Triple J Hottest 100

The idea for the poll came from Triple J producer Lawrie Zion in late 1988.[11] During this time, he conceived the idea of running a listener poll to determine their 100 favourite songs of all time.[3] The idea was taken from Brisbane community radio station 4zzz, which developed the original Hot 100 in 1976.[12]

For the Hot 100, before Triple J had become a national broadcaster, Sydney listeners were required to write their 10 favourite tracks on the back of an envelope.[3] Some entries were sent into the station written on a variety of items, including paintings, sculptures, and hand-rolled cannabis cigarettes. The results of the first poll were counted down on Sunday 5 March 1989 between 10am and 6pm.

The station repeated the event the following year when it started broadcasting to other capital cities besides Sydney. In 1991, Triple J was forced to change the poll's name to 'Hottest 100' to avoid legal action with 4zzz.

During the poll's first few years — from 1989 to 1991 — the winner in the first two years was "Love Will Tear Us Apart" by Joy Division,[3] while 1991's favourite song was "Smells Like Teen Spirit" by Nirvana,[3] which had been released that year.

American comedian Denis Leary topped the first annual Hottest 100 in 1993

Realising that the poll's results were unlikely to significantly change from year to year, Triple J rested the Hottest 100 in 1992 and relaunched it as an annual poll the following year. The newly launched poll required listeners to vote for their favourite songs of that year. Denis Leary's comedy anthem "Asshole" was voted number 1 in 1993.[3]

The inaugural Hottest 100 compilation CD, Triple J Hottest 100 (The Hottest Of The Hottest), was released by ABC Music in 1994. Denis Leary's "Asshole" was voted in the number-one position in that year, while the radio-edited version of Ween's "Push the Little Daisies",[13] featuring a sample of musician Prince howling in place of the word "shit", appeared on the CD.[14]

In 1996, Spiderbait became the first Australian act to reach number 1. Since 1999, Australian acts have made up the majority of the polls.[15]

The first Hottest 100 DVD, Triple J Hottest 100: The Hottest Videos For 2002, was released in 2002. Queens Of The Stone Age's "No One Knows" was voted into the top position in that year, while Grinspoon, Motor Ace, Darren Hanlon, Machine Translations and Ms Dynamite were other Hottest 100 artists featured on the release.[16]

In 2003, Powderfinger became the first act to be featured three times in the top 10 poll with "(Baby I've Got You) On My Mind", "Sunsets" and "Love Your Way" placing in the 4th, 7th and 10th places, respectively.[17] All three songs appeared on the 2003 Vulture Street full-length studio album, which attained "6 x Platinum" sales in Australia.[18][19] Powderfinger is also the only Australian artist to reach number 1 twice.[15]

After its beginnings as a write-in poll, the Hottest 100 progressed to phone-in voting, which then progressed to SMS and online voting. In 2003, only web votes through the Triple J website were accepted, with registration required and a limit of 10 votes applied. In 2004, the guidelines were expanded so that voters were entitled to 10 internet votes and 10 SMS votes.

In 2014, Chet Faker, whose real name is Nick Murphy, repeated Powderfinger's achievement from 2003 by placing three times in the top 10 positions. Faker reached the number-one spot with "Talk Is Cheap" and the 7th and 8th positions, respectively, with "Gold" and "1998". All three songs came from Faker's 2014 album Built On Glass. Chet Faker placed a total of four times in the entire poll, with a cover version of Sonia Dada's "Lover You Don't Treat Me No Good No More" in the 22nd position. The 22nd Hottest 100 poll received a record 2,099,707 million votes, cast by 258,762 voters from 188 countries.[20]

In 2017, Triple J announced that they would be holding 2018's Hottest 100 on January 27, instead of the traditional date of January 26. Triple J cited "growing dialogue around Indigenous recognition and perspectives on 26 January.[21]

In mid-2016, support grew for a campaign calling on Triple J to change the date of the Hottest 100 due to ongoing debate about the meaning of the date of Australia Day to Indigenous Australians.[4] Calls were led by Indigenous Australian activists and supporters. Australian hip hop duo A.B. Original and their anti-Australia Day single "January 26" were instrumental in drawing support to the cause. Triple J responded to the campaign in September 2016, announcing a review over whether the date of the Hottest 100 should be changed.

The review of the date continued into 2017, including consultation with Reconciliation Australia, the National Congress of Australia's First Peoples, and the National Australia Day Council, while 2016's Hottest 100 was held on Australia Day without change. In August 2017, Triple J launched a survey asking for public opinion on whether the date should be changed.

On 27 November 2017, Triple J announced plans to move the Hottest 100 to the fourth weekend of January. This followed analysis led by Rebecca Huntley of the aforementioned survey, which attracted 64,990 responses, indicating that 60% of listeners supported moving the date. The announcement was welcomed by many musicians and the Australian Greens. Within the Liberal Party, however, Communications Minister Mitch Fifield was reportedly "bewildered" by the choice, one that MP Alex Hawke described as "disappointing" and "pathetic". As the minister responsible for the government-funded Australian Broadcasting Corporation (ABC), which Triple J is part of, Fifield wrote to the ABC's board of directors on 28 November asking them to return the Hottest 100 to Australia Day.

Some organisations offered alternatives to Triple J's Hottest 100 in response to the date change. These include nationwide rock radio station Triple M broadcasting an Ozzest 100 countdown of only Australian songs on 26 January, and Senator Cory Bernardi's Australian Conservatives publishing an AC100 playlist of Australian music on Spotify.

There has been increased debate regarding lack of representation of female artists in the Hottest 100 each year.[30][31] In 2017 only sixteen of the artists were female,[32] compared to 2015 where despite 48% of voters being female, only thirteen female solo artists and eight female fronted or duo artists received votes.[33] A break down was provided by Casey Briggs for the 2014 Hottest 100[34] and previous Hottest 100 polls over the Last 20 years (2013).[35]

Following a 13 January 2015 article on BuzzFeed, the "#Tay4Hottest100" hashtag campaign began during the voting period for the Hottest 100 poll for 2014. According to those critical of the campaign, the Hottest 100 is reserved for non-mainstream artists who were "discovered or fostered by Triple J" and provides valuable exposure for artists in the outer circles of the music industry.[36][37]

The campaign led to discussion[38] about the broader cultural implications of the controversy generated by Swift. The Guardian's Elle Hunt wrote: "... the virulent response to #Tay4Hottest100 has revealed the persistence of a dichotomy I'd thought we'd thrown out long ago: that of high art versus low."[39][40] Writing for The Conversation on 23 January 2015, Charles Darwin University academic Gemma Blackwood concluded:

The cultural and economic meanings attached to the celebrity-sign of "Taylor Swift" seems antithetical to Triple J's self-representation as a place for exciting new music, with a supposed focus on emerging Australian talent. This perhaps explains why Swift is excluded from the playlist when other "mainstream" American artists and chart toppers ... are still played on the station heavily: the alignment and transfer of values of what is considered "cool" and "hip" between the station and its chosen artists ... The concept of "youth" seems to be used in reference to a musical market and to identify particular music genres rather than being a real or an accurate signifier of young tastes and interests. It raises the question: what responsibility does a national youth broadcaster have in the shaping and the adapting of young musical interests?[41]

Station manager Chris Scaddan told the media that the Swift campaign was within the rules of the poll, later instructing Triple J employees not to comment to "media, friends, family" about the campaign, as "it will all become clear when we get to the countdown next Monday." The station said: "we don't comment on voting campaigns whilst Hottest 100 voting is open. It draws attention to them and may influence the results of the poll."[42] Marketing website Mumbrella suggested on 20 January that a Facebook post by KFC incorporating the "#Tay4Hottest100" hashtag was against the Hottest 100 rules and could see Swift disqualified.[43] The Guardian submitted a freedom of information request to the ABC in regard to the station's response to the campaign.[44]

After journalist Peter Vincent reported that the Swift campaign had "swallowed" the Hottest 100 for 2014, citing research from the University of Queensland that showed that over 7,341 Hottest 100 posts in a 30-day period leading up to the poll results related to Swift, "Shake It Off" was eventually disqualified by the radio station in an announcement on 26 January 2015. The official announcement read: "it became pretty clear, pretty quick that a lot of people just wanted to prod some 'hipsters' for the lulz", acknowledging that the station "had a heap of fun", while Swift is "smart", "cool" and "successful". The song would have placed in the number-12 position if it had been allowed to compete.[45][46]

On the inside cover of the Triple J Hottest 100 Volume 22 CD, bold capital initials spell out "TAYLOR SWIFT BAN".