Black Canadians in Montreal

Black Canadians, numbering 171,385, make up 10.3% of Montreal's population and are the largest visible minority group in the city.[1] The majority of Black Canadians are of Caribbean and of continental African origin, though the population also includes African American immigrants and their descendants (including Black Nova Scotians)[2]

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Ethnicity in Montreal

    Demographics

    List of census subdivisions in the Montreal area with Black populations higher than the national average Source: Canada 2016 Census[3]

    One of the most famous Black-dominated urban neighbourhoods in Montreal is Little Burgundy, regarded as the spiritual home of Canadian jazz due to its association with many of Canada's most influential early jazz musicians. In present-day Montreal, Little Burgundy and the boroughs of Côte-des-Neiges–Notre-Dame-de-Grâce, LaSalle, Pierrefonds-Roxboro, and Montréal-Nord have large Black populations, the latter of which has a large Haitian population.

    History
    Mathieu de Costa, the first recorded free black person to arrive in Canada.

    The first recorded black person to set foot on land now known as Canada was a free man named Mathieu de Costa. Travelling with navigator Samuel de Champlain, de Costa arrived in Nova Scotia some time between 1603 and 1608 as a translator for the French explorer Pierre Dugua, Sieur de Monts. The first known black person to live in what would become Canada was a slave from Madagascar named Olivier Le Jeune, who may have been of partial Malay ancestry. As a group, black people arrived in Canada in several waves. The first of these came as free persons serving in the French Army and Navy, though some were enslaved or indentured servants.

    Marie-Joseph Angélique, a black slave from the Madeira islands who arrived in New France in 1725, was accused of setting the fire that burned down most of Montreal on 10 April 1734, for which she was executed. [4][5] Angélique confessed under torture to setting fire to the home of her owner, a Mme Francois Poulin de Francheville, as a way of creating a diversion so she could escape as she did not wish to be separated from her lover, a white servant named Claude Thibault.[5] Angélique believed her owner was going to sell her to the owner of a sugar plantation in the West Indies. Whether this confession was genuine or not continues to divide historians.

    Joseph, a black slave who spoke French and English, escaped from his owner in Montreal in 1769. Several other black slaves escaped from the area over the following decades.[4]

    Many of Canada's railway porters were recruited from the U.S., with many coming from the South, New York City, and Washington, D.C. They settled mainly in the major cities of Montreal, Toronto, Winnipeg and Vancouver, which had major rail connections. In Montreal, they settled primarily in the Little Burgundy neighbourhood. The railroads were considered to have good positions, with steady work and a chance to travel.[6]

    To combat poverty and social exclusion, the nascent black community of Little Burgundy founded numerous social organizations: the Women's Coloured Club of Montreal in 1902, the Union United Congregational Church in 1907, and the Negro Community Center in 1927.[7]

    The neighbourhood became famous for producing several talented jazz musicians. During Prohibition and the later pre-Jean Drapeau years as an 'open city,' Little Burgundy was home to many lively nightclubs featuring homegrown and international performers; one of them was Rockhead's Paradise, owned by Rufus Rockhead, after whom a street is named. Oscar Peterson and Oliver Jones are the two best-known musicians who emerged from the bebop and post-bop era.[7]

    In 1968 the Sir George Williams affair occurred as a result of racist policies at Sir George Williams University.

    West Indian women, from both the Francophone and Anglophone Caribbean, came to Montreal after the Domestic Immigration Program of 1955 was established.[8] Most settled in Little Burgundy.

    Canada maintained its restrictions of immigration until 1962, when racial rules were eliminated from the immigration laws. This coincided with the dissolution of the British Empire in the Caribbean. Over the next decades, several hundred thousand Afro-Caribbeans came from that region, becoming the predominant black population in Canada. Since then, an increasing number of new immigrants from Africa have been coming to Canada; they have also immigrated to the United States and Europe. This includes large numbers of refugees, but also many skilled and professional workers pursuing better economic conditions. Today's Black Canadians are largely of Caribbean origin, with some of recent African origin, and smaller numbers from the United States, Europe and Latin America.

    Montreal's Haitian community of 100,000 people is the largest in Canada. Large percentages of Haitians live in Montréal-Nord, Saint-Michel and R.D.P. Today, Haitian Creole is the sixth most spoken language in Montreal and the seventh most spoken language in the province of Quebec.

    Culture

    Carifiesta (French: Carifête) is an annual Caribbean Carnival held in Montreal. The festival incorporates the diversities that exist among the Canadians of African and Caribbean descent.

    The Montreal Black Film Festival is held annually.[9]

    Black Canadians have had a major influence on Canadian music, helping pioneer many genres including Canadian hip hop, Canadian blues, Canadian jazz, R&B, Caribbean music, pop music and classical music.[10] Some of the earliest musical influences include Oliver Jones, Oscar Peterson and Charlie Biddle.

    Because the visibility of distinctively Black Canadian cultural output is still a relatively recent phenomenon, academic, critical and sociological analysis of Black Canadian literature, music, television and film tends to focus on the ways in which cultural creators are actively engaging the process of creating a cultural space for themselves which is distinct from both mainstream Canadian culture and African American culture.[11] For example, most of the Black-themed television series which have been produced in Canada to date have been ensemble cast comedy or drama series centred around the creation and/or expansion of a Black-oriented cultural or community institution.[11]

    Institutions

    Media

    The Community Contact is a newspaper serving Montreal's Black and Caribbean Community. Black Wealth Matters is a web series addressing issues in the community.

    Notable people

    See also

    References
    1. , National Household Survey (NHS) Profile, 2011
    2. "Visible minority groups, 2006 counts, for Canada, provinces and territories". 2.statcan.ca. 2010-10-06. Retrieved 2011-01-22.
    3. "National Household Survey (NHS) Profile, 2016". Statcan.gc.ca. 2013-05-08. Retrieved 2017-02-08.
    4. Winks, Robin W. (1971). The Blacks in Canada : a history. Montreal: McGill-Queen's University Press. ISBN 0-300-01361-2. OCLC 140347.
    5. Reynolds, Graham, 1944- (2016). Viola Desmond's Canada : a history of blacks and racial segregation in the promised land. Halifax. ISBN 978-1-55266-837-5. OCLC 932093581.CS1 maint: multiple names: authors list (link)
    6. Jenny Carson (2002-05-04). "Riding the Rails: Black Railroad Workers in Canada and the United States". Labour/Le Travail, 50. The History Cooperative. Retrieved 2011-01-22.
    7. "Little Burgundy." McGill University Faculty of Architecture. Accessed July 4, 2011.
    8. Dubinsky, Karen. ""We Adopted a Negro": Interractial Adoption and the Hybrid Baby in 1960s Canada" (Chapter 11). In: Rutherdale, Robert and Magda Fahrni. Creating Postwar Canada: Community, Diversity, and Dissent, 1945-75. UBC Press, July 1, 2008. ISBN 077485815X, 9780774858151. Start: p. 268. CITED: p. 279. Retrieved on October 7, 2014.
    9. "Festival International du Film black de Montréal". Festival International du Film black de Montréal. Retrieved 2020-12-03.
    10. Monique Desroches; Marie-Thérèse Lefebvre. "Black Music". The Canadian Encyclopedia. Retrieved 2010-07-26.
    11. Rinaldo Walcott, Black Like Who?: Writing Black Canada. 2003, Insomniac Press. ISBN 1-894663-40-3.
    12. "Clarence Bayne | Concordia University (Canada) - Academia.edu". concordia.academia.edu.

    Sources

    Further reading

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