pillars of Ashoka,[46] such as the Rampurva capitals or the Sanchi capital.[70] The geese (hamsa) in particular are a very recurrent symbol on the pillars of Ashoka, and may refer to the devotees flocking to the faith.[69] The same throne is also illustrated in later reliefs from Bharhut, dated to circa 100 BCE.[72]

The 6th century pillar at the tomb of Xiao Jing, or Emperor Jing of Western Liang, is similar to the Ashoka pillar.[73]

• Ashoka, Emperor, Edicts of Ashoka, eds. N. A. Nikam, Richard P. McKeon, 1978, University of Chicago Press, ISBN 0226586111, 9780226586113, google books
• Boardman, John (1998), "Reflections on the Origins of Indian Stone Architecture", Bulletin of the Asia Institute, pp. 15–19, 1998, New Series, Vol. 12, (Alexander's Legacy in the East: Studies in Honor of Paul Bernard), p.13-22, JSTOR
• "Companion": Brown, Rebecca M., Hutton, Deborah S., eds., A Companion to Asian Art and Architecture, Volume 3 of Blackwell companions to art history, 2011, John Wiley & Sons, 2011, ISBN 1444396323, 9781444396324, google books
• Harle, J.C., The Art and Architecture of the Indian Subcontinent, 2nd edn. 1994, Yale University Press Pelican History of Art, ISBN 0300062176
• Krishnaswamy, C.S., Sahib, Rao, and Ghosh, Amalananda, "A Note on the Allahabad Pillar of Aśoka", The Journal of the Royal Asiatic Society of Great Britain and Ireland, No. 4 (Oct., 1935), pp. 697–706, Royal Asiatic Society of Great Britain and Ireland, JSTOR
• Falk, H. Asokan Sites and Artefacts: a A Source-book with Bibliography, 2006, Volume 18 of Monographien zur indischen Archäologie, Kunst und Philologie, Von Zabern, ISSN 0170-8864

• Singh, Upinder (2008). "Chapter 7: Power and Piety: The Maurya Empire, c. 324-187 BCE". A History of Ancient and Early Medieval India: From the Stone Age to the 12th Century. New Delhi: Pearson Education. ISBN 978-81-317-1677-9.

Wikimedia Commons has media related to Ashoka pillars.

• Archaeological Survey of India
• British Museum, collections online
• Columbia University, New York - See "lioncapital" for pictures of the original "Lion Capital of Ashoka" preserved at the Sarnath Museum which has been adopted as the "National Emblem of India" and the Ashoka Chakra (Wheel) from which has been placed in the center of the "National Flag of India".

Edicts of Ashoka (Ruled 269–232 BCE)
Regnal years of Ashoka	Type of Edict (and location of the inscriptions)				Geographical location
Year 8	End of the Kalinga war and conversion to the "Dharma"				Bahapur Gujarra Saru Maru Udegolam Nittur Maski Siddapur Brahmagiri Jatinga Pakilgundu Rajula Mandagiri Yerragudi Sasaram Rupnath Bairat Bhabru Ahraura Barabar Taxila (Aramaic) Laghman (Aramaic) Maski Palkigundu Gavimath Jatinga/Rameshwara Rajula/Mandagiri Brahmagiri Udegolam Siddapur Nittur Ahraura Sasaram Kandahar (Greek and Aramaic) Kandahar Yerragudi Girnar Dhauli Khalsi Sopara Jaugada Shahbazgarhi Mansehra Sannati Sarnath Sanchi Lumbini Nigali Sagar Nigali Sagar Nandangarh Kosambi Topra Meerut Araraj Araraj,Rampurva Rampurva Ai Khanoum (Greek city) Pataliputra Ujjain Location of the Minor Rock Edicts (Edicts 1, 2 & 3) Other inscriptions often classified as Minor Rock Edicts. Location of the Major Rock Edicts. Location of the Minor Pillar Edicts. Original location of the Major Pillar Edicts. Capital cities
Year 10[1]	Minor Rock Edicts	Related events: Visit to the Bodhi tree in Bodh Gaya Construction of the Mahabodhi Temple and Diamond throne in Bodh Gaya Predication throughout India. Dissenssions in the Sangha Third Buddhist Council In Indian language: Sohgaura inscription Erection of the Pillars of Ashoka
	Kandahar Bilingual Rock Inscription (in Greek and Aramaic, Kandahar)
	Minor Rock Edicts in Aramaic: Laghman Inscription, Taxila inscription
Year 11 and later	Minor Rock Edicts (n°1, n°2 and n°3) (Panguraria, Maski, Palkigundu and Gavimath, Bahapur/Srinivaspuri, Bairat, Ahraura, Gujarra, Sasaram, Rajula Mandagiri, Yerragudi, Udegolam, Nittur, Brahmagiri, Siddapur, Jatinga-Rameshwara)
Year 12 and later[1]	Barabar Caves inscriptions	Major Rock Edicts
	Minor Pillar Edicts	Major Rock Edicts in Greek: Edicts n°12-13 (Kandahar) Major Rock Edicts in Indian language: Edicts No.1 ~ No.14 (in Kharoshthi script: Shahbazgarhi, Mansehra Edicts (in Brahmi script: Kalsi, Girnar, Sopara, Sannati, Yerragudi, Delhi Edicts) Major Rock Edicts 1-10, 14, Separate Edicts 1&2: (Dhauli, Jaugada)
	Schism Edict, Queen's Edict (Sarnath Sanchi Allahabad) Lumbini inscription, Nigali Sagar inscription
Year 26, 27 and later[1]	Major Pillar Edicts
	In Indian language: Major Pillar Edicts No.1 ~ No.7 (Allahabad pillar Delhi pillar Topra Kalan Rampurva Lauria Nandangarh Lauriya-Araraj Amaravati) Derived inscriptions in Aramaic, on rock: Kandahar, Edict No.7[2][3] and Pul-i-Darunteh, Edict No.5 or No.7[4]
Yailenko,Les maximes delphiques d'Aï Khanoum et la formation de la doctrine du dhamma d'Asoka, 1990, p. 243. Inscriptions of Asoka de D.C. Sircar p. 30 Handbuch der Orientalistik de Kurt A. Behrendt p. 39 Handbuch der Orientalistik de Kurt A. Behrendt p. 39