Nymph

The Greek word νύμφη has the primary meaning of "young woman; bride, young wife" but is not usually associated with deities in particular. Yet the etymology of the noun νύμφη remains uncertain. The Doric and Aeolic (Homeric) form is νύμφα.

Modern usage more often applies to young women at the peak of their attractiveness, contrasting with parthenos (παρθένος) "a virgin (of any age)", and generically as kore (κόρη < κόρϝα) "maiden, girl". The term is sometimes used by women to address each other and remains the regular Modern Greek term for "bride".

Nymphs were sometimes beloved by many and dwelt in specific areas related to the natural environment: e.g. mountainous regions; forests; springs. Other nymphs were part of the retinue of a god (such as Dionysus, Hermes, or Pan) or of a goddess (generally the huntress Artemis).[3]

The Greek nymphs were also spirits invariably bound to places, not unlike the Latin genius loci, and sometimes this produced complicated myths like the cult of Arethusa to Sicily. In some of the works of the Greek-educated Latin poets, the nymphs gradually absorbed into their ranks the indigenous Italian divinities of springs and streams (Juturna, Egeria, Carmentis, Fontus) while the Lymphae (originally Lumpae), Italian water goddesses, owing to the accidental similarity of their names, could be identified with the Greek Nymphae. The classical mythologies of the Roman poets were unlikely to have affected the rites and cults of individual nymphs venerated by country people in the springs and clefts of Latium. Among the Roman literate class, their sphere of influence was restricted and they appear almost exclusively as divinities of the watery element.

The ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century when they were usually known as "nereids".[4] Nymphs often tended to frequent areas distant from humans but could be encountered by lone travelers outside the village, where their music might be heard, and the traveler could spy on their dancing or bathing in a stream or pool, either during the noon heat or in the middle of the night. They might appear in a whirlwind. Such encounters could be dangerous, bringing dumbness, besotted infatuation, madness or stroke to the unfortunate human. When parents believed their child to be nereid-struck, they would pray to Saint Artemidos.[5][6]

Nymphs are often depicted in classic works across art, literature, mythology, and fiction. They are often associated with the medieval romances or Renaissance literature of the elusive fairies or elves.[7][8]

The statue of a sleeping nymph in a grotto at Stourhead gardens, England.

A motif that entered European art during the Renaissance was the idea of a statue of a nymph sleeping in a grotto or spring.[9][10][11] This motif supposedly came from an Italian report of a Roman sculpture of a nymph at a fountain above the River Danube.[12] The report, and an accompanying poem supposedly on the fountain describing the sleeping nymph, are now generally concluded to be a fifteenth-century forgery, but the motif proved influential among artists and landscape gardeners for several centuries after, with copies seen at neoclassical gardens such as the grotto at Stourhead.[13][14][15]

All the names for various classes of nymphs have plural feminine adjectives, most agreeing with the substantive numbers and groups of nymphai. There is no single adopted classification that could be seen as canonical and exhaustive.[16] Some classes of nymphs tend to overlap, which complicates the task of precise classification. e.g. Dryads and hamadryads as nymphs of trees generally, meliai as nymphs of ash trees, and naiads as nymphs of water, but no others specifically.[16]

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  Hylas and nymphs from a mosaic in Roman Gaul (3rd century)
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  Sátiro y ninfa Fight between Nymph and Satyr, Naples National Archaeological Museum.
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  Nymphe et satyr - Nicolas Poussin - Musée Pouchkine Moscou
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  Echo, an Oread (mountain nymph) watches Narcissus in this 1903 painting of Echo and Narcissus by John William Waterhouse.
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  Adolf Hirémy-Hirschl, The Souls of Acheron (1898).
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  The Pleiades (1885) by Elihu Vedder.
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  Nymphe by Gaston Bussière
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  Young oread, on German porcelain plate.
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  The Cave of the Storm Nymphs by Sir Edward John Poynter
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  La Nymphe de la Foret, by Guillaume Seignac.
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  A Sleeping Nymph Watched by a Shepherd by Angelica Kauffman, about 1780, (V&A Museum no. 23-1886)
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  Nymphs and Satyr, by William-Adolphe Bouguereau (1873).
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  Nymph with morning glory flowers, by Jules Joseph Lefebvre.
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  A naiad painted by Luis Ricardo Falero (1892).

• Animism
• Apsaras
• Kami
• Houri
• List of Greek mythological figures
• Nymphaeum
• Pitsa panels
• Rå
• Yakshini

• Burkert, Walter (1985). Greek Religion (1st ed.). Cambridge, MA: Harvard University Press. ISBN 978-0-674-36281-9.
• Grimal, Pierre, The Dictionary of Classical Mythology, Wiley-Blackwell, 1996. ISBN 978-0-631-20102-1.
• Larson, Jennifer Lynn (2001). Greek Nymphs: Myth, Cult, Lore. New York: Oxford University Press. ISBN 978-0-19-514465-9.
• Lawson, John Cuthbert, Modern Greek Folklore and Ancient Greek Religion, Cambridge University Press, Cambridge, 1910, p. 131
• Nereids
• paleothea.com homepage
• Tomkinson, John L. (2004). Haunted Greece: Nymphs, Vampires and Other Exotika (1st ed.). Athens: Anagnosis. ISBN 978-960-88087-0-6.

Look up νύμφη in Wiktionary, the free dictionary.

Wikimedia Commons has media related to Nymphs.

• Theoi.com: Nymphs
• Theoi Project – List of Nymphs