Prehistoric Iberia

The Chatelperronian culture (typically associated with Neanderthal man) is found in the Cantabrian region and in Catalonia.

The Aurignacian culture (work of Homo sapiens) succeeds it and has the following periodization:[10]

• Archaic Aurignacian: found in Cantabria (Morín and El Pendo caves), where it alternates with Chatelperronian, and in Catalonia. The carbon-14 (¹⁴
  C) dates for Morín cave are relatively late in the European context: c. 28,500 BP, but the occupation dates for El Pendo (where it's older than Chatelperronian layers) must be of earlier date.
• Typical Aurignacian: is found in Cantabria (Morín, El Pendo, Castillo), the Basque Country (Santimamiñe) and Catalonia. Radiocarbon dating gives the following dates: 32,425 and 29,515 BP.
• Evolved Aurignacian: is found in Cantabria (Morin, El Pendo, El Otero, Hornos de la Peña), Asturias (El Cierro, El Conde) and Catalonia.
• Final Aurignacian: in Cantabria (El Pendo), after the Gravettian interlude.

In the Mediterranean area (south of the Ebro), Aurignacian remains have been found sparsely distributed in the Lands of Valencia (Les Mallaetes) and Murcia (Las Pereneras) and Andalusia (Higuerón), as far west as Gibraltar (Gorham's Cave). The ¹⁴
C dates available are: 29,100 BP (Les Mallaetes), 28,700 and 27,860 BP (Gorham's Cave).

The remains of a child dated to ca. 24,500 years BP,[11] known as the Lapedo child, were discovered in Lagar Velho, in Leiria Municipality. The cranium, mandible, dentition and postcrania present a mosaic of European early modern human and Neanderthal features.[11] It is claimed the individual was a hybrid between a Cro-Magnon and a Neanderthal. This claim is contested.[12] Ian Tattersall and Jeffrey H. Schwartz consider it is probable the individual was a modern human, part of the Gravettian culture.[7]

The Gravettian culture followed the steps of the Aurignacian expansion but its remains are not very abundant in the Cantabrian area (north), while in the southern region they are more common.

In the Cantabrian area all Gravettian remains belong to late evolved phases and are found always mixed with Aurignacian technology. The main sites are found in the Basque Country (Lezetxiki, Bolinkoba), Cantabria (Morín, El Pendo, El Castillo) and Asturias (Cueto de la Mina). It is archeologically divide in two phases characterized by the amount of Gravettian elements: the phase A has a ¹⁴
C date of c.20,710 BP and the phase B is of later date.

The Cantabrian Gravettian has been paralleled to the Perigordian V-VII of the French sequence. It eventually vanishes from the archaeological sequence and is replaced by an "Aurignacian renaissance", at least in El Pendo cave. It is considered "intrusive", in contrast with the Mediterranean area, where it probably means a real colonization.[10]

In the Mediterranean region, the Gravettian culture also had a late arrival. Nevertheless, the south-east has an important number of sites of this culture, especially in the Land of Valencia (Les Mallaetes, Parpaló, Barranc Blanc, Meravelles, Coba del Sol, Ratlla del Musol, Beneito). It is also found in the Land of Murcia (Palomas, Palomarico, Morote) and Andalusia (Los Borceguillos, Zájara II, Serrón, Gorham's Cave).

The first indications of modern human colonization of the interior and the west of the peninsula are found only in this cultural phase, with a few late Gravettian elements found in the Manzanares valley (Madrid) and Salemas cave (Alentejo, Portugal).

The Solutrean culture shows its earliest appearances in Laugerie Haute (Dordogne, France) and Les Mallaetes (Land of Valencia), with radiocarbon dates of 21,710 and 20,890 BP respectively.[10] In the Iberian peninsula it shows three different facies:

The Iberian (or Mediterranean) facies is defined by the sites of Parpalló and Les Mallaetes in the province of Valencia. They are found immersed in important Gravettian perdurations that would eventually redefine the facies as "Gravettizing Solutrean."[10] The archetypical sequence, that of Parpalló and Les Mallaetes caves, is:

• Initial Solutrean.
• Full or Middle Solutrean, dated in its lower layers to 20,180 BP.
• A sterile layer with signs of intense cold that is related to the Last Glacial Maximum.
• Upper or Evolved Solutrean, including bone tools and also needles of this material.

These two caves are surrounded by many other sites (Barranc Blanc, Meravelles, Rates Penaes, etc.) that show only a limited impact of Solutrean and instead have many Gravettian perdurations, showing a convergence that has been named as "Gravetto-Solutrean".

Solutrean is also found in the Land of Murcia, Mediterranean Andalusia and the lower Tagus (Portugal). In the Portuguese case there are no signs of Gravettization.

The Cantabrian facies shows two markedly different tendencies in Asturias and the Vasco-Cantabrian area. The oldest findings are all in Asturias and lack of the initial phases, beginning with the full Solutrean in Las Caldas (Asturias) and other nearby sites, followed by evolved Solutrean, with many unique regional elements. Radiocarbon dates oscillate between 20,970 and 19,000 BP.[10]

In the Vasco-Cantabrian area instead the Gravettian influences seem persistent and the typical Solutrean foliaceous elements are minority. Some transitional elements that prelude the Magdalenian, like the monobiselated bone spear point, are already present. Most important sites are Altamira, Morín, Chufín, Salitre, Ermittia, Atxura, Lezetxiki, and Santimamiñe.

In northern Catalonia there is an early local Solutrean, followed by scarce middle elements but with a well-developed final Solutrean. It is related to the French Pyrenean sequences. Main sites are Cau le Goges, Reclau Viver and L'Arbreda.

In the region of Madrid there were some findings attributed to Solutrean that are today missing.

This phase is defined by the Magdalenian culture, even if in the Mediterranean area the Gravettian influence is still persistent.

In the Cantabrian area, the early Magdalenian phases show two different facies: the "Castillo facies" evolves locally over final Solutrean layers, while the "Rascaño facies" appears in most cases directly over the natural soil (no earlier occupations of these sites).

In the second phase, the lower evolved Magdalenian, there are also two facies but now with a geographical divide: the "El Juyo facies" is found in Asturias and Cantabria, while the "Basque Country facies" is only found in this region.

The dates for this early Magdalenian period oscillate between 16,433 BP for Rascaño cave (Rascaño facies), 15,988 and 15,179 BP for the same cave (El Juyo facies) and 15,000 BP for Altamira (Castillo facies). For the Basque Country facies the cave of abauntz has given 15,800 BP.[10]

The middle Magdalenian shows less abundance of findings.

The upper Magdalenian is closely related to that of southern France (Magdalenian V and VI), being characterized by the presence of harpoons. Again there are two facies (called A and B) that appear geographically intertwined, though the facies A (dates: 15,400–13,870 BP) is absent in the Basque Country and the facies B (dates 12,869–12,282 BP) is rare in Asturias.

In Portugal there have been some findings of the upper Magdalenian north of Lisbon (Casa da Moura, Lapa do Suão). A possible intermediate site is La Dehesa (Salamanca, Spain), that is clearly associated with that of the Cantabrian area.

In the Mediterranean area, Catalonia again is directly connected with the French sequence, at least in the late phases. Instead the rest of the region shows a unique local evolution known as Parpallense.

The sometimes called Parpalló "Magdalenian" (extended by all the south-east) is actually a continuity of the local Gravetto-Solutrean. Only the late upper Magdalenian actually includes true elements of this culture, like proto-harpoons. Radicarbon dates for this phase are of c. 11,470 BP (Borran Gran). Other sites give later dates that actually approach the Epi-Paleolithic.[10]

Paleolithic cave art

Together with France, the Iberian peninsula is one of the prime areas of Paleolithic cave paintings, with 18 caves forming the World Heritage Site of Cave of Altamira and Paleolithic Cave Art of Northern Spain; they are close to the coast in Cantabria, Asturias and the Basque Country. This artistic manifestation is found most importantly in the northern Cantabrian area, where the earliest manifestations, for example the Caves of Monte Castillo are as old as Aurignacian times.

The practice of this mural art increases in frequency in the Solutrean period, when the first animals are drawn, but it is not until the Magdalenian cultural phase when it becomes truly widespread, being found in almost every cave.

Most of the representations are of animals (bison, horse, deer, bull, reindeer, goat, bear, mammoth, moose) and are painted in ochre and black colors but there are exceptions and human-like forms as well as abstract drawings also appear in some sites.

In the Mediterranean and interior areas, the presence of mural art is not so abundant but exists as well since the Solutrean.

Also, several examples of open-air art exist. The monumental Côa Valley, in Vila Nova de Foz Côa Municipality, Portugal, has petroglyphs dating up to 22,000 years ago. These document continuous human occupation from the end of the Paleolithic Age. Hundreds of panels with thousands of animal figures were carved over several millennia, representing the most remarkable open-air ensemble of Paleolithic art on the Iberian Peninsula.[13][14]

Other examples include Chimachias, Los Casares or La Pasiega, or, in general, the caves principally in Cantabria (in Spain).

The first Epipaleolithic culture is the Azilian, also known as microlaminar microlithism in the Mediterranean. This culture is the local evolution of Magdalenian, parallel to other regional derivatives found in Central and Northern Europe. Originally found in the old Magdalenian territory of Vasco-Cantabria and the wider Franco-Cantabrian region, Azilian-style culture eventually expanded to parts of Mediterranean Iberia as well. It reflected a much warmer climate, leading to thick woodlands, and the replacement of large herd animals with smaller and more elusive forest-dwellers.

An archetypical Azilian site in the Iberian peninsula is Zatoya (Navarre), where it is difficult to discern the early Azilian elements from those of late Magdalenian (this transition dated to 11,760 BP).[10] Full Azilian in the same site is dated to 8,150 BP, followed by appearance of geometric elements at a later date, that continue until the arrival of pottery (subneolithic stage).

In the Mediterranean area, virtually this same material culture is often named microlaminar microlithism because it lacks of the bone industry typical of Franco-Cantabrian Azilian. It is found in parts of Catalonia, Valencian Community, Murcia and Mediterranean Andalusia. It has been dated in Les Mallaetes at 10,370 BP.[10]

The Asturian culture was a successor to the Azilian, moved slightly to the west, whose distinctive tool was a pick-axe for picking limpets off rocks.

In the late phases of the Epipaleolithic a new trend arrives from the north: the geometrical microlithism, directly related to Sauveterrian and Tardenoisian cultures of the Rhin-Danube region.

While in the Franco-Cantabrian region it has a minor impact, not altering the Azilian culture substantially, in Mediterranean Iberia and Portugal its arrival is more noticeable. The Mediterranean geometrical microlithism has two facies:

• The Filador facies is directly related to French Sauveterrian and is found in Catalonia, north of the Ebro river.
• The Cocina facies is more widespread and, in many sites (Málaga, Spain), shows a strong dependence of fishing and seafood gathering. The Portuguese sites (south of the Tagus, Muge group) have given dates of c.7350 .[10]

The Dance of Cogul, tracing by Henri Breuil

The rock art found at over 700 sites along the eastern side of Iberia is the most advanced and widespread surviving from this period, certainly in Europe, and arguably in the world. It is strikingly different from the Upper Palaeolithic art found along the northern coast, with narrative scenes with large numbers of small sketchily painted human figures, rather than the superbly observed individual animal figures that characterise the earlier period. When it appears in the same scene as animals, the human figure runs towards them. The most common scenes by far are of hunting, and there are scenes of battle and dancing, and possibly agricultural tasks and managing domesticated animals. In some scenes gathering honey is shown, most famously at Cuevas de la Araña en Bicorp (illustrated below). Humans are naked from the waist up, but women have skirts and men sometimes skirts or gaiters or trousers of some sort, and headdresses and masks are sometimes seen, which may indicate rank or status.

The center of Bronze Age technology is in the southeast since c. 1800 BC.[10] There the civilization of Los Millares was followed by that of El Argar, initially with no other discontinuity than the displacement of the main urban center some kilometers to the north, the gradual appearance of true bronze and arsenical bronze tools and some greater geographical extension. The Argarian people lived in rather large fortified towns or cities.

From this center, bronze technology spread to other areas. Most notable are:

• Bronze of Levante: in the Valencian Community. Their towns were smaller and show intense interaction with their neighbours of El Argar.
• South-Western Iberian Bronze: in southern Portugal and SW Spain. These poorly defined archaeological horizons show the presence of bronze daggers and an expansive trend in northwards direction.
• Cogotas I culture (Cogotas II is Iron Age Celtic): the pastoralist peoples of the plateau become for the first time culturally unified. Their typical artifact is a rough troncoconic pottery.

Some areas like the civilization of Vila Nova seem to have remained apart from the spread of bronze metallurgy remaining technically in the Chalcolithic period for centuries.

This period is basically a continuation of the previous one. The most noticeable change happens in the El Argar civilization, which adopts the Aegean custom of burial in pithoi.[10] This phase is known as El Argar B, beginning c. 1500 BC.

The North-West (Galicia and northern Portugal), a region that held some of the largest reserves of tin (needed to make true bronze) in Western Eurasia, became a focus for mining, incorporating then the bronze technology. Their typical artifacts are bronze axes (Group of Montelavar).

The semi-desert region of La Mancha shows its first signs of colonization with the fortified scheme of the Motillas (hill forts). This group is clearly related to the Bronze of Levante, showing the same material culture.[10]

Map of Iberian Late Bronze Age since c. 1300 BC, showing the main cultural areas. Dots show isolated remains of these cultures outside their main area

C. 1300 BC several major changes happen in Iberia, among them:

• The Chalcolithic culture of Vila Nova vanishes, possibly in direct relation to the silting of the canal connecting the main city Zambujal with the sea.[23] It is replaced by a non-urban culture, whose main artifact is an externally burnished pottery.
• El Argar also disappears as such, what had been a very homogeneous culture, a centralized state for some, becomes an array of many post-Argaric fortified cities.
• The Motillas are abandoned.
• The proto-Celtic Urnfield culture appears in the North-East, conquering all Catalonia and some neighbouring areas.
• The Lower Guadalquivir valley shows its first clearly differentiated culture, defined by internally burnished pottery. This group might have some relation with the semi-historical, yet-to-be-found Tartessos.
• Western Iberian Bronze cultures show some degree of interaction, not just among them but also with other Atlantic cultures in Britain, France and elsewhere. This has been called the Atlantic Bronze complex.[10]

Approximate extension of Celts c. 400 BC

Since the late 8th century BC, the Urnfield culture of North-East Iberia began to develop Iron metallurgy and, eventually, elements of the Hallstatt culture. The earliest elements of this culture were found along the lower Ebro river, then gradually expanded upstream to La Rioja and in a hybrid local form to Alava. There was also expansion southwards into Castelló, with less marked influences reaching further south. Additionally, some offshoots have been detected along the Iberian Mountains, possibly a prelude to the formation of the Celtiberi.[10]

During this period, the social differentiation became more visible with evidence of local chiefdoms and a horse-riding elite. It is possible that these transformations represent the arrival of a new wave of cultures from central Europe.

A Castro village in Castro de Baroña, Galicia, Spain

From these outposts in the Upper Ebro and the Iberian mountains, Celtic culture expanded into the plateau and the Atlantic coast. Several groups can be described:[10]

• The Bernorio-Miraveche group (northern Burgos and Palencia provinces), that would influence the peoples of the northern fringe.
• The north-west Castro culture, in today's Galicia and northern Portugal, a Celtic culture with peculiarities, due to the persistence of aspects of an earlier Atlantic Bronze Age culture.
• The Duero group, possibly the precursor of the Celtic Vaccei.
• The Cogotas II culture, likely precursor of the Celtic or Celtiberian Vettones (or a pre-Celtic culture with substantial Celtic influences), a markedly cattle-herder culture that gradually expanded southwards into what is today's Extremadura.
• The Lusitanian culture, the precursor of the Lusitani tribe, located in what is today's central Portugal and Extremadura in western Spain, is generally not considered Celtic since the Lusitanian language does not meet some the accepted definitions of a Celtic language.[24] Its relationship with the surrounding Celtic culture is unclear. Some believe it was essentially a pre-Celtic Iberian culture with substantial Celtic influences, while others argue that it was an essentially Celtic culture with strong indigenous pre-Celtic influences. There have been arguments for classifying its language as either Italic, a form of archaic Celtic, or proto-Celtic.

All these Indo-European groups have some common elements, like combed pottery since the 6th century and uniform weaponry.

After c. 600 BC, the Urnfields of the North-East were replaced by the Iberian culture, in a process that wasn't completed until the 4th century BC.[10] This physical separation from their continental relatives would mean that the Celts of the Iberian peninsula never received the cultural influences of La Tène culture, including Druidism.

Phoenician sarcophagus found in Cadiz

The Phoenicians of Asia, Greeks of Europe, and Carthaginians of Africa all colonized parts of Iberia to facilitate trade. During the 10th century BC, the first contacts between Phoenicians and Iberia (along the Mediterranean coast) were made. This century also saw the emergence of towns and cities in the southern littoral areas of eastern Iberia.

The Phoenicians founded colony of Gadir (modern Cádiz) near Tartessos. The foundation of Cádiz, the oldest continuously-inhabited city in western Europe, is traditionally dated to 1104 BC, although, as of 2004, no archaeological discoveries date back further than the 9th century BC. The Phoenicians continued to use Cádiz as a trading post for several centuries leaving a variety of artifacts, most notably a pair of sarcophaguses from around the 4th or 3rd century BC. Contrary to myth, there is no record of Phoenician colonies west of the Algarve (namely Tavira), even though there might have been some voyages of discovery. Phoenician influence in what is now Portuguese territory was essentially through cultural and commercial exchange with Tartessos.

During the 9th century BC, the Phoenicians, from the city-state of Tyre founded the colony of Malaka (modern Málaga)[25] and Carthage (in North Africa). During this century, Phoenicians also had great influence on Iberia with the introduction the use of Iron, of the Potter's wheel, the production of olive oil and wine. They were also responsible for the first forms of Iberian writing, had great religious influence and accelerated urban development. However, there is no real evidence to support the myth of a Phoenician foundation of the city of Lisbon as far back as 1300 BC, under the name Alis Ubbo ("Safe Harbour"), even if in this period there are organized settlements in Olissipona (modern Lisbon, in Portuguese Estremadura) with Mediterranean influences.

There was strong Phoenician influence and settlement in the city of Balsa (modern Tavira in the Algarve), in the 8th century BC. Phoenician influenced Tavira was destroyed by violence in the 6th century BC. With the decadence of Phoenician colonization of the Mediterranean coast of Iberia in the 6th century BC many of the colonies are deserted. The 6th century BC also saw the rise of the colonial might of Carthage, which slowly replaced the Phoenicians in their former areas of dominion.

The Greek colony at what now is Marseilles began trading with the Iberians on the eastern coast around the 8th century BC. The Greeks finally founded their own colony at Ampurias, in the eastern Mediterranean shore (modern Catalonia), during the 6th century BC beginning their settlement in the Iberian peninsula. There are no Greek colonies west of the Strait of Gibraltar, only voyages of discovery. There is no evidence to support the myth of an ancient Greek founding of Olissipo (modern Lisbon) by Odysseus.

The name Tartessian, when applied in archaeology and linguistics does not necessarily correlate with the semi-mythical city of Tartessos but only roughly with the area where it is typically assumed it should have been located.

The Tartessian culture of southern Iberia actually is the local culture as modified by the increasing influence of eastern Mediterranean elements, especially Phoenician. Its core area is Western Andalusia, but soon extends to Eastern Andalusia, Extremadura and the Lands of Murcia and Valencia, where a Tartessian complex, rooted in the local Bronze cultures, is in the last stages of the Bronze Age (ninth-eighth centuries BC) before Phoenician influences can be seen clearly.

The full Tartessian culture, beginning c.720 BC, also extends to southern Portugal, where is eventually replaced by Lusitanian culture. One of the most significant elements of this culture is the introduction of the potter's wheel, that, along with other related technical developments, causes a major improvement in the quality of the pottery produced. There are other major advances in craftsmanship, affecting jewelry, weaving and architecture.[10] This latter aspects is especially important, as the traditional circular huts were then gradually replaced by well finished rectangular buildings. It also allowed for the construction of the tower-like burial monuments that are so typical of this culture.

Agriculture also seems to have experienced major advances with the introduction of steel tools and, presumably, of the yoke and animal traction for the plough. In this period it's noticeable the increase of cattle accompanied by some decrease of sheep and goat types.[10]

Another noticeable element is the major increase in economical specialization and social stratification. This is very noticeable in burials, with some showing off great wealth (chariots, gold, ivory), while the vast majority are much more modest. There is much diversity in burial rituals in this period but the elites seem to converge in one single style: a chambered mound. Some of the most affluent burials are generally attributed to local monarchs.

One of the developments of this period is writing, a skill which was probably acquired through contact with the Phoenicians. John T. Koch controversially claimed to have deciphered the extant Tartessian inscriptions and to have tentatively identified the language as an earlier form of the Celtic languages now spoken in the British Isles and Brittany in the book 'Celtic from the West', published in 2010.[26][27] However, the linguistic mainstream continues to treat Tartessian as an unclassified, possibly pre-Indo-European language, and Koch's decipherment of the Tartessian script and his theory for the evolution of Celtic has been strongly criticized.[28]

Main language areas of pre-Roman Iberia, according to epigraphy and toponymy.

In the Iberian culture people were organized in chiefdoms and states. Three phases can be identified: the Ancient, the Middle and the Late Iberian period.

With the arrival of Greek influences, not limited to their few colonies, the Tartessian culture begins to transform itself, especially in the South East. This late period is known as the Iberian culture, that in Western Andalusia and the non-Celtic areas of Extremadura is called Ibero-Turdetanian because of its stronger links with the Tartessian substrate.

The Hellenic influence is visible in the gradual change of the style of their monuments that approach more and more the models arrived from the Greek world.[10] Thus the obelisk-like funerary monuments of the previous period now adopt a column like form, totally in line with Greek architecture.

By the middle of the 5th century, aristocratic power was increased and resulted in the abandonment and transformation of the orientalizing model. The oppidum appeared and became the socio-economic model of the aristocratic class. The commerce was also one of the principal sources of aristocratic control and power. In the south east, between the end of the 5th and the end of the 4th century BC, appeared a highly hierarchical aristocratic society. There were different forms of political control. The power and control seemed to be in the hand of kings or reguli.

Iberian funerary customs are dominated by cremation necropolis, that are partly due to the persistent influences of the Urnfield culture, but they also include burial customs imported from the Greek cultural area (mudbrick rectangular mound).[10]

Urbanism was important in the Iberian cultural area, especially in the south, where Roman accounts mention hundreds of oppida (fortified towns). In these towns (some quite large, some mere fortified villages) the houses were typically arranged in contiguous blocks, in what seems to be another Urnfield cultural influx.

The Iberian script evolved from the Tartessian one with Greek influences that are noticeable in the transformation of some characters. In a few cases a variant of Greek alphabet (Ibero-Ionian script) was used to write Iberian as well.

The transformation from Tartessian to Iberian culture was not sudden but gradual and was more marked in the East, where it begins in the 6th century BC, than in the south-west, where it is only noticeable since the 5th century BC and much more tenuous. A special case is the north-east where the Urnfield culture was Iberized but keeping some elements from the Indo-European substrate.[10]

Also during the 6th century BC there was a cultural shift in south-western Iberia (what is now southern Portugal and the nearby areas of Andalusia) after the fall of Tartessos, with a strong Mediterranean character that prolonged and modified Tartessian culture. This occurred mainly in Low Alentejo and the Algarve, but had littoral extensions up to the Sado mouth (namely the important city of Bevipo, modern Alcácer do Sal). The first form of writing in western Iberia (south of Portugal), the Southwest Paleohispanic script (still to be translated), dated to the 6th century BC, denotes strong Tartessian influence in its use of a modified Phoenician alphabet. In these writings the word "Conii" (similar to Cunetes or Cynetes, the people of the Algarve) appears frequently.

In the 4th century BC, the Celtici appear, a late expansion of Celtic culture into the south west (southern Extremadura, the Alentejo and northern Algarve areas). The Turduli and Turdetani, probably descendants of the Tartessians, although celticized, became established in the area of the Guadiana river, in the south of modern Portugal. A series of cities in the Algarve, such as Balsa (Tavira), Baesuris (Castro Marim), Ossonoba (Faro) and Cilpes (Silves), became inhabited by the Cynetes.

During the 4th century BC, Rome began to rise as a Mediterranean power rival to the north African based Carthage. After suffering defeat to the Romans in the First Punic War (264–241 BC), the Carthaginians began to extend their power into the interior of Iberia from their south eastern coastal settlements but this empire was to be short lived. In the Second Punic War (218–202 BC), the Carthaginian general Hannibal marched his armies, which included Iberians, from Iberia, across the Pyrenees and the Alps and attacked the Romans in Italy. Despite many victories, he was finally defeated and the Romans took revenge by destroying Carthage. Starting in the north-east, Rome began its conquest of the Iberian Peninsula.